{"title":"Speakers","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eShop Speakers By Category \u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"containerart-speakers\"\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"https:\/\/vinylsound.com\/collections\/tower-speakers\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/Evoke30_Walnut_Front_4f6ceb4d-279d-4506-b8e6-5464ff23208a_1600x.jpg?v=1557499120\"\u003e\n\u003ch1 class=\"titlecat\"\u003eTower Speakers\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"https:\/\/vinylsound.com\/collections\/bookshelf-speakers\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/WHARFEDALEEVO4.1BOOKSHELFWALNUTVINYLSOUND_1600x_9206feeb-1c93-423f-9876-629a5bf2785a.jpg?v=1620240143\"\u003e\n\u003ch1 class=\"titlecat\"\u003eBookshelf Speakers\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"https:\/\/vinylsound.com\/collections\/monitor-speakers\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Monitor_Speaker.png?v=1781624707\" alt=\"\"\u003e\n\u003ch1 class=\"titlecat\"\u003eMonitor Speakers\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/subwoofers\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/VINYLSOUND-SPL150NABSUBWOOFER_1600x.jpg?v=1618260994\"\u003e\n\u003ch1 class=\"titlecat\"\u003eSubwoofers\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e \u003cbr\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eShop Speakers By Brand\u003c\/strong\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"containerart-brand\"\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/all-speakers\/dynaudio\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/dynaudio_logo_350x.jpg?v=1556298858\"\u003e\n\u003ch1 class=\"titlecat\"\u003eDynaudio\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"https:\/\/vinylsound.com\/collections\/devore-fidelity\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/vinylsound.com\/cdn\/shop\/files\/DEVORE-FIDELITY-LOGO-VINYL-SOUND_350x.jpg?v=1712445828\"\u003e\n\u003ch1 class=\"titlecat\"\u003eDeVore Fidelity\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"https:\/\/vinylsound.com\/collections\/leak-speakers\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/vinylsound.com\/cdn\/shop\/files\/Leak_-_vinyl_sound_350x.jpg?v=1712445861\"\u003e\n\u003ch1 class=\"titlecat\"\u003eLeak\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"https:\/\/vinylsound.com\/collections\/mission\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/vinylsound.com\/cdn\/shop\/files\/mission-audio-visual-vinylsound_350x.jpg?v=1712445820\"\u003e\n\u003ch1 class=\"titlecat\"\u003eMission\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"https:\/\/vinylsound.com\/collections\/mobile-fidelity\/speakers\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/vinylsound.com\/cdn\/shop\/files\/Mofi_Logo_Vinyl_sound_350x.png?v=1721158632\"\u003e\n\u003ch1 class=\"titlecat\"\u003eMobile Fidelity\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/all-speakers\/spendor\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/spendor-logo_350x.jpg?v=1556913656\"\u003e\n\u003ch1 class=\"titlecat\"\u003eSpendor\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/tannoy\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/VINYL_SOUND_-_TANNOY_LOGO_350x.jpg?v=1606946457\"\u003e\n\u003ch1 class=\"titlecat\"\u003eTannoy\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/all-speakers\/wharfedale\"\u003e\u003cimg class=\"imgcat\" width=\"100%\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/WHAREDALE-_vinyl_sound_350x.jpg?v=1611946261\"\u003e\n\u003ch1 class=\"titlecat\"\u003eWharfedale\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e \u003cbr\u003e \u003c!--speakers by price--\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eShop By price \u003c\/strong\u003e\u003c\/div\u003e\n\u003cbr\u003e \u003cbr\u003e\n\u003cdiv class=\"containerart-brand\"\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/speakers-under-1000\"\u003e\n\u003ch1 class=\"titlecat\"\u003eUnder $1000\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/speakers-between-1000-and-2000\"\u003e\n\u003ch1 class=\"titlecat\"\u003e$1000 - $2000\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/speakers-between-2000-and-3000\"\u003e\n\u003ch1 class=\"titlecat\"\u003e$2000 - $3000\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/speakers-between-3000-and-4000\"\u003e\n\u003ch1 class=\"titlecat\"\u003e$3000 - $4000\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/speakers-between-4000-and-5000\"\u003e\n\u003ch1 class=\"titlecat\"\u003e$4000 - $5000\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item\"\u003e\u003ca href=\"\/collections\/speakers-over-5000\"\u003e\n\u003ch1 class=\"titlecat\"\u003eOver $5000\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"category-item-black\"\u003e\u003ca href=\"\/collections\/all-speakers\"\u003e\n\u003ch1 class=\"titlecatblack\"\u003e-\u0026gt; SHOP ALL SPEAKERS\u003c\/h1\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e \u003cbr\u003e \u003c!--speakers category--\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eFeatured Speakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cbr\u003e","products":[{"product_id":"dynaudio-emit-m30-speaker","title":"Dynaudio Emit 30 Floorstanding Speaker (pair)","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Emit 30 Floorstanding Speaker (Pair) at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Emit 30 is a compact 2.5-way floorstanding loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. Part of Dynaudio's Emit series, it features a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e inner dome and twin \u003cstrong\u003e14cm MSP mid\/bass drivers\u003c\/strong\u003e with copper-coated aluminium voice coils and dual-stacked Ferrite+ ceramic magnets. Sensitivity is 87 dB, impedance is 4 ohms, IEC power handling is \u003cstrong\u003e180W\u003c\/strong\u003e, and frequency response extends from \u003cstrong\u003e44 Hz to 25 kHz\u003c\/strong\u003e. The 18mm MDF cabinet uses dual rear-ported double-flared bass reflex ports and is tuned at Dynaudio's Jupiter acoustic measurement facility in Denmark. The Emit 30 is sold as a pair and suited to stereo two-channel systems or compact multi-channel home cinema setups in medium to large rooms.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis: Evoke-Level High-Frequency Performance\u003c\/h2\u003e\n\u003cp\u003eThe Emit 30 uses the identical Cerotar tweeter fitted in Dynaudio's higher-tier Evoke series. The 28mm coated soft-dome diaphragm draws on design lessons from the Esotar Forty anniversary tweeter and the Esotar Pro used in Dynaudio's Core professional studio reference monitors. The Hexis inner dome, a dimpled secondary dome positioned directly behind the playing surface, suppresses unwanted resonances from forming in the dome cavity and reflecting back through the diaphragm, smoothing the frequency response and reducing coloration at the top end. An aluminium voice coil and optimised airflow magnet system provide drive efficiency, and the first-order crossover topology for the tweeter, at 3,550 Hz, was selected specifically to allow the Cerotar to operate as close as possible to its natural roll-off characteristics. This minimises phase distortion through the crossover region and contributes to the Emit 30's capacity for long listening sessions without fatigue. The dual-flared rear bass port, with one internal flare and one external flare, has been tuned to suppress the aerodynamic noise that conventionally ported cabinets can produce at higher excursion levels, and comes with foam inserts for near-wall placement optimisation.\u003c\/p\u003e\n\n\u003ch2\u003eTwin 14cm MSP Mid\/Bass Drivers: Dual-Stacked Magnets and Copper-Coated Aluminium Voice Coils\u003c\/h2\u003e\n\u003cp\u003eBoth 14cm MSP mid\/bass drivers in the Emit 30 use one-piece Magnesium Silicate Polymer cones without a separately bonded dust cap. The cone, balance ribs, and voice-coil former are bonded as a single mechanical assembly, ensuring that energy from the voice coil is transferred directly and consistently to the full cone surface with minimal loss or flexion. Each driver is powered by a dual-stacked strontium carbonate Ferrite+ ceramic magnet system, a technology developed for Dynaudio's Special Forty anniversary series that concentrates magnetic flux more precisely on the voice coil than a single magnet arrangement. The voice coils use aluminium wire wound on a two-layer glass-fibre former, with a thin copper coating applied over each aluminium winding. This coating increases the amplifier's electrical grip on the voice coil, providing more precise control over cone movement with only a marginal increase in mass. The 2.5-way crossover splits the two drivers at 1,000 Hz: the upper driver operates from bass through midrange up to the 3,550 Hz tweeter handover, while the lower driver handles frequencies below 1,000 Hz only, adding low-frequency reinforcement and extending bass output for the compact cabinet size. Both crossover sections use second-order filter networks.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e The same 28mm soft-dome tweeter used in Dynaudio's Evoke series, featuring the Hexis inner dome for resonance suppression, a first-order crossover for minimal phase distortion, and an aluminium voice coil with optimised airflow magnet for fatigue-free high-frequency performance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin 14cm MSP Mid\/Bass Drivers:\u003c\/strong\u003e Two one-piece MSP cone drivers with copper-coated aluminium voice coils on two-layer glass-fibre formers, providing precise cone control and a higher winding count for greater motor force and detail resolution.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual-Stacked Ferrite+ Ceramic Magnets:\u003c\/strong\u003e Each mid\/bass driver uses two strontium carbonate Ferrite+ ceramic magnets stacked to concentrate magnetic energy directly into the voice coil, a system derived from Dynaudio's Special Forty anniversary speaker development.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2.5-Way Crossover at 1,000 Hz \/ 3,550 Hz:\u003c\/strong\u003e A second-order woofer network and first-order tweeter network, crossing the two MSP drivers at different frequencies to achieve bass reinforcement below 1,000 Hz while keeping a single driver responsible for the midrange band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual Double-Flared Rear Bass Ports:\u003c\/strong\u003e Two rear-firing ports with internal and external flares, tuned to minimise port noise at high excursion, and supplied with foam inserts for near-wall placement optimisation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e18mm MDF Cabinet with Tuned Polyester Damping:\u003c\/strong\u003e Enclosure walls built from 18mm MDF, internally lined with polyester fibre measured to the gram for precisely calibrated resonance suppression, voiced at Dynaudio's Jupiter acoustic measurement facility.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact Floorstanding Format:\u003c\/strong\u003e At 900mm tall and 170mm wide without feet, the Emit 30 fits comfortably in medium to large living rooms without the footprint of a full-scale tower design.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSold as a Pair:\u003c\/strong\u003e The Emit 30 is listed and sold as a stereo pair, compatible with the Emit 25C centre channel and Emit 10 or Emit 20 bookshelf speakers for a complete Emit multi-channel home cinema system.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Laminate Finishes:\u003c\/strong\u003e Black, White, and Walnut, with black magnetic grilles included as standard.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEmit\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eCompact floorstanding, 2.5-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003e2 x bass reflex, rear double-flared port\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Drivers\u003c\/td\u003e\n\u003ctd\u003e2 x 14cm MSP cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVoice Coils\u003c\/td\u003e\n\u003ctd\u003eCopper-coated aluminium on two-layer glass-fibre former\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2.5-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e1,000 Hz \/ 3,550 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Topology\u003c\/td\u003e\n\u003ctd\u003e1st order tweeter, 2nd order woofer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e87 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e180W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e44 Hz to 25 kHz (+\/-3 dB) \/ 39 Hz to 35 kHz (-6 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack laminate, White laminate, Walnut laminate\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eGrille\u003c\/td\u003e\n\u003ctd\u003eBlack magnetic (included)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e170 x 900 x 271.5 mm \/ 6.7 x 35.4 x 10.7 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e267.5 x 946.5 x 335.4 mm \/ 10.5 x 37.3 x 13.2 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e15.53 kg \/ 34.2 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold as\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDesigned and tuned in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Emit 30?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 30 is a compact 2.5-way floorstanding loudspeaker sold as a pair, designed and voiced at Dynaudio's Jupiter facility in Denmark. It features a 28mm Cerotar tweeter with Hexis, twin 14cm MSP mid\/bass drivers with copper-coated aluminium voice coils and dual-stacked Ferrite+ ceramic magnets, and two rear double-flared bass reflex ports. Sensitivity is 87 dB, impedance is 4 ohms, IEC power handling is 180W, and frequency response extends from 44 Hz to 25 kHz. It is suited to stereo listening or compact multi-channel home cinema configurations in medium to large rooms.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Emit 30 compare to the Klipsch RP-6000F II or Q Acoustics 5040?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 30, Klipsch RP-6000F II, and Q Acoustics 5040 are all compact 2.5-way floorstanders targeting entry-level audiophile and home cinema buyers. The Klipsch RP-6000F II uses a Tractrix horn-loaded compression tweeter and dual 6.5-inch Cerametallic woofers, with significantly higher sensitivity around 97 dB for high-efficiency pairings and a forward, energetic character. The Q Acoustics 5040 uses a cloth dome tweeter and two 5-inch midrange-bass drivers in a relatively shallow cabinet tuned for near-wall placement. The Emit 30 differentiates itself with the full Cerotar tweeter with Hexis from the Evoke series, dual-stacked Ferrite+ magnet systems derived from the Special Forty anniversary speaker, and Dynaudio's in-house MSP cone material tuned at the Jupiter measurement facility, providing a more neutral and refined presentation focused on tonal accuracy and long-term listening quality.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does the copper coating on the Emit 30's aluminium voice coils do?\u003c\/h3\u003e\n\u003cp\u003eThe copper coating is applied over the aluminium wire windings on the Emit 30's mid\/bass voice coils to increase the amplifier's electrical control over the driver. Aluminium is used as the primary winding material because its low mass allows more turns to be wound onto the glass-fibre former for a given total weight, increasing motor force and control. The thin copper outer layer then improves the electrical conductivity of the winding surface without meaningfully increasing inertia, resulting in tighter grip over the cone's back-and-forth movement and finer resolution of low-level dynamic detail.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier does the Dynaudio Emit 30 work best with?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 30 is rated at 4 ohms with 87 dB sensitivity and 180W IEC power handling, making it suited to a solid-state integrated amplifier that can deliver stable current into a 4-ohm load. A minimum of 50W into 4 ohms is adequate for small to medium rooms, with 80W or more recommended for larger spaces or higher listening levels. Integrated amplifiers from NAD, Cambridge Audio, Yamaha, or Rotel at appropriate power levels pair well. Budget AV receivers rated for 6-ohm or 8-ohm loads may feel underpowered with the Emit 30 in larger listening environments.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Emit 30 be placed close to a wall?\u003c\/h3\u003e\n\u003cp\u003eYes, with the included foam port inserts. The Emit 30's dual rear-ported enclosure is supplied with foam plugs that can be partially or fully inserted to reduce bass loading when the speakers are positioned near a rear wall. Without the plugs, Dynaudio recommends at least 20 to 50 cm of clearance from the rear wall to prevent excessive bass build-up from the dual-flared ports. The foam inserts allow the speaker's bass response to be adjusted mechanically without requiring equalizer settings or amplifier adjustments.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Emit 30 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 30 is available as a pair at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss matching components for a stereo or home cinema configuration.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Emit 30 differ from the Emit 50?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 50 is the three-way flagship of the Emit series, adding a dedicated 15cm MSP midrange driver with a ferrite ceramic magnet and a fourth-order woofer crossover, alongside twin 18cm copper voice-coil woofers in a larger cabinet reaching 33 Hz. The Emit 30 uses a 2.5-way configuration with twin 14cm MSP drivers handling both midrange and bass in a more compact 900mm-tall cabinet, reaching 44 Hz at -3 dB. The Emit 50 is better suited to larger rooms and cinema-level output requirements, while the Emit 30 delivers compact floorstander performance for buyers who need a slimmer 170mm-wide cabinet with a lower amplifier power requirement of 180W versus the Emit 50's 240W.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"White","offer_id":48572585214259,"sku":"EMIT 30 W","price":1699.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":48572585247027,"sku":"EMIT 30 B","price":1699.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572585279795,"sku":"EMIT 30 W","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Dynaudio_Emit30_White_FrontAngle-vinylsound.jpg?v=1712421295"},{"product_id":"dynaudio-emit-20-speaker","title":"Dynaudio Emit 20 Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Emit 20 Standmount Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Emit 20 is a two-way standmount loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. Part of Dynaudio's Emit series, it carries the \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e directly from the Evoke range alongside an \u003cstrong\u003e18cm MSP mid\/bass driver\u003c\/strong\u003e with copper-coated aluminium voice coil wound on a two-layer glass-fibre former, dual-stacked ferrite magnet system, and long-throw surround. Sensitivity is 86 dB, impedance is \u003cstrong\u003e6 ohms\u003c\/strong\u003e, IEC power handling is 160W, and frequency response extends from \u003cstrong\u003e53 Hz to 25 kHz\u003c\/strong\u003e. A hybrid first- and second-order crossover at 3,800 Hz is designed by the same engineering team behind the Dynaudio Heritage Special and Core professional reference monitors. The speaker is designed, measured, and voiced at Dynaudio's Jupiter acoustic measurement facility in Skanderborg, Denmark.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis: Evoke-Level High-Frequency Performance\u003c\/h2\u003e\n\u003cp\u003eThe Emit 20 uses the Cerotar tweeter taken directly from Dynaudio's Evoke series rather than a simplified derivative, a 28mm soft-dome design that draws simultaneously on the Special Forty anniversary speaker and the Esotar3 found in the flagship Confidence range. The coated fabric dome delivers high-frequency performance with openness and detail intended to reproduce exactly what the recording engineer placed on the master. Behind the dome, the Hexis inner dome shapes airflow in the tweeter's rear cavity to suppress resonances that would otherwise pass back through the diaphragm, producing a smoother frequency response and reducing the listening fatigue associated with high-frequency coloration. Core professional reference monitor technology informs the Cerotar's design as well, specifically the attention to long-session listening comfort that professional monitor users require when working with audio for extended periods. The Ferrite+ strontium carbonate ceramic magnet provides the drive power to maintain clean, composed treble reproduction at high output levels without breakup or compression. A hybrid crossover topology assigns a first-order network to the tweeter, the shallowest filter type and the one that produces the least phase distortion through the crossover region, while a second-order network handles the mid\/bass driver below. This crossover was designed by the same engineering team behind the Heritage Special and Core speakers, using that reference-grade circuit knowledge applied to the Emit 20's driver and price point.\u003c\/p\u003e\n\n\u003ch2\u003e18cm MSP Mid\/Bass Driver: Copper-Coated Aluminium Voice Coil and Dual-Stacked Ferrite Magnets\u003c\/h2\u003e\n\u003cp\u003eThe Emit 20's 18cm MSP mid\/bass driver is based on the Evoke series version of Dynaudio's long-established MSP cone platform. The one-piece MSP diaphragm includes an integrated dust cap rather than a separately bonded piece, providing a direct and consistent mechanical coupling between the cone surface and the glass-fibre voice-coil former beneath via the Balance Ribs around the central dome. The voice coil itself is wound from aluminium wire on a two-layer glass-fibre former, with a thin copper coating applied over the aluminium windings. Aluminium is used as the primary winding material because its lower mass compared to copper allows more windings per unit weight, increasing the magnetic force factor that determines cone control authority. The copper coating then improves the electrical conductivity of the winding surface without meaningfully increasing inertia, giving the amplifier tighter grip over the driver's back-and-forth movement and enabling finer resolution of transient detail. A dual-stacked ferrite magnet system concentrates magnetic flux more precisely on the voice coil than a single magnet arrangement, a design approach first developed for Dynaudio's Special Forty anniversary series. A new long-throw surround allows greater diaphragm excursion, extending the driver's bass output from a compact standmount cabinet. The rear-firing double-flared bass reflex port, with internal and external flares, tuned to minimise aerodynamic port noise under high excursion, extends bass response to 53 Hz at -3 dB and 42 Hz at -6 dB.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e The same 28mm Cerotar tweeter as Dynaudio's Evoke series, drawing on Special Forty and Confidence technology, with the Hexis inner dome for resonance control, Core-inspired long-session listening performance, and a Ferrite+ strontium carbonate ceramic magnet for extended sensitivity and clear, fatigue-free treble.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e18cm MSP Mid\/Bass Driver with Copper-Coated Aluminium Voice Coil:\u003c\/strong\u003e A one-piece MSP cone with an aluminium voice coil coated in copper on a two-layer glass-fibre former, providing increased winding count, stronger magnetic drive force, and tighter amplifier control over cone movement across the bass and midrange bands.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual-Stacked Ferrite Magnet System:\u003c\/strong\u003e Two stacked ferrite magnets derived from Special Forty development, concentrating magnetic energy directly into the voice coil for more precise driver control compared to a single magnet arrangement at this driver size.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHybrid First- and Second-Order Crossover at 3,800 Hz:\u003c\/strong\u003e A crossover designed by the Heritage Special and Core engineering team, using first-order topology for the tweeter to minimise phase distortion and second-order topology for the mid\/bass driver to provide appropriate roll-off control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRear Double-Flared Bass Reflex Port:\u003c\/strong\u003e A rear-firing port with internal and external flares, tuned to suppress aerodynamic noise at high excursion, extending bass response to 42 Hz at -6 dB from a 205mm x 370mm standmount cabinet.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eJupiter Facility Development:\u003c\/strong\u003e Designed and voiced at Dynaudio's Jupiter acoustic measurement facility, using the same world-class R and D infrastructure applied to every product in the Dynaudio range from Emit to the flagship Confidence series.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Laminate Finishes:\u003c\/strong\u003e Black, White, and Walnut, with one-piece moulded cover rings with the surface finish embedded in the material to eliminate lacquer degradation over time. Black magnetic grilles are included as standard.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEmit\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eStandmount, two-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear double-flared port\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e18cm MSP cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVoice Coil\u003c\/td\u003e\n\u003ctd\u003eCopper-coated aluminium, two-layer glass-fibre former\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2-way hybrid\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e3,800 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Topology\u003c\/td\u003e\n\u003ctd\u003e1st order tweeter, 2nd order woofer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e86 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e6 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e160W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e53 Hz to 25 kHz (+\/-3 dB) \/ 42 Hz to 35 kHz (-6 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack laminate, White laminate, Walnut laminate\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eGrille\u003c\/td\u003e\n\u003ctd\u003eBlack magnetic (included)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e205.1 x 370 x 311.5 mm \/ 8.1 x 14.6 x 12.3 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e205.1 x 370 x 324.5 mm \/ 8.1 x 14.6 x 12.8 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e10.32 kg \/ 22.8 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDesigned and tuned in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Emit 20?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 20 is a two-way standmount loudspeaker designed and voiced in Denmark as part of Dynaudio's Emit series. It carries the 28mm Cerotar tweeter with Hexis directly from the Evoke range, an 18cm MSP mid\/bass driver with copper-coated aluminium voice coil and dual-stacked ferrite magnets, and a hybrid first- and second-order crossover at 3,800 Hz designed by the Heritage Special and Core engineering team. Sensitivity is 86 dB, impedance is 6 ohms, power handling is 160W IEC, and frequency response extends from 53 Hz to 25 kHz at -3 dB.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Emit 20 compare to the Wharfedale Diamond 12.2 or Q Acoustics 3030i?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 20, Wharfedale Diamond 12.2, and Q Acoustics 3030i are all compact two-way standmounts at accessible price points, but differ meaningfully in driver architecture and design lineage. The Wharfedale Diamond 12.2 uses Wharfedale's woven Kevlar cone and soft-dome tweeter in a traditional two-way design with a warm, musical British character. The Q Acoustics 3030i uses Q Acoustics' P2P internal bracing and a Helmholtz Pressure Equaliser in the tweeter rear chamber for resonance control. The Emit 20 differentiates itself with the full Cerotar tweeter with Hexis from the Evoke and Confidence lineage, a copper-coated aluminium voice coil with dual-stacked magnet system from Special Forty development, a crossover designed by the Heritage Special and Core team, and Jupiter facility development, delivering a trickle-down engineering pedigree that runs directly from Dynaudio's flagship products to this entry-level standmount.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the hybrid crossover in the Emit 20 and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 20's crossover uses two different filter topologies rather than applying the same design to both drivers. The tweeter uses a first-order (6 dB per octave) network for minimal phase distortion and the most natural roll-off behaviour through the crossover region. The mid\/bass driver uses a second-order (12 dB per octave) network for adequate out-of-band rejection appropriate to an 18cm cone driver operating below 3,800 Hz. Using separate topologies optimised for each driver, rather than a universal design applied to both, is the same philosophy Dynaudio applies throughout its range from the Heritage Special to the Confidence series. The crossover was designed by the same team behind the Heritage Special and Core professional monitors.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Dynaudio Emit 20?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 20 is rated at 6 ohms with 86 dB sensitivity and 160W IEC power handling, making it well-suited to solid-state integrated amplifiers in the 40W to 100W range into 6 ohms. The 6-ohm impedance is more amplifier-compatible than the 4-ohm rating of Dynaudio's Contour and Confidence models, working comfortably with a broad range of integrated amplifiers from Cambridge Audio, Rega, NAD, Yamaha, or Marantz at appropriate output levels. The Cerotar tweeter is revealing of upstream quality, so the Emit 20 rewards amplifier investment beyond the entry level, particularly for improved tonal accuracy and dynamic range.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Emit 20 be used as rear surround speakers in a home cinema system?\u003c\/h3\u003e\n\u003cp\u003eYes, the Emit 20 is specifically noted by Dynaudio as a natural choice for rear surround channels in a multi-channel home cinema configuration, in addition to stereo two-channel use. Its compact 205mm x 370mm footprint fits on shelves, stands, or wall brackets, and its tonal character is consistent with the Emit 50 front speakers and Emit 25C centre channel for a coherent Emit multi-channel system. For dedicated stereo listening in small to medium rooms, the Emit 20 functions as a full-range standmount without the need for a subwoofer.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Emit 20 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 20 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss stand and amplifier pairing recommendations for your listening space.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Emit 20 differ from the Evoke 20?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 20 and Emit 20 are both two-way standmount loudspeakers sharing the Cerotar tweeter with Hexis, but the Evoke 20 sits one tier above in Dynaudio's range. The Evoke 20 uses an 18cm MSP Esotec+ woofer with 52mm aluminium voice coil and a Contour-derived long-throw seamless surround, a second-order crossover at 3,200 Hz using Evoke-tier components, a curved MDF cabinet with hidden-screw one-piece trim rings in four furniture-grade finishes including high-gloss lacquer and open-grain veneer options, and a 6-ohm impedance at 86 dB sensitivity and 180W power handling. The Emit 20 uses an 18cm MSP driver with copper-coated aluminium voice coil, dual-stacked ferrite magnets, and a rear double-flared port, in a laminate cabinet available in three finishes, with a Heritage Special and Core-designed hybrid crossover at 3,800 Hz. The Emit 20 extends slightly higher in frequency response to 25 kHz and reaches 42 Hz at -6 dB. Both use identical cabinet width and similar overall proportions, but the Evoke 20 is taller at 380mm versus the Emit 20's 370mm.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Black","offer_id":48572586262835,"sku":"EMIT 20 B","price":1049.0,"currency_code":"USD","in_stock":true},{"title":"White","offer_id":48572586295603,"sku":"EMIT 20 W","price":1049.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572586328371,"sku":"EMIT 20 WA","price":1049.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/dynaudioemit20_black_01.jpg?v=1712421304"},{"product_id":"dynaudio-emit-10-speaker","title":"Dynaudio Emit 10 Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Emit 10 Compact Standmount Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Emit 10 is a compact two-way standmount loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The smallest model in Dynaudio's Emit series, it features a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e from the Evoke series and a \u003cstrong\u003e14cm MSP mid\/bass driver\u003c\/strong\u003e with copper-clad aluminium voice coil and dual-stacked ferrite magnet system. Sensitivity is 85 dB, impedance is \u003cstrong\u003e6 ohms\u003c\/strong\u003e, IEC power handling is 150W, and frequency response extends from \u003cstrong\u003e64 Hz to 25 kHz\u003c\/strong\u003e. A hybrid first- and second-order crossover at 3,700 Hz was designed by the same team behind the Heritage Special and Core professional studio monitors. The Emit 10 is designed and voiced at Dynaudio's Jupiter acoustic measurement facility in Denmark, suited to smaller rooms and satellite channels in multi-channel home cinema systems.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis: Evoke, Heritage Special, and Confidence Lineage\u003c\/h2\u003e\n\u003cp\u003eThe Emit 10 carries the identical Cerotar tweeter found in Dynaudio's Evoke series, a 28mm fabric soft-dome design that draws on three distinct product lineages. Its DSR (Dynaudio Secret Recipe) precision coating and airflow engineering reference the Special Forty anniversary tweeter, the Esotar3 is found in the Heritage Special and Confidence flagship range, and the Core professional reference monitor series informs the long-session listening performance that the Cerotar is designed to sustain. Behind the dome, the Hexis inner dome sits directly against the rear of the playing surface, disrupting the resonance path formed by rearward pressure waves in the tweeter cavity. Without the Hexis, these waves reflect back through the dome and superimpose on the direct sound, introducing frequency response coloration and distortion. The Hexis shapes this airflow to suppress the resonance, producing a smoother, more accurate high-frequency response and reducing the listening fatigue that uncorrected tweeter resonance creates over extended sessions. The Cerotar is powered by a strontium carbonate Ferrite+ ceramic magnet for maximum sensitivity and natural, dynamic treble reproduction. A first-order crossover topology is assigned to the tweeter at 3,700 Hz, providing the least phase distortion of any crossover filter type and supporting precise integration with the mid\/bass driver through the crossover region.\u003c\/p\u003e\n\n\u003ch2\u003e14cm MSP Mid\/Bass Driver: Dual-Stacked Ferrite Magnets and Copper-Clad Aluminium Voice Coil\u003c\/h2\u003e\n\u003cp\u003eThe Emit 10's 14cm MSP mid\/bass driver is derived from the Esotec+ used in the Evoke series. Its one-piece MSP cone includes the dust cap as part of the playing surface rather than as a separately bonded component, with Balance Ribs bonded directly to the 38mm voice-coil former beneath. This construction provides an exceptionally rigid and direct mechanical coupling between the cone surface and the voice coil, ensuring maximum energy transfer from the motor to the diaphragm with minimal compliance variation. The voice coil uses copper-clad aluminium wire. Aluminium is chosen as the primary material for its low mass, which reduces inertia and allows the driver to respond quickly to transient signals. The copper cladding applied over the aluminium wire improves electrical conductivity, giving the amplifier stronger control authority over the voice coil's movement and enabling finer resolution of low-level musical detail. A dual-stacked ferrite magnet system directs magnetic flux precisely to the voice coil, increasing motor force and sensitivity compared to a single magnet arrangement of equivalent footprint. The rear-facing double-flared bass reflex port, with both internal and external flares, is tuned to minimise aerodynamic turbulence and port noise under high excursion, extending bass response to 64 Hz at -3 dB and 52 Hz at -6 dB from the compact 170mm x 290mm cabinet.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e The same 28mm Cerotar from the Evoke series, drawing on Special Forty, Esotar3 Confidence, and Core professional monitor technology, with Hexis inner dome for resonance suppression and Ferrite+ ceramic magnet for sensitive, natural, fatigue-free treble.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e14cm MSP Mid\/Bass Driver with Copper-Clad Aluminium Voice Coil:\u003c\/strong\u003e A one-piece MSP cone derived from the Evoke Esotec+, using copper-clad aluminium wire for reduced inertia and improved conductivity, with Balance Rib bonding directly to the 38mm voice-coil former for maximum mechanical coupling.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual-Stacked Ferrite Magnet System:\u003c\/strong\u003e Two stacked ferrite magnets in a compact arrangement that concentrates magnetic flux directly on the voice coil, increasing motor efficiency and cone control compared to a single magnet, a design approach derived from Dynaudio's Special Forty development.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHeritage Special and Core-Designed Hybrid Crossover at 3,700 Hz:\u003c\/strong\u003e A first-order topology for the tweeter and second-order topology for the mid\/bass driver, designed by the same engineering team behind the Heritage Special and Core professional studio reference speakers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRear Double-Flared Bass Reflex Port:\u003c\/strong\u003e A port with both internal and external flares, tuned to suppress aerodynamic noise under high excursion, with internal damping material measured to the gram for precisely calibrated resonance suppression.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e18mm MDF Cabinet with Jupiter Facility Development:\u003c\/strong\u003e Constructed from 18mm MDF with tuned internal damping, designed and voiced at Dynaudio's Jupiter acoustic measurement facility in Denmark using the same development infrastructure applied across the full Dynaudio range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact Format for Small Rooms and Satellite Use:\u003c\/strong\u003e At 170mm wide and 290mm tall, the Emit 10 fits on bookshelves, desktop stands, or dedicated speaker stands for small-room stereo listening, and is designed as a satellite channel speaker in multi-channel home cinema Emit systems.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Laminate Finishes with Magnetic Grilles:\u003c\/strong\u003e Black, White, and Walnut laminate finishes with black magnetic grilles included as standard, one-piece moulded cover rings with embedded surface finish to resist degradation over time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEmit\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eCompact standmount, two-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear double-flared port\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e14cm MSP cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVoice Coil\u003c\/td\u003e\n\u003ctd\u003e38mm copper-clad aluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2-way hybrid\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e3,700 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Topology\u003c\/td\u003e\n\u003ctd\u003e1st order tweeter, 2nd order mid\/bass\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e85 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e6 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e150W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e64 Hz to 25 kHz (+\/-3 dB) \/ 52 Hz to 35 kHz (-6 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack laminate, White laminate, Walnut laminate\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eGrille\u003c\/td\u003e\n\u003ctd\u003eBlack magnetic (included)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e170 x 290 x 271.5 mm \/ 6.7 x 11.4 x 10.7 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e170 x 290 x 284.5 mm \/ 6.7 x 11.4 x 11.2 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e6.43 kg \/ 14.2 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDesigned and tuned in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Emit 10?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 10 is a compact two-way standmount loudspeaker designed and voiced in Denmark as the smallest model in Dynaudio's Emit series. It features a 28mm Cerotar tweeter with Hexis from the Evoke series, a 14cm MSP mid\/bass driver with copper-clad aluminium voice coil and dual-stacked ferrite magnets, and a hybrid first- and second-order crossover at 3,700 Hz designed by the Heritage Special and Core engineering team. Sensitivity is 85 dB, impedance is 6 ohms, power handling is 150W IEC, and frequency response extends from 64 Hz to 25 kHz at -3 dB.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Emit 10 compare to the Wharfedale Diamond 12.1 or Monitor Audio Bronze 100?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 10, Wharfedale Diamond 12.1, and Monitor Audio Bronze 100 all compete in the compact entry-level standmount segment. The Wharfedale Diamond 12.1 uses Wharfedale's woven Kevlar cone and a soft-dome tweeter in a two-way design with a warm, forgiving presentation optimised for long-term listening comfort. The Monitor Audio Bronze 100 uses Monitor Audio's C-CAM Gold Dome tweeter and RST woven cone driver, leaning toward a detailed, rhythmically precise character. The Emit 10 differentiates itself with the full Cerotar tweeter with Hexis from the Evoke and Confidence lineage, a copper-clad aluminium voice coil with dual-stacked magnet system derived from Special Forty development, and a Heritage Special and Core-designed hybrid crossover, providing a driver and crossover pedigree that traces directly to Dynaudio's flagship products at this entry-level price point.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the purpose of the copper-clad aluminium voice coil in the Emit 10?\u003c\/h3\u003e\n\u003cp\u003eThe copper cladding on the Emit 10's aluminium voice coil wire serves two complementary purposes. Aluminium is used as the primary winding material because its low mass compared to copper allows more windings per unit weight, increasing the magnetic force factor that determines how effectively the amplifier controls the driver. The copper layer applied over the aluminium then improves the electrical conductivity of the winding surface without significantly increasing the total mass of the coil. The combined result is a voice coil that provides strong motor force, low inertia, and tight amplifier grip over cone movement, contributing to improved transient detail and dynamic precision for a driver in this size class.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Emit 10 be used in a home cinema system?\u003c\/h3\u003e\n\u003cp\u003eYes, the Emit 10 is specifically designed for use as satellite channel speakers in a multi-channel home cinema configuration, in addition to small-room stereo listening. Its compact 170mm x 290mm footprint suits shelf, bracket, or stand mounting in surround sound positions, and it is tonally consistent with the Emit 50 front speakers and Emit 25C centre channel for a coherent Emit multi-channel system. For dedicated small-room stereo use it functions as a full-range standmount down to 52 Hz at -6 dB.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier is recommended for the Dynaudio Emit 10?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 10 is rated at 6 ohms with 85 dB sensitivity and 150W IEC power handling, making it compatible with a broad range of integrated amplifiers. A minimum of 30W into 6 ohms is adequate for small rooms at moderate levels, with 50W to 75W recommended for more dynamic listening or slightly larger spaces. Integrated amplifiers from Cambridge Audio, NAD, Yamaha, or Marantz at entry to mid-level output ratings pair well. The 6-ohm impedance is more amplifier-friendly than the 4-ohm designs in Dynaudio's higher series, and the Cerotar tweeter's Core-inspired design ensures clean performance even with amplifiers of modest output impedance.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Emit 10 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 10 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss stand, amplifier, and multi-channel system options for your room.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Emit 10 differ from the Evoke 10?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 10 is the step-up compact standmount in the Evoke range, using the same Cerotar tweeter with Hexis but pairing it with a 14cm MSP Esotec+ woofer featuring a 38mm aluminium voice coil with a Contour-derived long-throw seamless surround, in a curved MDF cabinet with hidden-screw one-piece trim rings in four furniture-grade finishes including high-gloss lacquer and open-grain veneer. The Evoke 10 reaches 47 Hz at -3 dB with 160W power handling and 84 dB sensitivity. The Emit 10 uses a 14cm MSP driver with copper-clad aluminium voice coil and dual-stacked ferrite magnets in an 18mm MDF laminate cabinet with three finish options. At 170mm x 290mm versus the Evoke 10's 180mm x 315mm, the Emit 10 is slightly more compact. Both share the same crossover design lineage from the Heritage Special and Core teams, but the Evoke 10's Esotec+ woofer with extended surround provides deeper bass extension.\u003c\/p\u003e\n","brand":"Dynaudio","offers":[{"title":"White","offer_id":48572587671859,"sku":"EMIT 10 W","price":799.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":48572587737395,"sku":"EMIT 10 B","price":799.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572587802931,"sku":"EMIT 10 W","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/dynaudio-emit10-vinylsound.jpg?v=1712421312"},{"product_id":"dynaudio-special-forty","title":"Dynaudio Special Forty Speaker (Pair)","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Special Forty Anniversary Standmount Speaker (Pair) at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Special Forty is a two-way anniversary standmount loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. Created to mark Dynaudio's 40th anniversary, it houses the exclusive \u003cstrong\u003e28mm Esotar Forty soft-dome tweeter\u003c\/strong\u003e with advanced airflow engineering, a \u003cstrong\u003e17cm MSP cone woofer\u003c\/strong\u003e with hybrid neodymium-ferrite magnet system and AirFlow Basket, and a first-order crossover at 2,000 Hz incorporating Phase Alignment and Impedance Alignment technologies. Sensitivity is 86 dB, impedance is \u003cstrong\u003e6 ohms\u003c\/strong\u003e, IEC power handling is 200W, and frequency response extends from \u003cstrong\u003e41 Hz to 23 kHz\u003c\/strong\u003e. Available in exclusive Black Vine and Ebony Wave high-gloss finishes, each pair is designed and built in Skanderborg, Denmark. The Special Forty is the recipient of the What Hi-Fi? Award 2017, 2018, and 2019 for Best Standmount Speaker, the Hi-Fi Choice Editors' Choice 2018, the Stereophile Recommended Component 2022, and the hifi+ Editor's Choice 2024.\u003c\/p\u003e\n\n\u003ch2\u003eEsotar Forty Tweeter: Airflow Engineering and Pressure Management\u003c\/h2\u003e\n\u003cp\u003eThe Esotar Forty is a 28mm soft-dome tweeter designed exclusively for the Special Forty, drawing on Dynaudio's four decades of high-frequency driver development. Its DSR (Dynaudio Secret Recipe) precision-coated dome sits at the front, while behind it, a new pressure conduit — a shaped vent through the hybrid magnet system — creates additional rear chamber space. This space accommodates more damping material and reduces back-pressure on the dome's rear surface, with the conduit shape itself actively optimising rearward airflow. A secondary aero-coupled pressure-release system positioned below the voice coil reduces unwanted pressure pockets that would otherwise form during high-excursion operation and cause resonance artefacts. These two rearward airflow management features, working in combination, allow the Esotar Forty to operate with lower distortion and greater transient precision than conventional tweeter designs at this dome size. The result is an extremely low resonant frequency, which smooths the transition to the woofer through the first-order crossover and provides wider overlap integration between the two drivers.\u003c\/p\u003e\n\n\u003ch2\u003e17cm MSP Woofer: Hybrid Magnet System, AirFlow Basket, and Asymmetric Spider\u003c\/h2\u003e\n\u003cp\u003eThe Special Forty's 17cm woofer is the most advanced version of Dynaudio's legendary 17W75 MSP driver, drawing on technologies from the Confidence and Evidence reference ranges. The one-piece MSP cone and dust-cap, with balance ribs bonded directly to the voice-coil former, provides an exceptionally rigid and consistent mechanical connection between cone and voice coil with no adhesive joint to introduce compliance variation over time. The driver uses a hybrid magnet system: a powerful neodymium rare-earth magnet positioned inside the voice coil provides maximum magnetic flux density precisely where it is needed, while a supplementary ferrite magnet disciplines the flux distribution to maintain symmetrical cone excursion and suppress second-harmonic distortion. Placing the magnet inside rather than around the outside of the voice coil reduces the amount of material inside the driver basket, which also decreases internal acoustic reflections. An asymmetric spider, functioning as a passive harmonic rectifier, further suppresses upper harmonics and allows individual instruments within dense orchestral or ensemble recordings to be resolved with exceptional clarity. The AirFlow Basket supports all of this with an open, ventilated structure that minimises internal reflections while maintaining the basket's structural rigidity and the driver's precise positional stability in the cabinet.\u003c\/p\u003e\n\n\u003ch2\u003eFirst-Order Crossover with Phase Alignment and Impedance Alignment\u003c\/h2\u003e\n\u003cp\u003eThe Special Forty's first-order crossover at 2,000 Hz is a variant of Dynaudio's classic first-order topology, one of the few speaker designs at any price point that maintains this network architecture. First-order crossovers produce the minimum phase shift of any crossover type and allow the widest natural overlap between drivers, which is why the Esotar Forty and MSP woofer are both designed with extended frequency range capabilities beyond their operating bands. Phase Alignment technology within the crossover ensures that the time relationships between the two drivers are precisely maintained through the crossover region. Impedance Alignment technology addresses the impedance variation that first-order networks can introduce across the audio band, keeping the speaker's electrical load behaviour consistent and predictable for amplifiers across a wide range of output impedances. Specially selected passive components handle both functions, contributing to the speaker's 6-ohm nominal impedance, which is slightly easier to drive than the 4-ohm rating found in many competing designs.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEsotar Forty Tweeter:\u003c\/strong\u003e The exclusive 28mm soft-dome tweeter developed for the Special Forty, featuring a pressure conduit rear chamber vent, aero-coupled pressure-release system, and DSR precision-coated dome for class-leading airflow management and low-distortion high-frequency reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e17cm MSP Woofer with Hybrid Magnet System:\u003c\/strong\u003e The ultimate version of Dynaudio's 17W75 MSP driver, using an internal neodymium magnet, supplementary ferrite flux control, one-piece MSP cone, and AirFlow Basket for symmetrical excursion, low harmonic distortion, and exceptional bass-to-midrange clarity.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAsymmetric Spider Passive Harmonic Rectifier:\u003c\/strong\u003e A uniquely shaped spider that suppresses upper harmonics generated during woofer excursion, enabling the resolution of individual instrument lines within complex musical passages.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFirst-Order Crossover at 2,000 Hz:\u003c\/strong\u003e Dynaudio's classic first-order topology with Phase Alignment and Impedance Alignment technologies, providing minimum phase distortion, maximum driver overlap, and consistent electrical behaviour across the audio band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAirFlow Basket:\u003c\/strong\u003e A purpose-designed open driver basket developed at Dynaudio Labs to reduce internal acoustic reflections and increase air movement without compromising structural rigidity or driver alignment precision.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6-Ohm Impedance:\u003c\/strong\u003e A nominal 6-ohm load, more amplifier-friendly than the 4-ohm rating common across Dynaudio's current range, giving the Special Forty compatibility with a broader set of high-quality integrated amplifiers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExclusive High-Gloss Finishes:\u003c\/strong\u003e Black Vine, a dark veneer with vivid contrast detailing, and Ebony Wave, a sinuously grained hardwood, both unique to the Special Forty and produced to the same high-gloss multi-layer lacquer standard as Dynaudio's most prestigious speakers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSold as a Pair:\u003c\/strong\u003e Built and quality-inspected at Dynaudio's Skanderborg factory, with five-way binding posts and the 40th anniversary logo on the rear panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eTwo-way standmount, bass reflex rear ported\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Esotar Forty soft dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofer\u003c\/td\u003e\n\u003ctd\u003e17cm MSP cone, hybrid magnet, AirFlow Basket\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2-way, 1st order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e2,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Technologies\u003c\/td\u003e\n\u003ctd\u003ePhase Alignment, Impedance Alignment\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e86 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e6 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e200W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e41 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack Vine High Gloss, Ebony Wave High Gloss\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e198 x 360 x 307 mm \/ 7.8 x 14.2 x 12.1 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e198 x 360 x 322 mm \/ 7.8 x 14.2 x 12.7 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e8.1 kg \/ 17.9 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold as\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eSkanderborg, Denmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eWhat Hi-Fi? Award 2017, Category: Best Standmount Speaker above £2000\u003c\/li\u003e\n  \u003cli\u003eWhat Hi-Fi? Award 2018, Category: Best Standmount Speaker above £2000\u003c\/li\u003e\n  \u003cli\u003eWhat Hi-Fi? Award 2019, Category: Best Standmount Speaker above £2000\u003c\/li\u003e\n  \u003cli\u003eHi-Fi Choice Editors' Choice 2018\u003c\/li\u003e\n  \u003cli\u003eStereophile Recommended Component 2022\u003c\/li\u003e\n  \u003cli\u003ehifi+ Editor's Choice 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Special Forty?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Special Forty is a two-way anniversary standmount loudspeaker built in Skanderborg, Denmark, created to celebrate Dynaudio's 40th anniversary. It features the exclusive 28mm Esotar Forty tweeter with advanced airflow engineering, a 17cm MSP woofer with hybrid neodymium-ferrite magnet and AirFlow Basket, and a first-order crossover at 2,000 Hz with Phase Alignment and Impedance Alignment technologies. Sensitivity is 86 dB, impedance is 6 ohms, power handling is 200W IEC, and frequency response extends from 41 Hz to 23 kHz. It won the What Hi-Fi? Best Standmount Award three consecutive years, from 2017 to 2019.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Special Forty compare to the ProAc Response D2R or Harbeth P3ESR XD?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Special Forty, ProAc Response D2R, and Harbeth P3ESR XD represent three distinct approaches to the premium compact standmount category. The ProAc D2R uses a ribbon tweeter and ProAc's proprietary cone driver in a rear-ported two-way design with a warm, musical British character. The Harbeth P3ESR XD uses Harbeth's proprietary RADIAL2 diaphragm material in a sealed enclosure, known for its natural midrange and ease of drive. The Special Forty differentiates itself through the exclusive Esotar Forty tweeter with dual airflow management systems, the hybrid magnet woofer with internal neodymium magnet and AirFlow Basket, and a first-order crossover with Phase and Impedance Alignment, producing a presentation that balances analytical resolution with musical authority across a wider dynamic range than either competitor.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Esotar Forty tweeter and why is it exclusive to the Special Forty?\u003c\/h3\u003e\n\u003cp\u003eThe Esotar Forty is a 28mm soft-dome tweeter developed specifically for the Special Forty anniversary speaker, incorporating two unique airflow management systems not found in any other Dynaudio tweeter at the time of its introduction. A pressure conduit behind the dome creates additional rear chamber volume and shapes rearward airflow, while an aero-coupled pressure-release outlet below the voice coil suppresses pressure pockets that cause resonance and distortion during high-excursion operation. These systems enable the Esotar Forty to operate with a lower resonant frequency than conventional tweeter designs, providing a wider natural overlap with the woofer through the first-order crossover and contributing directly to the speaker's phase coherence through the crossover region. Technologies from the Esotar Forty subsequently informed the development of the Cerotar tweeter used across the Evoke, Emit, and Focus series.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Dynaudio Special Forty?\u003c\/h3\u003e\n\u003cp\u003eThe Special Forty is rated at 6 ohms with 86 dB sensitivity and 200W IEC power handling. The 6-ohm impedance is more amplifier-friendly than the 4-ohm load common in Dynaudio's current range, giving the Special Forty compatibility with a broader range of amplifiers including those with higher output impedance. A minimum of 50W into 6 ohms is sufficient for small to medium rooms, with 100W or more recommended for larger spaces or higher listening levels. Integrated amplifiers from Naim, Rega, Hegel, or Luxman at appropriate power levels are natural partners, with the first-order crossover being particularly transparent to upstream amplifier character.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the Dynaudio Special Forty need dedicated stands?\u003c\/h3\u003e\n\u003cp\u003eYes, the Special Forty is a standmount speaker that performs optimally on rigid, mass-loaded dedicated speaker stands that position the tweeter at seated ear height, typically around 60 to 80 cm from the floor. Dynaudio's matching Stand 20 is compatible with the Special Forty's footprint and provides the mechanical stability needed to allow the first-order crossover and hybrid magnet woofer to perform at their best. A stable, non-resonant stand is particularly important with first-order crossover designs, where microphonic cabinet movement can more easily reach the crossover region than with steeper filter topologies.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Special Forty in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Special Forty is available as a pair at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss stand and amplifier pairing recommendations.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Special Forty differ from the Contour 20i?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Special Forty and Contour 20i are both two-way standmount loudspeakers built in Denmark, but they differ fundamentally in driver design, crossover topology, and character. The Contour 20i uses the Esotar2i tweeter with Hexis, a new variable-thickness MSP woofer with aluminium voice coil, and a simplified second-order crossover at 2,200 Hz, housed in a curved multi-layer cabinet with an inset aluminium baffle. The Special Forty uses the exclusive Esotar Forty tweeter with dual airflow management, the 17W75-derived MSP woofer with hybrid magnet and AirFlow Basket, and a first-order crossover at 2,000 Hz with Phase and Impedance Alignment. The Special Forty's first-order crossover produces less phase distortion and greater driver overlap, while the Contour 20i's second-order network offers steeper out-of-band roll-off. The Special Forty also has a 6-ohm versus the Contour 20i's 4-ohm impedance, making it the more amplifier-friendly of the two.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Ebony Wave","offer_id":48572588785971,"sku":"SPECIAL FORTY EW","price":3599.0,"currency_code":"USD","in_stock":true},{"title":"Black Vine","offer_id":48572588818739,"sku":"SPECIAL FORTY BV","price":3599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/DYNAUDIO-SPECIALFORTY-ebony-wave2-VINYLSOUND.jpg?v=1712421320"},{"product_id":"dynaudio-evoke-50-speaker","title":"Dynaudio Evoke 50 Floorstanding Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Evoke 50 Floorstanding Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Evoke 50 is a three-way floorstanding loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The flagship model of Dynaudio's Evoke series, it features a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e, a dedicated 15cm MSP neodymium midrange driver derived from the Contour range, and twin 18cm MSP Esotec+ woofers with adjustable rear-firing bass ports. Sensitivity is 87 dB, rated impedance is 4 ohms, IEC power handling is \u003cstrong\u003e260W\u003c\/strong\u003e, and frequency response extends from \u003cstrong\u003e35 Hz to 23 kHz\u003c\/strong\u003e. The Evoke 50 is compatible with both stereo two-channel listening and full Evoke multi-channel home cinema configurations using matching Evoke centre and surround speakers.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis and Contour-Derived Midrange Driver\u003c\/h2\u003e\n\u003cp\u003eThe Evoke 50's Cerotar tweeter is a ground-up Dynaudio design drawing on technologies from three reference-tier products: the Esotar Forty anniversary tweeter, the Contour series, and the flagship Confidence range. Its 28mm precision-coated soft-dome diaphragm is paired with the Hexis inner dome, a secondary acoustic component positioned immediately behind the playing surface that intercepts unwanted resonant frequencies before they can reflect back through the diaphragm. The result is a smoother measured high-frequency response with less coloration and reduced listening fatigue at extended volumes. The Cerotar's motor system uses a strontium carbonate Ferrite+ ceramic magnet for maximum sensitivity, translating to cleaner, more honest treble reproduction. Below the Cerotar, a dedicated 15cm MSP midrange driver is derived directly from the higher-end Contour range, using a powerful neodymium magnet, a 0.4mm-thin diaphragm, a glass-fibre voice-coil former, and an aluminium voice coil. Neodymium was chosen for its low mass and high magnetic flux density, enabling precise, fast control over the midrange band. The aluminium voice coil allows more windings for a given weight compared to copper, giving Dynaudio's engineers exceptional authority over driver response through the critical midrange frequencies. Crossover points are at 430 Hz between bass and midrange, and at 3,500 Hz between midrange and tweeter, using a three-way passive network.\u003c\/p\u003e\n\n\u003ch2\u003eEsotec+ Woofers, Long-Throw Design, and Adjustable Bass Ports\u003c\/h2\u003e\n\u003cp\u003eHandling the low frequencies in the Evoke 50 are two 18cm Esotec+ woofers, each built from Dynaudio's proprietary MSP diaphragm material and using copper voice coils rather than the aluminium coils of the midrange driver. As dedicated bass-only units, the woofers do not need the agility required for midrange reproduction, so higher moving mass is appropriate and beneficial for maximum bass power and control. Each woofer uses a Contour-derived long-throw surround for greater diaphragm excursion, extending bass depth and improving low-frequency dynamics. The cones are each formed from a single piece of MSP, ensuring rigidity and consistent mechanical coupling to the glass-fibre voice-coil former via the Balance Ribs visible around the cone centre. Nomex spiders maintain precise cone centering under high excursion. The cabinet is rear-ported with a distinctive three-stage adjustability system: each rear port includes a two-part foam plug that can be fully removed for maximum bass extension, partially inserted for a balanced near-wall response, or fully inserted to close the port entirely. This allows the Evoke 50's bass tuning to be adjusted for free-space placement, near-wall placement, or corner placement without any electronic intervention.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e Dynaudio's 28mm soft-dome tweeter drawing on Confidence, Contour, and Esotar Forty technology, with the Hexis inner dome for resonance control and a Ferrite+ ceramic magnet for extended sensitivity and fatigue-free treble.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eContour-Derived 15cm MSP Midrange Driver:\u003c\/strong\u003e A dedicated neodymium midrange unit from the Contour range, with a 0.4mm diaphragm, glass-fibre voice-coil former, and aluminium voice coil for precise, agile midrange performance at the Evoke 50's price point.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin 18cm MSP Esotec+ Woofers:\u003c\/strong\u003e Two long-throw bass drivers with copper voice coils and Ferrite+ ceramic magnets, providing substantial low-frequency output and control with bass extension to 35 Hz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree-Stage Adjustable Bass Ports:\u003c\/strong\u003e Two-part rear-firing port foam plugs with three tuning positions, fully open, half-open, and fully closed, allowing bass response to be tailored to room placement without electronic equalization.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree-Way Passive Crossover:\u003c\/strong\u003e Crossover network at 430 Hz and 3,500 Hz, keeping each driver operating in its optimal frequency range and enabling seamless integration between the Cerotar tweeter, neodymium midrange, and Esotec+ woofers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSingle-Piece MSP Cone Construction:\u003c\/strong\u003e Each driver cone is formed from a single unbroken piece of Magnesium Silicate Polymer, maximising rigidity, minimising self-resonance, and ensuring consistent mechanical coupling between the cone and voice-coil former.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFour Furniture-Grade Finishes:\u003c\/strong\u003e Black High Gloss, White High Gloss, Walnut Wood, and Blonde Wood, all produced to Dynaudio's furniture-grade cabinet and finishing standards.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHome Cinema Compatible:\u003c\/strong\u003e Functions as the front left and right speakers in a full Evoke multi-channel system, matching with the Evoke 25C centre, Evoke 10 surrounds, and Dynaudio Sub 3 or Sub 6 subwoofers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEvoke\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eFloorstanding, three-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported (adjustable)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMidrange\u003c\/td\u003e\n\u003ctd\u003e15cm MSP, neodymium magnet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofers\u003c\/td\u003e\n\u003ctd\u003e2 x 18cm MSP Esotec+\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e3-way passive\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e430 Hz \/ 3,500 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e87 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm (minimum 3 ohm at 100 Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e260W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e35 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass Port Tuning\u003c\/td\u003e\n\u003ctd\u003eThree-stage foam plug: fully open, half-open, fully closed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack High Gloss, White High Gloss, Walnut Wood, Blonde Wood\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e1160 x 215 x 307 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e26.9 kg per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Evoke 50?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 50 is a three-way floorstanding loudspeaker built in Denmark and the flagship model of Dynaudio's Evoke series. It features a 28mm Cerotar tweeter with Hexis, a dedicated 15cm MSP neodymium midrange driver from the Contour range, and twin 18cm MSP Esotec+ woofers in a rear-ported cabinet with adjustable foam port plugs. Sensitivity is 87 dB, impedance is 4 ohms, power handling is 260W IEC, and frequency response extends from 35 Hz to 23 kHz.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Evoke 50 compare to the Focal Aria 936 or Polk Audio Reserve R700?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 50, Focal Aria 936, and Polk Audio Reserve R700 are all three-way floorstanders competing in the mid-tier audiophile segment. The Focal Aria 936 uses Focal's flax cone drivers and an aluminium-magnesium inverted dome tweeter in a front-ported bass reflex design, with a slightly more forward midrange character. The Polk Reserve R700 uses Polk's proprietary Pinnacle Ring Radiator tweeter and StereoHeight drivers in a wide baffle design. The Evoke 50 distinguishes itself through its fully dedicated midrange driver derived from the Contour range, the Cerotar tweeter with Hexis from the Confidence line, and the three-stage adjustable rear ports, providing more placement flexibility than either competitor while delivering Dynaudio's characteristic tonal accuracy and imaging precision.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Hexis inner dome and why does the Evoke 50 have it?\u003c\/h3\u003e\n\u003cp\u003eHexis is a small secondary dome positioned directly behind the Cerotar tweeter's 28mm playing surface inside the Evoke 50. Its function is to intercept resonant standing waves that would otherwise develop in the cavity behind the tweeter diaphragm and reflect back through it, causing frequency response irregularities and audible coloration. By disrupting this resonance path, Hexis produces a smoother measured treble response and reduces the mechanical stress on the tweeter at sustained listening volumes. The technology was first developed for Dynaudio's flagship Confidence loudspeaker line before being extended to the Evoke series.\u003c\/p\u003e\n\n\u003ch3\u003eHow do the adjustable bass ports work on the Evoke 50?\u003c\/h3\u003e\n\u003cp\u003eEach Evoke 50 speaker includes two-part foam plugs for its rear-firing bass reflex ports. The plugs can be configured in three positions: fully removed for maximum bass extension in free-space placement away from walls, partially inserted to reduce bass loading when the speakers are positioned near a rear wall, or fully inserted to close the port entirely for corner placement or rooms with significant low-frequency room gain. This mechanical adjustment requires no amplifier or equalizer settings and can be changed at any time as listening positions or room configurations change.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Evoke 50 be used in a home cinema system?\u003c\/h3\u003e\n\u003cp\u003eYes, the Evoke 50 is fully compatible with Dynaudio's Evoke multi-channel lineup as the front left and right speakers. Matching components include the Evoke 25C centre channel speaker, Evoke 10 bookshelf surrounds, and either the Sub 3 or Sub 6 subwoofer depending on room size and output requirements. Dynaudio voices all Evoke series models consistently, ensuring tonal continuity across channels in a surround sound configuration. What Hi-Fi? tested the Evoke 50 as part of a complete 5.1 Evoke system and awarded it 5 out of 5 stars.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Evoke 50 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 50 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a demonstration or to discuss system matching options for stereo or home cinema use.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Dynaudio Evoke 50?\u003c\/h3\u003e\n\u003cp\u003eThe Evoke 50 is rated at 4 ohms with a minimum impedance of 3 ohms at 100 Hz and 87 dB sensitivity, making it best suited to a high-current solid-state integrated amplifier rather than an AV receiver. A minimum of 100W into 4 ohms is recommended for dynamic performance at moderate to high listening levels, with more headroom beneficial in larger rooms. Integrated amplifiers from NAD, Hegel, Exposure, Parasound, or Bryston at appropriate output ratings are all compatible choices. Dynaudio designs the Evoke 50's impedance curve to be more forgiving than the nominal 4-ohm rating suggests, but a dedicated high-current design remains the preferred pairing.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48572590915891,"sku":"EVOKE 50 W","price":5499.0,"currency_code":"USD","in_stock":true},{"title":"Blonde","offer_id":48572590948659,"sku":"EVOKE 50 B","price":5499.0,"currency_code":"USD","in_stock":true},{"title":"Black High Gloss","offer_id":48572590981427,"sku":"EVOKE 50 BG","price":5499.0,"currency_code":"USD","in_stock":true},{"title":"White High Gloss","offer_id":48572591014195,"sku":"EVOKE 50 WG","price":5499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Dynaduio_Evoke_50_Blonde_Vinyl_Sound.jpg?v=1712421333"},{"product_id":"dynaudio-evoke-30-speaker","title":"Dynaudio Evoke 30 Floorstanding Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Evoke 30 Floorstanding Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Evoke 30 is a 2.5-way compact floorstanding loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. Part of Dynaudio's Evoke series, it combines a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e inner dome and twin \u003cstrong\u003e14cm MSP Esotec+ mid\/bass drivers\u003c\/strong\u003e with 52mm aluminium voice coils in a rear-ported bass reflex cabinet. Sensitivity is 88 dB, rated impedance is 4 ohms, IEC power handling is 200W, and frequency response extends from \u003cstrong\u003e40 Hz to 23 kHz\u003c\/strong\u003e. At just 900mm tall and 180mm wide, the Evoke 30 delivers full-range floorstanding performance in a compact, furniture-grade format available in four finishes. The Evoke 30 received the AVForums Best Buy Award 2024.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis: Confidence Technology in the Evoke Series\u003c\/h2\u003e\n\u003cp\u003eThe Evoke 30's Cerotar tweeter is a purpose-built 28mm soft-dome design that consolidates technologies from three of Dynaudio's most celebrated products. Its airflow management system is derived from the Esotar Forty anniversary tweeter; its precision-coated dome uses the same coating technique found in the Contour range; and its Hexis inner dome is inherited directly from the flagship Confidence series. The Hexis is a small, geometrically shaped secondary dome positioned immediately behind the tweeter diaphragm. It prevents unwanted resonant frequencies from forming in the cavity behind the playing surface and reflecting back through the dome, a mechanism that would otherwise introduce frequency response irregularities and listening fatigue at extended sessions. By suppressing this resonance path, the Cerotar produces smoother, more natural treble with greater detail resolution. The Ferrite+ ceramic magnet system driving the Cerotar uses strontium carbonate for maximum sensitivity, translating to an honest, transparent treble presentation across the speaker's full operating range. The 2.5-way crossover operates at 1,200 Hz and 2,300 Hz using second-order networks. The two 14cm MSP drivers cross to the tweeter at different points: the upper driver extends to 2,300 Hz while the lower driver rolls off at 1,200 Hz, creating an overlapping bass reinforcement band that increases low-frequency output and extends bass depth.\u003c\/p\u003e\n\n\u003ch2\u003eEsotec+ Mid\/Bass Drivers: MSP Construction and Aluminium Voice Coils\u003c\/h2\u003e\n\u003cp\u003eBoth 14cm Esotec+ mid\/bass drivers in the Evoke 30 are built from Dynaudio's proprietary MSP (Magnesium Silicate Polymer) diaphragm material, a compound developed in-house and used continuously in Dynaudio drivers for over four decades. MSP provides an optimised balance of low mass, high stiffness, and effective self-damping, qualities that translate directly to controlled bass performance and clear, textured midrange reproduction. Each cone is formed from a single unbroken piece of MSP, maximising rigidity and minimising the physical deformation that multi-part cone constructions can introduce. The cones connect directly to glass-fibre voice-coil formers bonded under the Balance Ribs visible around the cone centre, ensuring efficient transfer of coil motion energy to the diaphragm. Both drivers use 52mm aluminium voice coils, chosen for the correct balance of winding height and mass to handle both bass and midrange frequencies within the 2.5-way configuration. Aramid-fibre spiders maintain driver centring under high excursion, and the Contour-derived surround provides a longer throw ratio for greater bass punch. The rear-firing bass reflex port includes a foam plug for near-wall placement adjustment, reducing bass loading without requiring amplifier or equalizer intervention.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e Dynaudio's 28mm soft-dome tweeter drawing on Esotar Forty airflow systems, Contour precision coating, and Confidence Hexis inner dome technology, driven by a strontium carbonate Ferrite+ ceramic magnet for smooth, natural high-frequency performance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin 14cm MSP Esotec+ Mid\/Bass Drivers:\u003c\/strong\u003e Two single-piece MSP cone drivers with 52mm aluminium voice coils, aramid-fibre spiders, and Contour-derived long-throw surrounds for precise, dynamic bass and midrange reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2.5-Way Overlapping Crossover Architecture:\u003c\/strong\u003e A second-order 2.5-way crossover at 1,200 Hz and 2,300 Hz, with the two MSP drivers crossing to the tweeter at different frequencies to increase bass reinforcement while maintaining a single coherent driver in the midrange band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact Floorstanding Format:\u003c\/strong\u003e At 900mm tall and 180mm wide, the Evoke 30 delivers full-range bass reflex floorstander performance in a cabinet proportioned for real living rooms, without the visual or physical mass of a full-size tower design.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRear-Firing Bass Reflex Port with Foam Plug:\u003c\/strong\u003e An adjustable rear port with a foam plug for near-wall or corner placement, allowing the Evoke 30's bass response to be tuned mechanically to suit room position without electronic adjustments.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSingle-Piece MSP Cone Construction:\u003c\/strong\u003e Each driver cone is formed from one continuous piece of MSP, providing uniform rigidity and a solid mechanical coupling to the glass-fibre voice-coil former for minimal cone deformation and consistent driver response.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFour Furniture-Grade Finishes:\u003c\/strong\u003e Black High Gloss, White High Gloss, Walnut Wood, and Blonde Wood, built to Dynaudio's furniture-grade cabinet and finishing standards for real-home aesthetics.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEvoke Multi-Channel Compatible:\u003c\/strong\u003e Pairs with the Evoke 25C centre channel, Evoke 10 surrounds, and Dynaudio Sub 3 or Sub 6 subwoofers for a full Evoke home cinema system with consistent voicing across all channels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEvoke\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eCompact floorstanding, 2.5-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Drivers\u003c\/td\u003e\n\u003ctd\u003e2 x 14cm MSP Esotec+ cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVoice Coils\u003c\/td\u003e\n\u003ctd\u003e52mm aluminium (mid\/bass)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2.5-way, 2nd order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e1,200 Hz \/ 2,300 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e88 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e200W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e40 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack High Gloss, White High Gloss, Walnut Wood, Blonde Wood\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e180 x 900 x 267 mm \/ 7.1 x 35.4 x 10.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e268 x 920 x 342 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e15.5 kg \/ 34.2 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eAVForums Best Buy Award 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Evoke 30?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 30 is a compact 2.5-way floorstanding loudspeaker built in Denmark, featuring a 28mm Cerotar tweeter with Hexis inner dome and twin 14cm MSP Esotec+ mid\/bass drivers with 52mm aluminium voice coils. It uses a rear-ported bass reflex enclosure, a second-order 2.5-way crossover at 1,200 Hz and 2,300 Hz, 88 dB sensitivity, 4-ohm impedance, 200W IEC power handling, and a frequency response from 40 Hz to 23 kHz. It received the AVForums Best Buy Award 2024.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Evoke 30 compare to the KEF Q550 or Polk Audio Reserve R500?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 30, KEF Q550, and Polk Audio Reserve R500 are all compact 2.5-way floorstanders in the mid-market segment. The KEF Q550 uses KEF's coaxial Uni-Q driver array in a 2.5-way configuration, combining tweeter and mid\/bass driver in a single unit for a distinctive point-source presentation. The Polk Reserve R500 uses Polk's proprietary Pinnacle Ring Radiator tweeter and StereoHeight driver array. The Evoke 30 differentiates itself through its Cerotar tweeter with Hexis from the Confidence range, single-piece MSP Esotec+ cones with 52mm aluminium voice coils, and Danish handcrafted construction with furniture-grade finishing. Buyers prioritising tonal accuracy, driver material quality, and cabinet craftsmanship will find the Evoke 30 a clear step above both alternatives.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a 2.5-way crossover and how is it used in the Evoke 30?\u003c\/h3\u003e\n\u003cp\u003eA 2.5-way crossover uses two bass drivers and a tweeter, but crosses them at different frequencies rather than running both identical routes to the tweeter. In the Evoke 30, the upper 14cm MSP driver operates continuously from bass through midrange up to its 2,300 Hz crossover to the Cerotar tweeter, while the lower 14cm MSP driver handles only the frequencies below 1,200 Hz as additional bass reinforcement. This overlapping arrangement gives the Evoke 30 more low-frequency output and deeper bass extension than a single-driver two-way design at this cabinet size, while keeping a single driver responsible for the midrange band to ensure coherent, uncoloured vocal and instrument reproduction.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier does the Dynaudio Evoke 30 work best with?\u003c\/h3\u003e\n\u003cp\u003eThe Evoke 30 is rated at 4 ohms with 88 dB sensitivity and 200W IEC power handling, making it suited to a high-current integrated amplifier rather than a budget AV receiver. A minimum of 50W into 4 ohms provides adequate drive for small to medium rooms, with more power beneficial for larger spaces or higher listening levels. Integrated amplifiers from NAD, Cambridge Audio, Exposure, or Rega at the appropriate output level are all well-matched choices. Dynaudio's sensitivity ratings are noted for being conservatively stated, so the Evoke 30 may be slightly more efficient in practice than the specification suggests.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Evoke 30 be placed close to a rear wall?\u003c\/h3\u003e\n\u003cp\u003eYes, with adjustment. The Evoke 30 includes a rear port foam plug that can be fully or partially inserted to reduce bass loading when the speakers are placed near a rear wall. In fully open port configuration, a minimum of 20 to 50 cm clearance from the rear wall is recommended to avoid excessive bass build-up. With the foam plug partially or fully inserted, the speaker becomes more tolerant of near-wall placement and can still deliver a balanced, controlled bass response in tighter room positions.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Evoke 30 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 30 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss amplifier pairing and room setup options.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Evoke 30 compare to the Evoke 50?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 50 is the three-way flagship of the Evoke series, adding a dedicated 15cm MSP neodymium midrange driver between the Cerotar tweeter and the twin 18cm Esotec+ woofers, extending bass to 35 Hz and increasing IEC power handling to 260W. The Evoke 30 uses a 2.5-way configuration without a dedicated midrange driver, reaching 40 Hz with twin 14cm MSP drivers and 200W handling. The Evoke 50 is better suited to larger listening rooms and higher-output listening levels, while the Evoke 30 is optimised for compact to medium spaces where a slimmer 180mm cabinet width and lighter 15.5 kg weight are practical advantages without meaningful sacrifice in bass performance for the room size.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48572592423219,"sku":"EVOKE 30 W","price":3999.0,"currency_code":"USD","in_stock":true},{"title":"Blonde","offer_id":48572592455987,"sku":"EVOKE 30 B","price":3999.0,"currency_code":"USD","in_stock":true},{"title":"Black High Gloss","offer_id":48572592488755,"sku":"EVOKE 30 BG","price":3999.0,"currency_code":"USD","in_stock":true},{"title":"White High Gloss","offer_id":48572592521523,"sku":"EVOKE 30 WG","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Evoke30_Walnut_Front_4f6ceb4d-279d-4506-b8e6-5464ff23208a.jpg?v=1712421344"},{"product_id":"dynaudio-evoke-20-speaker","title":"Dynaudio Evoke 20 Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Evoke 20 Standmount Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Evoke 20 is a two-way standmount loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. Part of Dynaudio's Evoke series, it combines a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e inner dome and a \u003cstrong\u003e18cm MSP Esotec+ mid\/bass driver\u003c\/strong\u003e with 52mm aluminium voice coil and Contour-derived long-throw surround in a rear-ported bass reflex enclosure. Sensitivity is 86 dB, impedance is \u003cstrong\u003e6 ohms\u003c\/strong\u003e, IEC power handling is 180W, and frequency response extends from \u003cstrong\u003e40 Hz to 23 kHz\u003c\/strong\u003e. A second-order crossover at 3,200 Hz is driven by Ferrite+ ceramic magnets on both drivers. Each speaker is designed and voiced at Dynaudio's Jupiter acoustic measurement facility in Skanderborg, Denmark, available in four furniture-grade finishes.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis: Confidence and Special Forty Technology in the Evoke Series\u003c\/h2\u003e\n\u003cp\u003eThe Evoke 20's Cerotar tweeter marked the debut of this driver family when the Evoke series launched, drawing simultaneously on technologies from two of Dynaudio's most celebrated products. The design methodology comes from the award-winning Esotar Forty anniversary tweeter, and the flagship Esotar3 found in the Confidence range. The 28mm precision-coated soft dome carries a coating applied in specific locations and thicknesses, a process derived from the development of Dynaudio's most exclusive speakers, to optimise high-frequency performance across the dome surface. Behind the dome sits the Hexis inner dome, a secondary element that shapes airflow in the rear chamber to smooth the tweeter's frequency response and eliminate unwanted resonances. At the time of the Evoke 20's introduction, the Hexis was a technology found only in Dynaudio's Confidence flagship range. The Cerotar's strontium carbonate Ferrite+ ceramic magnet system was also new, replacing the ferrite magnet configurations of earlier Dynaudio standmount tweeters to increase sensitivity and improve dynamic resolution. The second-order crossover hands off to the Cerotar at 3,200 Hz, a relatively high crossover point that keeps the mid\/bass driver operating in its optimal band and allows the Cerotar to be introduced at a frequency where its off-axis performance and integration characteristics are at their strongest.\u003c\/p\u003e\n\n\u003ch2\u003e18cm MSP Esotec+ Mid\/Bass Driver: Long-Throw Surround and Aluminium Voice Coil\u003c\/h2\u003e\n\u003cp\u003eThe Evoke 20's 18cm Esotec+ mid\/bass driver uses Dynaudio's proprietary MSP (Magnesium Silicate Polymer) diaphragm material, formed as a single piece including the dust cap, with Balance Ribs bonded directly to the glass-fibre voice-coil former below. This one-piece construction eliminates the adhesive joints found in two-piece cone assemblies and provides an exceptionally direct, consistent mechanical coupling between the cone surface and the voice coil. The driver's 52mm aluminium voice coil was chosen over copper for this specific application because aluminium provides the correct balance of winding height, mass, and electrical characteristics to handle both bass power and midrange detail simultaneously. A Nomex spider maintains precise driver centring under excursion, and the Contour-derived seamless long-throw surround allows a greater throw ratio than conventional surrounds, extending low-frequency output and improving dynamic punch from the compact cabinet. The strontium carbonate Ferrite+ ceramic magnet system, new to the Evoke range, provides more precisely directed magnetic flux to the voice coil than the ferrite magnet configurations of Dynaudio's previous standmount designs, improving efficiency and tightening control over cone movement across the driver's full operating band.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e Dynaudio's 28mm precision-coated soft-dome tweeter drawing on Esotar Forty and Confidence Esotar3 technologies, featuring the Hexis inner dome for resonance control and a Ferrite+ ceramic magnet for increased sensitivity and natural, fatigue-free treble.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e18cm MSP Esotec+ Mid\/Bass Driver:\u003c\/strong\u003e A one-piece MSP cone with 52mm aluminium voice coil, Contour-derived long-throw seamless surround, and Ferrite+ ceramic magnet, providing extended bass throw and precise midrange control from a compact standmount chassis.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6-Ohm Impedance:\u003c\/strong\u003e A nominal 6-ohm load, more amplifier-friendly than the 4-ohm designs common in Dynaudio's Contour and Confidence ranges, compatible with a broader range of integrated amplifiers while maintaining the linearity benefits of the lower-sensitivity Ferrite+ magnet systems.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSecond-Order Crossover at 3,200 Hz:\u003c\/strong\u003e A two-way second-order network crossing at 3,200 Hz, using high-grade passive components from the same supplier relationships used across Dynaudio's Evoke, Contour, and Confidence ranges.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOne-Piece MSP Cone Construction:\u003c\/strong\u003e The mid\/bass diaphragm and dust cap are formed from a single continuous piece of MSP, eliminating adhesive joint compliance variation and providing a solid direct mechanical coupling to the glass-fibre voice-coil former via the Balance Ribs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRear-Ported Bass Reflex Cabinet:\u003c\/strong\u003e A tapered and rounded MDF enclosure with hidden driver mounting screws and a rear-firing bass reflex port, extending low-frequency response to 40 Hz from a cabinet sized for stand mounting on dedicated speaker stands.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFour Furniture-Grade Finishes:\u003c\/strong\u003e Black High Gloss and White High Gloss with new multi-layer glass-like lacquer, plus Walnut Wood and Blonde Wood open-veneer options, all designed for real living spaces after field research by Dynaudio's design team.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eJupiter Acoustic Measurement Facility:\u003c\/strong\u003e The Evoke 20 was designed and voiced at Dynaudio's world-class Jupiter anechoic measurement facility in Skanderborg, Denmark, using the same R and D infrastructure applied to every product across the company's full range.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEvoke\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eStandmount, two-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e18cm MSP Esotec+ cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVoice Coil\u003c\/td\u003e\n\u003ctd\u003e52mm aluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2-way, 2nd order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e3,200 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e86 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e6 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e180W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e40 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack High Gloss, White High Gloss, Walnut Wood, Blonde Wood\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e215 x 380 x 307 mm \/ 8.5 x 15.0 x 12.1 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e215 x 380 x 317 mm \/ 8.5 x 15.0 x 12.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e9.9 kg \/ 21.8 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Evoke 20?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 20 is a two-way standmount loudspeaker built in Denmark and part of Dynaudio's Evoke series. It features a 28mm Cerotar tweeter with Hexis inner dome, an 18cm MSP Esotec+ mid\/bass driver with 52mm aluminium voice coil and Contour-derived long-throw surround, and a rear-ported bass reflex cabinet. Sensitivity is 86 dB, impedance is 6 ohms, power handling is 180W IEC, frequency response extends from 40 Hz to 23 kHz, and the second-order crossover is set at 3,200 Hz.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Evoke 20 compare to the KEF LS50 Meta or Sonus faber Sonetto II?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 20, KEF LS50 Meta, and Sonus faber Sonetto II are all premium two-way standmount loudspeakers in a competitive price tier. The KEF LS50 Meta uses KEF's coaxial Uni-Q driver with Metamaterial Absorption Technology for the tweeter rear, providing a distinctive point-source character from a sealed enclosure. The Sonus faber Sonetto II uses Sonus faber's DAD tweeter and cellulose cone woofer in an Italian-crafted cabinet with a warm tonal signature. The Evoke 20 differentiates itself with the Cerotar tweeter with Hexis from the Confidence range, a one-piece MSP Esotec+ cone with Contour-derived surround, a 6-ohm impedance that is more amplifier-friendly than the LS50 Meta's nominal 8-ohm but occasionally demanding curve, and Dynaudio's Jupiter facility-measured design approach prioritising tonal accuracy and long-term listening quality.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Hexis inner dome in the Evoke 20's Cerotar tweeter?\u003c\/h3\u003e\n\u003cp\u003eHexis is a small secondary dome positioned directly behind the 28mm Cerotar tweeter diaphragm. When the tweeter dome moves, it creates pressure waves that propagate rearward into the cavity behind the diaphragm. Without control, these rear waves can reflect off the back of the tweeter assembly and pass back through the dome, introducing frequency response irregularities and increased distortion. The Hexis shapes this rear-cavity airflow, suppressing the resonance path and producing a smoother measured high-frequency response. At the time of the Evoke 20's introduction, Hexis was a technology found exclusively in Dynaudio's flagship Confidence range before being extended to the Evoke series.\u003c\/p\u003e\n\n\u003ch3\u003eWhat stands should I use with the Dynaudio Evoke 20?\u003c\/h3\u003e\n\u003cp\u003eThe Evoke 20 is optimised for use on rigid, mass-loaded dedicated speaker stands that position the tweeter at seated ear height, typically around 60 to 75 cm from the floor depending on chair height and listening position. Dynaudio's own Stand 20 is the matching stand designed specifically for the Evoke 20's 215mm footprint. A stable, non-resonant stand that makes firm contact with the speaker's base is important for the Evoke 20's bass performance and imaging precision, as any stand-induced mechanical colouration will reach the mid\/bass driver's operating band.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Dynaudio Evoke 20?\u003c\/h3\u003e\n\u003cp\u003eThe Evoke 20 is rated at 6 ohms with 86 dB sensitivity and 180W IEC power handling, making it compatible with a wider range of integrated amplifiers than Dynaudio's 4-ohm Contour and Confidence models. A minimum of 50W into 6 ohms is adequate for small rooms, with 100W or more recommended for medium to large spaces or higher listening levels. Integrated amplifiers from Cambridge Audio, Rega, NAD, or Naim at appropriate output levels are well-matched choices. Multiple reviewers note that the Evoke 20 scales meaningfully with amplifier quality, rewarding higher-specification upstream components with improved soundstage and dynamic resolution.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Evoke 20 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 20 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss stand and amplifier pairing options for your room.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Evoke 20 differ from the Special Forty?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Special Forty and Evoke 20 are both two-way standmounts built in Denmark, but the Special Forty is an anniversary-edition design at a higher price point with a fundamentally different driver and crossover architecture. The Special Forty uses the exclusive Esotar Forty tweeter with dual airflow management systems, a 17cm MSP woofer with hybrid neodymium-ferrite magnet and AirFlow Basket, and a first-order crossover at 2,000 Hz with Phase and Impedance Alignment. The Evoke 20 uses the Cerotar tweeter with Hexis, an 18cm Esotec+ woofer with aluminium voice coil and Contour-derived surround, and a second-order crossover at 3,200 Hz. The Evoke 20's larger 18cm woofer and higher crossover point give it a different balance of bass and midrange character, while the Special Forty's first-order crossover provides less phase distortion and greater driver overlap at the cost of a steeper amplifier compatibility requirement.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48572594979123,"sku":"EVOKE 20 W","price":2399.0,"currency_code":"USD","in_stock":true},{"title":"Blonde","offer_id":48572595011891,"sku":"EVOKE 20 B","price":2399.0,"currency_code":"USD","in_stock":true},{"title":"Black High Gloss","offer_id":48572595044659,"sku":"EVOKE 20 BG","price":2399.0,"currency_code":"USD","in_stock":true},{"title":"White High Gloss","offer_id":48572595077427,"sku":"EVOKE 20 WG","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Evoke20_Walnut_Front_836a959a-676d-4258-bf02-47813c12051b.jpg?v=1712421357"},{"product_id":"dynaudio-evoke-10-speaker","title":"Dynaudio Evoke 10 Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Evoke 10 Compact Standmount Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Evoke 10 is a compact two-way standmount loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The smallest model in Dynaudio's Evoke series, it pairs a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e inner dome and a single \u003cstrong\u003e14cm MSP Esotec+ mid\/bass driver\u003c\/strong\u003e with 38mm aluminium voice coil and Ferrite+ ceramic magnet in a rear-ported bass reflex cabinet. Sensitivity is 84 dB, impedance is \u003cstrong\u003e6 ohms\u003c\/strong\u003e, IEC power handling is 160W, and frequency response extends from \u003cstrong\u003e47 Hz to 23 kHz\u003c\/strong\u003e. A second-order crossover at 1,400 Hz uses Confidence-derived topology with selected high-grade components. Each speaker is designed and voiced at Dynaudio's Jupiter acoustic measurement facility in Denmark, available in four furniture-grade finishes.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis: Special Forty and Confidence Technology in a Compact Speaker\u003c\/h2\u003e\n\u003cp\u003eThe Evoke 10 uses the same Cerotar tweeter fitted throughout Dynaudio's Evoke series, a 28mm soft-dome design built by looking directly to the engineering behind the award-winning Special Forty anniversary tweeter and the flagship Esotar3 found in the Confidence range. The dome carries a precision coating applied at specific locations and thicknesses to optimise high-frequency performance, a process developed for Dynaudio's most exclusive products. Behind the dome, the Hexis inner dome shapes airflow in the tweeter's rear cavity to suppress resonances that would otherwise reflect back through the playing surface and introduce coloration and frequency response irregularities. When the Evoke series launched, Hexis was a technology reserved for the Confidence flagship range before Dynaudio extended it across the Evoke family. The Cerotar's strontium carbonate Ferrite+ ceramic magnet increases sensitivity over earlier Dynaudio tweeter designs and contributes to a natural, fatigue-free high-frequency response well suited to extended listening sessions. The second-order crossover at 1,400 Hz uses a Confidence-derived topology applied to different component values, the same design philosophy that informs Dynaudio's full product range, giving the Evoke 10's crossover a lineage that traces directly to the company's flagship products.\u003c\/p\u003e\n\n\u003ch2\u003e14cm MSP Esotec+ Mid\/Bass Driver: One-Piece Cone, Aluminium Voice Coil, and Long-Throw Surround\u003c\/h2\u003e\n\u003cp\u003eThe Evoke 10's 14cm Esotec+ mid\/bass driver is built from Dynaudio's proprietary MSP (Magnesium Silicate Polymer) diaphragm material, formed at 0.4mm thickness as a single piece including the dust cap and cone surface. Balance Ribs around the central dome bond directly to the glass-fibre voice-coil former beneath, making the cone and former one integrated mechanical unit. This eliminates the adhesive joint compliance variation inherent in separately glued dust-cap constructions and provides a consistent, direct energy transfer path from voice coil to the full cone surface. The 38mm voice coil is wound from aluminium, chosen because its lower mass compared to copper allows more windings per unit weight. More windings means greater control authority over the cone's movement, which is directly audible as improved precision at high volumes and in the upper frequencies where cone inertia would otherwise limit resolution. A Nomex spider maintains driver centring under excursion, and a new extended-throw surround derived from Dynaudio's Contour development work allows a longer throw ratio than previous Evoke 10-class designs, extending low-frequency dynamics and output from the compact 180mm x 315mm cabinet. The entire assembly is driven by a strontium carbonate Ferrite+ ceramic magnet system shared with the Cerotar tweeter, providing controlled, precise magnetic drive to both units.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e Dynaudio's 28mm precision-coated soft-dome tweeter drawing on Special Forty and Confidence Esotar3 technology, featuring the Hexis inner dome for resonance suppression and a Ferrite+ ceramic magnet for extended sensitivity and fatigue-free treble in the smallest Evoke cabinet.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e14cm MSP Esotec+ Mid\/Bass Driver:\u003c\/strong\u003e A single-piece 0.4mm MSP cone with 38mm aluminium voice coil, Balance Rib bonding to the glass-fibre former, Nomex spider, and new Contour-derived long-throw surround for improved bass dynamics and precise midrange performance from a compact chassis.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConfidence-Derived Second-Order Crossover at 1,400 Hz:\u003c\/strong\u003e A second-order crossover topology adapted from Dynaudio's Confidence range, using high-grade selected components to hand off between the mid\/bass driver and Cerotar tweeter at 1,400 Hz for natural integration and off-axis coherence.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6-Ohm Impedance:\u003c\/strong\u003e A nominal 6-ohm load, consistent with the broader Evoke series and more amplifier-compatible than Dynaudio's 4-ohm Contour and Confidence designs, maintaining broad amplifier compatibility while still benefiting from high-quality drive.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact Cabinet for Bookshelf or Stand Mounting:\u003c\/strong\u003e At 180mm wide and 315mm tall, the Evoke 10 fits on a bookshelf or dedicated speaker stands, with a tapered MDF cabinet, hidden driver mounting screws behind one-piece trim rings, and a rear-firing bass reflex port.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eJupiter Measurement Facility Development:\u003c\/strong\u003e Designed and voiced at Dynaudio's world-class Jupiter acoustic measurement facility in Skanderborg, using the same R and D infrastructure applied to every speaker in the Dynaudio range from Emit to Confidence.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFour Furniture-Grade Finishes:\u003c\/strong\u003e Black High Gloss, White High Gloss, Walnut Wood, and Blonde Wood, all developed to complement real living spaces based on extensive interior design research by Dynaudio's design team.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEvoke\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eCompact standmount, two-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e14cm MSP Esotec+ cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVoice Coil\u003c\/td\u003e\n\u003ctd\u003e38mm aluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2-way, 2nd order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e1,400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e84 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e6 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e160W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e47 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack High Gloss, White High Gloss, Walnut Wood, Blonde Wood\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e180 x 315 x 266 mm \/ 7.1 x 12.4 x 10.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e180 x 315 x 277 mm \/ 7.1 x 12.4 x 10.9 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e6.7 kg \/ 14.8 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Evoke 10?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 10 is a compact two-way standmount loudspeaker built in Denmark and the smallest model in Dynaudio's Evoke series. It features a 28mm Cerotar tweeter with Hexis inner dome, a 14cm MSP Esotec+ mid\/bass driver with 38mm aluminium voice coil and Contour-derived long-throw surround, and a second-order crossover at 1,400 Hz using Confidence-derived topology. Sensitivity is 84 dB, impedance is 6 ohms, power handling is 160W IEC, and frequency response extends from 47 Hz to 23 kHz.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Evoke 10 compare to the KEF LS50 Meta or Q Acoustics Concept 300?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 10, KEF LS50 Meta, and Q Acoustics Concept 300 are all premium compact standmount loudspeakers competing in the same general segment. The KEF LS50 Meta uses KEF's coaxial Uni-Q driver with Metamaterial Absorption Technology in a sealed enclosure, offering a distinctive point-source character and wide off-axis dispersion. The Q Acoustics Concept 300 uses a hybrid Tensegrity stand system as an integral part of its anti-vibration design philosophy, with a focus on cabinet isolation as a primary sonic differentiator. The Evoke 10 differentiates itself through its Cerotar tweeter with Hexis from the Confidence range, a one-piece MSP cone with Balance Rib construction and 38mm aluminium voice coil, a Confidence-derived crossover topology, and Dynaudio's Jupiter facility-measured development, delivering the full Evoke series driver architecture in the smallest available cabinet.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Hexis inner dome and why does it matter in the Evoke 10?\u003c\/h3\u003e\n\u003cp\u003eHexis is a small secondary dome positioned directly behind the Cerotar tweeter's 28mm diaphragm. As the tweeter operates, it generates rearward pressure waves that travel into the rear cavity of the tweeter assembly. Without the Hexis, these waves can reflect back through the dome and reach the listening position superimposed on the direct sound, causing frequency response peaks and dips. The Hexis shapes the airflow in this rear cavity to suppress the resonance path, producing a smoother and more accurate high-frequency response. When the Evoke 10 launched, this technology was exclusive to Dynaudio's Confidence flagship range before being extended to the Evoke family.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier is recommended for the Dynaudio Evoke 10?\u003c\/h3\u003e\n\u003cp\u003eThe Evoke 10 is rated at 6 ohms with 84 dB sensitivity and 160W IEC power handling. The 84 dB sensitivity is on the lower side for a compact standmount, meaning the speaker benefits from more amplifier current than its small size might suggest. A minimum of 40W into 6 ohms is adequate for small rooms at moderate levels, with 75W to 100W recommended for optimal dynamic range and control in medium-sized spaces. Integrated amplifiers from Cambridge Audio, Rega, NAD, or Exposure at appropriate output levels are all well-matched. Multiple reviewers note the Evoke 10 scales significantly with amplifier quality, rewarding investment in a high-current design.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Evoke 10 be used on a bookshelf?\u003c\/h3\u003e\n\u003cp\u003eYes, the Evoke 10's compact dimensions, 180mm wide and 315mm tall, make it well suited to bookshelf placement. For best performance, Dynaudio recommends positioning the speaker with at least 20 to 30 cm of clearance behind it to allow the rear-firing bass reflex port to operate cleanly. On a bookshelf with limited rear clearance, a foam port plug can be used to close or partially restrict the port, reducing bass loading and improving clarity in constrained placement situations. Dedicated speaker stands at seated ear height will provide the best imaging and bass performance when room layout allows.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Evoke 10 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 10 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss stand and amplifier pairing options.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Evoke 10 differ from the Evoke 20?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 20 is a larger standmount using an 18cm MSP Esotec+ mid\/bass driver with 52mm aluminium voice coil and a second-order crossover at 3,200 Hz, extending bass to 40 Hz with 180W power handling and 86 dB sensitivity from a 215mm x 380mm cabinet. The Evoke 10 uses a 14cm MSP Esotec+ driver with a 38mm voice coil, a lower crossover at 1,400 Hz, and reaches 47 Hz with 160W handling and 84 dB sensitivity from the more compact 180mm x 315mm cabinet. The Evoke 20's larger woofer, higher crossover point, higher sensitivity, and greater low-frequency extension make it the better choice for medium to large rooms, while the Evoke 10 is optimised for smaller spaces, bookshelf placement, or desktop use where its compact footprint is a priority.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48572595831091,"sku":"EVOKE 10 W","price":1699.0,"currency_code":"USD","in_stock":true},{"title":"Blonde","offer_id":48572595896627,"sku":"EVOKE 10 B","price":1699.0,"currency_code":"USD","in_stock":true},{"title":"Black High Gloss","offer_id":48572595929395,"sku":"EVOKE 10 BG","price":1699.0,"currency_code":"USD","in_stock":true},{"title":"White High Gloss","offer_id":48572595994931,"sku":"EVOKE 10 WG","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Evoke10_White_Front_78258b90-48e6-4554-bd3f-e9664715dc57.jpg?v=1712421370"},{"product_id":"dynaudio-evoke-25c-speaker","title":"Dynaudio Evoke 25C Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Evoke 25C Centre Channel Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Evoke 25C is a 2.5-way centre channel loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The dedicated centre channel for Dynaudio's Evoke series, it features a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e flanked by twin \u003cstrong\u003e14cm MSP Esotec+ mid\/bass drivers\u003c\/strong\u003e with 38mm aluminium voice coils and Ferrite+ ceramic magnets in a rear-ported bass reflex enclosure. Sensitivity is 88 dB, impedance is \u003cstrong\u003e4 ohms\u003c\/strong\u003e, IEC power handling is 200W, and frequency response extends from \u003cstrong\u003e50 Hz to 23 kHz\u003c\/strong\u003e. A 2.5-way second-order crossover at 1,200 Hz and 2,300 Hz is voiced to match the full Evoke range, including the Evoke 10, 20, 30, and 50 speakers, for coherent multichannel integration. The cabinet is designed in Denmark and available in four furniture-grade finishes.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis: Confidence Technology at the Centre of Your Cinema System\u003c\/h2\u003e\n\u003cp\u003eThe Evoke 25C uses the same Cerotar tweeter as the full Evoke speaker series, a 28mm precision-coated soft-dome design that draws on technologies from the award-winning Esotar Forty anniversary tweeter and the flagship Esotar3 found in the Confidence range. The precision coating on the dome is applied at specific locations and thicknesses to optimise high-frequency performance, a process derived from Dynaudio's most exclusive products rather than a generic industrial process. Behind the dome, the Hexis inner dome is positioned directly against the rear of the playing surface to suppress resonances that would otherwise form in the tweeter cavity and reflect back through the diaphragm. The Hexis shapes this rearward airflow to smooth the frequency response and reduce coloration, which is particularly important for a centre channel that handles dialogue reproduction continuously throughout extended viewing sessions. Because Dynaudio's Core professional studio monitor technology also informs the Cerotar's design, the tweeter is built for long-period listening without fatigue, a critical characteristic when a centre channel is in constant use for films and television. The strontium carbonate Ferrite+ ceramic magnet provides extended sensitivity and a natural, dynamic response through the upper frequencies. The Cerotar crosses to the mid\/bass drivers at 2,300 Hz via a second-order network.\u003c\/p\u003e\n\n\u003ch2\u003eTwin 14cm MSP Esotec+ Drivers and 2.5-Way Centre Channel Architecture\u003c\/h2\u003e\n\u003cp\u003eThe Evoke 25C's two 14cm Esotec+ mid\/bass drivers are identical to those used in the Evoke 10 and Evoke 30, using one-piece MSP cones with Balance Ribs bonded directly to the glass-fibre voice-coil formers beneath. This one-piece construction provides a rigid, distortion-free mechanical coupling between cone and voice coil with no adhesive joint to introduce compliance variation. Each driver's 38mm aluminium voice coil is lightweight, allowing more windings per unit weight for increased magnetic control authority over the cone's movement, which is directly relevant to the clear, precise midrange performance that dialogue reproduction requires. Nomex spiders maintain driver centring, and the Contour-derived long-throw surrounds extend throw ratio for more dynamic bass output from the compact horizontal cabinet. The 2.5-way crossover uses both drivers below 2,300 Hz but crosses the lower driver to bass-only operation below 1,200 Hz, adding low-frequency reinforcement while keeping a single driver responsible for the midrange band where speech intelligibility resides. This architecture mirrors the configuration used in the Evoke 30 floorstander, ensuring tonal continuity between the centre and front speakers in a full Evoke multichannel system. The strontium carbonate Ferrite+ ceramic magnets on both woofers are consistent with the Cerotar tweeter's motor system, giving the full driver set of the Evoke 25C a unified magnetic specification.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e The same 28mm soft-dome tweeter from the Evoke series, drawing on Esotar Forty and Confidence Esotar3 technology, featuring the Hexis inner dome for resonance control and Ferrite+ ceramic magnet for fatigue-free, session-length treble performance suited to extended home cinema use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin 14cm MSP Esotec+ Mid\/Bass Drivers:\u003c\/strong\u003e Two one-piece MSP cone drivers with 38mm aluminium voice coils, Nomex spiders, and Contour-derived long-throw surrounds, providing precise midrange for dialogue intelligibility and dynamic bass output from the horizontal centre channel cabinet.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2.5-Way Centre Channel Architecture:\u003c\/strong\u003e A second-order 2.5-way crossover at 1,200 Hz and 2,300 Hz, keeping a single driver responsible for the midrange speech band while both drivers share bass duties below 1,200 Hz for deeper low-frequency extension.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e4-Ohm Impedance with 88 dB Sensitivity:\u003c\/strong\u003e A 4-ohm rated centre channel with 200W IEC power handling, compatible with AV receivers and multichannel amplifiers rated for 4-ohm loads, with sensitivity consistent with the broader Evoke series for balanced multichannel level matching.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEvoke Series Tonal Matching:\u003c\/strong\u003e Voiced and measured to integrate with the Evoke 10, 20, 30, and 50 speakers using the same Cerotar tweeter and Esotec+ woofer family for consistent timbre across all channels in a multichannel Evoke system.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTapered Curved MDF Cabinet:\u003c\/strong\u003e A horizontally oriented cabinet with tapered profile and curved edges, hidden driver mounting screws behind one-piece trim rings, and a rear-firing bass reflex port, designed in Denmark for living room placement above or below a display screen.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFour Furniture-Grade Finishes:\u003c\/strong\u003e Black High Gloss, White High Gloss, Walnut Wood, and Blonde Wood, with new lacquering techniques for the gloss versions and open-grain veneer for the wood options.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEvoke\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eCentre channel, 2.5-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Drivers\u003c\/td\u003e\n\u003ctd\u003e2 x 14cm MSP Esotec+ cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVoice Coils\u003c\/td\u003e\n\u003ctd\u003e38mm aluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2.5-way, 2nd order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e1,200 Hz \/ 2,300 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e88 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e200W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e50 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack High Gloss, White High Gloss, Walnut Wood, Blonde Wood\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e183 x 602 x 281 mm \/ 7.2 x 23.7 x 11.1 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003ePer product listing (confirm with dealer)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Evoke 25C?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 25C is a 2.5-way centre channel loudspeaker built in Denmark as the dedicated centre channel for the Evoke series. It features a 28mm Cerotar tweeter with Hexis, twin 14cm MSP Esotec+ mid\/bass drivers with 38mm aluminium voice coils, and a second-order 2.5-way crossover at 1,200 Hz and 2,300 Hz. Sensitivity is 88 dB, impedance is 4 ohms, power handling is 200W IEC, and frequency response extends from 50 Hz to 23 kHz. It is designed to integrate tonally with all Evoke series speakers.\u003c\/p\u003e\n\n\u003ch3\u003eWhich Dynaudio speakers does the Evoke 25C work with?\u003c\/h3\u003e\n\u003cp\u003eThe Evoke 25C is voiced and measured to integrate with the full Evoke range: Evoke 10 and 20 standmounts, and Evoke 30 and 50 floorstanders. All models share the same Cerotar tweeter with Hexis and Esotec+ MSP driver family, ensuring consistent tonal character across front left, centre, and surround channels in a multichannel Evoke system. Dynaudio's Sub 3 or Sub 6 subwoofers can be added for additional low-frequency extension in larger home cinema rooms.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Hexis inner dome and why is it important in a centre channel speaker?\u003c\/h3\u003e\n\u003cp\u003eHexis is a small secondary dome positioned directly behind the Cerotar tweeter's 28mm diaphragm. It suppresses resonances that form in the tweeter cavity by shaping the rearward airflow, preventing these resonances from reflecting back through the dome and introducing frequency response coloration. In a centre channel speaker specifically, the tweeter handles speech and dialogue reproduction continuously throughout extended viewing sessions. Reducing the coloration and fatigue contribution of the tweeter directly improves long-term dialogue intelligibility and listening comfort during multi-hour cinema or television use.\u003c\/p\u003e\n\n\u003ch3\u003eWhere should the Evoke 25C be placed relative to the television?\u003c\/h3\u003e\n\u003cp\u003eThe Evoke 25C can be positioned either above or below the display screen. Its horizontal configuration keeps the tweeter at the acoustic centre of the cabinet, so the speaker does not need to be angled toward the listening position to maintain tweeter axis alignment. When placed below the screen on an AV shelf or TV bench, Dynaudio recommends ensuring the rear-firing bass reflex port has adequate clearance, ideally 20 cm or more behind the speaker. When placed above the screen, a slight downward tilt improves perceived dialogue focus. The 602mm width accommodates placement on most standard AV furniture below displays up to approximately 65 inches.\u003c\/p\u003e\n\n\u003ch3\u003eWhat AV receiver is recommended to drive the Dynaudio Evoke 25C?\u003c\/h3\u003e\n\u003cp\u003eThe Evoke 25C is rated at 4 ohms with 88 dB sensitivity and 200W IEC power handling. Most mid-to-high-tier AV receivers from Denon, Marantz, Yamaha, Anthem, or Arcam rated at 80W or more per channel into 4 ohms will drive the Evoke 25C effectively. For the best dialogue clarity and dynamic range, a receiver or multichannel amplifier that maintains stable output into 4-ohm loads is recommended. Dynaudio designs its Evoke impedance curves to be more amplifier-friendly than the nominal 4-ohm specification implies, so the Evoke 25C is compatible with a broader range of AV equipment than the rating alone suggests.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Evoke 25C in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 25C is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to discuss multichannel system configuration with matching Evoke series speakers or to arrange a demonstration.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Evoke 25C differ from the Contour 25Ci?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 25Ci is the centre channel for the Contour i series, using the Esotar2i tweeter with Hexis and dual 18cm MSP woofers in a substantially larger 750mm-wide cabinet reaching 35 Hz at -3 dB with 300W power handling. The Evoke 25C uses the Cerotar tweeter with Hexis and dual 14cm MSP Esotec+ drivers in a 602mm-wide cabinet reaching 50 Hz at -3 dB with 200W handling. The Contour 25Ci is matched to Contour i series speakers and provides deeper bass extension, higher power handling, and the higher-tier Esotar2i tweeter. The Evoke 25C is sized and specified for the Evoke series and smaller to medium home cinema rooms.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48572598583603,"sku":"EVOKE 25C W","price":1499.0,"currency_code":"USD","in_stock":true},{"title":"Blonde","offer_id":48572598616371,"sku":"EVOKE 25C B","price":1499.0,"currency_code":"USD","in_stock":true},{"title":"Black High Gloss","offer_id":48572598649139,"sku":"EVOKE 25C BG","price":1499.0,"currency_code":"USD","in_stock":true},{"title":"White High Gloss","offer_id":48572598681907,"sku":"EVOKE 25C WG","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Evoke25C_White_Front_d0a7cff4-bd20-4d9b-9761-3d1e29dd6767.jpg?v=1712421383"},{"product_id":"dynaudio-contour-60i-speaker","title":"Dynaudio Contour 60i Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Contour 60i Floorstanding Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Contour 60i is a three-way floorstanding loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The flagship model of Dynaudio's Contour i series, it is built around a dedicated \u003cstrong\u003e15cm MSP midrange driver\u003c\/strong\u003e, two \u003cstrong\u003e23cm MSP woofers\u003c\/strong\u003e, and the \u003cstrong\u003eEsotar 2i soft-dome tweeter\u003c\/strong\u003e featuring the Hexis inner dome trickled down from the flagship Confidence line. With a frequency response reaching down to \u003cstrong\u003e28 Hz\u003c\/strong\u003e, 390W IEC power handling, and a multi-layer curved cabinet with solid aluminium baffle, the Contour 60i is Dynaudio's definitive answer for large listening rooms and high-output two-channel audio. Each pair is built and finished in Denmark to Dynaudio's exacting factory quality standards.\u003c\/p\u003e\n\n\u003ch2\u003eThree-Way Architecture: Dedicated Midrange and Esotar 2i Tweeter\u003c\/h2\u003e\n\u003cp\u003eThe defining feature of the Contour 60i is its fully differentiated three-way driver array. Where the Contour 20i and 30i use two-way configurations, the Contour 60i adds a purpose-designed 15cm MSP midrange driver developed specifically for this cabinet rather than adapted from an existing unit. This driver uses an aluminium voice coil, a neodymium magnet system, and was engineered using Finite Element Method optimisation to deliver precise midrange reproduction in a large enclosure without the sonic compromise of repurposing a woofer for the task. It crosses at 220 Hz on the low side and 4,500 Hz on the high side using second-order networks. Above it sits the Esotar 2i tweeter, an evolution of Dynaudio's celebrated Esotar 2 upgraded with the Hexis inner dome first developed for the Confidence range. The Hexis controls resonance and flattens the frequency response within the dome, and the Esotar 2i also gains a larger rear chamber derived from Dynaudio's Core professional monitor series. The combined result is a tweeter with lower distortion, wider high-frequency extension to 23 kHz, and improved power handling compared to its predecessor.\u003c\/p\u003e\n\n\u003ch2\u003eWoofer Array, Cabinet Design, and Factory Finish\u003c\/h2\u003e\n\u003cp\u003eAt the base of the Contour 60i, two 23cm MSP cone woofers operate in a rear-ported bass reflex configuration, extending the low-frequency response to 28 Hz. Both drivers use large-diameter, long-throw aluminium voice coils for low mass and high durability, with asymmetric aramid-fibre spiders for improved linearity and system symmetry. The Esotar 2i tweeter's voice coil is suspended in a magnetic ferrofluid that functions as both a shock absorber and a heat sink, improving power handling and reducing mechanical stress at high output levels. The cabinet itself is a multi-layer curved structure, tapering from a wider front baffle to a narrower rear, a geometry that controls internal standing waves and pressure distribution. The solid aluminium front baffle adds rigidity and decouples the drivers from cabinet resonance. Every pair is inspected and signed off by Dynaudio's factory quality team, with any finish discrepancy triggering a full refinishing of both speakers to preserve visual consistency between the matched pair.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEsotar 2i Tweeter with Hexis:\u003c\/strong\u003e Dynaudio's upgraded 28mm soft-dome tweeter featuring the Hexis inner dome from the flagship Confidence range and a larger rear chamber from the Core pro monitor series, delivering reduced resonance and extended high-frequency performance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDedicated 15cm MSP Midrange Driver:\u003c\/strong\u003e A purpose-designed midrange driver developed exclusively for the Contour 60i using Finite Element Method optimisation, aluminium voice coil, and neodymium magnet system for accurate, distortion-free midrange reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual 23cm MSP Woofers:\u003c\/strong\u003e Two large-format bass drivers with long-throw aluminium voice coils and asymmetric aramid-fibre spiders, extending bass response to 28 Hz in a rear-ported bass reflex enclosure.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFerrofluid Tweeter Cooling:\u003c\/strong\u003e Magnetic ferrofluid surrounds the Esotar 2i voice coil, dissipating heat and absorbing mechanical shock to broaden frequency response and increase power handling under sustained high-output listening.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Layer Curved Cabinet:\u003c\/strong\u003e Tapering multi-layer cabinet construction with a solid aluminium front baffle, controlling internal resonance and providing a rigid, acoustically inert mounting surface for all three drivers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree-Way Crossover at 220 Hz \/ 4,500 Hz:\u003c\/strong\u003e Second-order crossover networks at both crossover points, sharing the same redesigned crossover components used across the Contour i range, tuned with input from Dynaudio's Jupiter measurement facility.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e390W IEC Power Handling:\u003c\/strong\u003e Exceptional dynamic headroom for large rooms and high-output amplifiers, with a 4-ohm impedance rating suited to high-current amplification.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pairs:\u003c\/strong\u003e Every Contour 60i pair is individually inspected and finish-approved at Dynaudio's Denmark factory, with any visible defect triggering a complete re-finishing of both speakers to maintain matched appearance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eContour i\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eFloorstanding, three-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Esotar 2i soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMidrange\u003c\/td\u003e\n\u003ctd\u003e15cm MSP cone, neodymium magnet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofers\u003c\/td\u003e\n\u003ctd\u003e2 x 23cm MSP cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e3-way, 2nd order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e220 Hz \/ 4,500 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e88 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e390W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e28 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e255 x 1330 x 420 mm \/ 10 x 52.4 x 16.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grill\u003c\/td\u003e\n\u003ctd\u003e343 x 1359 x 454 mm \/ 13.5 x 53.5 x 17.9 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e54.3 kg \/ 119.7 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eSkanderborg, Denmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Contour 60i?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 60i is a three-way floorstanding loudspeaker from Dynaudio's Contour i series, built in Denmark and designed for large listening rooms. It features a 28mm Esotar 2i tweeter with Hexis inner dome, a dedicated 15cm MSP midrange driver, and dual 23cm MSP woofers in a rear-ported bass reflex cabinet. Frequency response extends from 28 Hz to 23 kHz, sensitivity is 88 dB, power handling is 390W IEC, and impedance is 4 ohms.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Contour 60i compare to the Focal Kanta No. 3 or KEF R11 Meta?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 60i competes directly with large floorstanders like the Focal Kanta No. 3 and KEF R11 Meta. The Kanta No. 3 uses Focal's Beryllium tweeter and Flax cone drivers in a three-way design, emphasizing a detailed and forward presentation, while the Contour 60i's Esotar 2i tweeter with Hexis is tuned for low distortion and smooth high-frequency extension with a more neutral tonal character. The KEF R11 Meta uses KEF's coaxial Uni-Q driver array and the Metamaterial Absorption Technology tweeter rear, a fundamentally different approach to driver integration. The Contour 60i distinguishes itself through its purpose-designed midrange driver, its all-driver-in-house manufacturing philosophy, and its factory-matched pair construction in Denmark.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Hexis inner dome on the Esotar 2i tweeter?\u003c\/h3\u003e\n\u003cp\u003eHexis is a small, geometrically shaped inner dome placed behind the soft-dome tweeter diaphragm, first developed for Dynaudio's flagship Confidence loudspeaker line. It is designed to control resonance inside the dome cavity by interrupting standing waves that would otherwise cause frequency response irregularities and audible coloration. In the Contour 60i, the Esotar 2i tweeter's Hexis, combined with a larger rear chamber adapted from Dynaudio's Core professional monitors, results in a flatter measured response and lower harmonic distortion across the tweeter's operating range.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier power is recommended for the Dynaudio Contour 60i?\u003c\/h3\u003e\n\u003cp\u003eThe Contour 60i is rated at 4 ohms with 88 dB sensitivity and 390W IEC power handling, making it best suited to amplifiers capable of delivering stable, high-current output into a 4-ohm load. A minimum of 100W into 4 ohms is recommended for full dynamic performance, though the speaker's design genuinely benefits from more headroom in a large room. Amplifiers from NAD, Parasound, Hegel, or Bryston at the appropriate power tier are all well-matched choices. The Contour 60i rewards high-quality amplification and will scale with improvements upstream.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Contour 60i handle a large open-plan living area?\u003c\/h3\u003e\n\u003cp\u003eYes, the Contour 60i is specifically engineered for larger spaces. Its dual 23cm woofers extend bass to 28 Hz, its 390W power handling allows sustained high-output performance without compression, and its three-way driver array maintains midrange clarity at volume levels that would stress a two-way design. It is one of the few speakers in the Contour i range capable of pressurizing a large listening room with full-range dynamics without relying on a subwoofer.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Contour 60i in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 60i is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss pairing recommendations for your room and system.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Contour 60i differ from the Contour 30i?\u003c\/h3\u003e\n\u003cp\u003eThe Contour 60i and Contour 30i are both part of Dynaudio's Contour i series but differ substantially in architecture and scale. The Contour 30i is a 2.5-way design using a single 18cm MSP woofer and the Esotar 2i tweeter, optimized for medium-sized rooms. The Contour 60i adds a purpose-built 15cm MSP midrange driver, a second 23cm woofer, and adopts a full three-way crossover topology at 220 Hz and 4,500 Hz. This gives the 60i a dedicated midrange band, greater bass extension (28 Hz versus 42 Hz), and significantly more output capability at 390W versus the 30i's 250W handling. The 60i is the correct choice when room size, output level, or desire for a fully differentiated three-way driver configuration is a priority.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Black","offer_id":48572600418611,"sku":"CONTOUR 60i B","price":12000.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572600451379,"sku":"CONTOUR 60i W","price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Contour60_Grey_Oak_Side.jpg?v=1712421391"},{"product_id":"dynaudio-contour-30i-speaker","title":"Dynaudio Contour 30i Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Contour 30i Floorstanding Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Contour 30i is a 2.5-way floorstanding loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The mid-size model in Dynaudio's Contour i series, it is built around two \u003cstrong\u003e18cm MSP cone drivers\u003c\/strong\u003e with large-diameter aluminium voice coils and the upgraded \u003cstrong\u003eEsotar2i soft-dome tweeter\u003c\/strong\u003e featuring the Hexis inner dome and a more powerful neodymium magnet system trickled down from the flagship Confidence range. Frequency response extends from \u003cstrong\u003e32 Hz to 23 kHz\u003c\/strong\u003e, IEC power handling is 300W, and the rear-ported bass reflex cabinet features dual rear ports for improved bass control at higher output levels. Each pair is built and finished in Denmark to Dynaudio's furniture-grade quality standards. The Contour 30i received the hifitest.de Gear of the Year 2024 award.\u003c\/p\u003e\n\n\u003ch2\u003eEsotar2i Tweeter and Large-Diameter Aluminium Voice Coils\u003c\/h2\u003e\n\u003cp\u003eThe defining characteristic of the entire Contour i series is the upgrade from the original Esotar2 tweeter to the Esotar2i, and the Contour 30i benefits fully from this revision. The Esotar2i adds the Hexis inner dome, a secondary acoustic element first developed for the Dynaudio Confidence line, which sits behind the 28mm soft-dome diaphragm to control rear-wave resonances and smooth the tweeter's frequency response. The Esotar2i also incorporates a more powerful neodymium magnet system in place of the original's configuration, improving sensitivity and transient detail retrieval. A larger rear chamber, derived from Dynaudio's Core professional monitor series, provides additional room for the diaphragm to operate without restriction at higher excursion levels. Below the tweeter, both 18cm MSP drivers use large-diameter aluminium voice coils rather than the smaller copper units found in competing designs at this price point. Dynaudio's engineers specifically evaluated smaller voice coil configurations during development and rejected them on listening grounds despite acceptable measurements, concluding that the larger aluminium coils delivered more control over cone movement, particularly at high frequencies and high volumes. The 2.5-way crossover at 300 Hz and 2,200 Hz uses second-order networks and was redesigned for the i generation, with impedance correction circuitry removed because the revised driver materials now handle linearity correction intrinsically, resulting in a cleaner signal path with fewer passive components.\u003c\/p\u003e\n\n\u003ch2\u003eCabinet Design and 2.5-Way Bass Reflex Architecture\u003c\/h2\u003e\n\u003cp\u003eThe Contour 30i uses a 2.5-way configuration, a topology that sits between a pure two-way and a three-way design. Both 18cm MSP drivers handle bass frequencies, but only the upper driver extends into the midrange band, crossing to the Esotar2i tweeter at 2,200 Hz. The lower driver rolls off at 300 Hz and operates purely as a bass reinforcement unit, increasing low-frequency output and extending bass depth without introducing the midrange overlap that would occur if both drivers were run full-range. This arrangement enables the Contour 30i to reach 32 Hz while maintaining a coherent midrange presentation without the complexity of a dedicated midrange driver. The cabinet features dual rear-firing bass reflex ports, a step up from the single port in the Contour 20i, providing additional airflow capacity to support the second woofer's bass output cleanly. The multi-layer curved cabinet profile and solid aluminium front baffle follow the same acoustic and structural design principles used across the Contour i range, and all panels and finishes are built and inspected at Dynaudio's factory in Jutland, Denmark, to furniture-grade standards.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEsotar2i Tweeter with Hexis:\u003c\/strong\u003e The upgraded 28mm soft-dome tweeter featuring the Hexis inner dome from the Confidence range, a larger rear chamber from the Core professional monitor series, and a more powerful neodymium magnet system for improved sensitivity and detail retrieval.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual 18cm MSP Drivers with Aluminium Voice Coils:\u003c\/strong\u003e Two mid\/bass drivers using variable-thickness MSP diaphragms and large-diameter aluminium voice coils for precise cone control, extended frequency performance, and low thermal compression under sustained high-output use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2.5-Way Bass Reflex Configuration:\u003c\/strong\u003e A dual-driver 2.5-way topology in which the upper driver covers midrange and bass while the lower driver handles bass only, extending low-frequency output to 32 Hz without sacrificing midrange coherence.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual Rear Ports:\u003c\/strong\u003e Two rear-firing bass reflex ports provide increased airflow capacity relative to the single-port Contour 20i, supporting cleaner and deeper bass performance at higher listening levels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSimplified Second-Order Crossover:\u003c\/strong\u003e Redesigned 2.5-way crossover at 300 Hz and 2,200 Hz with impedance correction circuitry removed, resulting in a shorter, cleaner signal path made possible by the improved linearity of the Contour i generation drivers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e300W IEC Power Handling:\u003c\/strong\u003e Generous dynamic headroom suited to medium and large listening rooms, with a 4-ohm impedance rating compatible with high-current amplification.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFurniture-Grade Construction:\u003c\/strong\u003e All Contour 30i pairs are built and finished at Dynaudio's Skanderborg factory to furniture-grade standards, with any finish or structural defect triggering a full refinishing of both speakers to maintain pair consistency.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eContour i Series Refinements:\u003c\/strong\u003e New driver baskets, revised internal wiring, and a retuned crossover distinguish the 30i from its 2016 predecessor, with all improvements validated by Dynaudio's Jupiter measurement facility and extensive listening sessions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eContour i\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eFloorstanding, 2.5-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported (dual)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Esotar2i soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofers\u003c\/td\u003e\n\u003ctd\u003e2 x 18cm MSP cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2.5-way, 2nd order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e300 Hz \/ 2,200 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e87 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e300W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e32 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e215 x 1140 x 360 mm \/ 8.5 x 44.9 x 14.2 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grill\u003c\/td\u003e\n\u003ctd\u003e300 x 1169 x 403 mm \/ 11.8 x 46.0 x 15.9 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e34.4 kg \/ 76 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eSkanderborg, Denmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003ehifitest.de Gear of the Year 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Contour 30i?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 30i is a 2.5-way floorstanding loudspeaker built in Skanderborg, Denmark, and part of Dynaudio's Contour i series. It features two 18cm MSP cone drivers with large-diameter aluminium voice coils, a 28mm Esotar2i soft-dome tweeter with Hexis inner dome, and dual rear-firing bass reflex ports. Sensitivity is 87 dB, impedance is 4 ohms, power handling is 300W IEC, and frequency response extends from 32 Hz to 23 kHz.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Contour 30i compare to the Focal Kanta No. 2 or Sonus faber Sonetto V?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 30i, Focal Kanta No. 2, and Sonus faber Sonetto V are all competitive mid-size floorstanders in a similar tier. The Kanta No. 2 uses Focal's Beryllium tweeter and Flax cone drivers in a two-way bass reflex design with a more forward tonal character, while the Contour 30i's Esotar2i tweeter is tuned for low distortion and long-term listening comfort with a more neutral presentation. The Sonetto V uses a two-way design with Sonus faber's DAD tweeter and cellulose cone drivers, emphasizing warmth and a traditional Italian aesthetic. The Contour 30i distinguishes itself through its 2.5-way topology, dual rear ports, full in-house driver manufacturing, and Denmark factory construction with matched-pair finishing.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the difference between the Esotar2 and Esotar2i tweeter in the Contour 30i?\u003c\/h3\u003e\n\u003cp\u003eThe Esotar2i is the updated version of Dynaudio's Esotar2 tweeter, introduced with the Contour i series refresh. The primary changes are the addition of the Hexis inner dome, a rear-wave resonance control element first developed for the Confidence range, a larger rear chamber adapted from the Core professional monitor series, and a more powerful neodymium magnet system replacing the original's motor configuration. These revisions result in a flatter measured frequency response, reduced harmonic distortion, improved sensitivity, and greater transient precision compared to the standard Esotar2 found in the pre-i Contour generation.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a 2.5-way speaker and how does the Contour 30i use it?\u003c\/h3\u003e\n\u003cp\u003eA 2.5-way design uses two bass drivers and a tweeter, but crosses the two bass drivers at different frequencies rather than running both full-range. In the Contour 30i, the upper 18cm MSP driver handles both bass and midrange frequencies up to the 2,200 Hz tweeter crossover point, while the lower 18cm MSP driver operates only below 300 Hz as a dedicated bass reinforcement unit. This arrangement delivers the bass extension and output capacity of a dual-woofer system while keeping a single, coherent driver responsible for the midrange band, avoiding the interference and integration challenges that arise when two full-range drivers overlap in the same frequency region.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier does the Dynaudio Contour 30i work best with?\u003c\/h3\u003e\n\u003cp\u003eThe Contour 30i is rated at 4 ohms with 87 dB sensitivity and 300W IEC power handling, making it best suited to amplifiers capable of delivering stable, high-current output into a 4-ohm load. A minimum of 75W into 4 ohms is recommended for adequate dynamic performance, though the speaker scales well with higher-powered amplification in medium to large rooms. Integrated amplifiers from NAD, Hegel, Exposure, or Bryston at appropriate power levels are all well-matched choices. The Contour 30i benefits from a neutral, linear amplifier rather than a tonally coloured one, as the Esotar2i tweeter is highly revealing of upstream components.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Contour 30i in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 30i is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss system matching for your listening room.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Contour 30i differ from the Contour 20i?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 20i is a standmount two-way loudspeaker using a single 18cm MSP driver and the Esotar2i tweeter, designed for small to medium rooms. The Contour 30i is a full floorstander in a 2.5-way configuration with two 18cm MSP drivers and dual rear ports, extending bass response from the 20i's 40 Hz down to 32 Hz, adding significant low-frequency output and dynamic headroom without requiring a subwoofer. The 30i's second MSP driver and dual-port cabinet also raise IEC power handling from 200W to 300W. Buyers who want to avoid stands and achieve fuller bass performance in a medium-sized room will find the 30i a natural step up from the 20i.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48572601598259,"sku":"CONTOUR 30i W","price":9500.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":48572601631027,"sku":"CONTOUR 30i B","price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Contour30_Grey_Oak_Side.jpg?v=1712421399"},{"product_id":"dynaudio-contour-20i","title":"Dynaudio Contour 20i Speakers","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Contour 20i Standmount Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Contour 20i is a two-way standmount loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The compact flagship of Dynaudio's Contour i series, it pairs a \u003cstrong\u003e28mm Esotar2i soft-dome tweeter\u003c\/strong\u003e with Hexis inner dome and a larger rear chamber with a newly designed \u003cstrong\u003e18cm variable-thickness MSP woofer\u003c\/strong\u003e featuring a lightweight aluminium voice coil and vented dual-ferrite magnet system. Sensitivity is 86 dB, impedance is 4 ohms, IEC power handling is \u003cstrong\u003e180W\u003c\/strong\u003e, and frequency response extends from \u003cstrong\u003e39 Hz to 23 kHz\u003c\/strong\u003e. The Contour 20i is built at Dynaudio's factory in Skanderborg, Denmark, with an inset solid aluminium baffle and a multi-layer curved cabinet. It received the Stereo+ Product of the Year 2021-2022 award.\u003c\/p\u003e\n\n\u003ch2\u003eEsotar2i Tweeter with Hexis and Variable-Thickness MSP Woofer\u003c\/h2\u003e\n\u003cp\u003eThe Contour 20i carries the Esotar2i tweeter, Dynaudio's upgraded version of the renowned Esotar2 introduced with the Contour i series refresh. The Esotar2i adds the Hexis inner dome, a fixed secondary dome element positioned directly behind the 28mm soft-dome diaphragm that controls rear-wave resonances and smooths the tweeter's high-frequency response. A larger rear chamber, derived from Dynaudio's Core professional studio monitor series, provides additional room for the dome to operate at higher excursion levels without back-pressure constraints. A more powerful neodymium magnet system completes the revision, improving sensitivity and transient precision. The second-order crossover at 2,200 Hz was simplified for the i generation, with impedance correction circuitry removed because the revised driver materials now manage linearity intrinsically, resulting in a cleaner signal path. The 18cm MSP woofer is a new design for the Contour 20i, developed by Dynaudio's driver team under acoustic engineer Daniel Emonts. Its diaphragm is moulded with variable thickness across the cone surface, a technique that provides precise zone-by-zone control over stiffness and damping rather than relying on a uniform thickness throughout. This allows the cone to behave more predictably across its entire operating range, particularly at higher frequencies and volumes where conventional uniform-thickness cones can begin to break up. The woofer uses a lightweight aluminium voice coil and a vented dual-ferrite magnet system, with the dual-flared rear bass reflex port, flared on both the inner and outer ends, carrying over the dual-flare geometry introduced with the Contour i series to reduce port noise under high excursion.\u003c\/p\u003e\n\n\u003ch2\u003eAluminium Baffle, Multi-Layer Curved Cabinet, and Factory Finish Standards\u003c\/h2\u003e\n\u003cp\u003eThe Contour 20i's solid aluminium front baffle is inset directly into the cabinet rather than surface-mounted, with the chamfer integrated into the driver basket itself. This arrangement reduces high-frequency diffraction at the baffle edge, improving treble clarity and off-axis dispersion. The solid baffle also provides a mechanically stable, low-resonance mounting platform for both drivers, contributing to improved dynamic performance at high volumes. The cabinet departs from the rectangular format of earlier Contour generations in favour of a curved multi-layer construction, internally extremely well-damped to direct energy forward rather than into the cabinet walls. Viewed from above, the cabinet silhouette references the baffle shape of original Contour designs, a deliberate aesthetic acknowledgement of the series' lineage. Internal wiring and crossover layouts were revised for the i generation alongside the driver updates, and each pair is factory-inspected and finished at Dynaudio's Skanderborg facility, with any visible blemish triggering a complete re-finishing of both speakers to maintain pair consistency.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEsotar2i Tweeter with Hexis:\u003c\/strong\u003e Dynaudio's upgraded 28mm soft-dome tweeter featuring the Hexis inner dome from the Confidence range, a larger rear chamber from the Core professional monitor series, and a more powerful neodymium magnet for improved sensitivity and transient detail over the original Esotar2.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVariable-Thickness 18cm MSP Woofer:\u003c\/strong\u003e A new-design MSP cone driver with thickness varied across the diaphragm surface for zone-specific stiffness and damping control, a lightweight aluminium voice coil, and a vented dual-ferrite magnet system for precise cone control and extended bass performance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual-Flared Rear Bass Reflex Port:\u003c\/strong\u003e A rear-firing port flared on both the inner and outer ends, minimising port noise and improving airflow dynamics under high excursion, introduced with the Contour i generation update.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInset Solid Aluminium Baffle:\u003c\/strong\u003e The chamfered aluminium front baffle integrates directly with the driver basket, reducing high-frequency edge diffraction, improving off-axis treble response, and providing a rigid, low-resonance mounting surface for both drivers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Layer Curved Cabinet:\u003c\/strong\u003e A curved, heavily damped multi-layer cabinet structure that references the original Contour baffle shape in its profile while applying modern acoustic geometry to control internal standing waves and direct energy forward.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSimplified Second-Order Crossover:\u003c\/strong\u003e A 2,200 Hz two-way crossover with impedance correction circuitry removed, possible due to the improved linearity of the Esotar2i and revised MSP woofer, resulting in fewer components and a cleaner signal path.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e180W IEC Power Handling:\u003c\/strong\u003e Rated for 180W continuous with 4-ohm impedance, giving the Contour 20i generous dynamic headroom for demanding amplifier pairings in a standmount format.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pairs:\u003c\/strong\u003e Each Contour 20i pair is individually inspected and finish-approved at Dynaudio's Denmark factory, with any visible defect triggering full refinishing of both speakers to maintain visual pair consistency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eContour i\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eStandmount, two-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Esotar2i soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofer\u003c\/td\u003e\n\u003ctd\u003e18cm MSP cone, variable-thickness diaphragm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2-way, 2nd order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e2,200 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e86 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e180W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e39 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBaffle\u003c\/td\u003e\n\u003ctd\u003eInset solid aluminium with integrated chamfer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e215 x 440 x 360 mm \/ 8.5 x 17.3 x 14.2 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e215 x 440 x 396 mm \/ 8.5 x 17.3 x 15.6 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e15.5 kg \/ 34.2 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eSkanderborg, Denmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eStereo+ Product of the Year 2021-2022\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Contour 20i?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 20i is a two-way standmount loudspeaker built in Skanderborg, Denmark, and the compact flagship of Dynaudio's Contour i series. It features a 28mm Esotar2i tweeter with Hexis inner dome, a new-design 18cm variable-thickness MSP woofer with aluminium voice coil, an inset solid aluminium baffle, and a multi-layer curved cabinet with dual-flared rear bass reflex port. Sensitivity is 86 dB, impedance is 4 ohms, power handling is 180W IEC, and frequency response extends from 39 Hz to 23 kHz. It is the Stereo+ Product of the Year 2021-2022.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Contour 20i compare to the Wilson Audio TuneTot or Focal Sopra No. 1?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 20i, Wilson Audio TuneTot, and Focal Sopra No. 1 are all premium two-way standmount loudspeakers designed for serious two-channel listening. The Wilson TuneTot uses Wilson's proprietary TSWTM tweeter and Convergent Synergy Carbon mid\/woofer in a machined aluminium and composite enclosure, with a significantly higher price point and a more sculptural aesthetic. The Focal Sopra No. 1 uses Focal's Beryllium tweeter and W-composite cone in a curved cabinet with Focal's NIC and TMD technologies, leaning toward a detailed, forward presentation. The Contour 20i differentiates itself through its Esotar2i tweeter with Hexis from the Confidence range, variable-thickness MSP woofer developed in-house, inset aluminium baffle with integrated diffraction chamfer, and Danish factory construction with furniture-grade pair matching, delivering Contour-series resolution in a compact format at a more accessible entry point than either competitor.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Esotar2i tweeter and how does it differ from the Esotar2?\u003c\/h3\u003e\n\u003cp\u003eThe Esotar2i is Dynaudio's updated version of the Esotar2 tweeter, introduced across the Contour i series in 2020. The principal upgrades are the addition of the Hexis inner dome, a fixed secondary dome behind the 28mm diaphragm that suppresses rear-wave resonances and smooths the high-frequency response; a larger rear chamber derived from Dynaudio's Core professional studio monitor series, giving the dome more operating room at high excursion; and a more powerful neodymium magnet system replacing the original motor configuration to improve sensitivity and transient speed. The Esotar2i crossover also benefits from simplified passive networks, with impedance correction circuitry removed because the revised driver geometry manages linearity without it.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the Dynaudio Contour 20i need stands?\u003c\/h3\u003e\n\u003cp\u003eYes, the Contour 20i is a standmount speaker designed to be used on dedicated speaker stands that position the tweeter at or near seated ear height, typically 60 to 80 cm from the floor depending on listening position. Dynaudio's own Stand 20 is the matching stand designed specifically for the Contour 20i, providing a stable, acoustically appropriate platform and a clean aesthetic match. The speaker's 15.5 kg weight and solid aluminium baffle benefit from a rigid, mass-loaded stand rather than a lightweight alternative.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Dynaudio Contour 20i?\u003c\/h3\u003e\n\u003cp\u003eThe Contour 20i is rated at 4 ohms with 86 dB sensitivity and 180W IEC power handling, making it best suited to a high-current solid-state or hybrid integrated amplifier capable of stable output into a 4-ohm load. Dynaudio engineers its impedance curves to be more amplifier-friendly than the nominal 4-ohm specification might suggest, but a minimum of 75W into 4 ohms is recommended for full dynamic expression. Integrated amplifiers from Naim, Hegel, Rega, or Bryston at appropriate output levels are well-matched choices. The Esotar2i tweeter is highly revealing of upstream component quality, so the Contour 20i scales meaningfully with amplifier investment.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Contour 20i in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 20i is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss stand and amplifier pairing options for your listening room.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Contour 20i differ from the Evoke 20?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 20 and Contour 20i are both two-way standmount loudspeakers from Dynaudio, but they occupy different tiers. The Evoke 20 uses the Cerotar tweeter with Hexis from the Evoke series and a single 18cm MSP Esotec+ mid\/bass driver, with a painted MDF baffle and a more accessible price point suited to its range position. The Contour 20i uses the higher-tier Esotar2i tweeter with Hexis and a new-design variable-thickness MSP woofer developed specifically for the Contour range, housed in a solid aluminium inset baffle and a multi-layer curved cabinet built and finished at Dynaudio's factory in Denmark to furniture-grade standards. The Contour 20i's variable-thickness woofer diaphragm, simplified i-generation crossover, and factory-matched pair finishing represent a substantial step up in driver engineering and cabinet craftsmanship from the Evoke 20.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48572602876211,"sku":"CONTOUR 20i W","price":5750.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":48572602908979,"sku":"CONTOUR 20i B","price":5750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Contour20_Grey_Oak_Side.jpg?v=1712421407"},{"product_id":"dynaudio-sub-6","title":"Dynaudio Sub 6 Subwoofer (Each)","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Sub 6 Active DSP Subwoofer at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Sub 6 is a 500W active DSP subwoofer from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The top model in Dynaudio's subwoofer range, it uses two \u003cstrong\u003e24cm MSP+ Hybrid Drive woofers\u003c\/strong\u003e in a twin opposing sealed enclosure, driven by a built-in \u003cstrong\u003e500W amplifier\u003c\/strong\u003e with advanced DSP processing. Frequency response extends from \u003cstrong\u003e16 Hz to 230 Hz\u003c\/strong\u003e at +\/-3 dB. The Sub 6 features built-in speaker crossover presets for Dynaudio Contour, Confidence, Evidence, Special Forty, Special Twenty-Five, and Focus XD models, enabling seamless two-way to three-way system integration. Manual crossover frequency, gain, and phase adjustment supports non-Dynaudio speakers. Additional DSP tools include automatic time delay alignment, three-band fully parametric EQ, and 0\/180 degree phase adjustment. Dual balanced XLR and unbalanced RCA inputs and outputs are provided.\u003c\/p\u003e\n\n\u003ch2\u003eMSP+ Hybrid Drive Units and Twin Opposing Sealed Architecture\u003c\/h2\u003e\n\u003cp\u003eThe Sub 6's two 24cm MSP+ Hybrid Drive woofers are purpose-designed for subwoofer use rather than adapted from conventional loudspeaker drivers. Unlike Dynaudio's standard MSP drivers, the MSP+ Hybrid Drive units use aluminium as the primary diaphragm material for maximum stiffness at low frequencies, where conventional cone materials can exhibit flex and resonance. To address the ringing that aluminium diaphragms generate, a dual-action damping system is applied: paper dampening on the rear of the cone controls rearward resonance, while a damping cap made from Dynaudio's own Magnesium Silicate Polymer material on the front face of the cone controls forward resonance. This combination of aluminium stiffness and dual-material damping allows the Sub 6 to reproduce bass frequencies with low distortion and high control across the full 16 Hz to 230 Hz operating range. Both drivers are mounted at opposite ends of the sealed enclosure in a twin opposing configuration, with the drivers facing outward from the cabinet in opposing directions. This arrangement causes the lateral reaction forces generated by each driver's cone movement to cancel each other out, significantly reducing vibration transmission from the sub to the floor, equipment rack, or nearby surfaces. The sealed enclosure design provides tighter transient response and more controlled bass decay than a ported alternative, and the cabinet is wider than it is deep, designed to sit compactly against a wall without extending into the listening room.\u003c\/p\u003e\n\n\u003ch2\u003eIntelligent DSP: Speaker Presets, Parametric EQ, and Time Alignment\u003c\/h2\u003e\n\u003cp\u003eThe Sub 6's DSP platform represents Dynaudio's most advanced integration approach in a home subwoofer. For Dynaudio speakers from the Contour range upwards, the Sub 6 stores custom performance maps developed by Dynaudio's acoustic engineers, each containing the precise roll-off characteristics needed to create a seamless crossover between the specific speaker and the subwoofer. Selecting the speaker model from the Sub 6's display menu causes the DSP to apply the appropriate custom crossover, effectively transforming a two-way loudspeaker system into a coherent three-way system with the Sub 6 handling the bass band. For all other speakers, including non-Dynaudio models, manual adjustments cover crossover frequency from 40 to 120 Hz at 24 dB per octave, gain, and phase. Three bands of fully parametric EQ allow targeted correction of room mode effects: Band 1 operates from 20 to 200 Hz, Band 2 from 40 to 200 Hz, and Band 3 from 80 to 200 Hz, each with adjustable frequency, gain, and Q parameters. The time delay alignment function compensates for distance differences between the subwoofer and main speakers by accepting measured distances from the listening position and automatically applying both time and phase delays, with a maximum compensation range of 4.8 metres. Firmware updates from Dynaudio add new speaker performance maps as new models are released, ensuring the Sub 6 remains compatible with future Dynaudio products.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual 24cm MSP+ Hybrid Drive Woofers:\u003c\/strong\u003e Purpose-designed subwoofer drivers using aluminium diaphragms for stiffness, with dual-action damping via paper on the cone rear and MSP polymer on the front face, minimising ringing and distortion through the full bass operating range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin Opposing Driver Configuration:\u003c\/strong\u003e Both woofers face outward from opposite ends of the sealed cabinet, cancelling lateral vibration forces and reducing energy transmission to the floor or supporting surface.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e500W Built-In Amplifier:\u003c\/strong\u003e A dedicated 500W power amplifier module integrated into the base of the cabinet, matched to the dual MSP+ Hybrid Drive woofers and DSP crossover platform.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDynaudio Speaker Presets:\u003c\/strong\u003e Custom acoustic performance maps for Contour, Confidence, Evidence, Special Forty, Special Twenty-Five, and Focus XD models, creating seamless three-way system integration when paired with compatible Dynaudio speakers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree-Band Fully Parametric EQ:\u003c\/strong\u003e Three independently configurable EQ bands with adjustable frequency, gain, and Q parameters, allowing targeted correction of specific room mode peaks and dips.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAutomatic Time Delay Alignment:\u003c\/strong\u003e DSP-based delay compensation that adjusts automatically when the subwoofer-to-speaker distance difference is entered, ensuring phase-aligned bass integration across the listening position.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual Balanced XLR and Unbalanced RCA Connections:\u003c\/strong\u003e Both input and output connections in balanced XLR and unbalanced RCA formats, supporting integration with preamplifiers, AV processors, and integrated amplifiers at any signal level standard.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUpdatable Firmware:\u003c\/strong\u003e Firmware update capability ensures new Dynaudio speaker performance maps can be added as new models are released, extending the Sub 6's custom integration capability over time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Hz Bass Extension:\u003c\/strong\u003e Frequency response reaching 16 Hz at +\/-3 dB from a sealed enclosure, extending well below the 20 Hz lower threshold of human hearing for full cinema and music bass reproduction.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSystem\u003c\/td\u003e\n\u003ctd\u003eTwin opposing driver, sealed box, active DSP subwoofer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofers\u003c\/td\u003e\n\u003ctd\u003e2 x 24cm MSP+ Hybrid Drive\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e500W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e16 Hz to 230 Hz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBox Principle\u003c\/td\u003e\n\u003ctd\u003eSealed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLow Pass Filter\u003c\/td\u003e\n\u003ctd\u003eAdjustable (40-120 Hz, 24 dB\/oct) or speaker preset\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePhase Adjustment\u003c\/td\u003e\n\u003ctd\u003e0 \/ 180 degrees\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTime Alignment\u003c\/td\u003e\n\u003ctd\u003eAutomatic DSP-based, up to 4.8m distance compensation\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eParametric EQ\u003c\/td\u003e\n\u003ctd\u003e3-band fully parametric (frequency, gain, Q per band)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAnalogue Inputs\u003c\/td\u003e\n\u003ctd\u003e2 x balanced XLR, 2 x unbalanced RCA phono\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAnalogue Outputs\u003c\/td\u003e\n\u003ctd\u003e2 x balanced XLR, 2 x unbalanced RCA phono\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAuto On\/Off\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAC Power Input\u003c\/td\u003e\n\u003ctd\u003e100-120V \/ 220-240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMax Power Consumption\u003c\/td\u003e\n\u003ctd\u003e490W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStandby Power\u003c\/td\u003e\n\u003ctd\u003eUnder 0.5W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack satin lacquer, White satin lacquer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e447 x 300 x 268 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e470 x 333 x 268 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e21.5 kg \/ 45.2 lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eDynaudio Speaker Presets Built In\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eContour S 1.4 LE, Contour S 3.4 LE\u003c\/li\u003e\n  \u003cli\u003eContour 20, Contour 30, Contour 60\u003c\/li\u003e\n  \u003cli\u003eConfidence C1, Confidence C2, Confidence C4\u003c\/li\u003e\n  \u003cli\u003eEvidence Temptation, Evidence Platinum, Evidence Master\u003c\/li\u003e\n  \u003cli\u003eSpecial Twenty-Five, Special Forty\u003c\/li\u003e\n  \u003cli\u003eFocus 20 XD, Focus 30 XD, Focus 60 XD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Sub 6?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Sub 6 is a 500W active DSP subwoofer built in Denmark, using two 24cm MSP+ Hybrid Drive woofers in a twin opposing sealed enclosure with frequency response from 16 Hz to 230 Hz. Its DSP platform includes built-in performance map presets for Dynaudio Contour, Confidence, Evidence, Special Forty, and Focus XD speakers, three-band fully parametric EQ, automatic time delay alignment, and both balanced XLR and unbalanced RCA connections. Firmware updates add new speaker presets as new Dynaudio models are released.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Sub 6 compare to the REL T\/9x or SVS SB-3000?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Sub 6, REL T\/9x, and SVS SB-3000 are all premium sealed active subwoofers, but differ significantly in feature set and integration approach. The REL T\/9x uses a 10-inch long-throw driver with REL's high-level speaker-level input approach and a single 300W Class AB amplifier, focusing on musical integration through passive crossover matching. The SVS SB-3000 uses a 13-inch driver with a 800W RMS amplifier and app-based DSP control including parametric EQ. The Sub 6 differentiates itself with dual 24cm opposing woofers in a compact low-vibration enclosure, 500W amplification, dual XLR and RCA connections, automatic time delay alignment, and uniquely, custom built-in acoustic performance maps for specific Dynaudio speaker models that automatically configure the crossover to create a seamless three-way system transition rather than a manually approximated integration.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does the Dynaudio Sub 6's speaker preset system do?\u003c\/h3\u003e\n\u003cp\u003eThe Sub 6's speaker preset system contains custom acoustic performance maps created by Dynaudio's engineers for each supported Dynaudio speaker model. Each map encodes the specific roll-off characteristics of that speaker, allowing the Sub 6's DSP to apply a precisely matched crossover that aligns the sub's low-frequency output with the speaker's natural roll-off curve. When a compatible speaker model is selected from the Sub 6's menu, the DSP applies the appropriate custom filter, creating a coherent three-way response rather than the overlapping or misaligned transition that a generic fixed-frequency crossover produces when paired with speakers of varying real-world roll-off behaviour.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Sub 6 be used with non-Dynaudio speakers?\u003c\/h3\u003e\n\u003cp\u003eYes, the Sub 6 fully supports integration with non-Dynaudio speakers through its manual adjustment mode. Crossover frequency is adjustable from 40 to 120 Hz at 24 dB per octave, with independent gain and phase controls. The three-band parametric EQ and time delay alignment features are available in manual mode as well. For users whose speaker model is not in the preset list, selecting the crossover frequency closest to the speaker's rated -6 dB low-frequency cutoff provides a starting point for manual integration.\u003c\/p\u003e\n\n\u003ch3\u003eWhat connection types does the Dynaudio Sub 6 support?\u003c\/h3\u003e\n\u003cp\u003eThe Sub 6 provides both balanced XLR and unbalanced RCA connections on both input and output, giving two inputs and two outputs in each format. This allows it to be inserted in the signal path between a preamplifier and power amplifier using high-level outputs, connected to an AV processor's LFE or subwoofer output, or looped through from source to amplifier while the sub takes a parallel feed. The balanced XLR connections are particularly valuable in systems using professional or semi-professional preamplification where balanced signal routing is standard.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Sub 6 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Sub 6 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to discuss system integration with your existing Dynaudio speakers or to arrange a demonstration.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Black Satin","offer_id":48572607725875,"sku":"SUB 6 BS","price":2399.0,"currency_code":"USD","in_stock":true},{"title":"White Satin","offer_id":48572607758643,"sku":"SUB 6 WS","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Sub_6_Black_Front_6bd2621e-b430-4518-9d5e-968e88adc7d9.jpg?v=1712421445"},{"product_id":"dynaudio-sub-3","title":"Dynaudio Sub 3 Subwoofer (Each)","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Sub 3 Active Subwoofer at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Sub 3 is a 300W active sealed subwoofer from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. Designed to work equally well in stereo music and multichannel home cinema systems, it uses a single \u003cstrong\u003e23cm MSP woofer\u003c\/strong\u003e in a compact sealed enclosure with a \u003cstrong\u003e37mm double-thickness curved front baffle\u003c\/strong\u003e derived from Contour series cabinet engineering. Frequency response extends from \u003cstrong\u003e22 Hz to 175 Hz\u003c\/strong\u003e at +\/-3 dB, with an adjustable low pass filter from 50 to 150 Hz and a high pass filter at flat, 60 Hz, or 80 Hz for satellite speaker integration. The Sub 3 carries the full DSP feature set of the larger Sub 6 in a cabinet footprint matching the previous Sub 250, including 0\/180 degree phase adjustment and a slave output for daisy-chaining a second unit.\u003c\/p\u003e\n\n\u003ch2\u003e23cm MSP Woofer, 300W Amplification, and Contour-Quality Cabinet Construction\u003c\/h2\u003e\n\u003cp\u003eThe Sub 3's 23cm MSP (Magnesium Silicate Polymer) driver is a new design built specifically for this subwoofer, using Dynaudio's proprietary cone material developed in-house and refined across decades of use in the company's full loudspeaker range from Emit to Confidence. MSP provides the precise combination of low mass, controlled stiffness, and inherent self-damping needed to reproduce bass frequencies with accuracy and transient speed rather than the boom and overhang that insufficiently damped subwoofer drivers can produce. The 300W amplifier module is the same power class as the larger Sub 600 predecessor, giving the Sub 3 the dynamic headroom to keep pace with demanding Contour and Confidence speaker systems at high listening levels. The cabinet borrows the 37mm double-thickness front baffle from Dynaudio's Contour series cabinet engineering, a significantly more rigid construction than the standard 18mm MDF used in most subwoofers at this size and price point. The additional mass and thickness of the front baffle reduces mechanical energy from the driver from coupling into the cabinet panels, lowering cabinet colouration and keeping bass reproduction clean and defined. The sealed enclosure design provides tighter transient bass response and more natural decay compared to ported alternatives, optimising the Sub 3 for music listening as well as cinema use. At 266mm wide, the Sub 3's footprint matches the previous Sub 250, making it a direct upgrade path for existing Dynaudio system owners without requiring repositioning or furniture changes.\u003c\/p\u003e\n\n\u003ch2\u003eSignal Routing, Crossover Controls, and Stereo System Integration\u003c\/h2\u003e\n\u003cp\u003eThe Sub 3 addresses one of the most common challenges in subwoofer integration: how to add a subwoofer to a stereo amplifier without a dedicated subwoofer output. Its dual RCA stereo inputs and satellite RCA outputs allow the signal to pass through the Sub 3 from source to amplifier while the sub takes a parallel feed, creating a complete low-frequency extension path with no requirement for a dedicated LFE output on the amplifier. An LFE RCA input is also provided for AV processor integration. The high pass filter at flat, 60 Hz, or 80 Hz lets satellite speakers hand off their low-frequency load to the Sub 3 at the selected crossover point, improving the midrange clarity of smaller speakers by reducing their excursion demands below the crossover frequency. The low pass filter is adjustable from 50 to 150 Hz for integration with a wide range of main speaker sizes and crossover preferences. Phase adjustment at 0 and 180 degrees addresses polarity alignment between the sub and main speakers. A slave RCA output allows a second Sub 3 to be connected and driven in sync, doubling bass output and improving low-frequency coverage in larger rooms or dedicated home cinema installations.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e23cm MSP Woofer:\u003c\/strong\u003e A new-design Dynaudio MSP cone driver purpose-built for the Sub 3, using Dynaudio's proprietary Magnesium Silicate Polymer diaphragm material for controlled stiffness and self-damping across the full bass operating range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e300W Amplifier:\u003c\/strong\u003e The same power class as the Sub 600 predecessor, providing dynamic headroom for demanding music and cinema listening levels in medium to large rooms.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e37mm Double-Thickness Curved Front Baffle:\u003c\/strong\u003e A Contour series-derived double-thickness front panel that significantly increases cabinet rigidity and reduces driver-to-cabinet energy coupling compared to standard 18mm MDF construction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSealed Enclosure Design:\u003c\/strong\u003e Closed-box architecture for tighter transient bass response, more controlled decay, and optimised performance for music and cinema use in the Sub 3's compact footprint.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAdjustable Low Pass Filter (50-150 Hz):\u003c\/strong\u003e Continuously variable low pass crossover for integration with main speakers ranging from compact standmounts to full-size floorstanders.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter (Flat \/ 60 Hz \/ 80 Hz):\u003c\/strong\u003e Three-position high pass filter for satellite speaker integration, reducing low-frequency excursion demands on main speakers and improving their midrange clarity.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStereo Pass-Through for Amplifier Integration:\u003c\/strong\u003e Dual RCA stereo inputs and satellite outputs allow in-line connection between source and amplifier in systems without a dedicated subwoofer output, enabling full bass extension in stereo setups.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSlave Output for Dual Sub Configurations:\u003c\/strong\u003e An RCA slave output drives a second Sub 3 in synchronised operation for larger rooms or home cinema installations requiring additional low-frequency coverage.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact Sub 250 Footprint:\u003c\/strong\u003e Identical external dimensions to the previous Sub 250, allowing direct upgrade placement without repositioning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSystem\u003c\/td\u003e\n\u003ctd\u003eSingle driver, active sealed subwoofer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofer\u003c\/td\u003e\n\u003ctd\u003e23cm MSP cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e300W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e22 Hz to 175 Hz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBox Principle\u003c\/td\u003e\n\u003ctd\u003eSealed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLow Pass Filter\u003c\/td\u003e\n\u003ctd\u003e50-150 Hz (adjustable)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHigh Pass Filter\u003c\/td\u003e\n\u003ctd\u003eFlat \/ 60 Hz \/ 80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePhase Adjustment\u003c\/td\u003e\n\u003ctd\u003e0 \/ 180 degrees\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAnalogue Inputs\u003c\/td\u003e\n\u003ctd\u003e1 x RCA LFE, 2 x RCA stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAnalogue Outputs\u003c\/td\u003e\n\u003ctd\u003e1 x RCA slave out, 2 x RCA satellite out\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAuto On\/Off\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAC Power Input\u003c\/td\u003e\n\u003ctd\u003e100-120V \/ 200-240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMax Power Consumption\u003c\/td\u003e\n\u003ctd\u003e350W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStandby Power\u003c\/td\u003e\n\u003ctd\u003eUnder 0.5W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack satin, White satin\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e266 x 276 x 320 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e266 x 276 x 336 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e10.5 kg \/ 23.1 lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eConnections at a Glance\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e1 x RCA LFE input (for AV processor subwoofer output)\u003c\/li\u003e\n  \u003cli\u003e2 x RCA stereo inputs (for in-line stereo amplifier integration)\u003c\/li\u003e\n  \u003cli\u003e2 x RCA satellite outputs (high pass filtered, to main amplifier)\u003c\/li\u003e\n  \u003cli\u003e1 x RCA slave output (to drive a second Sub 3)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Sub 3?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Sub 3 is a 300W active sealed subwoofer built in Denmark, using a 23cm MSP driver in a compact cabinet with a 37mm double-thickness curved front baffle. Frequency response extends from 22 Hz to 175 Hz at +\/-3 dB, with an adjustable low pass filter from 50 to 150 Hz, a three-position high pass filter at flat, 60 Hz, or 80 Hz, 0\/180 degree phase adjustment, and signal pass-through connections for stereo system integration without a dedicated subwoofer output. It is sold as a single unit.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Sub 3 compare to the Sub 6?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Sub 6 is the flagship model, using two 24cm MSP+ Hybrid Drive woofers in a twin opposing sealed enclosure with 500W amplification, frequency response from 16 Hz to 230 Hz, dual balanced XLR and unbalanced RCA connections, three-band fully parametric EQ, automatic DSP time delay alignment, and built-in speaker preset performance maps for specific Dynaudio models. The Sub 3 uses a single 23cm MSP driver with 300W amplification, frequency response from 22 Hz to 175 Hz, RCA-only connections, and manual crossover controls without parametric EQ or speaker presets. The Sub 3 is the appropriate choice for small to medium rooms and systems up to Contour level, while the Sub 6's twin opposing driver design, deeper bass extension, balanced connections, parametric EQ, and Dynaudio speaker presets make it the preferred choice for Contour, Confidence, and Evidence systems in larger rooms.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Sub 3 be used in a stereo system without a subwoofer output?\u003c\/h3\u003e\n\u003cp\u003eYes, this is a key design priority of the Sub 3. Its dual RCA stereo inputs and satellite RCA outputs allow it to be inserted in-line between a source or preamplifier and a stereo power amplifier or integrated amplifier's power input. The sub takes a parallel feed from the stereo signal, and the high pass filtered satellite outputs pass the signal minus the low frequencies to the main speakers, reducing the excursion demands on them below the crossover point. An LFE RCA input is also provided for AV processor integration in multichannel systems.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the high pass filter on the Sub 3 and when should it be used?\u003c\/h3\u003e\n\u003cp\u003eThe high pass filter on the Sub 3's satellite outputs applies a 60 Hz or 80 Hz cutoff to the signal sent to the main speakers, preventing them from receiving bass frequencies below the selected point. This reduces the excursion demands on the main speakers in the bass region, improving their midrange clarity and reducing distortion at higher listening levels. The flat setting bypasses the high pass filter and sends a full-range signal to the satellite outputs, appropriate for systems where the main speakers handle low frequencies independently. The 80 Hz setting is generally recommended for compact standmount speakers, while 60 Hz suits larger standmounts and floorstanders with usable bass below that frequency.\u003c\/p\u003e\n\n\u003ch3\u003eCan two Dynaudio Sub 3 units be run together?\u003c\/h3\u003e\n\u003cp\u003eYes, the Sub 3's RCA slave output allows a second Sub 3 to be connected and driven in synchronised operation from the first unit. This doubles low-frequency output and improves bass coverage uniformity across the listening room by placing drivers at two positions, reducing the room mode standing wave concentration that a single subwoofer can create. Dual sub configurations are particularly effective in larger rooms or dedicated home cinema installations where even bass distribution across multiple seating positions is a priority.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Sub 3 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Sub 3 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to discuss system integration options or to pair the Sub 3 with matching Dynaudio speakers.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Black Satin","offer_id":48572607988019,"sku":"SUB 3 BS","price":1399.0,"currency_code":"USD","in_stock":true},{"title":"White Satin","offer_id":48572608020787,"sku":"SUB 3 WS","price":1399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Sub_3_White_Front_358df2c9-d8d2-481a-ac21-bfc1370dc2cd.jpg?v=1712421450"},{"product_id":"dynaudio-contour-25ci-speaker","title":"Dynaudio Contour 25Ci Speaker","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Contour 25Ci Centre Channel Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Contour 25Ci is a 2.5-way centre channel loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. Part of Dynaudio's Contour i series, it is the dedicated centre channel companion to the Contour 20i, 30i, and 60i, architecturally equivalent to a Contour 30i turned on its side with the \u003cstrong\u003e28mm Esotar2i tweeter with Hexis\u003c\/strong\u003e positioned centrally between two \u003cstrong\u003e18cm MSP cone drivers\u003c\/strong\u003e with large-diameter aluminium voice coils and aramid-fibre asymmetric spiders. Sensitivity is 87 dB, impedance is 4 ohms, IEC power handling is \u003cstrong\u003e300W\u003c\/strong\u003e, and frequency response extends from \u003cstrong\u003e35 Hz to 23 kHz\u003c\/strong\u003e. The 2.5-way crossover at (300)\/2,200 Hz uses the same simplified second-order topology as the Contour i series, built at Dynaudio's Skanderborg factory to furniture-grade quality standards.\u003c\/p\u003e\n\n\u003ch2\u003eEsotar2i Tweeter with Hexis and Dual 18cm MSP Drivers\u003c\/h2\u003e\n\u003cp\u003eThe Contour 25Ci shares the same driver and crossover architecture as the Contour 30i, with the Esotar2i tweeter positioned centrally in a horizontal configuration flanked by two 18cm MSP cone woofers. This layout keeps the tweeter on the acoustic axis regardless of whether the centre channel is placed above or below a display, maintaining the horizontal dispersion pattern that a vertically oriented centre channel compromises when tilted toward the listening position. The Esotar2i is the upgraded version of Dynaudio's Esotar2 tweeter introduced with the Contour i series refresh, gaining the Hexis inner dome for rear-wave resonance control, a larger rear chamber derived from the Core professional monitor range, and a more powerful neodymium magnet system. These revisions produce a flatter measured high-frequency response, lower harmonic distortion, and improved transient speed compared to the original Esotar2. Both 18cm MSP drivers use large-diameter, long-throw aluminium voice coils and asymmetric aramid-fibre spiders, the same updates applied across the full Contour i woofer family. The asymmetric spider design with varying-width corrugations provides more consistent excursion control across the driver's operating range than a conventional symmetric spider, and the aramid-fibre material improves acoustic response over the previous Nomex design. Ferrofluid in the tweeter's voice coil gap dissipates heat and absorbs mechanical shock, improving sustained power handling and extending long-term reliability under demanding cinema use. The 2.5-way crossover at 300 Hz and 2,200 Hz uses second-order networks and has been simplified for the i generation by removing impedance correction circuitry, made possible by the improved inherent linearity of the Esotar2i and updated woofers. Internal damping has been renewed using lessons from the Evoke and Confidence development programs.\u003c\/p\u003e\n\n\u003ch2\u003eFurniture-Grade Construction and Contour i System Integration\u003c\/h2\u003e\n\u003cp\u003eThe Contour 25Ci cabinet is built to the same furniture-grade standards as the upright Contour i speakers, with curved edges and an inset aluminium front baffle consistent with the series aesthetic. New driver baskets, redesigned from the 2016 Contour generation, are built to tighter dimensional tolerances for improved driver alignment and long-term mechanical stability. The Contour 25Ci is specifically voiced to integrate tonally with the Contour 20i, 30i, and 60i, ensuring that dialogue and centre-channel content in a multichannel system shares the same timbral character as the front left and right speakers. Because the Contour i series is also used in stereo two-channel configurations, the Contour 25Ci meets the same performance standards as its upright siblings rather than being engineered to a lower specification as a supplementary channel. At 750mm wide, it accommodates placement on AV furniture below a large-screen display or on a shelf above one, with the horizontal driver configuration maintaining acoustic axis alignment in either position.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEsotar2i Tweeter with Hexis:\u003c\/strong\u003e Dynaudio's upgraded 28mm soft-dome tweeter from the Contour i series, featuring the Hexis inner dome for resonance control, a larger rear chamber from the Core professional monitor range, and a more powerful neodymium magnet for improved sensitivity and transient precision over the original Esotar2.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual 18cm MSP Drivers with Aluminium Voice Coils:\u003c\/strong\u003e Two Contour i-generation woofers with large-diameter long-throw aluminium voice coils and asymmetric aramid-fibre spiders, flanking the Esotar2i tweeter for horizontal centre channel deployment.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCentral Tweeter Placement:\u003c\/strong\u003e The Esotar2i is positioned at the geometric and acoustic centre of the baffle, ensuring the tweeter remains on-axis with the listener whether the speaker is placed above or below a display screen without tilting.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2.5-Way Crossover at 300 Hz \/ 2,200 Hz:\u003c\/strong\u003e Second-order networks with impedance correction circuitry removed, enabled by the improved linearity of the Esotar2i and updated MSP drivers, providing a simpler and cleaner signal path than the 2016 Contour generation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFerrofluid Tweeter Cooling:\u003c\/strong\u003e Magnetic ferrofluid in the Esotar2i voice coil gap dissipates heat and absorbs mechanical shock, improving sustained power handling under prolonged high-output cinema use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e300W IEC Power Handling:\u003c\/strong\u003e Consistent with the Contour 30i and appropriate for high-output AV processor and amplifier pairings, with a 4-ohm impedance suited to AV receivers rated for 4-ohm loads or dedicated multichannel amplifiers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFurniture-Grade Finish:\u003c\/strong\u003e Built to the same cabinet and finish standards as the upright Contour i speakers, with redesigned driver baskets and renewed internal damping from Evoke and Confidence development programs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eContour i Series Compatibility:\u003c\/strong\u003e Voiced to integrate tonally with the Contour 20i, 30i, and 60i for seamless multichannel system assembly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eContour i\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eCentre channel, 2.5-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear ported\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Esotar2i soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Drivers\u003c\/td\u003e\n\u003ctd\u003e2 x 18cm MSP cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2.5-way, 2nd order\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e300 Hz \/ 2,200 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e87 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e300W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e35 Hz to 23 kHz (+\/-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e750 x 215 x 396 mm \/ 29.5 x 8.5 x 15.6 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e750 x 250 x 396 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e24 kg \/ 52.9 lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eSkanderborg, Denmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Contour 25Ci?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 25Ci is a 2.5-way centre channel loudspeaker built in Skanderborg, Denmark, as part of the Contour i series. It is architecturally equivalent to a Contour 30i laid horizontally, with a 28mm Esotar2i tweeter with Hexis flanked by two 18cm MSP cone drivers with aluminium voice coils and aramid-fibre asymmetric spiders. Sensitivity is 87 dB, impedance is 4 ohms, power handling is 300W IEC, and frequency response extends from 35 Hz to 23 kHz. It is designed to integrate tonally with the Contour 20i, 30i, and 60i.\u003c\/p\u003e\n\n\u003ch3\u003eWhich Dynaudio speakers does the Contour 25Ci pair with?\u003c\/h3\u003e\n\u003cp\u003eThe Contour 25Ci is designed to integrate with any combination of Contour i series loudspeakers as front left and right channels, specifically the Contour 20i standmount, the Contour 30i floorstander, and the Contour 60i floorstander. All Contour i models share the Esotar2i tweeter with Hexis and the same generation of MSP woofer, ensuring consistent tonal character across all channels. The Contour 25Ci can also be paired with Dynaudio's Sub 3 or Sub 6 subwoofers for additional low-frequency extension in large home cinema rooms.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Esotar2i tweeter with Hexis in the Contour 25Ci?\u003c\/h3\u003e\n\u003cp\u003eThe Esotar2i is Dynaudio's upgraded version of the Esotar2 tweeter, introduced with the Contour i series in 2020. It adds the Hexis inner dome, a fixed secondary dome behind the 28mm diaphragm that suppresses rear-wave resonances and smooths the high-frequency response. A larger rear chamber, derived from Dynaudio's Core professional studio monitor series, provides additional operating room for the dome at higher excursion. A more powerful neodymium magnet system improves sensitivity and transient speed. The crossover was also simplified for the i generation, with impedance correction circuitry removed because the Esotar2i's improved linearity manages this intrinsically.\u003c\/p\u003e\n\n\u003ch3\u003eHow should the Contour 25Ci be positioned relative to the display?\u003c\/h3\u003e\n\u003cp\u003eThe Contour 25Ci can be placed either above or below the display screen. Its central tweeter placement ensures the Esotar2i remains on the acoustic axis with the listener in either position without requiring the speaker to be angled. When placed below a display, the speaker should ideally be positioned so the tweeter is at approximately seated ear height. When placed above, a small downward tilt toward the listening position can improve dialogue focus. Dynaudio recommends at least 20 cm of clearance behind the speaker for the rear bass reflex port to function cleanly.\u003c\/p\u003e\n\n\u003ch3\u003eWhat AV receiver or amplifier channel is recommended for the Contour 25Ci?\u003c\/h3\u003e\n\u003cp\u003eThe Contour 25Ci is rated at 4 ohms with 87 dB sensitivity and 300W IEC power handling, requiring an AV receiver or multichannel amplifier channel rated for 4-ohm loads. Most mid-to-high-tier AV receivers from Denon, Marantz, Yamaha, or Anthem rated at 100W or more per channel into 4 ohms are adequate. For the best performance, a dedicated multichannel amplifier with individual channel ratings into 4 ohms is recommended, particularly in large rooms where the centre channel carries a high proportion of the total output during film dialogue and action sequences. Dynaudio engineers the Contour i impedance curves to be more forgiving than the nominal 4-ohm specification suggests, making the Contour 25Ci compatible with a broader range of AV equipment than the rating implies.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Contour 25Ci in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Contour 25Ci is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a demonstration or to discuss multichannel system configuration with matching Contour i speakers.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Contour 25Ci differ from the Evoke 25C?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 25C is the centre channel speaker for the Evoke series, using the Cerotar tweeter with Hexis and a pair of 14cm MSP Esotec+ drivers in a smaller cabinet. The Contour 25Ci uses the higher-tier Esotar2i tweeter with Hexis and a pair of 18cm MSP drivers with the full Contour i woofer specification, in a substantially larger 750mm-wide cabinet reaching 35 Hz at -3 dB. The Contour 25Ci's 300W power handling, 87 dB sensitivity, and 4-ohm impedance are matched to the Contour i series upright speakers, while the Evoke 25C is voiced and sized for the Evoke range. Buyers with Contour i front speakers should use the Contour 25Ci for tonal integration.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48572630008115,"sku":"CONTOUR 25Ci W","price":4250.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":48572630040883,"sku":"CONTOUR 25Ci B","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/vinylsound-dynaudio-contour-25i-centre-channel-speaker.jpg?v=1712421624"},{"product_id":"splendor-a1","title":"Spendor A1.2 Loudspeaker","description":"\u003ch1\u003eSpendor A1.2 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor A1.2 is a compact 2-way sealed shelf-mount loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. The most compact model in Spendor's A-Line Mark 2 series — debuted at the Bristol Hi-Fi Show in February 2025 and manufactured in the UK — the A1.2 pairs a \u003cstrong\u003e150mm EP77 polymer cone mid-bass driver\u003c\/strong\u003e with a \u003cstrong\u003e22mm polyamide dome tweeter\u003c\/strong\u003e in a closed-box enclosure, crossing at \u003cstrong\u003e4.2kHz\u003c\/strong\u003e and spanning 60Hz to 26kHz at \u003cstrong\u003e83dB\u003c\/strong\u003e sensitivity. Compatible with amplifiers from 25 to 100 watts into a stable 8-ohm load, and standing just 308mm tall at 186mm deep, the A1.2 delivers the energetic, expressive A-Line sound in the smallest and most placement-friendly form in the entire Spendor lineup.\u003c\/p\u003e\n\n\u003ch2\u003eA-Line Mark 2: Updated Bracing, Sorbothane Damping, and Revised Crossover\u003c\/h2\u003e\n\u003cp\u003eThe Spendor A1.2 is the Mark 2 evolution of the original A1 — itself the inheritor of a lineage stretching back through the S3\/5R2, S3\/5R, and S3\/5, to the legendary LS3\/5a BBC mini-monitor that Spendor manufactured for almost twenty years. That BBC heritage established the sealed-box, wide-bandwidth compact standmount as a reference standard for natural, low-coloration sound, and the A1.2 continues that philosophy while bringing it firmly into the A-Line Mark 2 era. The 2025 update introduces a refined internal bracing system that minimises unwanted vibrations, reduces cabinet interaction and time smearing, and lowers the noise floor — improvements shared across all four A-Line Mark 2 models. Constrained-layer damping using Sorbothane is applied to cabinet panels, further reducing resonance transmission and improving the clarity and focus of the A1.2's soundstage compared to the original A1. The crossover network has been revised for improved driver integration. The result is a speaker that preserves the A1's characteristic ease, warmth, and musicality while delivering greater transient accuracy and a more refined presentation at every listening level.\u003c\/p\u003e\n\n\u003ch2\u003eEP77 Polymer Cone, Sealed Enclosure, and Placement Flexibility\u003c\/h2\u003e\n\u003cp\u003eThe A1.2's 150mm mid-bass driver uses Spendor's proprietary EP77 engineering polymer cone — the same material found across the A-Line, D-Line, and Classic ranges — in a cast magnesium alloy chassis. EP77's combination of low mass, high internal damping, and controlled stiffness produces the natural, uncolored midrange character that defines all Spendor A-Line loudspeakers. The 22mm polyamide dome tweeter provides smooth, extended high-frequency reproduction to 26kHz with wide off-axis dispersion, crossing in at 4.2kHz — the same relatively high crossover point as the original A1 and Classic 4\/5, which leaves the 150mm cone in sole control of the critical midrange frequency band. The sealed-box (non-ported) enclosure makes the A1.2 the most placement-tolerant model in the A-Line range: with no port, it can be placed on a bookshelf, close to a rear wall, or on a desktop without the boundary-induced bass congestion that affects reflex-loaded speakers in similar positions. Spendor's own product description confirms the A1.2 \"remains tuneful and articulate even when positioned close to a wall or in a small room.\" Standing just 31cm tall at 19cm deep, it is available in four contemporary finishes and connects via a single pair of recessed precision binding posts.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e150mm EP77 Polymer Cone Mid-Bass Driver:\u003c\/strong\u003e Spendor's proprietary engineering polymer cone in a cast magnesium alloy chassis delivers natural, low-coloration midrange and bass with excellent detail resolution at both low and high listening levels — consistent with the EP77 drivers used across the full A-Line, D-Line, and Classic ranges.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Polyamide Dome Tweeter:\u003c\/strong\u003e A wide-dispersion dome tweeter provides smooth, extended high-frequency output to 26kHz, crossing in at 4.2kHz for a broad, consistent listening window.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSealed Closed-Box Enclosure:\u003c\/strong\u003e Non-ported cabinet design produces controlled, natural bass rolloff without port resonance — making the A1.2 the most placement-tolerant speaker in the A-Line range, suitable for bookshelf, desktop, close-wall, and stand-mount use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eA-Line Mark 2 Bracing and Sorbothane Damping:\u003c\/strong\u003e A refined internal bracing structure with Sorbothane constrained-layer damping on cabinet panels reduces resonance, time smearing, and the noise floor — key improvements over the original A1 introduced in the 2025 A-Line Mark 2 update.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRevised Crossover Network:\u003c\/strong\u003e An updated crossover network improves driver integration, phase coherence, and tonal balance — a refinement introduced across all four A-Line Mark 2 models at the Bristol Hi-Fi Show 2025.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact and Versatile Form Factor:\u003c\/strong\u003e At 308mm tall, 165mm wide, and just 186mm deep, the A1.2 fits a bookshelf, desktop, or dedicated speaker stands in rooms from 10 to 20 square metres, serving equally as a primary stereo speaker or a system-matching surround channel companion to the AW1.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBroadcast Reference Calibration:\u003c\/strong\u003e Each A1.2 is individually calibrated and matched to broadcast reference standard at Spendor's UK manufacturing facility, ensuring driver and crossover consistency across pairs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUK Artisan Manufacture:\u003c\/strong\u003e Drivers, crossovers, and cabinets are all designed and assembled in the UK — in a process Spendor notes takes approximately six days per pair — with magnetic grille and height-adjustable spike feet included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-way sealed shelf-mount loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass\/Mid Driver\u003c\/td\u003e\n\u003ctd\u003e150mm (5.9\") EP77 polymer cone, cast magnesium alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e22mm polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e60Hz to 26kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 6.4 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 100 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePower Handling\u003c\/td\u003e\n\u003ctd\u003e100 watts unclipped programme\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e83dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e4.2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd\u003eSealed (non-ported)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eSingle pair recessed precision binding posts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e308mm x 165mm x 186mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e4.8kg (10.6 lbs) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack Oak, Walnut, Oak, Satin White\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAccessories\u003c\/td\u003e\n\u003ctd\u003eMagnetic grille\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor A1.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A1.2 is a compact 2-way sealed shelf-mount loudspeaker and the smallest model in Spendor's A-Line Mark 2 series, featuring a 150mm EP77 polymer cone mid-bass driver and a 22mm polyamide dome tweeter crossing at 4.2kHz, spanning 60Hz to 26kHz at 83dB sensitivity. Debuted at the Bristol Hi-Fi Show in February 2025, it is the Mark 2 evolution of the original A1 — itself a descendant of Spendor's acclaimed S3\/5 and LS3\/5a BBC mini-monitor lineage — now upgraded with new internal bracing, Sorbothane constrained-layer damping, and a refined crossover network. It is manufactured in the UK and compatible with amplifiers from 25 to 100 watts.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor A1.2 differ from the original Spendor A1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A1.2 retains the original A1's core architecture — 150mm EP77 polymer cone, 22mm dome, 4.2kHz crossover, and sealed enclosure — while adding the A-Line Mark 2 improvements introduced in February 2025: a refined internal bracing system that reduces cabinet interaction and time smearing, Sorbothane constrained-layer damping applied to cabinet panels, and a revised crossover network for improved driver integration. The A1.2 is also respecified with a slightly lower sensitivity (83dB vs 84dB on the original A1), a higher impedance minimum (6.4 ohms vs 6.2 ohms), and a different in-room frequency response (60Hz–26kHz vs 55Hz–25kHz). Available finishes update to Black Oak, Walnut, Oak, and Satin White.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor A1.2 compare to the Spendor Classic 4\/5?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A1.2 and Classic 4\/5 are both 2-way sealed standmounts with 150mm EP77 polymer cone drivers and 4.2kHz crossovers — sharing remarkably similar driver architecture and acoustic philosophy within different product families. The key differences are in cabinet tuning, driver specification, and presentation character. The Classic 4\/5 uses an EP77 cone augmented by a Kevlar composite stabiliser dome and is tuned to the Classic series' warm, BBC-heritage character with a 55Hz in-room limit. The A1.2 uses a refined EP77 cone tuned to the A-Line's more energetic, expressive character, rated to 60Hz in-room at 83dB — 1dB less sensitive than the Classic 4\/5's 84dB. The A1.2 is also the newer design with 2025 bracing and Sorbothane damping upgrades. Listeners who prefer a warmer, more traditional BBC presentation tend toward the Classic 4\/5; those who prefer a livelier, more forward presentation tend toward the A1.2.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier pairs best with the Spendor A1.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A1.2 accepts amplifiers from 25 to 100 watts into a stable 8-ohm load (minimum 6.4 ohms). At 83dB sensitivity it benefits from a quality amplifier of 40 watts or more for satisfying dynamics in typical domestic rooms. A Rega Brio, Naim Nait XS 3, Cambridge Audio CXA81, or NAD C 338 in the 40–80W range will drive the A1.2 confidently. Tube amplifiers of 20W or more — particularly push-pull EL34 or 300B designs — suit the A1.2's smooth impedance curve and A-Line tonal character well. The A1.2's sealed enclosure and broad amplifier compatibility make it a natural pairing for compact integrated amplifiers and streaming amplifiers in small to medium room setups.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor A1.2 related to the BBC LS3\/5a?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A1.2 is a direct descendant of the BBC LS3\/5a through Spendor's own lineage. Spendor manufactured the LS3\/5a BBC mini-monitor for almost twenty years, and that speaker's design philosophy — sealed-box loading, wide-bandwidth compact drivers, low coloration midrange — directly influenced the S3\/5 (1997), S3\/5R, S3\/5R2, and original A1 that precede the A1.2. While the A1.2 uses entirely modern Spendor-designed drivers and does not claim strict adherence to the original LS3\/5a specification, its sealed enclosure, 4.2kHz crossover, and EP77 polymer cone all reflect engineering choices rooted in that BBC monitor heritage. Listeners who love the original LS3\/5a's natural, non-fatiguing character will find the A1.2 a thoroughly contemporary realisation of the same musical values.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor A1.2 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A1.2 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor A-Line Mark 2 range alongside amplifiers, stands, and source components. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Black Oak","offer_id":48572740272435,"sku":null,"price":2399.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572740305203,"sku":null,"price":2399.0,"currency_code":"USD","in_stock":true},{"title":"Oak","offer_id":48572740337971,"sku":null,"price":2399.0,"currency_code":"USD","in_stock":true},{"title":"Satin White","offer_id":48572740370739,"sku":"","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor-A1-oak-vinylsound.jpg?v=1712422360"},{"product_id":"splendor-a4","title":"Spendor A4.2 Loudspeaker","description":"\u003ch1\u003eSpendor A4.2 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor A4.2 is a 2-way rear-ported floorstanding loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. Part of the A-Line Mark 2 series debuted at the Bristol Hi-Fi Show in February 2025 and manufactured in the UK, the A4.2 combines a new \u003cstrong\u003e27mm soft-dome wide-surround tweeter\u003c\/strong\u003e, a \u003cstrong\u003e180mm EP77 polymer cone mid\/bass driver\u003c\/strong\u003e, and a redesigned crossover at \u003cstrong\u003e2kHz\u003c\/strong\u003e, spanning 36Hz to 27kHz at a sensitivity of \u003cstrong\u003e85dB\u003c\/strong\u003e. Compatible with amplifiers from 25 to 150 watts into a 6.75-ohm nominal load, the A4.2 delivers the natural midrange character and dynamic engagement that made the original A4 one of Spendor's most celebrated loudspeakers — now with greater openness, improved driver integration, and a more refined high-frequency presentation.\u003c\/p\u003e\n\n\u003ch2\u003eA-Line Mark 2: A Refined Successor to a Multi-Award Winning Design\u003c\/h2\u003e\n\u003cp\u003eThe original Spendor A4 won the What Hi-Fi? Best Floorstander Award in its price category for four consecutive years from 2019 through 2022, establishing itself as a benchmark for natural, musically engaging sound at its price point. The A4.2, unveiled in February 2025, carries that legacy forward with a comprehensive driver and crossover update rather than a cabinet redesign. The most significant change is the adoption of a new 27mm soft-dome tweeter — replacing the 22mm unit of the original A4 — alongside a substantially lower crossover point of 2kHz compared to the original's 3.7kHz. The lower handoff gives the wider-aperture tweeter control over a broader frequency band, improving phase coherence and tonal smoothness in the vocal and upper-midrange range that is most critical to natural musical reproduction. The crossover network itself uses precision-wound high-linearity tapped inductors to avoid the distortion introduced by attenuating resistors, allowing precise frequency and phase tuning for coherent driver integration. Asymmetric non-parallel internal bracing combined with Spendor's Dynamic Damping technology keeps the cabinet inert under drive, converting spurious resonance energy into heat at key interface points rather than storing and re-radiating it as delayed sound.\u003c\/p\u003e\n\n\u003ch2\u003e27mm Tweeter, EP77 Midrange, and Placement-Friendly Reflex Loading\u003c\/h2\u003e\n\u003cp\u003eThe A4.2's new 27mm soft-dome wide-surround tweeter features an extended rear chamber that allows it to operate with lower distortion across a wider frequency range than a conventional dome of similar diameter. Its unique diaphragm profile delivers a smooth, extended high-frequency response over a wide listening window — an important characteristic in living rooms where listeners are rarely positioned exactly on the tweeter axis. The 180mm EP77 polymer cone mid\/bass driver is the same proprietary cone material developed for the D-Line series, providing the low-coloration, dynamically immediate midrange that defines the A-Line sound. Cast magnesium alloy chassis construction and Spendor's optimization of electrical, mechanical, and damping parameters ensure consistent bass performance and low-level linearity regardless of room size or partnering amplifier. Reflex bass loading extends the A4.2's in-room response to 36Hz, with the port designed to remain tuneful and articulate even when the speaker is positioned closer to rear walls or in smaller rooms. A single pair of recessed precision binding posts on the rear provides clean amplifier connectivity, and a satin-black plinth with height-adjustable spike feet completes the installation.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNew 27mm Soft-Dome Wide-Surround Tweeter:\u003c\/strong\u003e A larger 27mm dome with a rear chamber replaces the original A4's 22mm unit, enabling a lower 2kHz crossover point and a wider, more consistent off-axis listening window.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLower 2kHz Crossover Frequency:\u003c\/strong\u003e The crossover handoff at 2kHz — compared to 3.7kHz on the original A4 — places a broader frequency band under the tweeter's control, improving coherence and phase accuracy through the critical vocal midrange region.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e180mm EP77 Polymer Cone Mid\/Bass Driver:\u003c\/strong\u003e Spendor's proprietary EP77 polymer cone with cast magnesium alloy chassis delivers low-coloration, dynamically immediate midrange performance consistent with the D-Line drivers from which it derives.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSpendor Dynamic Damping:\u003c\/strong\u003e Low-mass constrained polymer dampers at key energy interface points convert spurious cabinet resonances into inaudible heat instantly, preventing the slow energy storage and release that blurs transients in conventional mass-damped enclosures.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAsymmetric Rigid Cabinet Bracing:\u003c\/strong\u003e Non-parallel internal bracing geometry reduces standing waves within the enclosure, working in concert with Dynamic Damping for clean, time-accurate sound reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-Linearity Custom Crossover Inductors:\u003c\/strong\u003e Precision-wound in-house tapped inductors avoid distortion introduced by attenuating resistors, allowing fine frequency and phase tuning for seamless driver integration.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePlacement-Friendly Reflex Loading:\u003c\/strong\u003e The reflex port is specifically voiced for articulate, tuneful bass even when the A4.2 is positioned close to rear walls or in smaller listening rooms — an important practical advantage for real-world placement.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSlim Linear-Form Cabinet:\u003c\/strong\u003e A 6.5\"-wide asymmetric braced enclosure in four veneer finishes fits unobtrusively into a wide range of room aesthetics without dominating the space.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBroadcast Reference Calibration:\u003c\/strong\u003e Each A4.2 is calibrated and matched to broadcast reference standard at Spendor's UK facility, ensuring driver and crossover consistency across pairs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-way rear-ported floorstanding loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e27mm soft-dome wide-surround polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e180mm (7\") EP77 polymer cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e36Hz to 27kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e6.75 Ohms (min 5.4 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 150 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePower Handling\u003c\/td\u003e\n\u003ctd\u003e125 watts unclipped programme\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e85dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd\u003eRigid, asymmetric braced cabinet with Dynamic Damping\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVent Type\u003c\/td\u003e\n\u003ctd\u003eReflex loading\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eSingle pair recessed precision binding posts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e33.9\" x 6.5\" x 11.2\" (861 x 165 x 284mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e32 lbs (14.5kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePlinth\u003c\/td\u003e\n\u003ctd\u003eSatin black\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack Oak, Walnut, Oak, Satin White\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAccessories\u003c\/td\u003e\n\u003ctd\u003eHeight-adjustable spike feet; magnetic grille\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDiapason d'Or\u003c\/strong\u003e — Diapason Magazine, France (2025). Awarded to the A4.2 following the publication's full review.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRed Fingerprint Award\u003c\/strong\u003e — HighFidelity.pl, Poland (2025). Awarded by Chief Editor Wojciech Pacuła following his review of the A4.2.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor A4.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A4.2 is a 2-way rear-ported floorstanding loudspeaker from Spendor's A-Line Mark 2 series, featuring a 27mm soft-dome wide-surround tweeter, a 180mm EP77 polymer cone mid\/bass driver, and a 2kHz crossover spanning 36Hz to 27kHz. Manufactured in the UK and debuted at the Bristol Hi-Fi Show in February 2025, it succeeds the original A4 — a four-time consecutive What Hi-Fi? Award winner from 2019 to 2022 — with updated drivers, a redesigned crossover, and improved cabinet damping. In 2025, the A4.2 received the Diapason d'Or from Diapason Magazine and the Red Fingerprint Award from HighFidelity.pl.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor A4.2 differ from the original Spendor A4?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A4.2 introduces several substantive changes over the original A4. The tweeter is upgraded from 22mm to a new 27mm soft-dome rear-chambered unit, and the crossover frequency drops from 3.7kHz to 2kHz — a significant shift that hands a wider frequency band to the tweeter and improves phase coherence through the vocal midrange. The nominal impedance changes from 8 ohms to 6.75 ohms, the sensitivity moves from 86dB to 85dB, the amplifier rating changes from 30–200W to 25–150W, and the frequency response is respecified as 36Hz–27kHz versus the original's 34Hz–25kHz. The cabinet gains improved asymmetric bracing, and the available finishes update to Black Oak, Walnut, Oak, and Satin White, dropping Black Ash and Cherry.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor A4.2 compare to the Spendor A7.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A4.2 and A7.2 are both 2-way rear-ported floorstanders from the A-Line Mark 2 series and share the same 27mm soft-dome tweeter, 2kHz crossover architecture, Dynamic Damping cabinet technology, and EP77 polymer cone mid\/bass driver. The primary differences are in cabinet volume, bass extension, and physical scale. The A7.2 is taller (37\" vs 33.9\"), heavier (39 lbs vs 32 lbs), and specifies a deeper in-room low-frequency response (32Hz vs 36Hz), providing greater bass authority in larger rooms. The A4.2 is better suited to small and medium-sized rooms where the A7.2's additional bass extension would overload the acoustic space. Both are rated at 85dB sensitivity, but the A7.2 has a slightly more demanding impedance (6.75 ohms min 5.4) and benefits from a more capable amplifier at higher volumes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor A4.2 compare to the KEF Q750?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A4.2 and KEF Q750 are two well-regarded floorstanders that take fundamentally different approaches to driver design. The Q750 uses KEF's Uni-Q coaxial driver — a 1\" aluminium dome tweeter mounted inside a 6.5\" aluminium mid\/bass cone — in a 2.5-way ported configuration with an additional 6.5\" bass driver. The A4.2 uses a conventional 2-way layout with a 27mm soft-dome tweeter and 180mm EP77 polymer cone, crossing at 2kHz. KEF's Uni-Q geometry produces a point-source dispersion pattern for precise imaging; the A4.2's wider surround dome achieves broad dispersion through physical diaphragm geometry. The EP77 polymer midrange has a warmer, more natural tonal character than the Q750's aluminium cone, while the Q750 offers a brighter, more forward presentation that works well in acoustically damped rooms. The A4.2's Dynamic Damping cabinet is a more sophisticated vibration control approach than the Q750's conventional bracing.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier pairs best with the Spendor A4.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A4.2 is rated for 25 to 150 watts into a 6.75-ohm nominal load with 85dB sensitivity. A quality integrated amplifier of 40 to 80 watts — such as a Naim Nait XS 3, Hegel H95, or Rega Elicit MK5 — provides more than adequate drive in most domestic listening rooms. Spendor's design philosophy for the A-Line is broad amplifier compatibility, and the EP77 polymer cone is forgiving of source and amplifier character compared to high-resolution D-Line drivers. Tube amplifiers with 20W or more of output power from a stable push-pull output stage can work well, given the A4.2's smooth impedance curve.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor A4.2 suitable for small rooms or placement close to walls?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A4.2 is specifically voiced for use in small and medium-sized rooms and for placement close to walls. Spendor's own datasheet highlights the A4.2's ability to remain tuneful and articulate even when positioned near rear walls or furniture — a characteristic that results from careful reflex port design and the absence of the room-excited bass boom that affects less carefully tuned ported speakers. Its 6.5\"-wide cabinet has a minimal acoustic footprint, and the 33.9\" cabinet height is lower than the A7.2, making the A4.2 an easier fit in rooms with lower ceilings or furniture-constrained placement. The 36Hz lower limit provides genuine full-range bass in a typical small to medium room without a subwoofer.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor A4.2 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A4.2 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor A-Line Mark 2 range alongside amplifiers, streamers, and source components for complete system builds. Contact the Vinyl Sound team for current availability, finish options, and in-store audition appointments.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Black Oak","offer_id":48572745515315,"sku":"","price":4998.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572745548083,"sku":"","price":4998.0,"currency_code":"USD","in_stock":true},{"title":"Satin White","offer_id":48572745580851,"sku":"","price":4998.0,"currency_code":"USD","in_stock":true},{"title":"Oak","offer_id":48572745613619,"sku":"","price":4998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/A4-bk1500x1500.jpg?v=1712422373"},{"product_id":"splendor-a1c","title":"Spendor AC1 Centre Loudspeaker","description":"\u003ch1\u003eSpendor AC1 2-Way Centre Channel Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor AC1 is a compact 2-way sealed centre channel loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. The smallest centre channel in Spendor's A-Line theatre range, the AC1 is the A1 standmount re-engineered for horizontal centre channel use — pairing a \u003cstrong\u003e150mm EP77 polymer cone mid-bass driver\u003c\/strong\u003e with a \u003cstrong\u003e22mm polyamide dome tweeter\u003c\/strong\u003e in a sealed cabinet crossing at \u003cstrong\u003e4.2kHz\u003c\/strong\u003e, spanning 55Hz to 25kHz at a sensitivity of \u003cstrong\u003e84dB\u003c\/strong\u003e. Compatible with amplifiers and AV receivers from 25 to 100 watts into a stable 8-ohm load, the AC1 delivers captivating vocal clarity and articulate bass in an exceptionally compact cabinet designed to fit inconspicuously in any space. Designed and manufactured in the UK, it is the ideal centre channel companion to the Spendor A1, A2, A4, Classic 4\/5, and Classic 3\/1 stereo speakers.\u003c\/p\u003e\n\n\u003ch2\u003eA1 Acoustics in a Centre Channel Format\u003c\/h2\u003e\n\u003cp\u003eThe Spendor AC1 is the centre channel counterpart to the Spendor A1 standmount — sharing the same 150mm EP77 polymer cone mid-bass driver, 22mm polyamide dome tweeter, 4.2kHz crossover, and sealed cabinet architecture, re-oriented horizontally for centre channel installation. Like the A1, the AC1 benefits from Spendor's BBC-heritage engineering principles: a sealed (non-ported) enclosure that delivers controlled, natural bass rolloff without port resonance, making the speaker genuinely tolerant of close-wall and shelf placement. Spendor specifically notes that bass \"remains tuneful and articulate even when the AC1 is positioned close to a wall\" — a practical advantage in home theatre installations where the centre speaker is typically located directly below or above a display screen on AV furniture. The 15cm EP77 polymer cone mid-bass driver, mounted in a cast magnesium alloy chassis with high-efficiency motor system and optimised electro-dynamic damping, is the same driver family used across the A-Line, D-Line, and Classic ranges — ensuring the natural, low-coloration tonal character of the A1 is preserved in the AC1's centre channel role. The 4.2kHz crossover point — shared with the A1 and Classic 4\/5 — leaves the EP77 cone in sole control of the critical midrange band where dialogue and vocals live, producing consistent vocal clarity from any listening position across the room.\u003c\/p\u003e\n\n\u003ch2\u003eEP77 Polymer Cone, Sealed Cabinet, and Compact Dimensions\u003c\/h2\u003e\n\u003cp\u003eThe AC1's 150mm EP77 polymer cone mid-bass driver uses Spendor's proprietary engineering polymer formulation — the same material found across the A-Line, D-Line, and Classic ranges — for low-coloration, detailed midrange reproduction at both low and high playing volumes. The 22mm polyamide dome tweeter's wide-surround geometry produces consistent off-axis high-frequency dispersion, maintaining tonal coherence for listeners seated across a wide range of seating positions in a typical home theatre room. The sealed cabinet with proprietary Dynamic Damping eliminates port noise and boundary-induced bass coloration at sustained drive levels — the AC1's 100-watt unclipped programme power handling is adequate for home cinema programme peaks at typical listening levels in small to medium rooms. At just 305mm tall (or wide, in horizontal installation) and with a depth well within standard AV furniture shelf dimensions, the AC1's diminutive cabinet fits inconspicuously in virtually any installation location. A single pair of recessed precision binding posts provides clean connection. The AC1 matches the A1 standmount acoustically and the AW1 on-wall speaker tonally, making it a natural three-way centre\/surround system companion for small to medium A-Line home theatre setups.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e150mm EP77 Polymer Cone Mid-Bass Driver:\u003c\/strong\u003e Spendor's proprietary EP77 engineering polymer cone in a cast magnesium alloy chassis with high-efficiency motor system and optimised electro-dynamic damping — the same driver family used across the full A-Line, D-Line, and Classic ranges — delivers natural, low-coloration vocal and midrange reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Wide-Surround Polyamide Dome Tweeter:\u003c\/strong\u003e A wide-surround dome produces consistent off-axis high-frequency dispersion across the listening width of a home theatre room, maintaining tonal coherence for listeners seated at angles to the centre speaker.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e4.2kHz Crossover Frequency:\u003c\/strong\u003e A high crossover point places the 150mm EP77 cone in exclusive control of the vocal midrange band, minimising intermodulation distortion in the frequency range most critical to dialogue and vocal clarity.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSealed Cabinet:\u003c\/strong\u003e A non-ported enclosure produces controlled, natural bass rolloff without port resonance — making the AC1 genuinely tolerant of close-wall and furniture shelf placement where ported centre channel designs develop bass congestion.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eA-Line System Matching:\u003c\/strong\u003e Voiced to tonally match the A1, A2, and A4 standmounts and floorstanders, and the Classic 4\/5 and Classic 3\/1 standmounts — sharing the 150mm EP77 polymer cone driver for consistent tonal character across all front channels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDiminutive Cabinet Profile:\u003c\/strong\u003e An exceptionally compact form factor fits inconspicuously below or above a flat-panel display, on a bookshelf, or in tight home theatre installation spaces where the larger AC2 would not fit.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAV Receiver Friendly:\u003c\/strong\u003e An 8-ohm nominal impedance (minimum 6.6 ohms) with 84dB sensitivity is calibrated for straightforward drive from typical multi-channel AV receivers rated 25–100 watts per channel.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBroadcast Reference Calibration:\u003c\/strong\u003e Each AC1 is calibrated and matched to broadcast reference standard at Spendor's UK manufacturing facility, ensuring driver and crossover consistency across pairs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-way sealed centre channel loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass\/Mid Driver\u003c\/td\u003e\n\u003ctd\u003e150mm EP77 polymer cone, cast magnesium alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e22mm polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e55Hz to 25kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 6.6 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 100 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePower Handling\u003c\/td\u003e\n\u003ctd\u003e100 watts unclipped programme\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e84dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e4.2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd\u003eSealed cabinet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eSingle pair recessed precision binding posts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e305mm x 165mm x 186mm (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e5kg per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack Ash, Dark Walnut, Natural Oak, Satin White\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003eEach\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor AC1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AC1 is a compact 2-way sealed horizontal centre channel loudspeaker from the Spendor A-Line theatre range, featuring a 150mm EP77 polymer cone mid-bass driver and a 22mm polyamide dome tweeter crossing at 4.2kHz, spanning 55Hz to 25kHz at 84dB sensitivity. It is the A1 standmount re-engineered for horizontal centre channel use, designed and manufactured in the UK, and compatible with amplifiers from 25 to 100 watts. It is the ideal centre channel companion to the Spendor A1, A2, A4, Classic 4\/5, and Classic 3\/1 stereo speakers.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor AC1 differ from the Spendor AC2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AC1 and AC2 are both 2-way sealed centre channel loudspeakers in the Spendor A-Line theatre range, but differ in driver size and system matching. The AC1 uses a 150mm (6\") EP77 polymer cone and is sized to partner the A1, A2, A4, Classic 4\/5, and Classic 3\/1 — the smaller-scale A-Line and Classic stereo speakers. The AC2 uses a larger 18cm (7\") EP77 polymer cone in a wider 470mm cabinet, rated to 49Hz at 86dB, and is matched to the A2, A4, A7, Classic 3\/1, and Classic 2\/3 — including the larger A-Line and Classic floorstanders. For systems built around the A1 or Classic 4\/5, the AC1 is the appropriate tonal match; for systems built around the A4, A7, or Classic 2\/3, the AC2 provides more bass output and dynamic authority at the centre channel.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor AC1 the same as the Spendor A1 standmount?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AC1 shares the same 150mm EP77 polymer cone mid-bass driver, 22mm polyamide dome tweeter, 4.2kHz crossover, sealed enclosure, and acoustic tuning as the Spendor A1 standmount — the AC1 is essentially the A1 re-designed to operate horizontally as a dedicated centre channel speaker. The cabinet orientation and mounting hardware differ to support the horizontal placement required for a centre channel position below or above a display screen, but the acoustic character, sensitivity (84dB), impedance (8 ohms, min 6.6), and frequency response (55Hz–25kHz) are all matched to the A1.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Spendor AC1 be placed directly on a shelf or furniture?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AC1 is specifically designed for close-wall and furniture shelf placement. Its sealed-box enclosure eliminates the boundary-induced bass coloration that affects ported centre channel designs when placed on AV furniture. Spendor notes that bass \"remains tuneful and articulate even when the AC1 is positioned close to a wall\" — a design objective the sealed enclosure directly addresses. The AC1's compact dimensions make it suitable for tight installation spaces below or above flat-panel displays where larger centre speakers cannot fit.\u003c\/p\u003e\n\n\u003ch3\u003eWhat AV receiver power is required for the Spendor AC1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AC1 requires 25 to 100 watts from an AV receiver or amplifier into its stable 8-ohm load (minimum 6.6 ohms). At 84dB sensitivity it is slightly more demanding to drive than the AC2 (86dB), but most mid-range AV receivers rated 50–80W per channel will drive the AC1 effectively in a typical home theatre application. Its 100-watt unclipped programme power handling provides adequate headroom for home cinema dynamic peaks in small to medium rooms. The 6.6-ohm impedance minimum is comfortably within the operating range of all mainstream AV receivers.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor AC1 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AC1 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor A-Line theatre range — including the AC1 and AC2 centre channels and AW1 on-wall surround speaker — alongside A-Line and Classic stereo speakers, AV receivers, and complete home theatre systems. Contact the Vinyl Sound team for current AC1 availability, finish options, and home theatre system design guidance.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Black Oak","offer_id":48572747153715,"sku":"","price":1499.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572747186483,"sku":"","price":1499.0,"currency_code":"USD","in_stock":true},{"title":"Satin White","offer_id":48572747219251,"sku":"","price":1499.0,"currency_code":"USD","in_stock":true},{"title":"Oak","offer_id":48572747252019,"sku":"","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/spendor_a1c-black-vnylsound.jpg?v=1712422393"},{"product_id":"splendor-a1w","title":"Spendor A1W Surround Loudspeaker","description":"\u003ch1\u003eSpendor AW1 On-Wall Surround Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor AW1 is a compact 2-way sealed on-wall loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. Built on the same platform as the Spendor A1 standmount, the AW1 adds a \u003cstrong\u003etilt\/swivel wall-mounting bracket\u003c\/strong\u003e to the A1's sealed enclosure — pairing a \u003cstrong\u003e150mm EP77 polymer cone mid-bass driver\u003c\/strong\u003e with a \u003cstrong\u003e22mm polyamide dome tweeter\u003c\/strong\u003e crossing at \u003cstrong\u003e4.2kHz\u003c\/strong\u003e, spanning 55Hz to 25kHz at a sensitivity of \u003cstrong\u003e84dB\u003c\/strong\u003e. Compatible with amplifiers and AV receivers from 25 to 100 watts into a stable 8-ohm load, the AW1 serves equally as a surround channel speaker, a height channel for Dolby Atmos, or a front left\/centre\/right speaker in space-constrained home theatre and multi-room audio systems. Designed and manufactured in the UK.\u003c\/p\u003e\n\n\u003ch2\u003eA1 Acoustic Performance, Purpose-Built for Wall Installation\u003c\/h2\u003e\n\u003cp\u003eThe Spendor AW1 is the wall-mount variant of the A1 standmount — sharing its sealed enclosure, 15cm EP77 polymer mid-bass driver, 22mm tweeter, 4.2kHz crossover, and acoustic tuning entirely, while adding a dedicated tilt\/swivel bracket for permanent wall installation. The sealed-box design (shared with the A1 and Classic 4\/5) produces controlled, accurate bass rolloff without port resonance or turbulence, making the AW1 exceptionally tolerant of close-wall mounting — the very placement condition that causes ported speakers to produce bass congestion. The cabinet measures 305mm tall with a depth of just 186mm to the wall surface (the mounting bracket adds a further 75mm clearance), allowing the AW1 to fit cleanly on walls of varying sizes and in room corners where conventional standmounts cannot be positioned. The 15cm EP77 polymer cone, Spendor's proprietary engineering polymer formulation, produces a natural, low-coloration sound that is consistent with the A-Line range's character — energetic, open, and detailed, with a sensitivity-to-impedance balance that makes the AW1 easy to drive from the modest channel outputs of AV receivers. Spendor's own A-Line product page notes that the AW1 \"brings out the best from your AV amplifier\" even at typical home cinema drive levels.\u003c\/p\u003e\n\n\u003ch2\u003eTilt\/Swivel Bracket, EP77 Mid-Bass Driver, and Multi-Channel System Compatibility\u003c\/h2\u003e\n\u003cp\u003eThe AW1's supplied tilt\/swivel bracket provides +\/- 18° of vertical tilt and 180° of horizontal swivel, allowing the speaker to be precisely aimed at any seating position from any wall-mount angle. This flexibility is particularly valuable for side surround, rear surround, and Dolby Atmos overhead positions in complex home theatre layouts where fixed-angle brackets would produce off-axis listening conditions. The 15cm EP77 polymer cone mid-bass driver is identical to that used in the Spendor A1, delivering the proprietary polymer cone's characteristic natural sound with excellent detail resolution at both low and high listening volumes. The 22mm polyamide dome tweeter uses a fluid-cooled design for thermal stability and long-term dynamic handling, crossing in at 4.2kHz to match the A1's crossover geometry. Connection is via a single pair of recessed precision binding posts compatible with standard speaker cable and banana plugs. The AW1 is specifically recommended by Spendor for pairing with A1, A2, Classic 4\/5, and Classic 3\/1 stereo speakers for tonal consistency across all channels in a complete home theatre system.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTilt\/Swivel Wall-Mounting Bracket:\u003c\/strong\u003e The supplied bracket provides +\/-18° vertical tilt and 180° horizontal swivel — included in the box — allowing the AW1 to be precisely aimed at the listening position from any wall location, including side walls, rear walls, and ceiling-adjacent positions for Dolby Atmos height channels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e150mm EP77 Polymer Cone Mid-Bass Driver:\u003c\/strong\u003e Spendor's proprietary EP77 engineering polymer cone in a cast magnesium alloy chassis delivers natural, low-coloration sound with excellent detail resolution at all listening levels, identical to the driver used in the Spendor A1 standmount.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Fluid-Cooled Polyamide Dome Tweeter:\u003c\/strong\u003e A fluid-cooled dome tweeter provides thermal stability for sustained high-SPL home theatre operation, crossing in at 4.2kHz for a smooth, extended high-frequency response to 25kHz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSealed-Box Enclosure:\u003c\/strong\u003e A non-ported cabinet produces controlled, accurate bass rolloff without port resonance — critical for close-wall installation where reflex-loaded designs would develop bass congestion and coloration.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e186mm Cabinet Depth:\u003c\/strong\u003e At just 186mm deep (plus 75mm for the mounting bracket), the AW1 mounts close to the wall surface with minimal protrusion, integrating unobtrusively into the room without the visual dominance of larger on-wall designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Format Home Theatre Compatibility:\u003c\/strong\u003e Suitable for surround (5.1, 6.1, 7.1), height channel (Dolby Atmos), and full front left\/centre\/right channel duties — providing tonal consistency across all speaker positions when matched with A1, A2, Classic 4\/5, or Classic 3\/1 stereo models.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAV Receiver Friendly:\u003c\/strong\u003e An 8-ohm nominal impedance (minimum 6.2 ohms) with 84dB sensitivity is calibrated for easy drive from typical multi-channel AV receivers, which commonly operate at 50–100W per channel.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBroadcast Reference Calibration:\u003c\/strong\u003e Each AW1 is calibrated and matched to broadcast reference standard at Spendor's UK facility — the same standard applied to all A-Line and Classic loudspeakers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUK Manufacture:\u003c\/strong\u003e Designed and manufactured in the UK, with all drivers, crossovers, and cabinets produced in-house by Spendor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-way sealed on-wall loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid-Bass Driver\u003c\/td\u003e\n\u003ctd\u003e150mm EP77 polymer cone, cast magnesium alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e22mm fluid-cooled polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e55Hz to 25kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 6.2 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 100 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e84dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e4.2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd\u003eSealed (non-ported)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eSingle pair recessed precision binding posts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCabinet Dimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e305mm x 165mm x 186mm (excluding bracket)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTotal Depth (inc. bracket)\u003c\/td\u003e\n\u003ctd\u003e261mm (186mm + 75mm bracket)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e5kg per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBracket\u003c\/td\u003e\n\u003ctd\u003eTilt\/swivel: +\/-18° tilt, 180° swivel (included)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack Oak, Walnut, Oak, Satin White\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor AW1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AW1 is a compact 2-way sealed on-wall loudspeaker sharing the acoustic design of the Spendor A1 standmount, with a tilt\/swivel wall-mounting bracket (included) providing +\/-18° tilt and 180° swivel for precise listener aiming. It features a 150mm EP77 polymer cone mid-bass driver and a 22mm fluid-cooled polyamide dome tweeter crossing at 4.2kHz, spanning 55Hz to 25kHz at 84dB sensitivity. Designed and manufactured in the UK, it is intended for use as a surround, height, or front channel speaker in home theatre systems, and pairs tonally with the Spendor A1, A2, Classic 4\/5, and Classic 3\/1 stereo speakers.\u003c\/p\u003e\n\n\u003ch3\u003eHow is the Spendor AW1 different from the Spendor A1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AW1 and A1 are acoustically identical — they share the same sealed enclosure, 150mm EP77 polymer cone mid-bass driver, 22mm fluid-cooled tweeter, 4.2kHz crossover, and all measured specifications. The sole difference is that the AW1 comes with a factory-installed tilt\/swivel wall-mounting bracket rather than the A1's rubber feet for stand or shelf placement. This makes the AW1 the preferred choice for permanent wall installation in home theatre systems, while the A1 is better suited to stand or bookshelf use in a stereo listening setup. Both are manufactured to the same broadcast reference calibration standard.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Spendor AW1 be used as a front left and right speaker for music listening?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AW1 is fully capable of front left and right stereo music duties and is marketed by Spendor for this application in addition to surround use. Its sealed-box design, EP77 polymer cone, and A1-derived crossover produce the natural, musical presentation that the A-Line range is known for. Close-wall mounting actually benefits its bass performance compared to free-space placement — the wall boundary reinforces bass loading in the sealed enclosure, partially compensating for the distance from the room's acoustic centre. For critical stereo listening, pairing two AW1s on the front wall at appropriate height — with the tilt bracket aimed at the seated listening position — will produce imaging and soundstaging comparable to the A1 standmount.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the bracket specification and how is it installed?\u003c\/h3\u003e\n\u003cp\u003eThe AW1's supplied tilt\/swivel bracket provides +\/-18° of vertical tilt (allowing the speaker to aim up or down from horizontal) and 180° of horizontal swivel (allowing the speaker to face any direction across a full 180° arc). The bracket attaches to the rear of the AW1 cabinet at the factory and includes all necessary hardware for wall mounting. The total depth from wall to front of cabinet is 261mm (186mm cabinet depth plus 75mm bracket clearance). The bracket is designed for permanent installation; for temporary placement or repositioning, the swivel range provides sufficient adjustment without re-drilling.\u003c\/p\u003e\n\n\u003ch3\u003eWhat AV receiver power is needed to drive the Spendor AW1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AW1 requires an amplifier or AV receiver rated between 25 and 100 watts per channel into its stable 8-ohm load. At 84dB sensitivity, it is straightforward to drive for a typical home theatre AV receiver — most mid-range and high-end AV receivers rated 50 to 100W per channel will drive the AW1 effectively in surround and height channel roles. The AW1's impedance never drops below 6.2 ohms, which is well within the capability of virtually all AV receivers regardless of manufacturer impedance restrictions. For front left\/right stereo duties in a larger room at higher listening levels, a dedicated stereo amplifier or AV pre-power configuration of 50 to 100W provides more dynamic headroom.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor AW1 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor AW1 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor A-Line and Classic range alongside AV receivers, amplifiers, and complete home theatre systems. Contact the Vinyl Sound team for current AW1 availability, finish options, and guidance on matching the AW1 with compatible Spendor stereo and centre channel speakers for a complete system build.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Black Oak","offer_id":48572751020339,"sku":"","price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572751053107,"sku":"","price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Satin White","offer_id":48572751085875,"sku":"","price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Oak","offer_id":48572751118643,"sku":"","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/spendor-spendor-a1w-surround-speakers_1.jpg?v=1712422404"},{"product_id":"splendor-d7-standard","title":"Spendor D7.2 Standard Loudspeaker","description":"\u003ch1\u003eSpendor D7.2 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor D7.2 is a 2.5-way rear-ported floorstanding loudspeaker from Spendor Audio Systems (Huntingdon, England, UK), available at Vinyl Sound in Buffalo, NY, USA. The more compact of the two D-Line models — hand-assembled in South Yorkshire and calibrated to broadcast reference standard — the D7.2 combines a \u003cstrong\u003e180mm EP77 polymer cone mid\/bass driver\u003c\/strong\u003e, a \u003cstrong\u003e180mm Kevlar composite bass driver\u003c\/strong\u003e, and the proprietary \u003cstrong\u003eLPZ (Linear Pressure Zone) 22mm polyamide dome tweeter\u003c\/strong\u003e in a slim 8\"-wide asymmetric cabinet, covering 29Hz to 25kHz at a sensitivity of \u003cstrong\u003e90dB\u003c\/strong\u003e. Compatible with amplifiers from 25 to 200 watts into a stable 8-ohm load, the D7.2 delivers breathtaking clarity, agility, and dynamic transparency in a form factor that integrates into most listening rooms with ease.\u003c\/p\u003e\n\n\u003ch2\u003eD-Line Engineering: Resolution Without Compromise\u003c\/h2\u003e\n\u003cp\u003eThe D-Line represents Spendor's forward-looking design philosophy, built around maximum transparency, resolution, and dynamic realism rather than the warmth and tonal richness of the BBC-heritage Classic series. The D7.2 is an evolution of the well-regarded D7, updated with a refined crossover, additional asymmetric cabinet bracing, and Spendor's Dynamic Damping technology applied to both the enclosure panels and the drive units. These changes leave the speaker's measured frequency response essentially unchanged from its predecessor but produce a substantially more composed and resolved sound — particularly in the high frequencies, where the previous version was regarded by some reviewers as slightly forward. The entire cabinet is built around a rigid, asymmetrically braced, vented enclosure with real wood veneer and magnetically retained grilles shaped to preserve the speaker's acoustic performance whether the grilles are fitted or removed. At the base of each cabinet is an integrated plinth with solid spike mounts that partially decouple the enclosure from the floor, improving stability and low-frequency clarity on hard surfaces.\u003c\/p\u003e\n\n\u003ch2\u003eLPZ Tweeter, EP77 Midrange, and 5th Generation Twin-Venturi Port\u003c\/h2\u003e\n\u003cp\u003eThe defining visual and acoustic signature of the D7.2 is Spendor's LPZ (Linear Pressure Zone) high-frequency driver — a 22mm woven polyamide dome built around a stainless steel front plate that forms a damped acoustic chamber directly in front of the diaphragm. The front plate incorporates a phase-correcting micro-foil that equalises sound wave path lengths across the diaphragm surface, simultaneously generating a symmetrical pressure environment on both faces of the dome so the tweeter operates in a balanced, linear mode across its full bandwidth. The result is a tweeter with very wide, consistent off-axis dispersion, strong imaging focus, and excellent mechanical protection for the delicate dome. Below 3.2kHz, a 180mm EP77 polymer cone mid\/bass driver — with cast magnesium alloy chassis, high-efficiency motor, and Spendor's proprietary bullet-shaped phase plug — handles the critical midrange frequencies from 900Hz upward. The 180mm Kevlar composite cone bass driver handles the lowest octaves in a dedicated bass section below 900Hz, its ultra-rigid two-part bonded cone assembly providing controlled low-frequency articulation to 29Hz. Bass loading uses Spendor's fifth-generation Twin-Venturi Linear-Flow port — inspired by Formula 1 diffuser aerodynamics — which fires into a recessed alcove at the cabinet base alongside the single pair of recessed binding posts, smoothly decelerating port air flow and minimising turbulence at high output levels.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSpendor LPZ High-Frequency Driver:\u003c\/strong\u003e The proprietary Linear Pressure Zone tweeter uses a stainless steel front plate forming a damped acoustic chamber and a phase-correcting micro-foil to equalise diaphragm pressure and path lengths, producing linear, wide-dispersion high-frequency output with excellent imaging focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e180mm EP77 Polymer Cone Mid\/Bass Driver:\u003c\/strong\u003e Spendor's proprietary EP77 polymer formulation — combined with a cast magnesium alloy chassis and bullet-shaped phase plug — delivers low-coloration, high-damping midrange performance across the 900Hz to 3.2kHz range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e180mm Kevlar Composite Bass Driver:\u003c\/strong\u003e An ultra-rigid two-part bonded Kevlar composite cone in a dedicated bass section handles frequencies below 900Hz, providing tight, fast, articulate low-frequency reproduction to 29Hz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2.5-Way Crossover Architecture:\u003c\/strong\u003e The D7.2's 2.5-way design assigns the EP77 mid\/bass driver full mid and upper-bass duties while the Kevlar woofer handles only bass frequencies, a division that improves both midrange clarity and bass control compared to a conventional 2-way layout.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e5th Generation Twin-Venturi Linear-Flow Port:\u003c\/strong\u003e Aerodynamically profiled twin-venturi port at the cabinet base — inspired by Formula 1 diffuser technology — minimises air turbulence and port-induced coloration at high output levels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSpendor Dynamic Damping Cabinet Technology:\u003c\/strong\u003e Applied to both enclosure panels and drive units, Dynamic Damping controls energy storage and resonance throughout the cabinet structure for a lower noise floor and greater transparency.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAsymmetric Rigid Cabinet Bracing:\u003c\/strong\u003e Non-parallel internal bracing geometry reduces standing wave build-up inside the enclosure, complementing Dynamic Damping for a consistently inert cabinet under high drive levels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIntegrated Decoupling Plinth:\u003c\/strong\u003e An integral base plinth with solid spike mounts at the outer cabinet edge provides rock-solid floor coupling and partially decouples the cabinet from the floor surface for improved low-frequency clarity.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBroadcast Reference Calibration:\u003c\/strong\u003e Each D7.2 is individually calibrated and matched to broadcast reference standard at the Spendor factory, ensuring driver and crossover consistency within pairs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2.5-way rear-ported floorstanding loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e22mm LPZ polyamide dome (Spendor proprietary)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e180mm (7\") EP77 polymer cone with phase plug\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass Driver\u003c\/td\u003e\n\u003ctd\u003e180mm (7\") Kevlar composite cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e29Hz to 25kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 200 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e90dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e900Hz, 3.2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePort Type\u003c\/td\u003e\n\u003ctd\u003e5th Generation Twin-Venturi Linear-Flow (base-firing)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTerminals\u003c\/td\u003e\n\u003ctd\u003eSingle pair recessed precision binding posts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e38\" x 8\" x 14\" (965 x 203 x 356mm) excluding spikes\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e46 lbs (21kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStandard Finishes\u003c\/td\u003e\n\u003ctd\u003eCherry, Dark Walnut, Black Ash\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePremium Finishes\u003c\/td\u003e\n\u003ctd\u003eDark Gloss, Matte White\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eHand-assembled in South Yorkshire, England, UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHi-Fi Choice Five Stars\u003c\/strong\u003e — Sound Quality, Value for Money, and Build Quality (December 2019, Issue 456). Praised for its \"svelte yet musical sound\" and \"classy styling.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor D7.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D7.2 is a 2.5-way rear-ported floorstanding loudspeaker from Spendor's D-Line series, featuring an 180mm EP77 polymer cone mid\/bass driver, an 180mm Kevlar composite bass driver, and Spendor's proprietary LPZ (Linear Pressure Zone) 22mm polyamide dome tweeter spanning 29Hz to 25kHz. Built and calibrated to broadcast reference standard in South Yorkshire, England, it is the more compact of the two D-Line floorstanders and is designed to deliver maximum transparency, resolution, and dynamic realism in a slim 8\"-wide enclosure suitable for a wide range of listening rooms.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor D7.2 compare to the Spendor D9.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D7.2 and D9.2 are the two models in Spendor's D-Line and share the same design philosophy, LPZ tweeter, Twin-Venturi Linear-Flow port technology, and Dynamic Damping cabinet construction. The key differences are in scale and driver layout. The D9.2 is a full 3-way design with a separately isolated midrange enclosure and dual 180mm Kevlar woofers, extending bass to 27Hz and weighing 77.2 lbs per speaker. The D7.2 is a 2.5-way design in a single enclosure, extending to 29Hz and weighing 46 lbs — considerably lighter, narrower, and more room-friendly. The D9.2 offers greater low-frequency power, dynamic headroom, and bass authority in larger rooms; the D7.2 delivers essentially the same high-frequency and midrange character in a package that suits medium-sized rooms more naturally. Both are rated at 90dB sensitivity and an 8-ohm load.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor D7.2 compare to the KEF R7 Meta?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D7.2 and KEF R7 Meta occupy a similar price tier in the high-performance floorstander market but differ substantially in driver architecture and sound character. The R7 Meta uses KEF's Uni-Q point-source coaxial driver — a 1\" aluminium dome tweeter mounted concentrically within a 6.5\" aluminium mid\/bass cone — with Metamaterial Absorption Technology to reduce tweeter distortion. The D7.2 uses a 2.5-way layout with physically separate EP77 polymer and Kevlar drivers, plus the LPZ dome tweeter with its damped acoustic chamber. KEF's Uni-Q geometry produces a wide, consistent off-axis dispersion pattern similar to a point source; Spendor achieves wide dispersion through the LPZ tweeter's micro-foil pressure equalisation. The D7.2's EP77 midrange has a warmer, more natural tonal character than the R7 Meta's aluminium cone, while the R7 Meta offers a more clinically precise, studio-monitor presentation. System matching sensitivity is higher on the D7.2 — bright electronics will be more audible through it than through the R7 Meta.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the LPZ tweeter and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eThe LPZ (Linear Pressure Zone) tweeter is Spendor's proprietary high-frequency driver, developed specifically for the D-Line series. It is built around a stainless steel front plate that forms a damped acoustic chamber directly in front of a 22mm woven polyamide diaphragm. The front plate incorporates a phase-correcting micro-foil that equalises the path length of sound waves across the full diaphragm surface — addressing the phase inconsistency that causes conventional dome tweeters to exhibit uneven off-axis response and compressed high-frequency imaging. Simultaneously, the front plate creates a symmetrical pressure environment on both faces of the dome, so the diaphragm operates in a balanced, linear mode across its full bandwidth. The practical result is a very wide listening window, exceptional imaging precision, and smooth high-frequency output without the forward edge that metal-dome tweeters can introduce. The stainless steel plate also provides mechanical protection for the delicate polyamide dome.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier pairs best with the Spendor D7.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D7.2 is rated for 25 to 200 watts into a stable 8-ohm nominal impedance, with a 90dB sensitivity that makes it genuinely easy to drive. Its revealing, transparent character rewards careful electronics matching: clean, low-noise amplification from sources such as a Hegel H390, Naim Supernait 3, or Naim NAP 250 will allow the D7.2's resolution to emerge fully. What Hi-Fi? noted that the speaker requires careful system matching — bright or edgy amplification will be audible through it. The D7.2 is also tube-friendly for its price class, given its stable impedance curve, and pairs well with a quality 30W to 60W push-pull EL34 or KT88 integrated amplifier in medium-sized rooms. Spendor CEO Philip Swift has noted that the D7.2's Twin-Venturi port design significantly reduces the bass timing issues that challenge many amplifier-loudspeaker pairings.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor D7.2 suitable for smaller listening rooms?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D7.2 is well suited to small and medium-sized rooms. Its slim 8\"-wide cabinet has a minimal visual and acoustic footprint, and its base-firing Twin-Venturi port makes it less sensitive to rear-wall proximity than speakers with rear-firing ports. Reviewers have found the D7.2 works well with as little as 5 to 12 inches of clearance from the rear wall, and its asymmetric braced cabinet with Dynamic Damping produces bass that is controlled and fast rather than room-filling and boomy. The D7.2's 90dB sensitivity and stable 8-ohm load also mean it delivers satisfying output at low listening levels — an important practical advantage in rooms where domestic considerations limit volume.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor D7.2 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D7.2 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor D-Line and Classic range alongside amplifiers, streamers, and cabling to build a complete high-resolution system around the D7.2. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Black Oak","offer_id":48572756164915,"sku":"","price":8998.0,"currency_code":"USD","in_stock":true},{"title":"Satin White","offer_id":48572756197683,"sku":"","price":8998.0,"currency_code":"USD","in_stock":true},{"title":"Oak","offer_id":48572756230451,"sku":"","price":8998.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572756263219,"sku":"","price":8998.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48572756295987,"sku":"","price":8998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor_D7.2-black-oak-vinylsound.jpg?v=1712422415"},{"product_id":"splendor-d9-2-standard","title":"Spendor D9.2 Standard Loudspeaker","description":"\u003ch1\u003eSpendor D9.2 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor D9.2 is a flagship 3-way rear-ported floorstanding loudspeaker from Spendor Audio Systems (Huntingdon, England, UK), available at Vinyl Sound in Buffalo, NY, USA. The most advanced speaker in Spendor's D-Line — hand-assembled in South Yorkshire and calibrated to broadcast reference standard — the D9.2 features three \u003cstrong\u003e7.08\" (180mm) EP77 polymer and Kevlar composite drivers\u003c\/strong\u003e, an \u003cstrong\u003eLPZ high-frequency tweeter\u003c\/strong\u003e, and a sensitivity of \u003cstrong\u003e90dB\u003c\/strong\u003e, covering a frequency range of 27Hz to 25kHz. Compatible with amplifiers from 25 to 250 watts into a stable 8-ohm load, the D9.2 represents Spendor's most uncompromising statement in resolution, transparency, and dynamic realism.\u003c\/p\u003e\n\n\u003ch2\u003eD-Line Design Philosophy: Transparency, Resolution, and Dynamic Realism\u003c\/h2\u003e\n\u003cp\u003eWhere the Classic series embodies Spendor's BBC heritage and the A-Line offers versatile all-round performance, the D-Line is built around a single pursuit: absolute faithfulness to the source recording. The D9.2 achieves this through a combination of proprietary cabinet technology, in-house driver development, and a crossover calibrated and matched to broadcast reference standard — a level of quality control that few loudspeaker manufacturers can claim. Every component in the D9.2, from cone materials and chassis castings to crossover networks and cabinet panels, is designed and built by Spendor technicians in the company's South Yorkshire facility. The 2019 update from the D9 to the D9.2 introduced a refined crossover, additional cabinet bracing, and Spendor's Dynamic Damping technology applied to both the enclosure and the drive units — changes that left the speaker measuring the same as its predecessor but sounding substantially more resolved and composed, particularly in the treble region where the previous version was regarded by reviewers as slightly forward.\u003c\/p\u003e\n\n\u003ch2\u003eThree-Driver Midrange Architecture and 5th Generation Linear-Flow Port\u003c\/h2\u003e\n\u003cp\u003eThe D9.2's driver layout places a single 180mm EP77 polymer cone midrange unit in an isolated enclosure at the top of the cabinet, handling only mid-range frequencies from 500Hz to 4.2kHz. This mechanical isolation eliminates the low-to-mid frequency intermodulation that affects conventional cabinet designs where the midrange shares enclosure volume with the bass drivers. Below 500Hz, two 180mm Kevlar composite cone woofers in a dedicated low-frequency enclosure take over, their ultra-rigid two-part bonded cone assemblies providing the controlled, articulate bass that has made the D9 and D9.2 notable among large floorstanders. All three drivers feature cast magnesium alloy chassis, high-efficiency motor systems, and optimised electro-dynamic damping for wide dynamic range. High frequencies are handled by Spendor's proprietary LPZ driver — a 22mm unit specifically developed for the D-Line — crossing in at 4.2kHz. Bass loading uses the fifth generation of Spendor's Twin-Venturi Linear-Flow port technology, inspired by Formula 1 diffuser aerodynamics: an aerodynamically profiled central baffle creates a tapered twin-venturi port at the cabinet base that smoothly decelerates air flow, minimising port turbulence and the coloration it introduces at high output levels. The slim 8\"-wide enclosure, finished in five veneer options, integrates naturally into both dedicated listening rooms and everyday living spaces.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIsolated Midrange Enclosure:\u003c\/strong\u003e The 180mm EP77 polymer cone midrange driver is housed in a sealed sub-enclosure at the top of the cabinet, eliminating low-to-mid intermodulation for exceptional clarity and low coloration in the vocal and instrumental range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual 180mm Kevlar Composite Woofers:\u003c\/strong\u003e Two 7.08\" bass drivers with ultra-rigid two-part bonded Kevlar composite cone assemblies and cast magnesium alloy chassis deliver controlled, fast, articulate bass to 27Hz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSpendor LPZ High-Frequency Driver:\u003c\/strong\u003e Spendor's proprietary LPZ tweeter, developed specifically for the D-Line series, provides smooth, extended high-frequency reproduction to 25kHz with broad and stable off-axis dispersion.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e5th Generation Twin-Venturi Linear-Flow Port:\u003c\/strong\u003e An aerodynamically profiled twin-venturi port at the cabinet base — inspired by Formula 1 diffuser technology — minimises port turbulence and coloration at high output levels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSpendor Dynamic Damping Cabinet Technology:\u003c\/strong\u003e Applied to both the enclosure panels and drive units, Dynamic Damping controls resonance and energy storage throughout the cabinet structure for lower noise floor and greater transparency.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBroadcast Reference Calibration:\u003c\/strong\u003e Each D9.2 is individually calibrated and matched to broadcast reference standard at the Spendor factory, ensuring driver and crossover consistency across pairs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEP77 Polymer Cone Midrange:\u003c\/strong\u003e Spendor's proprietary polymer formulation delivers low-mass, high-damping midrange performance — the same material used across the Classic and A-Line series for its natural, low-coloration character.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSlim Narrow-Baffle Enclosure:\u003c\/strong\u003e An 8\"-wide cabinet with five veneer finish options (including Dark Eucalyptus, exclusive to the US market) allows the D9.2 to integrate into a wide range of room aesthetics.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFully In-House British Manufacture:\u003c\/strong\u003e Cabinet, cones, drivers, and crossover networks are all designed and assembled by Spendor in South Yorkshire, England.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e3-way rear-ported floorstanding loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDrive Units\u003c\/td\u003e\n\u003ctd\u003eMF 7.08\" (180mm) EP77 polymer cone; 2x LF 7.08\" (180mm) Kevlar composite cone; HF 0.87\" (22mm) LPZ dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e27Hz to 25kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 250 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e90dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e500Hz, 4.2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePort Type\u003c\/td\u003e\n\u003ctd\u003e5th Generation Twin-Venturi Linear-Flow rear port\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e45\" x 8\" x 16\" (1155 x 210 x 398mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e77.2 lbs (35kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish Options\u003c\/td\u003e\n\u003ctd\u003eFive veneer finishes including Dark Eucalyptus (US exclusive); magnetic grille\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eHand-assembled in South Yorkshire, England, UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor D9.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D9.2 is the flagship 3-way floorstanding loudspeaker in Spendor's D-Line series, featuring a 180mm EP77 polymer midrange in an isolated enclosure, dual 180mm Kevlar composite woofers, and a proprietary LPZ high-frequency driver spanning 27Hz to 25kHz. It is built and calibrated to broadcast reference standard at Spendor's South Yorkshire factory in England, and represents the company's most technically advanced loudspeaker platform, prioritising resolution, transparency, and dynamic realism over the warmer, BBC-heritage character of the Classic series.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor D9.2 compare to the Spendor Classic 200?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D9.2 and Classic 200 are the two largest loudspeakers in Spendor's lineup and share the same South Yorkshire provenance, but their design philosophies are fundamentally different. The Classic 200 uses a sealed infinite-baffle enclosure, wide-baffle cabinet, and Bextrene\/Kevlar woofers derived from the BBC BC3 monitor — producing a sound that is warm, relaxed, and tonally rich. The D9.2 uses a rear-ported narrow-baffle enclosure with Twin-Venturi Linear-Flow loading and Kevlar composite woofers in an isolated bass chamber, targeting maximum transparency, resolution, and dynamic punch. The D9.2 is lighter (77.2 lbs vs 121.3 lbs), considerably slimmer (8\" wide vs 14\" wide), and more sensitive (90dB vs 89dB). Listeners who prioritise analytical resolution and imaging precision tend to favour the D9.2; those who prefer tonal richness and midrange body tend to favour the Classic 200.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor D9.2 compare to the Wilson Audio Sabrina X?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D9.2 and Wilson Audio Sabrina X both target the high-resolution audiophile market with narrow-baffle enclosures and advanced crossover engineering, but differ substantially in cabinet technology and driver philosophy. Wilson uses its proprietary X-Material and S-Material composite panels for extreme cabinet rigidity, while Spendor applies Dynamic Damping to a more conventional enclosure — the two approaches manage resonance differently rather than one being superior to the other. The Sabrina X uses a single 8\" woofer versus the D9.2's two 7\" Kevlar units, giving the Spendor greater low-frequency cone area. The D9.2's 90dB sensitivity compares favourably to the Sabrina X's 88dB, making the Spendor somewhat easier to drive with tube or lower-power solid-state amplifiers. The Spendor's isolated midrange enclosure is an engineering feature not present in the Sabrina X's MTM-derived layout.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier pairs best with the Spendor D9.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D9.2 is rated for 25 to 250 watts into a stable 8-ohm load, with a 90dB sensitivity that makes it genuinely easy to drive by high-end standards. Its revealing, transparent character rewards careful system matching: clean, low-noise amplification from sources such as a Hegel H590, Naim NAP 250, or Burmester CPM 3350 will allow the D9.2's resolution to fully emerge. Reviewers have noted the D9.2 is tube-friendly for its size, given its benign impedance curve — a 30W to 60W push-pull KT88 or 300B amplifier can work well in smaller rooms. The D-Line's transparency also means that source quality matters: streaming through a Aurender or similar high-quality network player will be immediately audible in the D9.2's presentation.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Twin-Venturi Linear-Flow port and how does it benefit the D9.2?\u003c\/h3\u003e\n\u003cp\u003eThe Twin-Venturi Linear-Flow port is Spendor's fifth-generation bass loading technology, inspired by the aerodynamic diffuser design used in Formula 1 racing. An aerodynamically profiled central baffle inside the port creates a tapered twin-venturi channel at the base of the D9.2 cabinet, smoothly decelerating air flow as it exits the enclosure. This reduces turbulence, chuffing noise, and the one-note coloration that conventional round ports produce at high excursion levels. The result is extended, fast, low-distortion bass that behaves more like a well-designed sealed enclosure in terms of articulation, while retaining the efficiency and extension advantage of a ported design. The port fires downward at the cabinet base, also making the D9.2 less sensitive to wall proximity than a rear-firing port design.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Spendor D9.2 work close to a rear wall?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D9.2 is more accommodating of rear-wall placement than many large ported floorstanders, largely because the Twin-Venturi port fires at the base of the cabinet rather than from the rear panel. Hi-Fi Critic reviewer Chris Frankland found the D9.2 worked well positioned as close as 5 inches from the rear wall with slight toe-in, which opened the soundstage and improved imaging stability. That said, some distance from the rear wall — typically 12 to 20 inches — will deliver the most neutral bass balance in most rooms. Spendor recommends experimenting with toe-in, as the D9.2's phase-stable crossover design produces consistent imaging over a wide listening arc.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor D9.2 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor D9.2 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor D-Line range alongside amplifiers, streamers, and source components to build a complete high-resolution system around the D9.2. Contact the Vinyl Sound team for current availability, finish options — including the Dark Eucalyptus veneer exclusive to the US market — and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Black Oak","offer_id":48572757999923,"sku":"","price":14998.0,"currency_code":"USD","in_stock":true},{"title":"Satin White","offer_id":48572758032691,"sku":"","price":14998.0,"currency_code":"USD","in_stock":true},{"title":"Oak","offer_id":48572758065459,"sku":"","price":14998.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48572758098227,"sku":"","price":14998.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48572758130995,"sku":"","price":14998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor_D9_Standard_Front.jpg?v=1712422427"},{"product_id":"wharfedale-linton-heritage-with-stands-speakers","title":"Wharfedale Linton 85th Anniversary Heritage Speakers (Pair) With Matching Stands","description":"\u003ch1\u003eWharfedale Linton 85th Anniversary Heritage Speakers With Stands at Vinyl Sound Buffalo NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Linton 85th Anniversary is a 3-way Heritage standmount loudspeaker from Wharfedale (Huntingdon, England), available at Vinyl Sound in Buffalo, NY, USA. Reviving a bloodline dating to 1965, the Linton 85th Anniversary uses a \u003cstrong\u003e8-inch (200mm) black woven Kevlar bass driver\u003c\/strong\u003e, a 5-inch (135mm) woven Kevlar midrange driver, and a \u003cstrong\u003e1-inch (25mm) soft dome tweeter\u003c\/strong\u003e in a bass reflex enclosure, achieving a frequency response of \u003cstrong\u003e40Hz to 20kHz (+\/-3dB)\u003c\/strong\u003e with \u003cstrong\u003e90dB sensitivity\u003c\/strong\u003e and a 6-ohm nominal impedance. The matching Heritage stands are included, designed with the celebrated LP record storage shelf. Stereophile rates the Linton 85th Anniversary a Class B Recommended Component.\u003c\/p\u003e\n\n\u003ch2\u003eWide-Baffle Woven Kevlar Driver Array\u003c\/h2\u003e\n\u003cp\u003eThe Linton 85th Anniversary follows the design philosophy of classic British standmount loudspeakers: a wide front baffle accommodating large-diameter drivers optimised individually for each frequency band. The 8-inch Kevlar woofer is mounted on a rigid die-cast chassis with a controlled-excursion suspension, providing deep, taut bass from a standmount enclosure. The 5-inch Kevlar midrange driver occupies a dedicated section of the baffle, reproducing the critical vocal and instrumental frequencies with the warmth and ease that defined the original Linton's character. Both Kevlar drivers use high-flex rubber surrounds and voice coils immersed in high-flux magnetic fields for consistent performance across a wide dynamic range. The 1-inch soft dome tweeter completes the array with a relaxed, natural high-frequency character that encourages extended listening without fatigue.\u003c\/p\u003e\n\n\u003ch2\u003eHeritage Cabinet, Crossover Engineering, and Matching Stands\u003c\/h2\u003e\n\u003cp\u003eThe Linton 85th Anniversary's wide enclosure uses traditional Wharfedale cabinet construction techniques, with an inset front baffle and traditional cloth grille that reflect its English heritage. The crossover network divides the frequency band at 630Hz and 2.4kHz, with phase-matched crossover slopes that preserve timing coherence across the driver array. The matched Heritage floor stands are purpose-designed to place the Linton at the correct listening height and include a lower shelf for LP record storage, a practical and aesthetic detail that has become one of the most admired features of the Linton Heritage lineup. The speaker is available in Walnut, Mahogany, and Black Oak veneers reflecting the wide-baffle tradition of classic British speaker design.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e8-Inch Woven Kevlar Bass Driver:\u003c\/strong\u003e Rigid die-cast chassis with controlled-excursion suspension for deep, articulate bass from a standmount format, reaching below 35Hz (-6dB).\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e5-Inch Woven Kevlar Midrange Driver:\u003c\/strong\u003e Dedicated midrange unit ensures warm, natural reproduction of voices and instruments in the most listener-sensitive frequency range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1-Inch Soft Dome Tweeter:\u003c\/strong\u003e Traditional tweeter design paired with Kevlar midrange and woofer for a coherent, relaxed high-frequency character.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e90dB Sensitivity, 6-Ohm Impedance:\u003c\/strong\u003e Easy to drive with a wide variety of amplifiers including modestly powered valve and solid-state designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide-Baffle Cabinet:\u003c\/strong\u003e Traditional Wharfedale enclosure design with inset baffle and cloth grille reflecting the original 1965 Linton aesthetic.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHeritage Matching Stands with LP Storage:\u003c\/strong\u003e Custom floor stands designed for the Linton 85th, with a lower shelf configured for vinyl record storage.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStereophile Class B Recommended Component:\u003c\/strong\u003e Critical recognition from Stereophile magazine for musical performance and value.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSpeaker Type\u003c\/td\u003e\n\u003ctd\u003e3-way vented-box standmount\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd\u003eBass reflex\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass Driver\u003c\/td\u003e\n\u003ctd\u003e8\" (200mm) Black Woven Kevlar cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMidrange Driver\u003c\/td\u003e\n\u003ctd\u003e5\" (135mm) Black Woven Kevlar cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTreble Driver\u003c\/td\u003e\n\u003ctd\u003e1\" (25mm) Soft dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity (2.0V @ 1m)\u003c\/td\u003e\n\u003ctd\u003e90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRecommended Amplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 – 200W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePeak SPL\u003c\/td\u003e\n\u003ctd\u003e110dB\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e6Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMinimum Impedance\u003c\/td\u003e\n\u003ctd\u003e3.5Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response (+\/-3dB)\u003c\/td\u003e\n\u003ctd\u003e40Hz – 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass Extension (-6dB)\u003c\/td\u003e\n\u003ctd\u003e35Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e630Hz, 2.4kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e22.2\" x 11.8\" x 13.0\"\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003e40.6 lbs (each)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eStereophile Class B Recommended Component\u003c\/li\u003e\n  \u003cli\u003eTONEAudio Exceptional Value Award, 2019\u003c\/li\u003e\n  \u003cli\u003eWhat Hi-Fi? Five-Star Review\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Wharfedale Linton 85th Anniversary?\u003c\/h3\u003e\n\u003cp\u003eThe Wharfedale Linton 85th Anniversary is a 3-way Heritage standmount loudspeaker reviving the Linton name, which originated in 1965. It features an 8-inch Kevlar woofer, a 5-inch Kevlar midrange driver, a 1-inch soft dome tweeter, and a frequency response of 40Hz to 20kHz, with 90dB sensitivity and 6-ohm nominal impedance. Matching Heritage stands with LP record storage are included.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Linton 85th Anniversary compare to the Super Linton?\u003c\/h3\u003e\n\u003cp\u003eThe Linton 85th Anniversary and the Super Linton share the same Wharfedale Heritage Series lineage and wide-baffle standmount form factor. The Super Linton, launched in 2024, upgrades virtually every component: its tweeter is derived from the flagship Dovedale, its midrange driver is isolated in its own damped sub-enclosure, the bass driver has a more powerful motor, and the cabinet is enlarged with dual-layer construction. The 85th Anniversary Linton remains a more approachable entry point to the Heritage Series, offering the same warm British character at a lower system cost, while the Super Linton adds deeper bass, cleaner midrange, and more extended treble.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Linton 85th compare to the KLH Model Five?\u003c\/h3\u003e\n\u003cp\u003eThe Wharfedale Linton 85th Anniversary and the KLH Model Five are both wide-baffle Heritage-style standmounts reviving classic American and British speaker traditions respectively. The KLH Model Five uses a 10-inch acoustic suspension woofer, a 4-inch textile-dome midrange, and a 1-inch aluminium tweeter, with a sealed enclosure that provides a characteristic tight, dry bass character. The Linton 85th's bass reflex enclosure and 8-inch Kevlar woofer deliver a slightly warmer and more room-filling presentation, while the Kevlar midrange driver brings a more open and natural vocal quality compared to the KLH's textile dome unit.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Linton 85th Anniversary be used with a valve amplifier?\u003c\/h3\u003e\n\u003cp\u003eYes. The Linton 85th Anniversary is one of the most valve-amplifier-friendly premium standmounts available, with a 90dB sensitivity and a 6-ohm nominal impedance. A valve integrated amplifier from 15W upward can drive the Linton Heritage to satisfying listening levels in a moderately sized room, and the speaker's relaxed, warm character is widely considered to complement the harmonic richness typical of valve amplification.\u003c\/p\u003e\n\n\u003ch3\u003eDo the Heritage stands include LP storage?\u003c\/h3\u003e\n\u003cp\u003eYes. The matching Heritage stands designed for the Linton 85th Anniversary include a lower shelf specifically dimensioned for vinyl record storage, one of the most celebrated practical features of the Linton Heritage system and a design element retained in both the standard Linton and Super Linton stand designs.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Wharfedale Linton 85th Anniversary in Buffalo, NY?\u003c\/h3\u003e\n\u003cp\u003eThe Wharfedale Linton 85th Anniversary Heritage Speakers with matching stands are available at Vinyl Sound, an authorised Wharfedale dealer in Buffalo, NY, USA. Vinyl Sound can demonstrate the Linton 85th alongside the Super Linton to help you determine which Heritage model best suits your system and listening preferences.\u003c\/p\u003e","brand":"Wharfedale","offers":[{"title":"Walnut","offer_id":48573196796211,"sku":"","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"Red Mahogany","offer_id":48573196828979,"sku":"","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"Black Oak","offer_id":48573196861747,"sku":"","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WHARFEDALE_LINTON_HERITAGE_SPEAKERS_WITH_MATCHING_STANDS-Vinyl_Sound_USA_Buffalo_Hifi_Store.webp?v=1741719016"},{"product_id":"wharfedale-linton-heritage-speakers","title":"Wharfedale Linton 85th Anniversary Heritage Speakers","description":"\u003ch2\u003eWharfedale Linton 85th Anniversary Heritage Speakers\u003c\/h2\u003e\n\u003cp\u003eTo celebrate its history, Wharfedale has established the Heritage Series recreations of famous models from its past, entirely re-engineered using contemporary techniques and materials. The latest loudspeaker to join this collection is the Linton.\u003c\/p\u003e\n\u003cp\u003eThe original Linton debuted in 1965 and the line continued in various iterations until the end of the 1970s. It was a classic model of its time, viewed as a serious hi-fi speaker but also relatively affordable. Its cabinet was substantial, big enough to hold three drive units including a good-sized bass unit, yet not overly unwieldy by the standards of the day.\u003c\/p\u003e\n\u003cp\u003eThe new Linton has a clear family resemblance. It, too, is a three-way standmount model – a rarity in the modern era – retaining similar proportions to the classic Linton models. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e* LINTON stands available as optional extra\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eRetro style, timeless musicality\u003c\/h2\u003e\n\u003cp\u003eThe Linton makes use of its wide baffle by incorporating a large (by modern standards) bass driver with a 200mm Kevlar cone, mounted on a rigid, die-cast chassis. Above this sits a 135mm midrange driver, also sporting a woven Kevlar cone and housed within its own internal enclosure. Finally, a 25mm fabric-dome tweeter with a high-flux ferrite magnet handles high frequencies.\u003c\/p\u003e\n\u003cp\u003eThe original Linton incarnations of the 1960s and 1970s were well known for their rich and natural sound quality; the new model retains these attributes but upgrades the performance in every department. Its bass is deep and well-defined, its midrange clear and open, with free-breathing dynamics and an expansive scale that brings music to life. It is a sound you can dive into and lose yourself in, as you listen to album after album; a nostalgic nod to the past elevated to a level fit for the future.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDesigned to appeal\u003c\/h2\u003e\n\u003cp\u003eThis is a speaker that exudes authenticity, designed to appeal to the dedicated music-lover.\u003c\/p\u003e\n\u003cp\u003eIn keeping with a design intended to be treasured, the new Linton sports hand-matched wood veneers and optional matching stands with a similarly classic style. Custom-made to ensure each speaker is sited at the perfect height for a seated listener, the stand’s rigid metal frame ensures critical damping of unwanted vibrations, embellished with wood-veneered panels at the top and bottom to complement the speakers. The design even provides space to store vinyl records within the stand’s structure.\u003c\/p\u003e\n\u003cdiv class=\"vc_row element-row row vc_custom_1591030194307 highend_vc_custom_1591030194307\" data-vc-stretch-content=\"true\" data-vc-full-width-init=\"true\" data-vc-full-width=\"true\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-4\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  vc_custom_1591031015034\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eDesigned to appeal\u003c\/h2\u003e\n\u003cp\u003eThis is a speaker that exudes authenticity, designed to appeal to the dedicated music-lover.\u003c\/p\u003e\n\u003cp\u003eIn keeping with a design intended to be treasured, the new Linton sports hand-matched wood veneers and optional matching stands with a similarly classic style. Custom-made to ensure each speaker is sited at the perfect height for a seated listener, the stand’s rigid metal frame ensures critical damping of unwanted vibrations, embellished with wood-veneered panels at the top and bottom to complement the speakers. The design even provides space to store vinyl records within the stand’s structure.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_row-full-width vc_clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"vc_row element-row row vc_custom_1591031149331 highend_vc_custom_1591031149331\" data-vc-stretch-content=\"true\" data-vc-full-width-init=\"true\" data-vc-full-width=\"true\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-12\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  vc_custom_1591030734939\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ctable class=\"tablepress tablepress-id-71\" id=\"tablepress-71\"\u003e\n\u003cthead\u003e\n\u003ctr class=\"row-1 odd\"\u003e\n\u003cth class=\"column-1\"\u003eGeneral Description\u003c\/th\u003e\n\u003cth class=\"column-2\"\u003e3-way vented-box\/standmount\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody class=\"row-hover\"\u003e\n\u003ctr class=\"row-2 even\"\u003e\n\u003ctd class=\"column-1\"\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003eBass reflex\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-3 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eTransducer Complement\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e3-way\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-4 even\"\u003e\n\u003ctd class=\"column-1\"\u003eBass Driver\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e8\"(200mm) black woven Kevlar® cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-5 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eMidrange Driver\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e5\"(135mm) black woven Kevlar® cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-6 even\"\u003e\n\u003ctd class=\"column-1\"\u003eTreble Driver\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e1\" (25mm) soft dome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-7 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eAV Shield\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-8 even\"\u003e\n\u003ctd class=\"column-1\"\u003eSensitivity (2.83v @1m)\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-9 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eRecommended Amplifier Power\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e25-200W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-10 even\"\u003e\n\u003ctd class=\"column-1\"\u003ePeak SPL\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e110dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-11 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e6Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-12 even\"\u003e\n\u003ctd class=\"column-1\"\u003eMinimum Impedance\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e3.5Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-13 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eFrequency Response(+\/-3dB)\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e40Hz ~ 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-14 even\"\u003e\n\u003ctd class=\"column-1\"\u003eBass Extension(-6dB)\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e35Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-15 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e630Hz \u0026amp; 2.4kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-16 even\"\u003e\n\u003ctd class=\"column-1\"\u003eHeight (on plinth)\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e565mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-17 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eWidth\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e300mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-18 even\"\u003e\n\u003ctd class=\"column-1\"\u003eDepth (with terminals)\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e(330+30)mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-19 odd\"\u003e\n\u003ctd class=\"column-1\"\u003eNet Weight 18.4kg\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e18.4kg\/pcs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-20 even\"\u003e\n\u003ctd class=\"column-1\"\u003e\u003c\/td\u003e\n\u003ctd class=\"column-2\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wharfedale","offers":[{"title":"Walnut","offer_id":48573198729523,"sku":null,"price":1699.0,"currency_code":"USD","in_stock":true},{"title":"Red Mahogany","offer_id":48573198762291,"sku":null,"price":1699.0,"currency_code":"USD","in_stock":true},{"title":"Black Oak","offer_id":48573198795059,"sku":"","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WHARFEDALE_LINTON_HERITAGE_SPEAKERS_WITH_MATCHING_STANDS-Vinyl_Sound_USA_Buffalo_Hifi_Store.jpg?v=1741719507"},{"product_id":"wharfedale-denton-85-heritage-speakers","title":"Wharfedale Denton 85 Heritage Speakers","description":"\u003cdiv class=\"vc_row element-row row vc_custom_1591098307382 vc_column-gap-20 vc_row-o-equal-height vc_row-o-content-middle vc_row-flex highend_vc_custom_1591098307382\" data-vc-full-width-init=\"true\" data-vc-full-width=\"true\"\u003e\n\u003cdiv class=\"fw-content-wrap\"\u003e\n\u003cdiv class=\"vc_row\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-6\"\u003e\n\u003cdiv class=\"vc_column-inner vc_custom_1591097714346\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  vc_custom_1539903638408\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2 class=\"p1\"\u003eWharfedale Denton 85 Heritage Speakers\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eDenton 85th Anniversary is a two-way speaker in the classic bookshelf tradition, beautifully hand veneered in Mahogany by Wharfedale cabinet makers with an inset front baffle and traditional Tungsten cloth grille.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUnderneath the traditional exterior, however, the Denton 85th Anniversary is bang up to date and utilises a mixture of traditional and advanced technology. The bass unit features Wharfedale’s innovative woven Kevlar cone mounted on a rigid die-cast chassis, this combination delivering a rich, detailed bass\/midrange output with superb dynamic performance. High frequencies are handled by a woven textile soft dome treble unit with high flux ferrite magnet, engineered for smooth, detailed HF extension.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese drive units are combined by a highly researched crossover that is near inaudible to the listener, resulting in a coherent, seamless musical output that is both thrilling and natural in its rendition of any source material.\u003c\/p\u003e\n\u003ch3\u003eMost famous Loudspeaker\u003c\/h3\u003e\n\u003cp\u003eWharfedale is proud to present this 85th Anniversary Edition of one of the brand’s most famous and popular loudspeakers – the Denton.\u003c\/p\u003e\n\u003cp\u003eGilbert Briggs, who founded Wharfedale in 1932, turned the company into one of the most famous loudspeaker brands in the world by concentrating on quality and value for money.\u003c\/p\u003e\n\u003cp\u003eThe Wharfedale Denton exemplified these two edicts, balancing fine craftsmanship, natural sound quality and affordability inside a compact loudspeaker that was bought in its millions right across the globe.\u003c\/p\u003e\n\u003cp\u003eThe original Denton went on to further other models based on its highly popular formula, the Denton 3 being the last of the line…\u003c\/p\u003e\n\u003cp\u003e…until now!\u003c\/p\u003e\n\u003ch3\u003eClassic bookshelf tradition\u003c\/h3\u003e\n\u003cp\u003eDenton 85th Anniversary is a two-way speaker in the classic bookshelf tradition, beautifully hand veneered in Mahogany by Wharfedale cabinet makers with an inset front baffle and traditional Tungsten cloth grille.\u003c\/p\u003e\n\u003cp\u003eUnderneath the traditional exterior, however, the Denton 85th Anniversary is bang up to date and utilises a mixture of traditional and advanced technology. The bass unit features Wharfedale’s innovative woven Kevlar cone mounted on a rigid die-cast chassis, this combination delivers a rich, detailed bass\/midrange output with superb dynamic performance. High frequencies are handled by a woven textile soft-dome treble unit with high flux ferrite magnet, engineered for smooth, detailed HF extension.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_row-full-width vc_clearfix\"\u003e\n\u003ch3\u003eSeamless musical output\u003c\/h3\u003e\n\u003cp\u003eThese drive units are combined by a highly researched crossover that is near inaudible to the listener, resulting in a coherent, seamless musical output that is both thrilling and natural in its rendition of any source material.\u003c\/p\u003e\n\u003cp\u003eThe original Denton was well known for its warm, rich and natural sounding character and the 85th Anniversary Edition retains that character but imbues it with an open, detailed performance that will entice you to explore your whole music collection.\u003c\/p\u003e\n\u003cp\u003eVeritably a modern classic!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_row-full-width vc_clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"vc_row element-row row vc_custom_1591100181940 highend_vc_custom_1591100181940\" data-vc-stretch-content=\"true\" data-vc-full-width-init=\"true\" data-vc-full-width=\"true\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-8\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv id=\"main-content\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row main-row fullwidth\"\u003e\n\u003cdiv class=\"post-7085 page type-page status-publish hentry\" id=\"page-7085\"\u003e\n\u003cdiv class=\"hb-main-content col-12\"\u003e\n\u003cdiv class=\"vc_row element-row row highend_615e20536e6bb\" data-vc-stretch-content=\"true\" data-vc-full-width-init=\"true\" data-vc-full-width=\"true\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-12\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ctable class=\"tablepress tablepress-id-67\" id=\"tablepress-67\" style=\"width: 100%; height: 313.501px;\"\u003e\n\u003cthead\u003e\n\u003ctr class=\"row-1 odd\" style=\"height: 19.5938px;\"\u003e\n\u003cth class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eGeneral Description\u003c\/th\u003e\n\u003cth class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e2-way vented-box\/standmount\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody class=\"row-hover\"\u003e\n\u003ctr class=\"row-2 even\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003eBass reflex\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-3 odd\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eTransducer Complement\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e2-way\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-4 even\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eBass Driver\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e6.5\"(165mm) black woven Kevlar cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-5 odd\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eTreble Driver\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e1\"(25mm) soft dome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-6 even\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eSensitivity (2.0V @ 1m)\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e88dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-7 odd\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eRecommended Amplifier Power\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e20-120W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-8 even\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003ePeak SPL\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e95dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-9 odd\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e4Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-10 even\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eMinimum Impedance\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e3.8Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-11 odd\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eFrequency Response(+\/-3dB)\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e45Hz ~ 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-12 even\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eBass Extension(-6dB)\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e40Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-13 odd\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e3.1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-14 even\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eCabinet Volume\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e13.5L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-15 odd\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eDimensions H x W x D\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e340 x 240x (275+12) mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row-16 even\" style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"column-1\" style=\"width: 44.1462%; height: 19.5938px;\"\u003eNet Weight\u003c\/td\u003e\n\u003ctd class=\"column-2\" style=\"width: 52.9966%; height: 19.5938px;\"\u003e9.0kg\/pcs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eLearn more about this product in our detailed video review:\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/5TKN6TR4TmA\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wharfedale","offers":[{"title":"Walnut","offer_id":48573199450419,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true},{"title":"Black Oak","offer_id":48573199515955,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true},{"title":"Mahogany","offer_id":48573199483187,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WharfedaleDenton85HeritageSpeakers.png?v=1780581088"},{"product_id":"wharfedale-wh-d8-bass-reflex-subwoofer","title":"Wharfedale WH-D8 Bass Reflex Subwoofer (Each)","description":"\u003ch2 class=\"p1\"\u003eWharfedale WH-D8 Bass Reflex Subwoofer \u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eThe D8 and D10 subwoofers are the perfect way of enhancing your stereo or home system to produce an excellent low-end performance. The cabinet construction of the new D10 has been aesthetically enhanced, with new high-gloss lacquered front baffles and cosmetically enhanced veneers. Not only is this a significant improvement, but the new look is also designed to match perfectly with the new and award-winning Diamond 200 series, which is already gaining outstanding reviews internationally.\u003cbr\u003eAside from newly improved aesthetics, the two new subwoofers are built to elevate the performance of any AV setup. The D10 features an active dynamic drive subwoofer system in a sealed box, providing fast, accurate and intensive bass response. The D10 also employs a custom designed class-d balanced drive power amplifier which provides power and dynamics unheard of in products at a comparable.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow pass filter slope continuously adjustable from 40Hz – 150Hz\u003c\/li\u003e\n\u003cli\u003ePhase invert switch\u003c\/li\u003e\n\u003cli\u003eLow-frequency bass extension (below 30Hz), with a wide 86dB dynamic range\u003c\/li\u003e\n\u003cli\u003eLow-level inputs, dedicated LFE input\u003c\/li\u003e\n\u003cli\u003eAuto power sensor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eSpecifications:\u003c\/h4\u003e\n\u003cp\u003eDescription\/Format: Active Reflex Subwoofer System\u003cbr\u003eDrive Units: 1 x (8'') 200mm Cone Long-throw\u003cbr\u003eEnclosure Type: Vented Box\u003cbr\u003eFrequency Response (+\/-3dB): 30Hz - 200Hz\u003cbr\u003eBass Extension: 30Hz\u003cbr\u003eAmplifier Power Output: 70W\u003cbr\u003ePeak Power Output: 150W\u003cbr\u003eLine Input Sensitivity: 200mV for Maximum Output\u003cbr\u003eCrossover Range: 40Hz - 150Hz\u003cbr\u003eInputs: Stereo Line In (2 x RCA Phono); Mono(LFE)Line In (RCA Phono)\u003cbr\u003eInput Impedance: Line In: 20kOhms LFE: 5 Ohms\u003cbr\u003eSignal-to-noise Ratio (S\/N): ≧86dB\u003cbr\u003ePeak SPL: 110dB\u003cbr\u003eFeatures: Phase Inversion, Low Pass Filter Slope; Adjustment, Auto On\/Off\u003cbr\u003eDimensions (H x W x D): 330 x 268 x 327 (mm)\u003cbr\u003eNet Weight: 8.6kg\u003c\/p\u003e","brand":"Wharfedale","offers":[{"title":"Black Ash","offer_id":48573213147443,"sku":null,"price":499.0,"currency_code":"USD","in_stock":true},{"title":"White Sandex","offer_id":48573213180211,"sku":null,"price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WHARFEDALE_WH_D8_BASS_REFLEX_SUBWOOFER_WHITE-Vinyl_Sound_USA_Buffalo_Hifi_Store.jpg?v=1741722381"},{"product_id":"wharfedale-wh-d10-acoustic-suspension-subwoofer","title":"Wharfedale WH-D10 Acoustic Suspension Subwoofer (Each)","description":"\u003ch2\u003eWharfedale WH-D10 Acoustic Suspension Subwoofer\u003c\/h2\u003e\n\u003cp\u003eThe D8 and D10 subwoofers are the perfect way of enhancing your stereo or home system to produce an excellent low-end performance. The cabinet construction of the new D10 has been aesthetically enhanced, with new high-gloss lacquered front baffles and cosmetically enhanced veneers. Not only is this a significant improvement, but the new look is also designed to match perfectly with the new and award-winning Diamond 200 series, which is already gaining outstanding reviews internationally.\u003c\/p\u003e\n\u003cp\u003eAside from newly improved aesthetics, the two new subwoofers are built to elevate the performance of any AV setup. The D10 features an active dynamic drive subwoofer system in a sealed box, providing fast, accurate and intensive bass response. The D10 also employs a custom designed class-d balanced drive power amplifier which provides power and dynamics unheard of in products at a comparable.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow pass filter slope continuously adjustable from 40Hz – 150Hz\u003c\/li\u003e\n\u003cli\u003ePhase invert switch\u003c\/li\u003e\n\u003cli\u003eLow-frequency bass extension (below 30Hz), with a wide 86dB dynamic range\u003c\/li\u003e\n\u003cli\u003eLow-level inputs, dedicated LFE input\u003c\/li\u003e\n\u003cli\u003eAuto power sensor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eSpecifications:\u003c\/h4\u003e\n\u003cp\u003eDescription\/Format: Active Dynamic-Drive IB subwoofer system\u003cbr\u003eDrive Units: 1 x 10\" (250mm) cone long-throw\u003cbr\u003eFrequency Response (+\/-3dB): 35Hz - 150Hz\u003cbr\u003eAmplifier Power Output: 150W\u003cbr\u003ePeak Power Output: 300W\u003cbr\u003eLine Input Sensitivity: 100mV for maximum output\u003cbr\u003eCrossover Range: 30Hz - 150Hz\u003cbr\u003eInputs: Stereo Line In (2 x RCA Phono)\u003cbr\u003eMono (LFE) Line In (RCA Phono)\u003cbr\u003eInput Impedance: Line In 10kOhms\u003cbr\u003eLFE 5kOhms\u003cbr\u003eSignal-to-noise ratio: \u0026gt;85dB\u003cbr\u003eAvg. Max Output @1m: 110dB\u003cbr\u003eFeatures: Low pass filter slope adjustment\u003cbr\u003ePhase inversion\u003cbr\u003eAuto on\/off\u003cbr\u003eHigh pass output\u003cbr\u003eDimensions: 363 (+30) x 333 x 372 (+22)\u003cbr\u003eNet Weight: 14kg\u003cbr\u003eGross Weight: 16.5kg\u003cbr\u003eAccessories: IEC power cord, spikes as standard\u003c\/p\u003e","brand":"Wharfedale","offers":[{"title":"Black Ash","offer_id":48573214032179,"sku":null,"price":699.0,"currency_code":"USD","in_stock":true},{"title":"White Sandex","offer_id":48573214064947,"sku":null,"price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WHARFEDALE_WH_D10_ACOUSTIC_SUSPENSION_SUBWOOFER_WHITE-Vinyl_Sound_USA_Buffalo_Hifi_Store.jpg?v=1741722927"},{"product_id":"wharfedale-sw-10-bass-reflex-subwoofer","title":"Wharfedale SW-10 Bass Reflex Subwoofer (Each)","description":"\u003ch2\u003eWharfedale SW-10 Bass Reflex Subwoofer Each\u003c\/h2\u003e\n\u003cp\u003eThe SW series of subwoofers offer a level of performance previously unheard of in their class. Revolutionary drive units, amplifier modules and filter stages feature on every model. They strike the perfect balance between power and sound quality, offering remarkable sound pressure levels, yet retaining enough control to be considered audiophile in quality.\u003c\/p\u003e\n\u003cp\u003eThe new range of SW subwoofers comes with a host of new features. They now come with Non-pressed paper cones for increase self-damping, improved transient impact and intern increased the structural rigidity of the cone itself. The centre vents are copper lined to reduce the magnetic distortion and improve the heat dissipation.\u003c\/p\u003e\n\u003cp\u003eStill utilising the solid, well-engineered power amplifiers the SW subwoofers are optimised for high impact at low frequencies and are ideal for movies or music. With the Black and Sandex White finishes to the cabinets – these subwoofers look great with matching floorstanding speakers.\u003c\/p\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cp\u003eDrive Units: 1 x (10\") 250mm cone long-throw\u003cbr\u003eFrequency Response: 40 - 120Hz ±3dB\u003cbr\u003eAmplifier Power Output: 200W\u003cbr\u003ePeak Power Output: 350W\u003cbr\u003eLine Input Sensitivity: 200mv for maximum output\u003cbr\u003eCrossover Range: 30 - 150Hz\u003cbr\u003eInputs: Stereo Line In (2 x RCA Phono)\u003cbr\u003eMono (LFE) Line In (RCA Phono)\u003cbr\u003eInput Impedance: Line Input 10kΩ\u003cbr\u003eLFE 5kΩ\u003cbr\u003eSignal-to-noise ratio (S\/N): ≥85dB\u003cbr\u003eAvg. Max Output @1m: 110dB\u003cbr\u003eFeatures: Phase inversion, Auto on-off\u003cbr\u003eDimensions: Height: (358+58)mm(with feet)\u003cbr\u003eWidth: 336mm\u003cbr\u003eDepth: (366+15)mm\u003cbr\u003eNet weight: 15kg\u003cbr\u003eFinishes: Black\u003cbr\u003eAccessories: IEC power cord\u003c\/p\u003e","brand":"Wharfedale","offers":[{"title":"Black","offer_id":48573215736115,"sku":"","price":849.0,"currency_code":"USD","in_stock":true},{"title":"Sandex White","offer_id":52827366261043,"sku":null,"price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WHARFEDALE_SW-10_BASS_REFLEX_SUBWOOFER-Vinyl_Sound_USA_Buffalo_Hifi_Store.jpg?v=1741723444"},{"product_id":"wharfedale-sw-12-bass-reflex-subwoofer","title":"Wharfedale SW-12 Bass Reflex Subwoofer (Each)","description":"\u003ch2\u003eWharfedale SW-12 Bass Reflex Subwoofer\u003c\/h2\u003e\n\u003cp\u003eThe SW series of subwoofers offer a level of performance previously unheard of in their class. Revolutionary drive units, amplifier modules and filter stages feature on every model. They strike the perfect balance between power and sound quality, offering remarkable sound pressure levels, yet retaining enough control to be considered audiophile in quality.\u003cbr\u003eThe new range of SW subwoofers comes with a host of new features. They now come with Non-pressed paper cones for increase self-damping, improved transient impact and intern increased the structural rigidity of the cone itself. The centre vents are copper lined to reduce the magnetic distortion and improve the heat dissipation.\u003cbr\u003eStill utilising the solid, well-engineered power amplifiers the SW subwoofers are optimised for high impact at low frequencies and are ideal for movies or music. With the Black and Sandex White finishes to the cabinets – these subwoofers look great with matching floorstanding speakers.\u003c\/p\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cp\u003eDescription\/Format: Active Dynamic-Drive IB subwoofer system\u003cbr\u003eDrive Units: 1 x (12”)300mm cone long-throw\u003cbr\u003eFrequency Response: 35- 120Hz ±3dB\u003cbr\u003eAmplifier Power Output: 300W\u003cbr\u003ePeak Power Output: 450W\u003cbr\u003eLine Input Sensitivity: 200mv for maximum output\u003cbr\u003eCrossover Range: 30 - 150Hz\u003cbr\u003eInputs: \"Stereo Line In (2 x RCA Phono)\u003cbr\u003eMono (LFE) Line In (RCA Phono)\u003cbr\u003eInput Impedance: Line Input 10kΩ\u003cbr\u003eLFE 5kΩ\u003cbr\u003eSignal-to-noise ratio (S\/N): ≥85dB\u003cbr\u003eAvg. Max Output @1m: 118dB\u003cbr\u003eFeatures; Phase inversion, Auto on-off\u003cbr\u003eDimensions: Height: (430+58)mm(with feet)\u003cbr\u003eWidth: 395mm\u003cbr\u003eDepth: (442+15)mm\u003cbr\u003eNet weight: 22.1kg\u003cbr\u003eFinishes: Black\u003cbr\u003e\u003c\/p\u003e","brand":"Wharfedale","offers":[{"title":"Black","offer_id":48573216882995,"sku":"","price":999.0,"currency_code":"USD","in_stock":true},{"title":"Sandex White","offer_id":52827373830451,"sku":null,"price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WHARFEDALE_SW-12_BASS_REFLEX_SUBWOOFER-Vinyl_Sound_USA_Buffalo_Hifi_Store.png?v=1741723996"},{"product_id":"wharfedale-sw-15-bass-reflex-subwoofer","title":"Wharfedale SW-15 Bass Reflex Subwoofer (Each)","description":"\u003ch2\u003eWharfedale SW-15 Bass Reflex Subwoofer \u003c\/h2\u003e\n\u003cp\u003eThe SW series of subwoofers offer a level of performance previously unheard of in their class. Revolutionary drive units, amplifier modules and filter stages feature on every model. They strike the perfect balance between power and sound quality, offering remarkable sound pressure levels, yet retaining enough control to be considered audiophile in quality.\u003c\/p\u003e\n\u003cp\u003eThe new range of SW subwoofers comes with a host of new features. They now come with Non-pressed paper cones for increase self-damping, improved transient impact and intern increased the structural rigidity of the cone itself. The centre vents are copper lined to reduce the magnetic distortion and improve the heat dissipation.\u003c\/p\u003e\n\u003cp\u003eStill utilising the solid, well-engineered power amplifiers the SW subwoofers are optimised for high impact at low frequencies and are ideal for movies or music. With the Black and Sandex White finishes to the cabinets – these subwoofers look great with matching floorstanding speakers.\u003c\/p\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cp\u003eDescription\/Format: Active Dynamic-Drive IB\u003cbr\u003esubwoofer system\u003cbr\u003eDrive Units: 1 x (15\") 380mm cone long-throw\u003cbr\u003eFrequency Response: 30- 120Hz ±3dB\u003cbr\u003eAmplifier Power Output: 400W\u003cbr\u003ePeak Power Output: 850W\u003cbr\u003eLine Input Sensitivity: 200mv for maximum output\u003cbr\u003eCrossover Range: 30 - 150Hz\u003cbr\u003eInputs: Stereo Line In (2 x RCA Phono)\u003cbr\u003eMono (LFE) Line In (RCA Phono\u003cbr\u003eInput Impedance: Line Input 10kΩ\u003cbr\u003eLFE 5kΩ\u003cbr\u003eSignal-to-noise ratio (S\/N): ≥85dB\u003cbr\u003eAvg. Max Output @1m: 124dB\u003cbr\u003eFeatures: Phase inversion, Auto on-off\u003cbr\u003eDimensions: Height: (540+58)mm(with feet)\u003cbr\u003eWidth: 500mm\u003cbr\u003eDepth: (540+15)mm\u003cbr\u003eNet weight: 27kg\u003cbr\u003eAccessories: IEC power cord\u003c\/p\u003e","brand":"Wharfedale","offers":[{"title":"Black","offer_id":48573219012915,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true},{"title":"Sandex White","offer_id":52827375370547,"sku":null,"price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WHARFEDALE_SW-15_BASS_REFLEX_SUBWOOFER-Vinyl_Sound_USA_Buffalo_Hifi_Store.png?v=1741724417"},{"product_id":"spendor-a2-loudspeaker","title":"Spendor A2.2 Loudspeaker","description":"\u003ch1\u003eSpendor A2.2 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor A2.2 is a compact 2-way rear-ported floorstanding loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. The entry-level floorstander in Spendor's A-Line Mark 2 series — debuted at the Bristol Hi-Fi Show in February 2025 and manufactured in the UK — the A2.2 combines a \u003cstrong\u003e22mm wide-surround polyamide dome tweeter\u003c\/strong\u003e and a \u003cstrong\u003e150mm EP77 polymer cone mid\/bass driver\u003c\/strong\u003e with a 4.2kHz crossover, spanning an in-room response of \u003cstrong\u003e46Hz to 26kHz\u003c\/strong\u003e at a sensitivity of \u003cstrong\u003e83dB\u003c\/strong\u003e. Compatible with amplifiers from 25 to 125 watts into an 8-ohm nominal load, the A2.2 delivers the natural, expressive Spendor A-Line sound in a slim, apartment-friendly cabinet that stands just 31 inches tall.\u003c\/p\u003e\n\n\u003ch2\u003eA-Line Mark 2: Compact Dimensions, Genuine Musical Performance\u003c\/h2\u003e\n\u003cp\u003eThe original Spendor A2 established itself as a benchmark compact floorstander, praised by Hi-Fi Choice and The Absolute Sound for delivering a natural, dynamically engaging presentation from an unusually small enclosure. The A2.2, unveiled at the Bristol Hi-Fi Show in February 2025, refines this formula with improved internal bracing, a Sorbothane constrained-layer damping treatment applied to cabinet panels, and a revised crossover network — upgrades shared across the entire A-Line Mark 2 range. These changes reduce cabinet colouration and improve transient accuracy without altering the A2.2's fundamental character: an outgoing, expressive, rhythmically assured sound that punches well above its physical weight. Spendor's Dynamic Damping — low-mass constrained polymer dampers at key energy interface points — continues to manage spurious cabinet energy by converting it into inaudible heat instantly, preserving the fast, time-accurate presentation that has defined A-Line speakers since their introduction. The result is a loudspeaker that Spendor describes as delivering music with striking clarity and a fun, charming element, remaining tuneful and articulate even when positioned close to a rear wall or in a smaller room.\u003c\/p\u003e\n\n\u003ch2\u003eEP77 Polymer Midrange, Wide-Surround Tweeter, and Placement Flexibility\u003c\/h2\u003e\n\u003cp\u003eAt the heart of the A2.2 is a 150mm EP77 polymer cone mid\/bass driver — the same proprietary cone material used across the A-Line, D-Line, and Classic series — providing the low-coloration, natural midrange character that is the defining sonic signature of Spendor loudspeakers. The 22mm wide-surround polyamide dome tweeter crosses in at 4.2kHz, combining the extended frequency response of a small-diameter diaphragm with the wide off-axis dispersion of a larger surround geometry, for smooth and consistent high-frequency reproduction over a broad listening area. Reflex bass loading extends the in-room response to 46Hz — providing genuine bass weight in a cabinet that stands just 786mm tall — and the port is tuned specifically to maintain tuneful, articulate bass even when the A2.2 is positioned close to a rear wall or in a small room. A rigid, asymmetrically braced enclosure in a 6\"-wide linear-form profile accepts four veneer finishes and sits on a satin-black plinth with height-adjustable spike feet. A single pair of recessed precision binding posts on the rear provides clean amplifier connectivity.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e150mm EP77 Polymer Cone Mid\/Bass Driver:\u003c\/strong\u003e Spendor's proprietary EP77 polymer formulation with cast magnesium alloy chassis delivers the low-coloration, natural tonal balance that characterises the A-Line sound across all genres and listening levels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Wide-Surround Polyamide Dome Tweeter:\u003c\/strong\u003e A wide-surround dome geometry combines the transient speed of a small-diameter diaphragm with broad off-axis dispersion, producing smooth, stable high-frequency reproduction across a wide listening window.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSpendor Dynamic Damping:\u003c\/strong\u003e Low-mass constrained polymer dampers at key energy interface points convert spurious cabinet resonance into inaudible heat instantly, preventing the slow energy storage and release that blurs transients in conventional rigid enclosures.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSorbothane Constrained-Layer Damping:\u003c\/strong\u003e Sorbothane damping inserts added across all A-Line Mark 2 models reduce cabinet colouration and time smearing, improving stereo imaging and transient clarity compared to the original A2.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAsymmetric Rigid Cabinet Bracing:\u003c\/strong\u003e Non-parallel internal bracing geometry reduces standing waves within the enclosure, working in concert with Dynamic Damping for clean, time-accurate bass and midrange reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRefined Crossover Network:\u003c\/strong\u003e An updated crossover network with precision-wound inductors improves driver integration, phase coherence, and tonal balance across the 4.2kHz handoff between the mid\/bass and tweeter drivers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePlacement-Friendly Reflex Loading:\u003c\/strong\u003e The reflex port is tuned for tuneful, articulate bass even when the A2.2 is positioned close to rear walls or in smaller listening rooms, making it practical for real-world domestic placement.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact Linear-Form Cabinet:\u003c\/strong\u003e A 6\"-wide, 31\"-tall enclosure in four veneer finishes integrates unobtrusively into virtually any room, including apartments, secondary systems, and spaces where larger floorstanders are impractical.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBroadcast Reference Calibration:\u003c\/strong\u003e Each A2.2 is calibrated and matched to broadcast reference standard at Spendor's UK facility, ensuring driver and crossover consistency across pairs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-way rear-ported floorstanding loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e22mm wide-surround polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e150mm (5.9\") EP77 polymer cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e46Hz to 26kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 6.4 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 125 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePower Handling\u003c\/td\u003e\n\u003ctd\u003e100 watts unclipped programme\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e83dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e4.2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd\u003eRigid, asymmetric braced cabinet with Dynamic Damping\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVent Type\u003c\/td\u003e\n\u003ctd\u003eReflex loading\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eSingle pair recessed precision binding posts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e31\" x 6\" x 10.2\" (786 x 150 x 258mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e25.1 lbs (11.4kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePlinth\u003c\/td\u003e\n\u003ctd\u003eSatin black\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack Oak, Walnut, Oak, Satin White\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAccessories\u003c\/td\u003e\n\u003ctd\u003eHeight-adjustable spike feet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor A2.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A2.2 is a compact 2-way rear-ported floorstanding loudspeaker from Spendor's A-Line Mark 2 series, featuring a 150mm EP77 polymer cone mid\/bass driver and a 22mm wide-surround polyamide dome tweeter, spanning 46Hz to 26kHz in-room. Manufactured in the UK and debuted at the Bristol Hi-Fi Show in February 2025, it is the entry-level floorstander in the A-Line Mark 2 range — the smallest and most compact of the three A-Line floorstanders — and delivers the natural, expressive Spendor A-Line sound in a 31\"-tall enclosure designed for apartments, secondary rooms, and space-constrained listening spaces.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor A2.2 differ from the Spendor A4.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A2.2 and A4.2 are both 2-way rear-ported A-Line Mark 2 floorstanders sharing the same Dynamic Damping cabinet technology, Sorbothane constrained-layer damping, and broadcast reference calibration. The key differences are in driver size, bass extension, sensitivity, and tweeter specification. The A4.2 uses a larger 180mm mid\/bass driver and a new 27mm soft-dome tweeter with a lower 2kHz crossover point, providing deeper bass extension (36Hz vs 46Hz in-room), 2dB more sensitivity (85dB vs 83dB), and a broader frequency band under tweeter control. The A2.2 retains the original A-Line 22mm wide-surround tweeter and 150mm driver — appropriate for its smaller cabinet volume and target room size. The A4.2 is the better choice for medium and larger rooms; the A2.2 is optimised for smaller spaces, apartments, and secondary listening systems.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor A2.2 compare to the Q Acoustics 5040?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A2.2 and Q Acoustics 5040 are both compact floorstanders targeting the same domestic market, but differ in construction philosophy and sonic character. The 5040 uses Q Acoustics' Point to Point bracing with a decoupled tweeter array and a 5\" mid\/bass driver in a ported cabinet. The A2.2 uses a 150mm EP77 polymer cone with Spendor's Dynamic Damping and asymmetric bracing. The A2.2's EP77 polymer cone produces a warmer, more natural tonal balance than the 5040's polypropylene-coned driver, and its Spendor heritage midrange character handles vocals and acoustic instruments with greater subtlety. The Q Acoustics 5040 is typically brighter and more forward in presentation and works well in acoustically damped rooms; the A2.2 suits a broader range of room types and amplifier pairings with its more forgiving tonal balance.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Spendor A2.2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A2.2 accepts amplifiers rated from 25 to 125 watts into its 8-ohm nominal load. At 83dB sensitivity it benefits from a quality amplifier of 40 to 80 watts — a Rega Brio, Cambridge Audio CXA81, or NAD C 388 will drive it comfortably in a small to medium room. Spendor's A-Line design is specifically engineered for broad amplifier compatibility, and the EP77 polymer cone's forgiving character means the A2.2 is less revealing of source or amplifier shortcomings than D-Line speakers at higher price points. Tube amplifiers of 15W or more from a push-pull output stage also work well with the A2.2 in small rooms, given its stable 8-ohm impedance curve.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor A2.2 suitable for small rooms or placement near walls?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A2.2 is specifically designed for small rooms and near-wall placement. Its compact 6\"-wide, 31\"-tall cabinet makes it one of the smallest genuine floorstanders available, and its reflex port is voiced to remain tuneful and articulate even when the speaker is positioned close to a rear wall. Spendor's own product description and datasheet specifically note wall-proximity use as a design consideration for the A2.2. The 46Hz in-room bass limit delivers satisfying low-frequency presence in a small room without the bass build-up that affects larger ported speakers in confined spaces.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor A2.2 compare to the original Spendor A2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A2.2 retains the same core driver specification as the original A2 — 150mm EP77 polymer cone mid\/bass driver, 22mm wide-surround tweeter, and 4.2kHz crossover — but gains updated asymmetric internal bracing, Sorbothane constrained-layer damping applied to cabinet panels, and a revised crossover network. The in-room frequency response is respecified as 46Hz–26kHz (compared to 36Hz–25kHz for the original A2), and the sensitivity is rated at 83dB versus 84dB on the original. The weight reduces slightly from 26.5 lbs to 25.1 lbs per speaker, consistent with the refined internal structure. Available finishes update to Black Oak, Walnut, Oak, and Satin White.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor A2.2 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor A2.2 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor A-Line Mark 2 range alongside amplifiers, streamers, and source components. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Black Oak","offer_id":48574493196595,"sku":null,"price":3198.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48574493229363,"sku":null,"price":3198.0,"currency_code":"USD","in_stock":true},{"title":"Oak","offer_id":48574493262131,"sku":null,"price":3198.0,"currency_code":"USD","in_stock":true},{"title":"Satin White","offer_id":48574493294899,"sku":null,"price":3198.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/spendor-a2-1.jpg?v=1712436662"},{"product_id":"spendor-classic-4-5-loudspeaker","title":"Spendor Classic 4\/5 Loudspeaker","description":"\u003ch1\u003eSpendor Classic 4\/5 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor Classic 4\/5 is a 2-way sealed standmount loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. The smallest and most compact model in the Spendor Classic series, the Classic 4\/5 combines a \u003cstrong\u003e150mm EP77 polymer cone mid\/bass driver\u003c\/strong\u003e with a Kevlar composite stabiliser dome and a \u003cstrong\u003e22mm wide-surround polyamide dome tweeter\u003c\/strong\u003e crossing at \u003cstrong\u003e4.2kHz\u003c\/strong\u003e, spanning 55Hz to 25kHz at a sensitivity of \u003cstrong\u003e84dB\u003c\/strong\u003e. Compatible with amplifiers from 25 to 100 watts into a stable 8-ohm load, and awarded a perfect 5 Stars for Sound, Compatibility, and Build Quality by What Hi-Fi?, the Classic 4\/5 delivers the warmth, transparency, and natural tonal character of the BBC monitor tradition in a form that fits a shelf, a desktop, or dedicated stands in the smallest of listening rooms.\u003c\/p\u003e\n\n\u003ch2\u003eThe BBC Monitor Tradition in Its Most Compact Expression\u003c\/h2\u003e\n\u003cp\u003eSpendor was founded by Spencer Hughes, a BBC research engineer, and the Classic series embodies the direct continuation of the BBC's loudspeaker design philosophy — thin-walled, damped cabinets that manage resonance rather than eliminate it, paired with drivers engineered for natural, low-coloration midrange reproduction. The Classic 4\/5 is the most compact realisation of this philosophy in the current Classic range, and in two significant ways it is the most technically distinctive. First, it is the only model in the Classic series to use a sealed (non-ported) enclosure — a design choice that produces controlled, accurate bass rolloff without port resonance or turbulence, and makes the Classic 4\/5 the most placement-tolerant speaker in the range. Second, its 4.2kHz crossover point is set unusually high — higher than most two-way designs, which typically cross at 2 to 3kHz — meaning the 150mm EP77 mid\/bass driver handles the entire critical midrange band from 55Hz through to 4.2kHz entirely on its own, without the interference of a tweeter crossing in during the most acoustically sensitive part of the frequency range. As What Hi-Fi? observed, this design decision is \"likely to be a good thing.\" The BBC-derived thin-walled cabinet with targeted elastomer panel damping at specific positions delivers the Classic series' characteristic freedom from artificial brightness and over-blown bass — a presentation shaped by half a century of refinement rather than marketing trends.\u003c\/p\u003e\n\n\u003ch2\u003eEP77 Polymer Cone with Kevlar Stabiliser Dome, Wide-Surround Tweeter, and Sealed Cabinet\u003c\/h2\u003e\n\u003cp\u003eThe Classic 4\/5's 150mm mid\/bass driver uses Spendor's proprietary EP77 polymer cone augmented by a central Kevlar composite stabiliser dome — a fixed disc bonded to the centre of the moving cone that controls high-frequency breakup modes while the cone itself vibrates freely around it. This combination delivers low-coloration midrange reproduction across a wide frequency range without the mechanical resonances that affect conventional single-material cones at the top of their operating band. The driver is housed in a cast magnesium alloy chassis, naturally self-damping and significantly lighter than aluminium or steel alternatives. Above 4.2kHz, a 22mm wide-surround polyamide dome tweeter takes over, its two-section construction — an inner dome for extended frequency response and an outer ring for wide dispersion — optimised for a smooth handoff at the unusually high crossover point. Connection is via a single pair of three-way binding posts on the rear — a clean, space-efficient implementation suited to the Classic 4\/5's compact form factor. The sealed cabinet uses a combination of thinner side and top panels typical of BBC construction with a thicker, more inert front baffle at the driver mounting points, and new elastomer damping material applied selectively for the 2017 Classic series overhaul.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e150mm EP77 Polymer Cone with Kevlar Stabiliser Dome:\u003c\/strong\u003e Spendor's proprietary EP77 polymer cone with a fixed central Kevlar composite stabiliser dome delivers low-coloration, low-distortion midrange and bass reproduction, with the stabiliser controlling high-frequency breakup while the cone vibrates freely.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSealed-Box Enclosure:\u003c\/strong\u003e The Classic 4\/5 is the only sealed-box design in the Spendor Classic standmount range, producing controlled, accurate bass rolloff without port resonance or turbulence — making it the most placement-tolerant and room-friendly speaker in the Classic lineup.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh 4.2kHz Crossover Point:\u003c\/strong\u003e An unusually high crossover frequency — well above the typical 2–3kHz range — allows the 150mm EP77 driver to handle the full critical midrange band alone, uninterrupted by a tweeter crossing in during the most acoustically sensitive region of the frequency spectrum.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Wide-Surround Two-Section Polyamide Dome Tweeter:\u003c\/strong\u003e A two-part tweeter design — inner dome for extended high-frequency response, outer ring for wide dispersion — is optimised for a smooth handoff at the high 4.2kHz crossover point, producing consistent off-axis performance over a broad listening area.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBBC-Heritage Thin-Walled Damped Cabinet:\u003c\/strong\u003e Thinner side and top panels with targeted elastomer damping at specific positions manage resonances in the BBC tradition, while a thicker front baffle provides rigidity at driver mounting points — producing the Classic series' characteristic natural, non-fatiguing presentation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCast Magnesium Alloy Driver Chassis:\u003c\/strong\u003e The mid\/bass driver chassis is machined from cast magnesium alloy — lighter, stronger, and more self-damping than aluminium or steel — minimising unwanted vibrations transmitted from the driver to the cabinet.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShelf, Desktop, or Stand-Mount Versatility:\u003c\/strong\u003e At just 12\" tall and 7\" wide, the Classic 4\/5 fits on a bookshelf, desktop, or dedicated speaker stands, and its sealed-box enclosure makes it less sensitive to boundary reinforcement than ported designs of comparable bass extension.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eArtisan UK Manufacture:\u003c\/strong\u003e Every Classic 4\/5 is designed, manufactured, and assembled entirely in the UK — including drivers, crossover, and cabinet — by hand in a process Spendor notes takes a full six days per pair.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-way sealed standmount loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass\/Mid Driver\u003c\/td\u003e\n\u003ctd\u003e5.9\" (150mm) EP77 polymer cone with Kevlar composite stabiliser dome, cast magnesium alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e0.87\" (22mm) wide-surround polyamide dome (two-section design)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e55Hz to 25kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 6.6 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 100 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePower Handling\u003c\/td\u003e\n\u003ctd\u003e100 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e84dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e4.2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd\u003eSealed (non-ported)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eSingle pair three-way binding posts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e12\" x 7\" x 6\" (308 x 188 x 165mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e11 lbs (5kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eCherry, Walnut\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePlacement\u003c\/td\u003e\n\u003ctd\u003eShelf, desktop, or dedicated speaker stands\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat Hi-Fi? — 5 Stars (Perfect Score)\u003c\/strong\u003e: 5 Stars for Sound, 5 Stars for Compatibility, and 5 Stars for Build Quality. \"The smallest Classics are a hugely capable pair of speakers.\"\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHi-Fi Choice\u003c\/strong\u003e: Full review in Issue 470, praising the EP77 polymer driver and BBC-heritage cabinet engineering.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStereoNET Australia\u003c\/strong\u003e: Full review, noting \"a distinctively Spendor purity of tone\" and \"very natural midband largely devoid of colouration.\"\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAVForums\u003c\/strong\u003e: Reviewed and featured on Spendor's press page.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLite Magazin (Germany)\u003c\/strong\u003e: \"Vintage design, modern technology \u0026amp; excellent sound.\"\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHiFi Stars (Germany), Haute Fidélité (France), Hi-Fi i Muzyka (Poland)\u003c\/strong\u003e: All reviewed and featured by Spendor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor Classic 4\/5?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 4\/5 is a 2-way sealed standmount loudspeaker — the smallest model in the Classic series — featuring a 150mm EP77 polymer cone with Kevlar composite stabiliser dome and a 22mm wide-surround polyamide dome tweeter crossing at 4.2kHz. It spans 55Hz to 25kHz at 84dB sensitivity and was awarded a perfect 5 Stars across Sound, Compatibility, and Build Quality by What Hi-Fi?. Manufactured entirely in the UK with artisan hand-assembly, it is the most compact and placement-versatile model in the Classic lineup, compatible with amplifiers from 25 to 100 watts.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 4\/5 compare to the Spendor Classic 3\/1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 4\/5 and Classic 3\/1 are the two smallest standmounts in the Classic series, but differ in enclosure type, driver size, and bass extension. The Classic 4\/5 is a sealed-box design with a 150mm bass\/mid driver rated to 55Hz in-room, weighing just 11 lbs — the most compact and placement-tolerant speaker in the range. The Classic 3\/1 is a rear-ported design with an 18cm (180mm) driver rated to 40Hz — substantially deeper bass extension at the cost of greater sensitivity to rear-wall proximity. Both use the EP77 polymer cone driver family and BBC-heritage cabinet construction. The Classic 4\/5 suits the smallest rooms and desktop\/shelf situations where the Classic 3\/1's rear port would interact awkwardly with boundaries; the Classic 3\/1 suits small to medium rooms where deeper bass extension is needed.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 4\/5 compare to the Harbeth P3ESR XD?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 4\/5 and Harbeth P3ESR XD are the two most prominent BBC-heritage sealed-box compact standmounts in production, both inspired by the original BBC LS3\/5a monitor. Both use thin-walled BBC-derived cabinet construction, sealed-box loading, and proprietary polymer cone mid\/bass drivers. The Classic 4\/5 uses Spendor's EP77 polymer with a Kevlar stabiliser dome and crosses at 4.2kHz; the P3ESR XD uses Harbeth's RADIAL2 polypropylene cone crossing at a lower point, giving the tweeter more midrange responsibilities. The Classic 4\/5 is slightly more sensitive (84dB vs 83.5dB) and fractionally larger. Both are 8-ohm designs with similar power handling. Sonically, the P3ESR XD has a slightly warmer, more lush midrange tonal character; the Classic 4\/5 offers a somewhat cleaner, more transparent upper midrange with the Kevlar stabiliser dome contributing additional control at the top of the cone's operating range.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Spendor Classic 4\/5?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 4\/5 accepts amplifiers from 25 to 100 watts into its 8-ohm nominal load. At 84dB sensitivity it is the least efficient speaker in the Classic range, so a quality amplifier of 40 to 80 watts will give better results than a very low-powered design in typical domestic rooms. StereoNET's reviewer found both a 100W solid-state integrated amplifier and a 48W single-ended triode tube amplifier worked very well, with the speaker revealing the distinct tonal characters of each. A quality 30W to 50W push-pull EL34 or KT88 tube amplifier is an excellent match given the Classic 4\/5's smooth impedance curve and BBC-heritage musical character. Naim, Rega, Cambridge Audio, or Hegel integrated amplifiers of 40–80W are reliable solid-state pairings.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Spendor Classic 4\/5 be placed on a bookshelf or near a wall?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 4\/5's sealed-box enclosure makes it the most placement-tolerant speaker in the Classic range. Without a port to create boundary-induced bass congestion, it can be placed on a bookshelf, close to a rear wall, or on a desktop without the bass build-up that affects reflex-loaded speakers in similar positions. What Hi-Fi? specifically noted the Classic 4\/5 as \"unfussy in nature\" — a characterisation that reflects both its tonal balance and its placement flexibility. For optimal imaging and soundstaging, placing the speaker on dedicated stands at a slight distance from boundaries is still recommended; but for real-world living situations, the Classic 4\/5 handles difficult placement far better than most audiophile speakers of comparable quality.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor Classic 4\/5 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 4\/5 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor Classic range alongside amplifiers, stands, and source components. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Walnut","offer_id":48574494048563,"sku":null,"price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48574494081331,"sku":null,"price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor_Classic_4_5_natural-walnut-vinylsound.jpg?v=1712436669"},{"product_id":"spendor-classic-3-1-loudspeaker","title":"Spendor Classic 3\/1 Loudspeaker","description":"\u003ch1\u003eSpendor Classic 3\/1 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor Classic 3\/1 is a 2-way reflex standmount loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. Built around an \u003cstrong\u003e18cm EP77 polymer cone bass\/mid driver\u003c\/strong\u003e and a \u003cstrong\u003e22mm wide-surround polyamide dome tweeter\u003c\/strong\u003e with a 3.7kHz crossover, the Classic 3\/1 spans 40Hz to 25kHz at a sensitivity of \u003cstrong\u003e88dB\u003c\/strong\u003e, accepting amplifiers from 25 to 150 watts into a stable 8-ohm load. Winner of the Hi-Fi Choice Group Test and praised by Hi-Fi News for its accomplished engineering, the Classic 3\/1 delivers the captivating warmth and transparency of the Spendor Classic series in the most compact and placement-flexible form in the range.\u003c\/p\u003e\n\n\u003ch2\u003eThe Classic Series' Most Versatile Standmount: Small Rooms, Close-Wall Placement, Any Amplifier\u003c\/h2\u003e\n\u003cp\u003eThe Spendor Classic 3\/1 occupies the \"Goldilocks\" position in the Classic series — larger and more dynamically capable than the LS3\/5a-sized Classic 4\/5, yet far more compact and placement-friendly than the large-format Classic 2\/3, Classic 1\/2, and Classic 100 standmounts. Its 18cm EP77 polymer cone bass\/mid driver derives from the same driver family as the Classic 200Ti flagship, bringing that model's advanced polymer cone technology and cast magnesium alloy chassis engineering into a speaker small enough to work effectively in medium and smaller listening rooms. The Classic 3\/1 is also the only BBC-heritage standmount in the Classic range with a rear-firing reflex port — a deliberate design choice that contributes to the speaker's wall-friendly placement versatility, while requiring a modest clearance behind the cabinet for the port to breathe freely. The BBC-derived thin-walled cabinet with elastomer panel damping at specific positions — rather than whole-panel damping — manages resonance with the controlled, musically precise approach that defines the Classic series, converting unwanted vibrations to the bass region where hearing is least sensitive, and producing the non-fatiguing, naturally engaging sound that the BBC monitor tradition is famous for.\u003c\/p\u003e\n\n\u003ch2\u003eEP77 Polymer Cone Mid\/Bass Driver, Wide-Surround Tweeter, and Bi-Wire Terminals\u003c\/h2\u003e\n\u003cp\u003eThe heart of the Classic 3\/1 is its 18cm EP77 polymer cone bass\/mid driver — the same proprietary \"Engineering Polymer\" material used across the Classic, A-Line, and D-Line series, developed by Spendor to provide optimal rigidity, low mass, and internal damping. The driver features a bullet-shaped phase plug at the centre of the cone to reduce resonances at the base of the diaphragm, and is housed in a cast magnesium alloy chassis for low-distortion, high-thermal dissipation performance. Above 3.7kHz, a 22mm wide-surround dome tweeter handles high frequencies — the crossover point falls at the relatively high end of the Classic series range, a design choice that, as Hi-Fi News noted, was made to blend reasonable sensitivity with a benign impedance trend across the crossover region. The tweeter's large rolled surround is integral to its off-axis dispersion, improving behaviour as it approaches the crossover point and producing a wide, stable listening window. Two pairs of gold-plated precision binding posts on the rear panel support single-wire, bi-wire, and bi-amp configurations — a feature that traces directly to the original BC1 of the mid-1970s. The precision-wound inductors and high-linearity plastic film capacitors in the crossover network are characteristic of Spendor's straightforward, high-quality approach to crossover design without exotic components.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e18cm EP77 Polymer Cone Bass\/Mid Driver:\u003c\/strong\u003e Spendor's proprietary EP77 polymer formulation — derived from the driver used in the Classic 200Ti flagship — is housed in a cast magnesium alloy chassis with a bullet-shaped phase plug for low-distortion, low-coloration midrange and bass performance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Wide-Surround Polyamide Dome Tweeter:\u003c\/strong\u003e A large rolled surround around the dome provides wide, consistent off-axis dispersion approaching the 3.7kHz crossover point, producing a broad, stable listening window that suits a wide range of listening positions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRear-Firing Reflex Port:\u003c\/strong\u003e The Classic 3\/1 is the only standmount in the Spendor Classic range with a rear-mounted port — a distinction that contributes to its wall-friendly placement flexibility compared to front-ported Classic models, requiring some clearance behind the cabinet for optimal bass performance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBBC-Heritage Thin-Walled Damped Cabinet:\u003c\/strong\u003e Elastomer panel damping at specific energy interface positions — not covering whole panels — manages resonances with precision, converting unwanted vibrations to the bass region for a naturally fast, non-fatiguing Classic series presentation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBi-Wire and Bi-Amp Binding Posts:\u003c\/strong\u003e Two pairs of gold-plated precision 4mm binding posts support single-wire, bi-wire, and bi-amp amplifier configurations, echoing the original BC1 of the mid-1970s.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-Linearity Crossover Components:\u003c\/strong\u003e Precision-wound inductors and high-linearity plastic film capacitors ensure clean, low-distortion crossover performance without exotic or over-engineered components that can introduce their own coloration.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSmall-Room and Close-Wall Compatibility:\u003c\/strong\u003e The Classic 3\/1 is specifically designed for use in smaller rooms and close to rear walls — a versatility that distinguishes it from the larger Classic standmounts which require more free space to perform optimally.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide Amplifier Compatibility:\u003c\/strong\u003e At 88dB sensitivity and a manageable 8-ohm impedance curve, the Classic 3\/1 works equally well with tube amplifiers from 25W and solid-state designs up to 150W, making it the most amplifier-agnostic speaker in the Classic standmount lineup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-way reflex standmount loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass\/Mid Driver\u003c\/td\u003e\n\u003ctd\u003e7.08\" (180mm) EP77 polymer cone, cast magnesium alloy chassis, phase plug\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e0.87\" (22mm) wide-surround polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e40Hz to 25kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 150 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e88dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e3.7kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePort Type\u003c\/td\u003e\n\u003ctd\u003eRear-firing single reflex port\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eTwo pairs gold-plated precision 4mm binding posts (single, bi-wire, or bi-amp)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e16\" x 9\" x 11\" (395 x 220 x 285mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e22 lbs (10kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eCherry, Walnut\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStands\u003c\/td\u003e\n\u003ctd\u003eDedicated Spendor Classic 3\/1 stands recommended (sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHi-Fi Choice — Group Test Winner\u003c\/strong\u003e (Issue 476): \"The Spendor Classic 3\/1 performance is a truly sensational blend of accuracy, scale, refinement and sheer unadulterated fun. It's also beautifully made and admirably unfussy about placement and partnering equipment.\"\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHi-Fi News\u003c\/strong\u003e: Full review and lab report, praising the Classic 3\/1's uniform forward response, benign amplifier load, and accomplished crossover engineering.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHi-Fi i Muzyka (Poland)\u003c\/strong\u003e: \"Captivating Polish HiFi enthusiasts\" — reviewed and highlighted on Spendor's own press page.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor Classic 3\/1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 3\/1 is a 2-way rear-ported standmount loudspeaker from the Spendor Classic series, featuring an 18cm EP77 polymer cone bass\/mid driver and a 22mm wide-surround polyamide dome tweeter spanning 40Hz to 25kHz. It won the Hi-Fi Choice Group Test (Issue 476) and received a full review and lab report from Hi-Fi News. Manufactured in the UK, it is the most compact and placement-versatile standmount in the Classic range, designed for smaller rooms and close-wall placement, and compatible with amplifiers from 25 to 150 watts.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 3\/1 compare to the Spendor Classic 2\/3?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 3\/1 and Classic 2\/3 are both 2-way reflex standmounts in the Classic series, but differ substantially in scale, bass driver size, and placement requirements. The Classic 2\/3 uses a much larger 22cm polyamide fibre-reinforced cone bass\/mid driver in a front-ported cabinet — at 33.1 lbs and 543mm tall, it is over three times the weight of the Classic 3\/1 at 22 lbs and 395mm tall. The Classic 2\/3 extends deeper (35Hz vs 40Hz in-room) and produces more bass weight and dynamic scale in medium and large rooms. The Classic 3\/1's rear-firing port and compact dimensions make it specifically suited to smaller rooms and close-wall placement where the Classic 2\/3 would overload the acoustic space. Both are 88dB sensitive and share the same BBC-heritage thin-walled damped cabinet philosophy.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 3\/1 compare to the Harbeth P3ESR XD?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 3\/1 and Harbeth P3ESR XD are both BBC-heritage compact standmounts with deep roots in the original LS3\/5a monitor concept, but take different approaches. The P3ESR XD is a sealed-box design with Harbeth's RADIAL2 polypropylene cone in a smaller, lower-sensitivity (83.5dB) enclosure. The Classic 3\/1 is a reflex-loaded design at 88dB sensitivity — 4.5dB more efficient — with Spendor's EP77 polymer cone and deeper bass extension to 40Hz versus the P3ESR's typical 50–55Hz in-room limit. The Classic 3\/1's rear-firing port gives it more bass authority than the sealed P3ESR, while the P3ESR's sealed enclosure produces faster, more controlled bass rolloff that some listeners prefer in very small rooms. Both are natural, non-fatiguing performers suited to intimate listening; the Classic 3\/1 scales better with room size and amplifier power.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Spendor Classic 3\/1?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 3\/1 accepts amplifiers from 25 to 150 watts and is specifically noted by Hi-Fi Choice for being \"admirably unfussy about placement and partnering equipment.\" At 88dB sensitivity and a manageable impedance curve (minimum 5.7 ohms at 175Hz per Hi-Fi News lab measurements), it works effectively with tube amplifiers of 15 to 50 watts, quality integrated amplifiers of 30 to 80 watts, and solid-state designs up to 150 watts. It is the most amplifier-agnostic standmount in the Classic lineup. A classic pairing would be a 30W to 50W push-pull tube amplifier using EL34 or KT88 output valves, or a quality solid-state integrated from Hegel, Naim, or Rega at 40 to 80 watts.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the Spendor Classic 3\/1 need to be placed away from walls?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 3\/1 is designed for close-wall placement and is specifically marketed by Spendor for use in smaller rooms and near rear walls. It is the only standmount in the Classic series with a rear-firing port — a design that requires some distance from the rear wall (typically 6 to 12 inches) for the port to function correctly without becoming congested or boomy, but is considerably more tolerant of rear-wall proximity than a speaker with a front-firing port of similar bass extension. Hi-Fi Choice specifically cited the Classic 3\/1 as \"admirably unfussy about placement.\" If placed very close (less than 6 inches) to a rear wall, some bass reinforcement may occur; a modest amount of toe-in typically optimises the presentation in this scenario.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor Classic 3\/1 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 3\/1 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor Classic range alongside matching stands, amplifiers, and source components for complete system builds. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Walnut","offer_id":48574494114099,"sku":null,"price":4999.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48574494146867,"sku":null,"price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor_Classic_3.1_Cherry-vinyl-sound.jpg?v=1712436675"},{"product_id":"spendor-classic-2-3-loudspeaker","title":"Spendor Classic 2\/3 Loudspeaker","description":"\u003ch1\u003eSpendor Classic 2\/3 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor Classic 2\/3 is a 2-way reflex standmount loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. Built around Spendor's proprietary 22cm polyamide fibre-reinforced cone bass\/mid driver with a \u003cstrong\u003e22mm polyamide dome tweeter\u003c\/strong\u003e, the Classic 2\/3 covers a frequency range of \u003cstrong\u003e35Hz to 25kHz\u003c\/strong\u003e at a sensitivity of \u003cstrong\u003e88dB\u003c\/strong\u003e, with an 8-ohm nominal load compatible with amplifiers from 25 to 200 watts. Awarded 5 Stars by What Hi-Fi? and praised by HiFi \u0026amp; Musik (Sweden) as the standmount that \"could be called all-round and versatile,\" the Classic 2\/3 delivers the captivating warmth, transparency, and dynamic contrast of the Spendor Classic series in a BBC-heritage cabinet that transcends its size.\u003c\/p\u003e\n\n\u003ch2\u003eBBC Engineering Heritage in a Large-Format Two-Way Standmount\u003c\/h2\u003e\n\u003cp\u003eThe Spendor Classic series traces its engineering principles to the BBC's loudspeaker research of the 1960s — thin-walled, damped cabinets that accept controlled resonance and displace it to frequencies where human hearing is least sensitive, producing a naturally fast and non-fatiguing sound. The Classic 2\/3 applies these BBC-derived principles to a large-format two-way standmount built around a 22cm bass\/mid driver — an unusually large cone for a two-way design. Where most two-way standmounts use 13cm to 17cm drivers for both bass and midrange duties, the Classic 2\/3's 22cm polyamide fibre-reinforced cone provides the cone area normally associated with a dedicated woofer. This extra radiating surface gives the Classic 2\/3 the punch, weight, and bass extension — to 35Hz in-room — that similarly sized competitors with smaller drivers cannot match, while the BBC-derived cabinet construction ensures the presentation remains easy-going, naturally balanced, and musically engaging at all listening levels. The cabinet features a meticulously refined crossover network, enhanced cabinet structure, elastomer panel damping throughout, and a front-firing single reflex port — all hallmarks of the post-2017 Classic series overhaul that transformed every drive unit and crossover across the range.\u003c\/p\u003e\n\n\u003ch2\u003e22cm Polyamide Fibre-Reinforced Cone, Bullet-Shaped Phase Plug, and Polyamide Dome Tweeter\u003c\/h2\u003e\n\u003cp\u003eThe heart of the Classic 2\/3 is its 22cm bass\/mid driver — a polyamide fibre-reinforced cone in a die-cast magnesium alloy chassis, fitted with a bullet-shaped phase plug at the centre of the cone. The phase plug disperses acoustic resonances at the base of the cone, reducing the coloration that can emerge when a large-diameter driver is asked to reproduce midrange frequencies close to its operating limits. This combination of polyamide fibre reinforcement, cast magnesium chassis, and phase plug produces a driver that remains low-distortion and composed under high drive levels — a critical characteristic for a bass\/mid unit handling frequencies from 35Hz through to 3.6kHz without a dedicated midrange driver to relieve it. Above 3.6kHz, a 22mm polyamide dome tweeter provides smooth, extended high-frequency output to 25kHz over a wide listening area. Two pairs of gold-plated precision binding posts on the rear allow bi-wire or single-wire amplifier connections, and the cabinet sits on dedicated Spendor Classic 2\/3 stands, available separately, for optimal imaging and mechanical coupling.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22cm Polyamide Fibre-Reinforced Bass\/Mid Driver:\u003c\/strong\u003e An unusually large 22cm cone — polyamide fibre reinforced, in a die-cast magnesium alloy chassis — provides the bass extension, weight, and cone area of a dedicated woofer within a two-way design, extending in-room response to 35Hz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBullet-Shaped Phase Plug:\u003c\/strong\u003e A phase plug at the centre of the 22cm cone disperses acoustic resonances at the base of the diaphragm, reducing coloration when the large driver operates through the midrange frequency band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Polyamide Dome Tweeter:\u003c\/strong\u003e A wide-surround dome provides smooth, low-distortion high-frequency output to 25kHz over a broad listening window, characteristic of Spendor's Classic series tweeter design philosophy.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBBC-Heritage Thin-Walled Damped Cabinet:\u003c\/strong\u003e Elastomer panel damping with optimised positioning converts unwanted cabinet resonances into the bass region where hearing is least sensitive, producing the non-fatiguing, naturally transparent Classic series presentation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSingle Front-Firing Reflex Port:\u003c\/strong\u003e A carefully tuned front-mounted bass reflex port provides the Classic 2\/3's deep 35Hz extension while offering practical placement flexibility near rear walls.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMeticulously Refined Crossover Network:\u003c\/strong\u003e A 3.6kHz crossover point with high-linearity inductors ensures seamless integration between the 22cm bass\/mid driver and the 22mm tweeter, preserving phase coherence and tonal balance across the handoff.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBi-Wire Gold-Plated Binding Posts:\u003c\/strong\u003e Two pairs of precision gold-plated binding posts allow single-wire or bi-wire amplifier connections for maximum installation flexibility.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnetic Grille:\u003c\/strong\u003e Tool-free magnetic grille fits and removes without clips, maintaining the cabinet's clean visual lines in a traditional BBC-heritage aesthetic.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDedicated Stand Required:\u003c\/strong\u003e The Classic 2\/3 requires dedicated Spendor Classic 2\/3 stands (sold separately) for optimal imaging height, mechanical coupling, and bass performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-way reflex standmount loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass\/Mid Driver\u003c\/td\u003e\n\u003ctd\u003e22cm (8.26\") polyamide fibre-reinforced cone, die-cast magnesium alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e0.87\" (22mm) polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e35Hz to 25kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 6.8 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 200 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePower Handling\u003c\/td\u003e\n\u003ctd\u003e150 watts unclipped programme\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e88dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e3.6kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure Type\u003c\/td\u003e\n\u003ctd\u003eSingle port reflex loaded\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eTwo pairs gold-plated precision binding posts (single or bi-wire)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e21\" x 11\" x 13\" (543 x 273 x 338mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e33.1 lbs (15kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eCherry, Walnut\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStands\u003c\/td\u003e\n\u003ctd\u003eDedicated Spendor Classic 2\/3 stands recommended (sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat Hi-Fi? — 5 Stars\u003c\/strong\u003e: \"The 2\/3s surprised us quite a lot during the review period. They retain the charm and easy-going nature of their highly regarded predecessors, but now have the punch and rhythmic precision to work well with a wider range of music.\"\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHiFi \u0026amp; Musik (Sweden)\u003c\/strong\u003e: Called the Classic 2\/3 \"an all-round and versatile\" standmount that \"can fill larger rooms and play both deeper and with higher sound pressure\" than comparably sized rivals.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHiFi Lautsprecher (Germany)\u003c\/strong\u003e: Reviewed the Classic 2\/3, citing its easy-going nature and immersive sound character.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor Classic 2\/3?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 2\/3 is a 2-way reflex standmount loudspeaker from Spendor's Classic series, featuring a 22cm polyamide fibre-reinforced cone bass\/mid driver and a 22mm polyamide dome tweeter spanning 35Hz to 25kHz. Awarded 5 Stars by What Hi-Fi? and reviewed by HiFi \u0026amp; Musik (Sweden) and HiFi Lautsprecher (Germany), it is manufactured in the UK with a BBC-derived thin-walled damped cabinet and requires dedicated stands for optimal performance. Its 22cm bass\/mid driver provides the bass extension and dynamic authority normally associated with dedicated woofers, making the Classic 2\/3 the largest two-way design in the Classic standmount range.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 2\/3 compare to the Spendor Classic 1\/2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 2\/3 and Classic 1\/2 are both large-format BBC-heritage standmounts in the Classic series, but differ fundamentally in driver architecture. The Classic 2\/3 is a two-way design — a single 22cm polyamide fibre-reinforced cone handles both bass and midrange duties from 35Hz to 3.6kHz. The Classic 1\/2 is a three-way design with a dedicated 150mm EP77 polymer cone midrange between the woofer and tweeter crossover points, isolating the midrange driver from bass frequencies. The Classic 1\/2's three-way layout produces a cleaner midrange by design and extends deeper (30Hz vs 35Hz), while the Classic 2\/3 is a more compact, lighter option at 33.1 lbs versus 48.5 lbs per speaker. The Classic 2\/3 is also 2dB more sensitive (88dB vs 87dB), making it easier to drive with lower-powered amplifiers.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 2\/3 compare to the Harbeth SHL5 Plus XD?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 2\/3 and Harbeth SHL5 Plus XD are direct rivals in the BBC-heritage large-format standmount category. Both use thin-walled damped cabinet construction, large-diameter cone drivers, and reflex bass loading. The key difference is driver architecture: the SHL5 Plus XD is a 2.5-way design using Harbeth's RADIAL2 polypropylene mid\/bass cone, while the Classic 2\/3 is a pure 2-way with Spendor's polyamide fibre-reinforced cone. Harbeth's RADIAL2 midrange has a warmer, more lush character; Spendor's polyamide cone is somewhat more forward in the upper midrange and more extended dynamically. The SHL5 Plus XD is also more sensitive and slightly more demanding in amplifier requirements. Both are approximately similar in cabinet size and require dedicated stands. HiFi \u0026amp; Musik highlighted the Classic 2\/3's ability to fill larger rooms and play at higher sound pressure than comparable standmounts — a capability that compares favourably with the SHL5 Plus XD at high listening levels.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier pairs best with the Spendor Classic 2\/3?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 2\/3 accepts amplifiers from 25 to 200 watts into a stable 8-ohm nominal load (minimum 6.8 ohms). At 88dB sensitivity it is among the easier-to-drive speakers in the Classic standmount range, and a quality 40W to 60W integrated amplifier will perform well in medium-sized rooms. Its BBC-heritage character and smooth impedance curve make it a natural match for tube amplifiers — a 30W to 50W push-pull EL34 or KT88 design will produce the richly tonal, naturally balanced presentation the Classic 2\/3 is built around. For high-volume listening in larger rooms, a 100W to 150W solid-state design such as a Hegel H390 or NAD M33 will extract the full dynamic headroom of the 22cm bass\/mid driver's 150-watt programme rating.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor Classic 2\/3 suitable for large rooms?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 2\/3 is specifically noted by HiFi \u0026amp; Musik as a standmount capable of filling larger rooms and playing at higher sound pressure than typical compact speakers in its category. Its 22cm bass\/mid driver provides the cone area to move significant air at sustained high SPL without compression, and the 35Hz in-room extension delivers genuine bass weight in large spaces. However, its BBC-heritage easy-going character means it rewards careful positioning and quality amplifier partnering in large rooms rather than simply playing louder. A front-firing reflex port and BBC-derived cabinet damping make it relatively placement-flexible compared to rear-ported designs of similar bass performance.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor Classic 2\/3 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 2\/3 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor Classic range alongside matching stands, amplifiers, and source components for complete system builds. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Walnut","offer_id":48574494703923,"sku":null,"price":6499.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48574494736691,"sku":null,"price":6499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor-Classic-2.3-Natural_Walnut-vinyl-sound.jpg?v=1712436680"},{"product_id":"spendor-classic-1-2-loudspeaker","title":"Spendor Classic 1\/2 Loudspeaker","description":"\u003ch1\u003eSpendor Classic 1\/2 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor Classic 1\/2 is a 3-way twin-port reflex standmount loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. Tracing its lineage to the celebrated Spendor BC1 of 1969, the Classic 1\/2 pairs a \u003cstrong\u003e210mm polymer and Kevlar-composite woofer\u003c\/strong\u003e, a \u003cstrong\u003e150mm EP77 polymer cone midrange\u003c\/strong\u003e, and a \u003cstrong\u003e22mm polyamide dome tweeter\u003c\/strong\u003e in a BBC-heritage wide-baffle standmount enclosure, covering 30Hz to 25kHz at a sensitivity of \u003cstrong\u003e87dB\u003c\/strong\u003e. Compatible with amplifiers from 25 to 200 watts into a stable 8-ohm load and awarded 5 Stars by What Hi-Fi?, the Classic 1\/2 delivers the captivating warmth, soundstaging authority, and musical coherence of the Classic series in a format suited to medium and large listening rooms.\u003c\/p\u003e\n\n\u003ch2\u003eBC1 Heritage: The Speaker the BC1 Would Be if Made Today\u003c\/h2\u003e\n\u003cp\u003eSpendor was founded by Spencer Hughes, a BBC research engineer, and the BC1 — the company's first product, launched in 1969 — became one of the most revered studio monitors and audiophile speakers of the 1970s. Its three-way design, wide-baffle cabinet, and Bextrene-cone drivers with thin-walled damped cabinet construction defined the BBC monitor aesthetic and established the sonic character that serious listeners came to regard as the reference for natural, transparent sound reproduction. The Classic 1\/2 is the direct philosophical descendant of the BC1: same wide-baffle three-way standmount architecture, same thin-walled damped cabinet approach, same BBC engineering heritage — but rebuilt entirely with modern driver materials, refined crossover networks, enhanced cabinet structures, and new elastomer panel damping. What Hi-Fi?, in its five-star review, described the Classic 1\/2s as the speakers the BC1s would be if made using today's technology — an assessment that captures exactly what Spendor set out to achieve. The Classic 1\/2 updates the BBC-derived thin-walled construction by anchoring the thinner sidewalls to a rigid front baffle, with internal damping placed at specific positions rather than covering whole panels — a more precise approach that preserves the open, transparent character while reducing coloration from uncontrolled resonances.\u003c\/p\u003e\n\n\u003ch2\u003eThree-Way Driver Layout, Twin Front-Firing Ports, and Dedicated Midrange Isolation\u003c\/h2\u003e\n\u003cp\u003eThe Classic 1\/2's driver arrangement positions the 150mm EP77 polymer cone midrange at the top of the wide baffle — above the 22mm polyamide dome tweeter and the 210mm polymer and Kevlar-composite woofer — mirroring the BC1's original driver geometry. This layout keeps the midrange driver furthest from the floor, minimising floor reflections in the most acoustically sensitive part of the frequency range. The crossover network hands over from the woofer at 415Hz to the EP77 midrange, and again at 2.7kHz to the tweeter — a relatively low second crossover point that gives the wide-surround 22mm dome control of a wide high-frequency band and a big, stable listening window. Two front-firing reflex ports, positioned midway up the front baffle, provide bass loading to 30Hz while offering more placement flexibility than rear-ported designs of similar bass extension. Three pairs of gold-plated precision binding posts on the rear allow single-wire, bi-wire, or tri-wire amplifier configurations. Dedicated Spendor Classic 1\/2 stands are available separately and strongly recommended for optimal imaging height, stability, and mechanical coupling of the 22kg per speaker cabinet.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBC1-Derived Wide-Baffle Three-Way Architecture:\u003c\/strong\u003e The Classic 1\/2 mirrors the original BC1's driver geometry — midrange at top, tweeter below, woofer at base — preserving the layout that established Spendor's reputation for natural, coherent soundstaging over five decades.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e210mm Polymer and Kevlar-Composite Woofer:\u003c\/strong\u003e A polyamide and polymer cone reinforced with a Kevlar composite stabiliser disc delivers controlled, extended bass to 30Hz in the BBC thin-walled cabinet tradition, with low group delay distortion and natural bass timing.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e150mm EP77 Polymer Cone Midrange Driver:\u003c\/strong\u003e Spendor's proprietary EP77 polymer cone with cast magnesium alloy chassis handles the critical 415Hz to 2.7kHz band — encompassing the full vocal and instrumental range — with ultra-low coloration, sharing the same cone material as the D-Line series.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Wide-Surround Polyamide Dome Tweeter:\u003c\/strong\u003e A wide-surround dome geometry provides smooth, extended high-frequency response to 25kHz over a wide listening area, contributing to the Classic 1\/2's well-documented large sweet spot and class-leading composure at high volume levels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin Front-Firing Reflex Ports:\u003c\/strong\u003e Two front-mounted ports midway up the baffle provide deep bass loading to 30Hz with excellent placement flexibility, allowing the Classic 1\/2 to be used closer to rear walls than single rear-ported designs of equivalent bass extension.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBBC-Heritage Thin-Walled Damped Cabinet:\u003c\/strong\u003e Thinner sidewalls anchored to a rigid front baffle, with elastomer panel damping and precisely positioned internal damping material, reproduce the BBC's proven approach to controlled cabinet resonance management — displacing vibrations to the bass region where human hearing is least sensitive.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTri-Wire Gold-Plated Binding Posts:\u003c\/strong\u003e Three pairs of precision binding posts allow single-wire, bi-wire, or tri-wire amplifier connections for maximum system flexibility.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnetic Grille Attachment:\u003c\/strong\u003e Full-length grille fits and removes without tools via magnetic retention, preserving acoustic performance without the mechanical stiffness of clip-and-peg systems.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBroadcast Reference Calibration:\u003c\/strong\u003e Each Classic 1\/2 is calibrated and matched to broadcast reference standard at Spendor's UK facility, ensuring driver and crossover consistency across pairs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e3-way twin-port reflex standmount loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLF Driver\u003c\/td\u003e\n\u003ctd\u003e8.26\" (210mm) polyamide and polymer cone with Kevlar composite stabiliser\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMF Driver\u003c\/td\u003e\n\u003ctd\u003e5.9\" (150mm) EP77 polymer cone, cast magnesium alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e0.87\" (22mm) wide-surround polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e30Hz to 25kHz (typical in-room)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 4.0 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 200 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePower Handling\u003c\/td\u003e\n\u003ctd\u003e150 watts unclipped programme\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e87dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e415Hz, 2.7kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePort Type\u003c\/td\u003e\n\u003ctd\u003eTwin front-firing reflex ports\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Connection\u003c\/td\u003e\n\u003ctd\u003eThree pairs gold-plated precision binding posts (single, bi-wire, or tri-wire)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e24\" x 12\" x 15\" (621 x 308 x 374mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e48.5 lbs (22kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eCherry, Walnut\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStands\u003c\/td\u003e\n\u003ctd\u003eDedicated Spendor Classic 1\/2 stands recommended (sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat Hi-Fi? — 5 Stars\u003c\/strong\u003e: \"The Classic 1\/2s play on their retro-appeal, but also offer a blend of strengths that rivals struggle to match.\" Scored 5 stars in Sound Quality and Build Quality.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFairaudio (Germany)\u003c\/strong\u003e: Praised for \"exceptional spatial realism and natural, coherent sound.\"\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLite Magazin (Germany)\u003c\/strong\u003e: Reviewed January 2025.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor Classic 1\/2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 1\/2 is a 3-way twin-port reflex standmount loudspeaker from Spendor's Classic series, featuring a 210mm polymer and Kevlar-composite woofer, a 150mm EP77 polymer cone midrange, and a 22mm wide-surround polyamide dome tweeter spanning 30Hz to 25kHz. Tracing its lineage to the BC1 of 1969, the Classic 1\/2 was awarded 5 Stars by What Hi-Fi? and praised by Fairaudio for exceptional spatial realism. It is manufactured in the UK, requires dedicated stands for optimal performance, and is compatible with amplifiers from 25 to 200 watts.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 1\/2 compare to the Spendor Classic 100?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 1\/2 and Classic 100 are both three-way reflex standmounts in the Classic series sharing the BBC-heritage thin-walled damped cabinet approach and EP77 polymer cone midrange driver. The key differences are in scale and bass driver specification. The Classic 100 uses a substantially larger 310mm Kevlar-composite woofer in a bigger 700mm-tall cabinet, extending bass to 25Hz and weighing 79.4 lbs per speaker — nearly double the Classic 1\/2's 48.5 lbs. The Classic 1\/2 crosses the woofer to midrange at 415Hz compared to the Classic 100's 490Hz, giving the Classic 1\/2 slightly more midrange\/bass driver overlap in the crossover region. The Classic 100 is better suited to very large rooms and partnered with stands of appropriate mass; the Classic 1\/2 is a more practical choice for medium-sized rooms where the Classic 100's bass output would overload the acoustic space.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 1\/2 compare to the Harbeth SHL5 Plus XD?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 1\/2 and Harbeth SHL5 Plus XD are the two most prominent BBC-heritage large standmounts below the top-tier Classic 100 and Monitor 40.3 XD respectively, and they are closely matched in philosophy and form factor. Both use thin-walled damped cabinet construction, proprietary polymer cone midrange drivers, and wide-baffle three-way or 2.5-way layouts. The Classic 1\/2 is a true three-way with a dedicated 150mm EP77 midrange, while the SHL5 Plus XD is a 2.5-way design with Harbeth's RADIAL2 mid\/bass cone handling both bass and midrange. The Classic 1\/2's dedicated EP77 midrange driver is isolated from bass frequencies, which Spendor argues produces lower intermodulation distortion in the vocal range. Harbeth's RADIAL2 polymer is warmer and more lush in tonal character; Spendor's EP77 is slightly more transparent and forward in the upper midrange. The Classic 1\/2 also offers twin front-firing ports versus the SHL5's single rear port, providing more placement flexibility.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier works best with the Spendor Classic 1\/2?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 1\/2 accepts amplifiers from 25 to 200 watts into an 8-ohm nominal load (minimum 4.0 ohms). Its 87dB sensitivity makes it easy to drive by large-standmount standards — a quality 50W integrated amplifier will perform well in a medium-sized room. The Classic series' BBC heritage character and smooth impedance curve make the Classic 1\/2 an excellent match for tube amplifiers; a 30W to 60W push-pull KT88 or EL34 design will produce the harmonically rich, naturally tonal presentation the Classic 1\/2 is engineered to deliver. What Hi-Fi? noted in their review that the 1\/2s push volume levels northwards with class-leading composure and refinement, meaning a higher-power amplifier of 100W or more will reveal greater dynamic headroom without stress at high listening levels.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor Classic 1\/2 suitable for smaller rooms?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 1\/2 is a medium-to-large standmount primarily suited to medium and large listening rooms. Its twin front-firing ports offer better rear-wall placement flexibility than rear-ported designs of similar bass extension, but its 30Hz low-frequency limit and 210mm woofer will produce significant bass energy in small rooms that may require room treatment or careful placement to manage. For smaller rooms — typically under 15 square metres — the smaller Spendor Classic 3\/1 or Classic 4\/5 standmounts provide a more proportionate match. In a well-treated or well-furnished medium room of 20 square metres or more, the Classic 1\/2 will reward with the full-scale soundstaging and dynamic authority it is designed to deliver.\u003c\/p\u003e\n\n\u003ch3\u003eWhat stands does the Spendor Classic 1\/2 require?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 1\/2 requires dedicated speaker stands — it is a standmount design without an integral plinth or levelling feet. Spendor manufactures dedicated Classic 1\/2 stands sold separately, engineered to position the 22kg (48.5 lbs) per speaker cabinet at the correct listening height and provide appropriate mechanical coupling. What Hi-Fi? noted in their review that the dedicated stands are expensive but correctly called out as the appropriate complement to the speaker. Contact the Vinyl Sound team in Buffalo for stand availability and pricing details.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor Classic 1\/2 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 1\/2 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor Classic range alongside matching stands, amplifiers, and source components for complete system builds. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Walnut","offer_id":48574495326515,"sku":null,"price":9998.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48574495359283,"sku":null,"price":9998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor_Classic_1.2_Cherry-vinyl-sound.jpg?v=1712436687"},{"product_id":"spendor-classic-100-loudspeaker","title":"Spendor Classic 100 Loudspeaker","description":"\u003ch1\u003eSpendor Classic 100 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor Classic 100 is a 3-way reflex standmount loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. Tracing its lineage directly to the legendary Spendor BC3 Broadcast reference monitor, the Classic 100 combines a \u003cstrong\u003e12.2\" (310mm) Kevlar-composite woofer\u003c\/strong\u003e, a \u003cstrong\u003e7.08\" (180mm) EP77 polymer cone midrange\u003c\/strong\u003e, and a \u003cstrong\u003e22mm polyamide dome tweeter\u003c\/strong\u003e in a BBC-heritage wide-baffle standmount enclosure, covering 25Hz to 25kHz at a sensitivity of \u003cstrong\u003e89dB\u003c\/strong\u003e. Compatible with amplifiers from 25 to 250 watts into a stable 8-ohm load and requiring dedicated stands for optimal performance, the Classic 100 delivers an authoritative, full-scale sound with the warmth, transparency, and natural tonal character that has defined Spendor's Classic series for over five decades.\u003c\/p\u003e\n\n\u003ch2\u003eFrom BC3 Broadcast Monitor to Modern Classic: Five Decades of Continuity\u003c\/h2\u003e\n\u003cp\u003eSpendor was founded by Spencer Hughes, a BBC research engineer, and the Classic 100 is the most direct descendant of the large-format BBC monitors that established the company's reputation in the early 1970s. The BC3 was among the most revered broadcast monitors of its era — a wide-baffle, three-way standmount with a large-diameter woofer and dedicated polymer cone midrange — and the Classic 100 carries forward every defining element of that design philosophy with an entirely new generation of drivers. The 2017 Classic series overhaul replaced every drive unit across the range with components built around advanced Kevlar-composite and EP77 polymer cones, cast magnesium alloy chassis, high-efficiency motor systems, and optimised electro-dynamic damping. Crossover networks were meticulously refined, cabinet structures enhanced, and new elastomer panel damping added throughout. The result is a loudspeaker that looks, feels, and sounds like a serious BBC monitor — because it is one — yet performs with the transparency, dynamic contrast, and low-level resolution of a thoroughly modern high-end design. The cabinet maintains the BBC-derived thin-walled construction philosophy, with varying-thickness MDF panels and minimised internal damping material to preserve transparency and natural sound.\u003c\/p\u003e\n\n\u003ch2\u003eThree-Way Driver Architecture: EP77 Midrange Isolation and Front-Firing Reflex Loading\u003c\/h2\u003e\n\u003cp\u003eThe Classic 100's driver layout positions the EP77 polymer cone midrange at the top of the wide baffle, the 22mm polyamide dome tweeter below it, and the 310mm Kevlar-composite woofer at the base — an arrangement that mirrors the original BC3 and keeps the midrange driver well away from floor reflections. The 180mm EP77 polymer cone midrange is the same proprietary cone material used across the D-Line series for ultra-low coloration, and its bullet-shaped phase plug disperses sound wave resonances at the base of the cone for clean, precise midrange reproduction. The crossover network hands over at 490Hz from the 310mm woofer to the EP77 midrange, and again at 3.6kHz to the 22mm tweeter — preserving the critical 490Hz to 3.6kHz band, where vocal and instrumental character lives, entirely within the dedicated midrange driver's operating range. The Kevlar-composite woofer in its die-cast alloy chassis extends the Classic 100's bass response to 25Hz, exceptional for a standmount design of any format. Front-firing reflex loading allows more placement flexibility than a rear-ported design, and Spendor's Dynamic Damping treatment — constrained polymer dampers at key energy interface points on the cabinet — converts spurious resonance into inaudible heat instantly, preserving the fast, time-accurate sound the Classic series is celebrated for. Matching Spendor Classic 100 stands are available separately and are recommended for optimal imaging and mechanical coupling.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e310mm Kevlar-Composite Woofer:\u003c\/strong\u003e A rigid, lightweight Kevlar-composite cone in a die-cast alloy chassis extends bass response to 25Hz — exceptional for a standmount loudspeaker — tracing its engineering lineage to the BC3 Broadcast reference monitor.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEP77 Polymer Cone Midrange Driver:\u003c\/strong\u003e A dedicated 180mm midrange unit with Spendor's proprietary EP77 polymer cone and cast magnesium alloy chassis handles the critical 490Hz to 3.6kHz band with ultra-low coloration, sharing the same cone material as the D-Line series.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Polyamide Dome Tweeter:\u003c\/strong\u003e Wide-surround high-frequency driver providing smooth, extended response to 25kHz with stable low-distortion output over a wide listening area.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBBC-Heritage Wide-Baffle Three-Way Architecture:\u003c\/strong\u003e The Classic 100's wide-baffle layout with dedicated woofer, midrange, and tweeter sections mirrors the original BC3 monitor geometry — isolating the midrange from bass frequencies and positioning it away from floor reflections for cleaner imaging.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFront-Firing Reflex Port:\u003c\/strong\u003e Front-mounted bass reflex loading provides deep bass extension to 25Hz while allowing the Classic 100 to be placed closer to rear walls than rear-ported designs of similar bass performance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSpendor Dynamic Damping Cabinet Technology:\u003c\/strong\u003e Low-mass constrained polymer dampers at key energy interface points convert spurious cabinet resonances into inaudible heat instantly, eliminating the slow energy storage that blurs transients in conventional mass-damped enclosures.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThin-Walled Varying-Thickness MDF Cabinet:\u003c\/strong\u003e BBC-derived cabinet construction with varying panel thicknesses optimises vibration control on each surface while minimising internal damping material to preserve acoustic transparency and natural sound.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnetic Grille Attachment:\u003c\/strong\u003e Full-length grille fits and removes without tools via magnetic retention, providing drive unit protection without the acoustic penalty of clip-and-peg grille systems.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide Amplifier Compatibility:\u003c\/strong\u003e An 89dB sensitivity and stable 8-ohm load make the Classic 100 compatible with everything from high-quality tube amplifiers of 25W upward to high-power solid-state separates of 250W.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e3-way reflex standmount loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLF Driver\u003c\/td\u003e\n\u003ctd\u003e12.2\" (310mm) Kevlar-composite cone, die-cast alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMF Driver\u003c\/td\u003e\n\u003ctd\u003e7.08\" (180mm) EP77 polymer cone, cast magnesium alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e0.87\" (22mm) polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e25Hz to 25kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 4.7 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 250 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e89dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e490Hz, 3.6kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePort Type\u003c\/td\u003e\n\u003ctd\u003eFront-firing reflex\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e28\" x 15\" x 17\" (700 x 370 x 433mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e79.4 lbs (36kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStands\u003c\/td\u003e\n\u003ctd\u003eDedicated Spendor Classic 100 stands recommended (sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor Classic 100?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100 is a 3-way front-ported standmount loudspeaker from Spendor's Classic series, featuring a 310mm Kevlar-composite woofer, a 180mm EP77 polymer cone midrange, and a 22mm polyamide dome tweeter spanning 25Hz to 25kHz. Hand-assembled in the UK with all-new drivers introduced in the 2017 Classic series overhaul, it traces its engineering lineage to the Spendor BC3 Broadcast reference monitor and delivers the rich, warm, musically authoritative character of the BBC monitor tradition through thoroughly modern driver and cabinet technology. Dedicated stands are required and Spendor matching stands are available separately.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 100 compare to the Spendor Classic 100Ti?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100 and Classic 100Ti are sonically identical — they share the same 310mm woofer, 180mm EP77 midrange, 22mm tweeter, crossover network, cabinet construction, and all measured specifications. The only difference is the front baffle finish: the Classic 100Ti features a multi-layer titanium-finished baffle in place of the wood-veneered baffle of the standard Classic 100. Both use the same walnut-veneered rear and side panels and the same Dynamic Damping treatment. Buyers choosing between them are making a purely visual and tactile decision — the Classic 100Ti's titanium baffle creates a bold contemporary statement, while the Classic 100's wood veneer baffle preserves a more traditional BBC monitor aesthetic throughout.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 100 compare to the Harbeth Monitor 40.3 XD?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100 and Harbeth Monitor 40.3 XD are the two most prominent BBC-heritage large-format standmounts in current production, and they share more philosophy than they differ. Both use thin-walled damped cabinet construction, proprietary polymer cone midrange drivers, wide baffles, and reflex bass loading. The critical differences are in driver complement and bass architecture: the Classic 100 is a 3-way design with a dedicated 310mm Kevlar-composite woofer crossing in at 490Hz, while the Monitor 40.3 XD is a 2-way design with Harbeth's RADIAL2 polypropylene cone handling both bass and midrange duties. The Classic 100's three-way layout isolates the EP77 polymer midrange from all bass frequencies, producing a cleaner midrange by design. Both extend bass response to approximately 25Hz in-room. The Classic 100's 89dB sensitivity gives it a modest advantage in amplifier compatibility, while the Monitor 40.3 XD's more compact cabinet makes it a more practical standmount for smaller rooms.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier should I use with the Spendor Classic 100?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100 accepts amplifiers from 25 to 250 watts into a stable 8-ohm load. At 89dB sensitivity it is genuinely easy to drive — a quality 50W integrated amplifier will fill a medium-sized room comfortably. The Classic 100's BBC-heritage character and smooth impedance curve make it particularly well suited to tube amplifiers; a quality 30W to 60W push-pull KT88 or EL34 design will produce the harmonically rich, naturally tonal presentation the Classic series is built around. Pairing it with a high-current solid-state design such as a Hegel H590, NAD M33, or Accuphase E-800 will deliver greater dynamic headroom and bass control at high listening levels. The Classic 100 is less system-sensitive than the D-Line speakers and works well with a wide range of source components and amplifier topologies.\u003c\/p\u003e\n\n\u003ch3\u003eWhat stands does the Spendor Classic 100 require?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100 requires dedicated speaker stands — it is a standmount design without an integral plinth or levelling feet. Spendor manufactures matching Classic 100 stands sold separately, specifically designed to position the 79.4 lbs (36kg) per speaker cabinet at the correct listening height and with the mechanical coupling appropriate for this mass. Using generic stands with a speaker of this weight and size risks both stability and degraded bass performance. Contact the Vinyl Sound team in Buffalo for stand availability and pricing.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor Classic 100 suitable for smaller rooms?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100 is a large-format standmount with a 28\"-tall, 15\"-wide cabinet and 25Hz bass extension that is primarily suited to medium and large listening rooms. Its front-firing reflex port provides some placement flexibility compared to rear-ported designs, allowing it to be positioned closer to rear walls. However, the 310mm woofer's bass output in a small room will likely require careful placement and amplifier matching to avoid bass build-up. Spendor's Classic series design philosophy emphasises controlled, accurate bass rather than room-filling boom, and many listeners find the Classic 100 more room-friendly than its physical size suggests. For genuinely small rooms, the smaller Classic 3\/1 or Classic 4\/5 standmounts are better-matched options.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor Classic 100 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Spendor Classic range alongside matching stands, amplifiers, streamers, and source components for complete system builds. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Walnut","offer_id":48574495916339,"sku":null,"price":15998.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48574495949107,"sku":null,"price":15998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor-Classic-100-Natural_Walnut-vinyl-sound.jpg?v=1712436693"},{"product_id":"spendor-classic-100ti-loudspeaker","title":"Spendor Classic 100Ti Loudspeaker","description":"\u003ch1\u003eSpendor Classic 100Ti Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor Classic 100Ti is a 3-way reflex standmount loudspeaker from Spendor Audio Systems (Rotherham, England, UK), available at Vinyl Sound in Buffalo, NY, USA. A striking update to the Classic 100 with a multi-layer titanium-finished front baffle, the 100Ti combines a \u003cstrong\u003e12.2\" (310mm) Kevlar-composite woofer\u003c\/strong\u003e, a \u003cstrong\u003e7.08\" (180mm) EP77 polymer cone midrange\u003c\/strong\u003e, and a \u003cstrong\u003e22mm polyamide dome tweeter\u003c\/strong\u003e, covering a frequency range of \u003cstrong\u003e25Hz to 25kHz\u003c\/strong\u003e at a sensitivity of \u003cstrong\u003e89dB\u003c\/strong\u003e. Compatible with amplifiers from 25 to 250 watts into a stable 8-ohm load, and requiring dedicated stands for optimal performance, the Classic 100Ti delivers the richly musical, BBC-heritage character of the Classic series in a form that makes a bold visual statement in any listening room.\u003c\/p\u003e\n\n\u003ch2\u003eClassic 100 Heritage: From BC3 Broadcast Monitor to Modern Statement Standmount\u003c\/h2\u003e\n\u003cp\u003eSpendor was founded by Spencer Hughes, a BBC research engineer, and the Classic series has carried that broadcast monitor heritage continuously for over five decades. The Classic 100 traces its roots directly to the legendary Spendor BC3 — a reference broadcast monitor used by the BBC and professional studios throughout the 1970s and 1980s. The 2017 Classic series refresh replaced every drive unit across the range with a new generation of Spendor-designed components: advanced Kevlar-composite and EP77 polymer cones, cast magnesium alloy chassis, high-efficiency motor systems, and optimised electro-dynamic damping. The Classic 100Ti takes this updated platform and adds a multi-layer titanium-finished front baffle, creating a visual statement that updates the wide-baffle BBC aesthetic into something that feels simultaneously retro and contemporary. The walnut-veneered cabinet retains the BBC-derived thin-walled, Dynamic Damping construction — with constrained polymer dampers at key energy interface points converting spurious cabinet resonance into inaudible heat — delivering the fast, musically immediate presentation that defines the Classic series.\u003c\/p\u003e\n\n\u003ch2\u003eThree-Way Driver Architecture and Front-Firing Reflex Loading\u003c\/h2\u003e\n\u003cp\u003eThe Classic 100Ti is built around two proprietary Spendor drive units that do the heavy lifting in its three-way configuration. The 310mm bass driver uses a rigid, lightweight Kevlar-composite cone in a die-cast alloy chassis, crossing over at 490Hz to the dedicated midrange section. That midrange — a 180mm EP77 polymer cone unit with cast magnesium alloy chassis — handles the critical 490Hz to 3.6kHz band where vocal and instrumental detail lives, with the ultra-low coloration that EP77 polymer cone technology provides across the Classic and D-Line ranges. Above 3.6kHz, a 22mm polyamide dome tweeter provides smooth, extended high-frequency output to 25kHz. The enclosure uses reflex bass loading with a front-firing port, allowing the Classic 100Ti to be positioned relatively close to rear walls without the bass congestion a rear-firing port would create. At 25Hz, the low-frequency extension is exceptional for a standmount loudspeaker of any size and rivals the bass depth of most large floorstanders. The titanium baffle provides high mass and rigidity at the driver mounting points, complementing the Dynamic Damping treatment of the rear and side panels. Matching Spendor Classic 100 stands are available and recommended for optimal performance and imaging.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Layer Titanium Front Baffle:\u003c\/strong\u003e A striking titanium-finished front panel distinguishes the Classic 100Ti from the standard Classic 100, providing enhanced rigidity at driver mounting points while creating a bold visual statement that transcends period styling.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e310mm Kevlar-Composite Woofer:\u003c\/strong\u003e The 12.2\" bass driver uses a rigid, lightweight Kevlar-composite cone in a die-cast alloy chassis, tracing its lineage to the BC3 Broadcast reference monitor and extending low-frequency response to 25Hz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEP77 Polymer Cone Midrange Driver:\u003c\/strong\u003e A dedicated 180mm midrange unit with Spendor's proprietary EP77 cone material and cast magnesium alloy chassis handles the 490Hz to 3.6kHz band with ultra-low coloration and exceptional tonal transparency.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Polyamide Dome Tweeter:\u003c\/strong\u003e Wide-surround high-frequency driver providing smooth, extended response to 25kHz with broad off-axis dispersion across a wide listening area.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFront-Firing Reflex Port:\u003c\/strong\u003e Front-mounted bass reflex port provides deep, extended bass loading to 25Hz while allowing the Classic 100Ti to be positioned closer to rear walls than a rear-ported design.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSpendor Dynamic Damping Cabinet Technology:\u003c\/strong\u003e Low-mass constrained polymer dampers at key energy interface points instantly convert spurious cabinet energy into inaudible heat, preserving the fast, time-accurate character the Classic series is known for.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBBC-Derived Thin-Walled Damped Cabinet Construction:\u003c\/strong\u003e Walnut-veneered thin-walled panels with optimised damping treatment manage resonances in the BBC tradition, producing the characteristically natural, non-fatiguing Spendor Classic sound.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRefined Three-Way Crossover Network:\u003c\/strong\u003e Meticulously tuned crossover with 490Hz and 3.6kHz handoff points and high-linearity inductors ensures seamless driver integration and phase-coherent output across the full bandwidth.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide Amplifier Compatibility:\u003c\/strong\u003e An 89dB sensitivity and stable 8-ohm load work with amplifiers from 25W to 250W, making the Classic 100Ti compatible with tube amplifiers and high-power solid-state designs alike.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e3-way reflex standmount loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLF Driver\u003c\/td\u003e\n\u003ctd\u003e12.2\" (310mm) Kevlar-composite cone, die-cast alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMF Driver\u003c\/td\u003e\n\u003ctd\u003e7.08\" (180mm) EP77 polymer cone, cast magnesium alloy chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHF Driver\u003c\/td\u003e\n\u003ctd\u003e0.87\" (22mm) polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e25Hz to 25kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms (min 4.7 Ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 250 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e89dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e490Hz, 3.6kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePort Type\u003c\/td\u003e\n\u003ctd\u003eFront-firing reflex\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e28\" x 15\" x 17\" (700 x 370 x 433mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e79.4 lbs (36kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBaffle Finish\u003c\/td\u003e\n\u003ctd\u003eMulti-layer titanium\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCabinet Finish\u003c\/td\u003e\n\u003ctd\u003eWalnut veneer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStands\u003c\/td\u003e\n\u003ctd\u003eDedicated Spendor Classic 100 stands recommended (sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eDesigned and manufactured in the UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor Classic 100Ti?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100Ti is a 3-way front-ported standmount loudspeaker from Spendor's Classic series, featuring a 310mm Kevlar-composite woofer, a 180mm EP77 polymer cone midrange, and a 22mm polyamide dome tweeter spanning 25Hz to 25kHz. It shares the same driver complement and BBC-heritage cabinet construction as the Classic 100, distinguished by its multi-layer titanium-finished front baffle. Hand-assembled in the UK and compatible with amplifiers from 25 to 250 watts, the Classic 100Ti requires dedicated stands — Spendor's matching Classic 100 stands are recommended — for optimal imaging and bass performance.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 100Ti compare to the Spendor Classic 100?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100Ti and Classic 100 are sonically identical — they share the same driver complement, crossover network, cabinet construction, and all measured specifications. The sole difference is the front baffle finish: the 100Ti features a multi-layer titanium-finished baffle in place of the standard wood veneer baffle of the Classic 100. Both models use the same walnut-veneered rear and side panels with Dynamic Damping treatment. Buyers choosing the 100Ti over the Classic 100 do so for its distinctive visual character and the enhanced baffle rigidity the titanium layering provides at driver mounting points.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 100Ti compare to the Harbeth Monitor 30.2 XD?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100Ti and Harbeth Monitor 30.2 XD are both large-format BBC-heritage standmount loudspeakers, but differ substantially in scale and bass architecture. The Monitor 30.2 XD is a 2-way bass-reflex design using Harbeth's RADIAL2 polypropylene cone in a more compact cabinet, with bass extension to around 40Hz in-room. The Classic 100Ti is a 3-way design with a dedicated 310mm woofer and EP77 polymer midrange, extending to 25Hz — a full octave deeper — at the cost of a substantially larger and heavier enclosure at 79.4 lbs per speaker. The 100Ti's three-way architecture means the EP77 midrange handles only the 490Hz to 3.6kHz band, isolating it from bass frequencies in a way a 2-way design cannot. Both use thin-walled damped cabinets, but the Classic 100Ti's titanium baffle provides additional rigidity at driver mounting points that the Harbeth's conventional wood baffle does not.\u003c\/p\u003e\n\n\u003ch3\u003eWhat stands does the Spendor Classic 100Ti need?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100Ti requires dedicated stands for optimal performance. Spendor manufactures matching Classic 100 stands specifically designed for this model, sold separately. The stands are engineered to position the 100Ti at the correct height for the tweeter to align with seated ear level, and their mass and coupling geometry are optimised for the 36kg (per speaker) cabinet weight. Using generic or incorrect stands with a speaker of this size and mass will compromise both stability and bass performance. Contact the Vinyl Sound team in Buffalo for stand availability and compatibility details.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier should I use with the Spendor Classic 100Ti?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100Ti accepts amplifiers from 25 to 250 watts into its stable 8-ohm load. At 89dB sensitivity it is genuinely easy to drive by large-standmount standards — a quality 50W integrated amplifier will perform well in a medium-sized room, while high-power solid-state separates will unlock the speaker's full dynamic range at high volumes. The Classic series' BBC-heritage character and smooth impedance curve make it well suited to tube amplifiers; a 30W to 60W push-pull KT88 or EL34 design will produce the richly tonal, harmonically textured presentation the Classic 100Ti is engineered to deliver. Pairing it with a NAD M33, Hegel H590, or Accuphase E-800 will reveal its full transparency and dynamic authority.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor Classic 100Ti a floorstanding or standmount loudspeaker?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100Ti is a standmount loudspeaker — it requires dedicated speaker stands and does not have an integral plinth or levelling feet of its own. Despite its large dimensions (28\" tall, 79.4 lbs per speaker) and bass extension to 25Hz, it is classified by Spendor as a standmount and is designed to be used on matching Spendor Classic 100 stands. Its wide-baffle form factor and BBC monitor heritage mean it resembles vintage broadcast monitors of the 1970s, which were also large-format standmounts rather than floorstanders in the conventional sense.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor Classic 100Ti in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 100Ti is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the Spendor Classic range alongside matching stands, amplifiers, and source components to build a complete high-end system around the Classic 100Ti. Contact the Vinyl Sound team for current availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Walnut","offer_id":48574496014643,"sku":null,"price":19998.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48574496047411,"sku":null,"price":19998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor-Classic-100-Natural_Walnut-vinyl-sound_b206302c-2fe4-4245-b69a-56a302675d7d.jpg?v=1712436697"},{"product_id":"spendor-classic-200-loudspeaker","title":"Spendor Classic 200 Loudspeaker","description":"\u003ch1\u003eSpendor Classic 200 Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor Classic 200 is a flagship 3-way sealed floorstanding loudspeaker from Spendor Audio Systems (Huntingdon, England, UK), available at Vinyl Sound in Buffalo, NY, USA. Hand-assembled in South Yorkshire, the Classic 200 employs a BBC-derived infinite-baffle architecture with dual \u003cstrong\u003e12.2\" (310mm) Bextrene-cone woofers with Kevlar composite stabiliser domes\u003c\/strong\u003e, a \u003cstrong\u003e7.08\" (180mm) EP77 polymer midrange\u003c\/strong\u003e, and a \u003cstrong\u003e22mm polyamide dome tweeter\u003c\/strong\u003e, spanning a frequency range of \u003cstrong\u003e20Hz to 25kHz\u003c\/strong\u003e. With a stable 8-ohm impedance and compatibility with amplifiers from 25 to 300 watts, the Classic 200 is a rare large-format loudspeaker that prioritises tonal coherence and musical composure at every listening level.\u003c\/p\u003e\n\n\u003ch2\u003eBBC Engineering Heritage in a Modern Floorstander\u003c\/h2\u003e\n\u003cp\u003eSpendor was founded by Spencer Hughes, a research engineer at the BBC, and the Classic 200 represents the most direct continuation of the broadcast monitor design principles he helped establish. Where virtually every contemporary high-end loudspeaker uses narrow baffles, ported enclosures, and rigid cabinet construction, the Classic 200 takes the opposing approach: a wide-baffle sealed box with a thin-walled, heavily damped cabinet structure that accepts controlled resonance and displaces it into the deep bass region, well below the range where human hearing detects coloration. Tap the cabinet and you hear a low, inert thud rather than the sharp, pitched knock of a conventional rigid enclosure. This approach, refined by Spendor over five decades, underpins the speaker's characteristic composure and lack of listening fatigue.\u003c\/p\u003e\n\n\u003ch2\u003eFour-Driver System Built for Scale and Control\u003c\/h2\u003e\n\u003cp\u003eThe Classic 200's bass foundation rests on two 310mm woofers using Spendor's Bextrene cone material — the same catenary-profiled cone geometry used in the legendary BC3 Broadcast reference monitor — reinforced with an ultra-rigid Kevlar composite stabiliser dome bonded to the centre. Bextrene's combination of light weight and high internal damping remains exceptionally well suited to sealed-box loading, delivering tight, fast, well-damped bass with very low group delay distortion. Above 550Hz, a 180mm EP77 polymer cone midrange driver with a cast magnesium alloy chassis handles the critical vocal and instrument range with the transparency and tonal body the Classic series is celebrated for. The 22mm wide-surround polyamide dome tweeter crosses in at 3.8kHz, extending smoothly to 25kHz without the brightness of metal-dome alternatives. Three pairs of gold-plated precision binding posts on the rear allow single, bi-wire, or tri-wire amplifier connections, and the cabinet sits on a dynamically damped satin-black plinth with height-adjustable spike feet for precise levelling on any floor surface.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3-Way Sealed-Box Architecture:\u003c\/strong\u003e Infinite-baffle loading across all four drivers eliminates port noise and room-interaction problems, producing bass that is tight, fast, and consistent regardless of speaker placement.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual 310mm Bextrene\/Kevlar Woofers:\u003c\/strong\u003e Two 12.2\" bass drivers using the BC3-derived Bextrene catenary cone profile with Kevlar composite stabiliser domes deliver deep, controlled low-frequency extension rated to 20Hz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEP77 Polymer Midrange Driver:\u003c\/strong\u003e Spendor's proprietary EP77 cone material — paired with a cast magnesium alloy chassis — provides low-coloration, high-damping performance across the 550Hz to 3.8kHz vocal and instrumental range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22mm Polyamide Dome Tweeter:\u003c\/strong\u003e A wide-surround dome design ensures smooth high-frequency reproduction to 25kHz with consistent off-axis dispersion over a wide listening area.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBBC-Derived Damped Cabinet Construction:\u003c\/strong\u003e Thin-walled, heavily braced panels with optimised damping materials shift resonances below audible range — the engineering principle behind the Classic series' natural, fatigue-free presentation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTri-Wire Gold-Plated Binding Posts:\u003c\/strong\u003e Three pairs of precision terminals support single, bi-wire, and tri-wire amplifier configurations for maximum system flexibility.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDynamically Damped Satin-Black Plinth:\u003c\/strong\u003e Integral plinth with four height-adjustable spike feet decouples the cabinet from the floor and allows precise levelling.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnetically Retained Full-Length Grille:\u003c\/strong\u003e Grille attaches and removes without tools, protecting drivers while maintaining the speaker's clean visual lines.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide Amplifier Compatibility:\u003c\/strong\u003e A stable 8-ohm, 89dB design works with amplifiers from 25W to 300W, making the Classic 200 suitable for high-quality integrated amplifiers and high-power separates alike.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e3-way sealed floorstanding loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDrive Units\u003c\/td\u003e\n\u003ctd\u003e2x LF 12.2\" (310mm) Bextrene cone with Kevlar composite stabiliser dome; MF 7.08\" (180mm) EP77 polymer cone; HF 0.87\" (22mm) polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz to 25kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 300 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e89dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e550Hz, 3.8kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConnections\u003c\/td\u003e\n\u003ctd\u003eThree pairs gold-plated precision binding posts (single, bi-wire, or tri-wire)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e44\" x 14\" x 20\" (1117 x 368 x 513mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e121.3 lbs (55kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish Options\u003c\/td\u003e\n\u003ctd\u003eCherry or Dark Walnut real wood veneer; special finishes available on request\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePlinth\u003c\/td\u003e\n\u003ctd\u003eSatin black with four height-adjustable spike feet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eHand-assembled in South Yorkshire, England, UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor Classic 200?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200 is a flagship 3-way sealed floorstanding loudspeaker from Spendor Audio Systems of England, featuring dual 12.2\" Bextrene\/Kevlar woofers, a 7.08\" EP77 polymer midrange, and a 22mm polyamide dome tweeter in a BBC-derived infinite-baffle enclosure. It covers a frequency range of 20Hz to 25kHz with a sensitivity of 89dB and an 8-ohm impedance, and is hand-assembled in South Yorkshire, UK. The Classic 200 is the standard-finish version of the flagship Classic 200 design, sharing the same driver complement and cabinet architecture as the titanium-baffle Classic 200Ti.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 200 differ from the Spendor Classic 200Ti?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200 and Classic 200Ti share the same fundamental architecture: a sealed-box 3-way enclosure with dual 310mm woofers, the EP77 polymer midrange, and a 22mm polyamide dome tweeter. The primary differences are in the baffle finish and the woofer cone specification. The 200Ti introduced a titanium-finished baffle and updated Kevlar-composite woofer cones with new suspension and surround materials, representing a refinement of the bass driver beyond the Bextrene\/Kevlar stabiliser dome design of the Classic 200. The 200Ti also positions itself as the current flagship with a refined crossover. Buyers who prefer the Classic 200 typically do so for its traditional cherry or walnut veneer aesthetic and the original Bextrene-cone character that traces directly to the BC3 Broadcast monitor.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 200 compare to the Harbeth Monitor 40.3 XD?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200 and the Harbeth Monitor 40.3 XD are the two most direct rivals in BBC-heritage wide-baffle speaker design. Both use thin-walled damped cabinet construction, proprietary polymer midrange cones, and prioritise natural tonal balance over outright resolution. The key engineering difference is enclosure type and form factor: the Monitor 40.3 XD is a bass-reflex standmount requiring dedicated stands, while the Classic 200 is a sealed-box floorstander with its own plinth. The Classic 200's dual 310mm woofers give it measurably deeper bass extension and higher SPL capability at concert listening levels. Harbeth uses RADIAL2 polypropylene for its mid\/bass cone; Spendor uses EP77 polymer — both are proprietary formulations that produce closely related but subtly different midrange textures, with Harbeth tending toward a slightly warmer presentation and the Classic 200 offering greater dynamic scale.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier should I use with the Spendor Classic 200?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200 accepts amplifiers rated from 25 to 300 watts into its stable 8-ohm load. Its sealed-box design and well-controlled impedance curve make it less demanding than many large floorstanders, and it performs confidently with high-quality integrated amplifiers of 50W or more. The speaker scales with amplifier quality: pairing it with a NAD M33, a Hegel H590, or a high-current solid-state power amplifier reveals the full dynamic range and bass control the dual 310mm woofers offer. The Classic 200 also works exceptionally well with tube amplifiers of 30W or above — its smooth impedance behaviour and gentle phase angles suit the output characteristics of push-pull KT88 or EL34 designs.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Spendor Classic 200 suitable for a smaller room?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200 is more room-friendly than its large cabinet dimensions suggest. Its sealed-box enclosure has no port output, which means bass does not excite room modes in the same way a ported speaker of similar driver area would. Spendor specifically notes that the absence of resonant port output makes the Classic 200 less sensitive to room positioning and can allow it to deliver strong performance even in smaller listening rooms. The speaker is rated at 89dB sensitivity and has been reviewed as effective at low to moderate listening levels as well as high volumes, making it viable in a well-furnished room of 20 square metres or larger.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is Bextrene and why does Spendor still use it?\u003c\/h3\u003e\n\u003cp\u003eBextrene is a lightweight expanded polystyrene-derived material developed in the 1960s and adopted by the BBC for its research monitor loudspeakers, including the LS3\/6 and the large BC3 reference monitor. Its combination of low mass and high internal damping allows a woofer cone to absorb rather than reflect breakup energy, producing smooth, low-distortion bass reproduction. Spendor has used Bextrene in its Classic-series woofers continuously since the original BC1 of 1969, refining the catenary cone profile and adding a Kevlar composite stabiliser dome to the centre to manage high-frequency cone breakup modes. The result is a bass driver with a sound character that is difficult to replicate with modern materials and one that many long-term listeners regard as the defining signature of a large Spendor Classic.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor Classic 200 in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200 is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound stocks the Spendor Classic range alongside a comprehensive selection of amplifiers, streamers, and cabling to build a complete high-end system around the Classic 200. Visit the store or contact the Vinyl Sound team directly for current availability, finish options, and in-store audition appointments.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Walnut","offer_id":48574496473395,"sku":null,"price":29998.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48574496506163,"sku":null,"price":29998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor-Classic-200-Cherry-vinyl-sound.jpg?v=1712436702"},{"product_id":"spendor-classic-200ti-loudspeaker","title":"Spendor Classic 200Ti Loudspeaker","description":"\u003ch1\u003eSpendor Classic 200Ti Loudspeaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Spendor Classic 200Ti is a flagship 3-way sealed floorstanding loudspeaker from Spendor Audio Systems (Huntingdon, England, UK), available at Vinyl Sound in Buffalo, NY, USA. Rooted in the BBC engineering tradition and hand-assembled in South Yorkshire, the Classic 200Ti pairs a \u003cstrong\u003etitanium-finished wide baffle\u003c\/strong\u003e with dual \u003cstrong\u003e12.2\" (310mm) Kevlar-composite woofers\u003c\/strong\u003e and a sensitivity of \u003cstrong\u003e89dB\u003c\/strong\u003e, delivering an effortlessly full-range performance rated down to 20Hz. Compatible with amplifiers from 25 to 300 watts into a stable 8-ohm load, this sealed-box design refuses to follow the trend toward narrow-baffle compactness — and for serious music listeners, that is precisely the point.\u003c\/p\u003e\n\n\u003ch2\u003eBBC Heritage Meets Modern Engineering\u003c\/h2\u003e\n\u003cp\u003eSpendor was founded by Spencer Hughes, a BBC research engineer, and the Classic series remains the most direct expression of that legacy. The 200Ti retains the wide-baffle, infinite-baffle (sealed-box) loading philosophy that defined reference monitors of the 1970s, while replacing every drive unit with components developed through Spendor's current in-house R\u0026amp;D program. The two 310mm bass drivers feature diecast alloy chassis and rigid, light Kevlar-composite cones with updated suspension and surround materials, offering measurably improved linearity over the long-running Bextrene-coned woofer used in large Spendor Classics since the BC3 of 1973. The cabinet itself follows the BBC-derived thin-walled, heavily damped construction method: side panels are designed to flex in a controlled way, shifting resonances into the bass frequencies where the ear is far less sensitive to colorations. Give the cabinet a knock and you hear a low, inert thud rather than the sharp rap of a conventional rigid enclosure.\u003c\/p\u003e\n\n\u003ch2\u003eEP77 Midrange, Polyamide Dome Tweeter, and Titanium Baffle\u003c\/h2\u003e\n\u003cp\u003eThe midrange driver — a 180mm unit fitted with Spendor's proprietary EP77 polymer cone and a cast magnesium alloy chassis — crosses in at 550Hz, handling the critical vocal and instrumental range with the transparency the Classic series is known for. Above 3.8kHz, a 22mm polyamide dome tweeter takes over, providing smooth high-frequency extension to 25kHz without the forward character of some metal-dome designs. The defining visual and acoustic statement of the 200Ti is its titanium-finished baffle: wide, full-height, and unapologetically retro in proportion, it supports the large-diameter drivers with the rigidity and mass needed to keep the front panel inert under high excursion. Tri-wire speaker terminals on the rear provide maximum flexibility for bi-wired or tri-wired amplifier configurations. The entire cabinet sits on a dynamically damped satin-black plinth with four height-adjustable levelling feet, and the full-length grille is magnetically retained for tool-free removal.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFlagship Sealed-Box 3-Way Architecture:\u003c\/strong\u003e Dual 310mm woofers, 180mm midrange, and 22mm tweeter in an infinite-baffle enclosure rated 20Hz to 25kHz — full-range performance without a port's one-note bass character.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eKevlar-Composite Bass Drivers:\u003c\/strong\u003e Both 12.2\" woofers use diecast alloy chassis and Kevlar-reinforced cones with updated surround materials, delivering tighter, faster bass compared to the original Bextrene-coned design.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEP77 Polymer Midrange:\u003c\/strong\u003e Spendor's proprietary EP77 cone material is paired with a cast magnesium alloy chassis for low-coloration reproduction through the most critical part of the audio spectrum.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTitanium Baffle Finish:\u003c\/strong\u003e The luxurious titanium-finished front baffle provides high mass and rigidity at the drive unit mounting points while making a bold visual statement in any listening room.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBBC-Derived Damped Cabinet Construction:\u003c\/strong\u003e Thin-walled panels with controlled damping shift resonances to the sub-bass region, a technique pioneered by the BBC and refined by Spendor over five decades.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTri-Wire Binding Post Terminals:\u003c\/strong\u003e Three pairs of high-quality speaker terminals allow separate cabling to bass, midrange, and tweeter sections for audiophile-grade amplifier connections.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDynamically Damped Plinth:\u003c\/strong\u003e Satin-black plinth with four levelling feet decouples the cabinet from the floor and allows precise vertical alignment on uneven surfaces.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnetically Retained Full-Length Grille:\u003c\/strong\u003e Tool-free grille removal via magnets, eliminating the clip-and-peg system of earlier Classic generations.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide Amplifier Compatibility:\u003c\/strong\u003e An 8-ohm, 89dB load tolerates amplifiers from 25W to 300W, making the 200Ti workable with high-quality integrated amplifiers as well as high-power separates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e3-way sealed floorstanding loudspeaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDrive Units\u003c\/td\u003e\n\u003ctd\u003e2x LF 12.2\" (310mm) Kevlar-composite; MF 7.08\" (180mm) EP77 polymer; HF 0.87\" (22mm) polyamide dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz to 25kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAmplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 to 300 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e89dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e550Hz, 3.8kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConnections\u003c\/td\u003e\n\u003ctd\u003eTri-wire binding posts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e44\" x 14\" x 20\" (1117 x 368 x 513mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e121.3 lbs (55kg) per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish Options\u003c\/td\u003e\n\u003ctd\u003eTitanium baffle; Dark Walnut or Cherry cabinet veneer (special finishes available on request)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eHand-assembled in South Yorkshire, England, UK\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold As\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Spendor Classic 200Ti?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200Ti is a flagship 3-way sealed floorstanding loudspeaker from Spendor Audio Systems of England, featuring dual 12.2\" Kevlar-composite woofers, a 7.08\" EP77 polymer midrange, a 22mm polyamide dome tweeter, and a frequency response of 20Hz to 25kHz. It is the largest and most ambitious speaker in the Classic range, built on BBC-derived infinite-baffle loading principles and hand-assembled in South Yorkshire, UK. The titanium baffle version represents the premium finish tier of the Classic 200 design.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 200Ti compare to the Wilson Audio Sabrina X?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200Ti and the Wilson Audio Sabrina X represent two different philosophies of high-end speaker design. The Sabrina X uses a narrow-baffle ported enclosure with proprietary composite cabinet panels and Wilson's X-Material construction, optimised for a smaller room footprint and extreme cabinet rigidity. The Classic 200Ti takes the opposing view: its wide-baffle, sealed-box architecture with BBC-derived damped thin-walled construction produces a different bass character — tight, fast, and naturally rolled — rather than the extended, amplified low end of a reflex design. The 200Ti also employs larger-diameter drive units (two 310mm woofers versus the Sabrina X's single 8\" woofer), giving it greater cone area and dynamic headroom at high listening levels. Listeners who prioritise midrange coherence and wide soundstaging over room-filling bass extension typically find the Classic 200Ti the more musically engaging speaker.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Spendor Classic 200Ti compare to the Harbeth Monitor 40.3 XD?\u003c\/h3\u003e\n\u003cp\u003eThe Harbeth Monitor 40.3 XD is the closest philosophical rival to the Spendor Classic 200Ti, as both descend from BBC monitor engineering principles and use proprietary polymer cone midrange drivers in wide-baffle enclosures. The key differences are in bass architecture and cabinet construction: the Monitor 40.3 XD is a 2-way bass-reflex standmount requiring dedicated stands, while the 200Ti is a full-range 3-way sealed-box floorstander with its own integral plinth. The 200Ti's dual 310mm woofers give it deeper low-frequency extension and higher SPL capability without a subwoofer. Harbeth uses RADIAL2 polypropylene cone material; Spendor uses EP77 polymer — both are proprietary, but they produce subtly different midrange textures. The 200Ti is also better suited to rooms where stand-mount placement is impractical due to its self-contained form factor.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier should I use with the Spendor Classic 200Ti?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200Ti works with amplifiers rated between 25 and 300 watts into its stable 8-ohm load. Its sealed-box design and benign impedance curve make it less demanding than many large floorstanders, and it will perform well with a high-quality 50W to 100W integrated amplifier in most rooms. However, the speaker scales noticeably with amplifier quality: pairing it with a NAD M33, a Hegel H590, or a high-current separate power amplifier will reveal the full dynamic range and bass control the dual 310mm woofers are capable of. Tube amplifiers with adequate output power (30W or more from quality KT88 or EL34 stages) also suit the 200Ti's character, given the smooth impedance phase angles measured in independent lab testing.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the benefit of a sealed-box (infinite-baffle) enclosure over a ported design?\u003c\/h3\u003e\n\u003cp\u003eA sealed-box enclosure rolls off bass in a controlled, second-order slope rather than the sharper fourth-order rolloff of a ported design, which means bass notes decay naturally and do not produce the one-note or boomy character that reflex cabinets can exhibit. The Spendor Classic 200Ti's infinite-baffle loading results in tight, fast, well-damped bass that integrates cleanly with the midrange. It also avoids the port noise and rear-firing turbulence that can add coloration at high output levels. The trade-off is that sealed enclosures are typically less efficient than ported designs of the same driver size, which is why the 200Ti requires at least 25 watts and benefits from a high-current amplifier.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is Spendor's EP77 polymer cone, and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eEP77 is Spendor's proprietary polymer cone material developed specifically for midrange drivers in the Classic and D-Line series. It is formulated to provide a combination of low mass, high internal damping, and consistent stiffness across the operating frequency range, suppressing the cone breakup modes that introduce coloration in cheaper drive units. In the Classic 200Ti's 180mm midrange driver, the EP77 cone is paired with a cast magnesium alloy chassis for low-distortion operation across the 550Hz to 3.8kHz range — the frequency band that carries the vast majority of vocal, acoustic instrument, and orchestral detail. The material's controlled damping character is a direct continuation of the BBC's research into natural, low-fatigue midrange reproduction.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Spendor Classic 200Ti in Buffalo, NY or the United States?\u003c\/h3\u003e\n\u003cp\u003eThe Spendor Classic 200Ti is available at Vinyl Sound in Buffalo, NY, USA, an authorized Spendor dealer serving customers across the United States. Vinyl Sound carries the full Classic range alongside a broad selection of amplifiers, streamers, and cables to build a complete high-end system around the 200Ti. Visit the store or contact the team directly for availability, finish options, and in-store audition scheduling.\u003c\/p\u003e","brand":"Spendor","offers":[{"title":"Walnut","offer_id":48574496670003,"sku":null,"price":35998.0,"currency_code":"USD","in_stock":true},{"title":"Cherry","offer_id":48574496702771,"sku":null,"price":35998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Spendor-Classic_200Ti-CHERRY-VINYL-SOUND.jpg?v=1712436706"},{"product_id":"dynaudio-emit-50-floorstanding-speaker-pair","title":"Dynaudio Emit 50 Floorstanding Speaker (Pair)","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Emit 50 Floorstanding Speaker (Pair) at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Emit 50 is a three-way floorstanding loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The flagship of Dynaudio's Emit series, it features a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e, a dedicated 15cm MSP midrange driver derived from the Evoke and Contour ranges, and twin 18cm MSP woofers with copper voice coils and dual-stacked magnet systems. Sensitivity is 86 dB, impedance is 4 ohms, IEC power handling is \u003cstrong\u003e240W\u003c\/strong\u003e, and frequency response extends from \u003cstrong\u003e33 Hz to 25 kHz\u003c\/strong\u003e. A hybrid three-way crossover with separate first, second, and fourth-order topologies for each driver type is tuned at 540 Hz and 4,400 Hz. The Emit 50 is sold as a pair and designed for medium to large rooms in stereo two-channel or multi-channel home cinema configurations.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis and Dedicated Midrange Driver\u003c\/h2\u003e\n\u003cp\u003eThe Emit 50 carries the full Cerotar tweeter from Dynaudio's Evoke series, drawing on technologies from the Special Forty anniversary speaker, the Confidence flagship range, and the Core professional studio monitor line. The 28mm coated fabric soft-dome diaphragm is paired with the Hexis inner dome, a static, dimpled secondary dome positioned immediately behind the playing surface. Hexis prevents rear-wave reflections from forming inside the tweeter dome cavity and interfering with the front wave, suppressing frequency response irregularities and reducing listening fatigue at extended volumes. The Cerotar's Ferrite+ strontium carbonate ceramic magnet provides maximum sensitivity and honest, natural high-frequency reproduction that scales gracefully from low-level listening to high-output cinema use. The crossover assigns the tweeter a first-order network, the shallowest slope topology, chosen because the oversized Cerotar dome can be operated closer to its natural roll-off without the steep filtering that would compromise transient accuracy. Below the tweeter, a dedicated 15cm MSP midrange driver is exclusive to the Emit 50 within the Emit series, derived from the version Dynaudio used in the Evoke range, which itself traces directly to the high-end Contour series. This driver uses a ferrite ceramic magnet, a short 38mm-diameter aluminium voice coil specifically optimised for midrange performance, and a lightweight surround for high-speed, precise response through vocals, strings, and wind instruments. Its crossover uses a second-order network, balancing roll-off steepness with phase behaviour through the critical midrange band.\u003c\/p\u003e\n\n\u003ch2\u003eDual 18cm MSP Woofers with Copper Voice Coils and Dual-Stacked Magnets\u003c\/h2\u003e\n\u003cp\u003eThe Emit 50's two 18cm woofers are purpose-built for bass-only duty, sharing MSP cone construction with the rest of the Emit family but using copper voice coils rather than the aluminium units in the midrange driver. Copper's higher mass is deliberately chosen here: as dedicated bass-only drivers, the woofers benefit from greater moving mass for more outright punch and low-frequency authority, without the speed penalty that heavier coils would impose on a midrange unit. Each woofer uses a dual-stacked magnet system, oriented to concentrate its magnetic energy directly into the voice coil for maximum motor force and current-handling capability. One-piece MSP cone construction, with an integrated dust cap, ensures rigid mechanical coupling between the diaphragm and the voice-coil former, minimising unwanted deformation and resonance at high excursion. The fourth-order crossover topology for the woofers provides a steep roll-off above 540 Hz, keeping the bass drivers well clear of the midrange band and preventing the overlap distortion that shallower woofer filters can introduce. The rear cabinet features dual-flared bass reflex ports, extending bass response to 33 Hz, equal to the rated lower cutoff of the Contour 60i and Confidence 60 passive speakers from Dynaudio's higher series. The 18mm MDF cabinet is internally damped with tuned polyester material selected specifically for this application, providing a stable, low-resonance enclosure for all three drivers.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e Dynaudio's 28mm coated soft-dome tweeter from the Evoke series, drawing on Special Forty, Confidence, and Core technologies, featuring the Hexis inner dome for resonance suppression and a Ferrite+ strontium carbonate ceramic magnet for natural, fatigue-free treble.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDedicated 15cm MSP Midrange Driver:\u003c\/strong\u003e An Emit 50-exclusive midrange unit derived from the Evoke and Contour ranges, with a ferrite ceramic magnet, short 38mm aluminium voice coil, and lightweight surround for fast, precise midrange reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual 18cm MSP Woofers with Copper Voice Coils:\u003c\/strong\u003e Two bass-only drivers with heavier copper voice coils and dual-stacked magnet systems for maximum low-frequency punch and authority, extending bass to 33 Hz in a rear double-flared bass reflex cabinet.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHybrid Three-Way Crossover:\u003c\/strong\u003e A purpose-designed crossover at 540 Hz and 4,400 Hz using separate first-order, second-order, and fourth-order filter topologies for the tweeter, midrange, and woofers respectively, each chosen to optimise the performance of its assigned driver rather than applying a single universal topology.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e33 Hz Bass Extension:\u003c\/strong\u003e Matches the rated lower cutoff of Dynaudio's Contour 60i and Confidence 60 passive floorstanders, achieved through the dual-port bass reflex cabinet, copper voice-coil woofers, and dual-stacked magnet systems.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOne-Piece MSP Cone Construction:\u003c\/strong\u003e All three drivers use single-piece MSP cone diaphragms with integrated dust caps, maximising rigidity and the mechanical coupling between cone and voice-coil former for reduced distortion and sharper transient detail.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e18mm MDF Cabinet with Tuned Damping:\u003c\/strong\u003e Cabinet walls built from 18mm MDF, internally damped with tuned polyester material selected specifically for this enclosure, designed and voiced at Dynaudio's Jupiter acoustic measurement facility in Denmark.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSold as a Pair:\u003c\/strong\u003e The Emit 50 is listed and sold as a stereo pair for two-channel or multi-channel home cinema use, compatible with the Emit 30 centre channel and Emit 10 or Emit 20 surrounds for a full Emit multi-channel system.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Finish Options:\u003c\/strong\u003e Black laminate, White laminate, and Walnut laminate, with black magnetic grilles included as standard.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEmit\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eFloorstanding, three-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003e2 x bass reflex, rear double-flared port\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMidrange\u003c\/td\u003e\n\u003ctd\u003e15cm MSP, ferrite ceramic magnet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofers\u003c\/td\u003e\n\u003ctd\u003e2 x 18cm MSP, copper voice coil\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e3-way hybrid\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e540 Hz \/ 4,400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Topology\u003c\/td\u003e\n\u003ctd\u003e1st order tweeter, 2nd order midrange, 4th order woofer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e86 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e240W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e33 Hz to 25 kHz (+\/-3 dB) \/ 28 Hz to 35 kHz (-6 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack laminate, White laminate, Walnut laminate\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eGrille\u003c\/td\u003e\n\u003ctd\u003eBlack magnetic (included)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e205 x 1140 x 311.5 mm \/ 8.1 x 44.9 x 12.3 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e302.2 x 1186.5 x 376 mm \/ 11.9 x 46.7 x 14.8 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e25.96 kg \/ 57.2 lbs per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold as\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDesigned and tuned in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Emit 50?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 50 is a three-way floorstanding loudspeaker sold as a pair, designed and tuned in Denmark as the flagship of Dynaudio's Emit series. It features a 28mm Cerotar tweeter with Hexis, a dedicated 15cm MSP midrange driver from the Evoke and Contour lineage, and twin 18cm MSP woofers with copper voice coils and dual-stacked magnets. Sensitivity is 86 dB, impedance is 4 ohms, power handling is 240W IEC, and frequency response extends from 33 Hz to 25 kHz. All drivers are voiced and measured at Dynaudio's Jupiter acoustic measurement facility.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dynaudio Emit 50 compare to the Klipsch RP-8000F II or Polk Audio Reserve R700?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 50, Klipsch RP-8000F II, and Polk Audio Reserve R700 are three-way floorstanders in an overlapping price segment but with fundamentally different design philosophies. The Klipsch RP-8000F II uses a Tractrix horn-loaded compression tweeter and dual 8-inch Cerametallic woofers, delivering high sensitivity around 98 dB for high-efficiency amplifier pairings and a forward, dynamic presentation. The Polk Reserve R700 uses the Pinnacle Ring Radiator tweeter and a 1-inch StereoHeight driver, with a focus on wide dispersion and height-channel compatibility. The Emit 50 differentiates itself with its hybrid three-way crossover using separate filter topologies per driver, a dedicated midrange unit traceable to the Contour series, and the Cerotar tweeter with Hexis from the Confidence line, prioritising tonal accuracy, low distortion, and natural midrange reproduction over maximum sensitivity.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the hybrid crossover in the Emit 50 and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 50's crossover uses three different filter topologies rather than applying a single standard design across all three drivers. The tweeter uses a first-order (6 dB per octave) network for minimal phase shift and the most natural transient behaviour through the high frequencies. The midrange uses a second-order (12 dB per octave) network for a balanced roll-off appropriate to its operating band. The woofers use a fourth-order (24 dB per octave) Linkwitz-Riley-style topology for a steep cut above 540 Hz, keeping bass-driver output well clear of the midrange band where it would cause overlap distortion. Using separate topologies for each driver section rather than a single universal approach allows Dynaudio's engineers to optimise phase and frequency behaviour for each driver individually, rather than compromising all three for the sake of engineering simplicity.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier does the Dynaudio Emit 50 work best with?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 50 is rated at 4 ohms with 86 dB sensitivity and 240W IEC power handling, making it best suited to a solid-state integrated amplifier capable of delivering stable current into a 4-ohm load. A minimum of 80W into 4 ohms is recommended for medium to large rooms, with more headroom beneficial for cinema-level listening levels. Integrated amplifiers from NAD, Cambridge Audio, Rotel, or Yamaha at appropriate power ratings are all well-matched choices. Because the Emit 50's sensitivity is on the lower side, budget or vintage receivers with limited current delivery may feel underpowered in larger rooms at higher volumes.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Dynaudio Emit 50 be used in a home cinema system?\u003c\/h3\u003e\n\u003cp\u003eYes, the Emit 50 is specifically designed for both stereo two-channel listening and multi-channel home cinema use in medium to large rooms. It is compatible with other speakers in the Emit range, including the Emit 30 centre channel and Emit 10 or Emit 20 bookshelf models as surrounds, for a full Emit multi-channel system with consistent Cerotar tweeter voicing across all channels. Its 33 Hz bass extension and 240W IEC power handling make it capable of delivering cinema-level dynamics without a subwoofer in many medium-sized rooms, though a Dynaudio Sub 3 or Sub 6 can be added for reinforcement in larger spaces.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Emit 50 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 50 is available as a pair at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss system matching for stereo or home cinema configurations.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Emit 50 differ from the Evoke 50?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 50 and Emit 50 are both three-way floorstanders with dedicated midrange drivers and twin 18cm woofers, but the Evoke 50 sits in a higher tier with a more extensive specification. The Evoke 50 uses MSP woofers with longer-throw Contour-derived surrounds, a midrange driver directly from the Contour range, three-stage adjustable rear bass ports, and a cabinet built to Dynaudio's furniture-grade finishing standards. The Emit 50 uses a midrange driver derived from the Evoke range rather than directly from the Contour, copper voice-coil woofers with dual-stacked magnets in a fixed-port enclosure, and three laminate finishes rather than the Evoke's veneer and high-gloss lacquer options. Both use the same Cerotar tweeter with Hexis. The Emit 50 reaches 33 Hz, one hertz deeper than the Evoke 50's 35 Hz, and represents the more accessible entry point into Dynaudio's three-way floorstander lineup.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"White","offer_id":48574821630259,"sku":"EMIT 50 W","price":2249.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":48574821663027,"sku":"EMIT 50 B","price":2249.0,"currency_code":"USD","in_stock":true},{"title":"Walnut","offer_id":48574821695795,"sku":"EMIT 50 W","price":2249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Dynaudio_Emit30_Walnut_Front_Angle-vinylsound.jpg?v=1712438743"},{"product_id":"dynaudio-emit-25c-speaker","title":"Dynaudio Emit 25C Speaker (Each)","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for our Dynaudio products.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePlease call or email us to place your order.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDynaudio Emit 25C Centre Channel Speaker at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Emit 25C is a 2.5-way centre channel loudspeaker from Dynaudio (Skanderborg, Denmark), available at Vinyl Sound in Buffalo, NY, USA. The dedicated centre channel for Dynaudio's Emit series, it is architecturally equivalent to an Emit 30 turned on its side, with a \u003cstrong\u003e28mm Cerotar soft-dome tweeter with Hexis\u003c\/strong\u003e flanked by twin \u003cstrong\u003e14cm MSP mid\/bass drivers\u003c\/strong\u003e with copper-clad aluminium voice coils and dual-stacked ferrite magnet systems. Sensitivity is 87 dB, impedance is \u003cstrong\u003e4 ohms\u003c\/strong\u003e, IEC power handling is 180W, and frequency response extends from \u003cstrong\u003e53 Hz to 25 kHz\u003c\/strong\u003e. A hybrid first- and second-order 2.5-way crossover at 1,000 Hz and 3,500 Hz is shared with the Emit 30, with adapted box and port tuning for the horizontal centre channel cabinet. The Emit 25C is designed, measured, and voiced at Dynaudio's Jupiter acoustic measurement facility in Skanderborg, Denmark.\u003c\/p\u003e\n\n\u003ch2\u003eCerotar Tweeter with Hexis: Consistent High-Frequency Character Across All Emit Channels\u003c\/h2\u003e\n\u003cp\u003eThe Emit 25C uses the identical Cerotar tweeter fitted in the full Emit series, as well as the Evoke family above it. This 28mm precision-coated soft-dome design traces its engineering to the Esotar Forty anniversary tweeter found in the Special Forty and draws on Confidence-range technology for the Hexis inner dome. The Hexis sits directly behind the tweeter diaphragm, suppressing resonances that form in the rear cavity and would otherwise reflect back through the playing surface to introduce coloration and frequency response irregularities. In a centre channel speaker dedicated primarily to dialogue reproduction, this suppression of tweeter resonance is directly audible as improved speech clarity and sustained listening comfort during long viewing sessions. The strontium carbonate Ferrite+ ceramic magnet drives the Cerotar with extended sensitivity and natural treble character. A first-order crossover network at 3,500 Hz is shared with the Emit 30, providing the least phase distortion of any filter topology and supporting precise integration with the flanking MSP drivers. Because the Emit 25C uses the same tweeter and crossover topology as the Emit 10, 20, 30, and 50 speakers in a multichannel system, the timbral character of the centre channel is fully consistent with all other channels in the Emit series.\u003c\/p\u003e\n\n\u003ch2\u003eDual 14cm MSP Drivers: Shared Architecture with the Emit 30 and Emit 10\u003c\/h2\u003e\n\u003cp\u003eThe Emit 25C's two 14cm MSP mid\/bass drivers are identical to those used in the Emit 10 and Emit 30, using one-piece Magnesium Silicate Polymer cones with integrated dust caps, Balance Ribs bonded directly to the voice-coil former, and copper-clad aluminium voice coils on two-layer glass-fibre formers. Aluminium is the primary winding material for its low mass and high winding count per unit weight, while the copper cladding improves electrical conductivity to give the amplifier stronger control authority over the cone's movement. This combination is particularly important for a centre channel driver that must resolve fine speech detail cleanly across a wide dynamic range. The dual-stacked ferrite magnet system concentrates magnetic flux directly on the voice coil for more precise motor control compared to a single magnet arrangement, and the long-throw surround from Dynaudio's Contour development work extends excursion for deeper bass output. The 2.5-way crossover mirrors the Emit 30's topology at 1,000 Hz and 3,500 Hz, with the upper driver handling mid\/bass through to the 3,500 Hz tweeter crossover point while the lower driver operates only below 1,000 Hz as a bass reinforcement unit. Box and port tuning are adapted for the horizontal 550mm x 170mm cabinet format, with a rear double-flared bass reflex port extending bass response to 53 Hz at -3 dB and 46 Hz at -6 dB.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCerotar Tweeter with Hexis:\u003c\/strong\u003e The same 28mm Cerotar from the Emit and Evoke series, with Hexis inner dome for resonance suppression, first-order crossover at 3,500 Hz for minimum phase distortion, and Ferrite+ ceramic magnet for fatigue-free treble suited to extended home cinema sessions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin 14cm MSP Mid\/Bass Drivers:\u003c\/strong\u003e Identical to the drivers in the Emit 10 and Emit 30, with one-piece MSP cones, copper-clad aluminium voice coils, dual-stacked ferrite magnets, and Balance Rib bonding for maximum mechanical coupling between cone and voice coil.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEmit 30 Shared Architecture:\u003c\/strong\u003e The same driver set and crossover topology as the Emit 30 floorstander, re-housed in a horizontal centre channel cabinet with adapted port tuning, ensuring tonal continuity between the centre channel and front Emit floorstanders in a multichannel system.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHybrid First- and Second-Order Crossover at 1,000 Hz \/ 3,500 Hz:\u003c\/strong\u003e First-order topology for the tweeter and second-order for the woofers, designed at Dynaudio's Jupiter facility for optimised driver integration and minimal phase distortion through the speech frequency band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRear Double-Flared Bass Reflex Port:\u003c\/strong\u003e A rear-firing port with internal and external flares, extending bass response to 46 Hz at -6 dB for a centre channel speaker, with tuned internal damping for consistent, clean low-frequency output.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Emit Series Compatibility:\u003c\/strong\u003e Voices to integrate with the Emit 10, 20, 30, and 50 speakers using shared driver and crossover architecture, ensuring consistent timbre across all channels in any Emit multichannel configuration.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact Horizontal Cabinet:\u003c\/strong\u003e At 550mm wide and 170mm tall, the Emit 25C fits on AV furniture below a large-screen display or on a shelf above one, designed in Denmark to blend into living room interiors.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Laminate Finishes:\u003c\/strong\u003e Black, White, and Walnut laminate, with magnetic grille included as standard.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eEmit\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eCentre channel, 2.5-way\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConfiguration\u003c\/td\u003e\n\u003ctd\u003eBass reflex, rear double-flared port\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e28mm Cerotar soft dome with Hexis\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Drivers\u003c\/td\u003e\n\u003ctd\u003e2 x 14cm MSP cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eVoice Coils\u003c\/td\u003e\n\u003ctd\u003eCopper-clad aluminium, two-layer glass-fibre former\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e2.5-way hybrid\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n\u003ctd\u003e1,000 Hz \/ 3,500 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Topology\u003c\/td\u003e\n\u003ctd\u003e1st order tweeter, 2nd order woofer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e87 dB @ 2.83V\/1m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRated Impedance\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIEC Power Handling\u003c\/td\u003e\n\u003ctd\u003e180W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e53 Hz to 25 kHz (+\/-3 dB) \/ 46 Hz to 35 kHz (-6 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinishes\u003c\/td\u003e\n\u003ctd\u003eBlack laminate, White laminate, Walnut laminate\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eGrille\u003c\/td\u003e\n\u003ctd\u003eBlack magnetic (included)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e550 x 170.1 x 271.5 mm \/ 21.7 x 6.7 x 10.7 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions incl. feet\/grille\u003c\/td\u003e\n\u003ctd\u003e550 x 170.1 x 284.5 mm \/ 21.7 x 6.7 x 11.2 in\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e10.98 kg \/ 24.2 lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold as\u003c\/td\u003e\n\u003ctd\u003eEach (single unit)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDesigned and tuned in\u003c\/td\u003e\n\u003ctd\u003eDenmark\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Dynaudio Emit 25C?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 25C is a 2.5-way centre channel loudspeaker designed and voiced in Denmark as part of Dynaudio's Emit series. It is architecturally equivalent to an Emit 30 turned on its side, sharing the same 28mm Cerotar tweeter with Hexis, twin 14cm MSP mid\/bass drivers with copper-clad aluminium voice coils, and hybrid crossover at 1,000 Hz and 3,500 Hz. Sensitivity is 87 dB, impedance is 4 ohms, power handling is 180W IEC, and frequency response extends from 53 Hz to 25 kHz. It is sold as a single unit.\u003c\/p\u003e\n\n\u003ch3\u003eWhich Dynaudio speakers does the Emit 25C integrate with?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 25C is voiced and architecturally matched to integrate with the full Emit series: Emit 10 and Emit 20 standmounts, and Emit 30 and Emit 50 floorstanders. All share the Cerotar tweeter with Hexis and the copper-clad aluminium voice coil mid\/bass driver family, ensuring consistent tonal character across all channels. Dynaudio's Sub 3 or Sub 6 subwoofers can be added for additional low-frequency extension in larger home cinema rooms.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Hexis inner dome and why does it matter for dialogue reproduction?\u003c\/h3\u003e\n\u003cp\u003eHexis is a small secondary dome positioned directly behind the Cerotar tweeter's 28mm diaphragm. It suppresses resonances that form in the tweeter's rear cavity by shaping rearward airflow, preventing these resonances from reflecting back through the dome and introducing frequency response coloration. For a centre channel speaker, the tweeter handles dialogue continuously throughout viewing sessions. Reducing tweeter resonance directly improves speech intelligibility and reduces the listening fatigue that uncorrected high-frequency coloration causes during extended cinema or television use.\u003c\/p\u003e\n\n\u003ch3\u003eHow should the Emit 25C be positioned relative to the display screen?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 25C can be placed either above or below the display screen. Its central tweeter placement keeps the Cerotar on the acoustic axis with the listener in either position. When placed below the screen on a TV bench or AV shelf, Dynaudio recommends at least 20 cm of clearance behind the rear double-flared port for clean bass output. The 550mm width accommodates placement on standard AV furniture below displays up to approximately 55 to 65 inches. A small downward tilt improves perceived dialogue focus when the speaker is placed above the screen.\u003c\/p\u003e\n\n\u003ch3\u003eWhat AV receiver is recommended for the Dynaudio Emit 25C?\u003c\/h3\u003e\n\u003cp\u003eThe Emit 25C is rated at 4 ohms with 87 dB sensitivity and 180W IEC power handling. Mid-range AV receivers from Denon, Marantz, Yamaha, or Sony rated at 60W or more per channel into 4 ohms are adequate for most medium-sized rooms. For larger rooms or high-output cinema listening, a receiver or separate multichannel amplifier rated at 100W or more into 4 ohms is recommended. The Emit 25C's 4-ohm impedance is consistent across the Emit series, simplifying multichannel amplifier channel matching in a full Emit system.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Dynaudio Emit 25C in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Emit 25C is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized Dynaudio dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to discuss multichannel system configurations or to arrange a demonstration of a full Emit home cinema setup.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Emit 25C differ from the Evoke 25C?\u003c\/h3\u003e\n\u003cp\u003eThe Dynaudio Evoke 25C is the centre channel for the Evoke series, using the same Cerotar tweeter with Hexis but pairing it with twin 14cm MSP Esotec+ drivers that use a Contour-derived long-throw seamless surround, in a 602mm-wide cabinet with four furniture-grade finishes including high-gloss lacquer and open-grain veneer options, with 88 dB sensitivity, 200W power handling, and a 2.5-way crossover at 1,200 Hz and 2,300 Hz. The Emit 25C uses the same driver architecture as the Emit 10 and Emit 30, with copper-clad aluminium voice coils and dual-stacked ferrite magnets, in a 550mm-wide laminate cabinet in three finishes with 87 dB sensitivity and 180W handling. The Evoke 25C extends bass slightly deeper at -3 dB and is the appropriate match for Evoke series front speakers, while the Emit 25C is matched to the Emit series.\u003c\/p\u003e","brand":"Dynaudio","offers":[{"title":"Walnut","offer_id":48574825955635,"sku":"EMIT 25C W","price":799.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":48574825988403,"sku":"EMIT 25C B","price":799.0,"currency_code":"USD","in_stock":true},{"title":"White","offer_id":48574826021171,"sku":"EMIT 25C W","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/Dynaudio_Emit_25C_White_Angle-VINYLSOUND.jpg?v=1712438755"},{"product_id":"devore-fidelity-o-reference-speakers","title":"Devore Fidelity O\/reference Speakers (Sold In Store Only)","description":"\u003ch3 class=\"entry-title\"\u003e\n\u003cspan style=\"color: rgb(255, 0, 0);\"\u003eALL DEVORE FIDELITY SPEAKERS ARE SOLD IN STORE ONLY - CALL FOR PRICING AND TO SCHEDULE AN IN STORE DEMO\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003ch1\u003eDeVore Fidelity O\/Reference Speaker System at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Orangutan O\/Reference is the reference flagship loudspeaker system from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Buffalo, NY, USA. A four-cabinet system comprising the \u003cstrong\u003eO\/Reference A main speaker\u003c\/strong\u003e and the \u003cstrong\u003eO\/Reference B Bassmachine\u003c\/strong\u003e active bass system, it represents over a decade of development and the most advanced driver technology DeVore Fidelity has produced. The O\/Reference A uses a \u003cstrong\u003e10-inch paper cone woofer with AlNiCo magnet and titanium former\u003c\/strong\u003e, a \u003cstrong\u003ebronze horn-loaded 1-inch silk dome tweeter\u003c\/strong\u003e with rare-earth magnet and underhung voice coil, and a \u003cstrong\u003e0.75-inch super-tweeter\u003c\/strong\u003e with bronze horn and rare-earth magnet. O\/Reference A sensitivity is \u003cstrong\u003e98 dB\/W\/M\u003c\/strong\u003e. The O\/Reference B Bassmachine adds an \u003cstrong\u003e11-inch reinforced aluminium woofer\u003c\/strong\u003e, an \u003cstrong\u003e11-inch aluminium passive radiator\u003c\/strong\u003e naturally tuned below 20 Hz, and a dedicated \u003cstrong\u003e700-watt amplifier\u003c\/strong\u003e with fully analog control. Handmade in Brooklyn, New York.\u003c\/p\u003e\n\n\u003ch2\u003eO\/Reference A: AlNiCo Motor, Copper Faraday Rings, and Bronze Horn Tweeter\u003c\/h2\u003e\n\u003cp\u003eThe O\/Reference A main speaker's 10-inch paper cone woofer represents the most comprehensively engineered driver in the Orangutan line. Its motor uses a pure AlNiCo magnet, a material that was the industry standard before ferrite took over due to cost, and which John DeVore has documented as delivering substantially lower harmonic distortion through the midrange compared to ferrite alternatives. Copper Faraday rings are positioned above and below the magnetic gap to control eddy current-induced inductive nonlinearity, one of the primary sources of high-frequency intermodulation distortion in dynamic drivers. A titanium voice-coil former provides the stiffness and heat dissipation of metal at a lower mass than aluminium, improving both power handling and the driver's mechanical precision. A machined bronze phase plug controls radiation pattern through the midrange band. The result is a woofer motor that achieves, in DeVore Fidelity's description, an order of magnitude lower distortion through most of the frequency range compared to the O\/96 driver. The O\/Reference A's tweeter takes the bronze horn technology developed in the O\/Bronze further, adding an all-new motor system with a large rare-earth magnet and an underhung voice coil, a construction method that keeps the entire voice coil winding within the magnetic gap at all times for more linear, lower-distortion high-frequency reproduction. A 0.75-inch super-tweeter with its own cast and machined bronze horn and rare-earth magnet extends the system's frequency range through and above the audioband, complementing the main tweeter's output in the uppermost octaves. Bronze port tubes are machined solid and isolated from the cabinet, and a machined brass input plate is similarly decoupled.\u003c\/p\u003e\n\n\u003ch2\u003eO\/Reference B Bassmachine: Passive Radiator, 700 Watts, and Amplifier-Tracking Signal Path\u003c\/h2\u003e\n\u003cp\u003eThe O\/Reference B is a standalone powered bass enclosure driven by a dedicated 700-watt Class D amplifier with fully analog control circuitry. Its 11-inch reinforced aluminium woofer is capable of 2.25 inches of peak excursion, a massive stroke developed to handle the full energy demands of the lowest octave without compression. Rather than a conventional ported enclosure, the Bassmachine uses a matching 11-inch aluminium passive radiator tuned in-cabinet below 20 Hz without equalization, preserving the natural tuning and integration that John DeVore determined was essential for seamless blending with the naturally-tuned O\/Reference A main speaker. The O\/Reference B's signal path draws its input from the same amplifier output that drives the O\/Reference A speakers, ensuring that any tonal character, colour, or texture contributed by the upstream amplifier is identically replicated in the bass system. The control circuitry is fully analog, with adjustable low-pass crossover, variable phase, subsonic filter, and equalization at 20 Hz and 35 Hz for room installation tailoring. A rigid 2-inch thick birch plywood front baffle and machined brass input plate reduce vibration transmission from the woofer into the cabinet structure.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAlNiCo Magnet Woofer Motor:\u003c\/strong\u003e Pure AlNiCo magnet with copper Faraday rings above and below the gap, titanium voice-coil former, and machined bronze phase plug for an order-of-magnitude lower midrange distortion compared to ferrite motor designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eO\/Reference Bronze Horn Tweeter with Underhung Voice Coil:\u003c\/strong\u003e Cast and machined bronze horn-loaded 1-inch silk dome with large rare-earth magnet and underhung voice-coil construction for maximum linearity at lower treble frequencies.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.75-Inch Bronze Horn Super-Tweeter:\u003c\/strong\u003e Cast and machined bronze horn with rare-earth magnet extending the system's frequency range through and above the audioband.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVibration-Isolated Bronze Port Tubes and Brass Input Plate:\u003c\/strong\u003e Solid machined bronze port tubes and machined brass input plate mechanically decoupled from the cabinet to minimise vibration contribution to the speaker's output.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e98 dB\/W\/M Sensitivity (O\/Reference A):\u003c\/strong\u003e The highest sensitivity in the Orangutan line, enabling single-ended triode amplifiers of 1 watt or less to drive the main speakers to full dynamic range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eO\/Reference B with 11-Inch Passive Radiator:\u003c\/strong\u003e Natural below-20Hz tuning via a matching passive radiator without equalization, preserving the integration character that matches the naturally-tuned O\/Reference A main speakers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e700-Watt Amplifier-Tracking Bass System:\u003c\/strong\u003e The Bassmachine receives its signal from the same amplifier output as the main speakers, preserving the tonal character of the upstream chain through the full frequency range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBronze Components Cast in Indiana, Machined in Virginia:\u003c\/strong\u003e All bronze castings are produced using efficiency-optimised casting processes in Indiana and machined in Virginia before shipping to Brooklyn for final assembly, reducing material waste by 90 to 95 percent compared to machining from solid blocks.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSystem\u003c\/td\u003e\n\u003ctd\u003eFour-cabinet: O\/Reference A main pair + O\/Reference B Bassmachine pair\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref A Tweeter\u003c\/td\u003e\n\u003ctd\u003e1-inch silk dome, bronze horn, rare-earth magnet, underhung voice coil\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref A Super-Tweeter\u003c\/td\u003e\n\u003ctd\u003e0.75-inch silk dome, cast bronze horn, rare-earth magnet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref A Woofer\u003c\/td\u003e\n\u003ctd\u003e10-inch paper cone, AlNiCo magnet, copper Faraday rings, titanium former, bronze phase plug\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref A Sensitivity\u003c\/td\u003e\n\u003ctd\u003e98 dB\/W\/M\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref A Port Tubes\u003c\/td\u003e\n\u003ctd\u003eSolid machined bronze, vibration-isolated\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref B Woofer\u003c\/td\u003e\n\u003ctd\u003e11-inch reinforced aluminium, 2.25-inch peak excursion\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref B Passive Radiator\u003c\/td\u003e\n\u003ctd\u003e11-inch reinforced aluminium, naturally tuned below 20 Hz in-cabinet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref B Amplifier\u003c\/td\u003e\n\u003ctd\u003e700W Class D with fully analog control circuitry\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref B Controls\u003c\/td\u003e\n\u003ctd\u003eAdjustable low-pass crossover, variable phase, subsonic filter, EQ at 20 Hz and 35 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eO\/Ref B Front Baffle\u003c\/td\u003e\n\u003ctd\u003e2-inch thick rigid birch plywood\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBronze Source\u003c\/td\u003e\n\u003ctd\u003eCast in Indiana, machined in Virginia, assembled in Brooklyn\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eBrooklyn, New York, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the DeVore Fidelity O\/Reference system?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity O\/Reference is a four-cabinet reference speaker system comprising the O\/Reference A two-channel main speakers and the O\/Reference B Bassmachine powered bass system. The O\/Reference A uses a 10-inch paper cone woofer with AlNiCo magnet and titanium former, a bronze horn-loaded 1-inch tweeter with underhung voice coil, and a 0.75-inch bronze horn super-tweeter, at 98 dB\/W\/M sensitivity. The O\/Reference B uses an 11-inch aluminium woofer and passive radiator with natural below-20Hz tuning driven by a 700-watt amplifier that tracks the main speaker amplifier's signal for tonal continuity.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does the O\/Reference use four cabinets instead of two?\u003c\/h3\u003e\n\u003cp\u003eJohn DeVore concluded that the only way to reconcile single-ended triode amplifier compatibility with reference-level bass extension was to move the lowest octave into a dedicated bass system separate from the main speaker cabinets. Removing deep bass excursion from the O\/Reference A main speakers allowed the 10-inch woofer to be optimised for 40 Hz and above with far lower distortion, and eliminated the cabinet vibration that deep bass generates in the main enclosure. The O\/Reference B Bassmachine could then be specifically engineered for below-20Hz duty with a massive-excursion aluminium woofer and passive radiator without compromising the main speaker's fundamental design advantages.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifiers are used with the O\/Reference A?\u003c\/h3\u003e\n\u003cp\u003eThe O\/Reference A's 98 dB\/W\/M sensitivity means it can be driven to full dynamic range by single-ended triode amplifiers producing as little as 1 watt, with push-pull tube and solid-state designs providing additional power reserves and tonal options. The O\/Reference system has been demonstrated with a variety of amplifier types at shows and in DeVore Fidelity's Brooklyn listening room. The O\/Reference B Bassmachine uses its own dedicated 700-watt amplifier and receives its signal from the same amplifier output driving the A speakers, so any amplifier's tonal character is preserved through the full frequency range.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the DeVore Fidelity O\/Reference in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity O\/Reference is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized DeVore Fidelity dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to discuss system configuration, room installation requirements, and amplifier pairing for the O\/Reference system.\u003c\/p\u003e","brand":"Devore Fidelity","offers":[{"title":"O\/REFERENCE","offer_id":48574837752115,"sku":"O\/REFERENCE","price":0.0,"currency_code":"USD","in_stock":true},{"title":"O\/REFERENCE 3","offer_id":48574837784883,"sku":"O\/REFERENCE3","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/DeVoreFidelityOReferenceSpeakers.png?v=1775575098"},{"product_id":"devore-fidelity-orangutan-o-96-speakers","title":"Devore Fidelity Orangutan O\/96 Speakers (Pair) (Sold In Store Only)","description":"\u003ch3 class=\"entry-title\"\u003e\n\u003cspan style=\"color: rgb(255, 0, 0);\"\u003eALL DEVORE FIDELITY SPEAKERS ARE SOLD IN STORE ONLY - CALL FOR PRICING AND TO SCHEDULE AN IN STORE DEMO\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003ch1\u003eDeVore Fidelity Orangutan O\/96 Floorstanding Speaker (Pair) at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Orangutan O\/96 is a two-way floorstanding loudspeaker from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Buffalo, NY, USA. The award-winning flagship of the original Orangutan series, it uses a \u003cstrong\u003e10-inch paper cone woofer\u003c\/strong\u003e with phase plug and a motor adapted from the Silverback Reference driver, alongside a \u003cstrong\u003e1-inch silk dome tweeter\u003c\/strong\u003e with double-magnet motor system and gentle horn loading. Sensitivity is \u003cstrong\u003e96 dB\/W\/M\u003c\/strong\u003e, impedance is \u003cstrong\u003e10 ohms\u003c\/strong\u003e, and frequency response extends from \u003cstrong\u003e26 Hz to 31 kHz\u003c\/strong\u003e. Dimensions are 12 inches deep, 18 inches wide, and 35.5 inches tall including integrated solid hardwood stands. Reviewed and purchased by Stereophile's Art Dudley as a personal reference, and reviewed in HiFi News, Stereophile, Part-Time Audiophile, Audiophilia, and Dagogo. Handmade in Brooklyn, New York. Sold as a pair.\u003c\/p\u003e\n\u003ch2\u003eSilverback Reference-Derived Woofer Motor and Horn-Loaded Tweeter\u003c\/h2\u003e\n\u003cp\u003eThe O\/96's 10-inch paper cone woofer uses a motor system adapted directly from DeVore Fidelity's Silverback Reference driver, a significant upgrade from what would be expected in a speaker of this size and sensitivity class. The motor adaptation involves the magnet system, pole piece geometry, and voice coil design that give the Silverback Reference its control and linearity, reengineered into a 10-inch paper cone driver optimised for the Orangutan cabinet volume and tuning. A phase plug at the centre of the cone controls midrange radiation pattern and extends the woofer's usable bandwidth upward, improving integration with the tweeter. The 1-inch silk dome tweeter uses a powerful double-magnet motor system and is gently horn-loaded, the horn providing controlled directivity in the critical lower treble octave where a bare dome tweeter's directivity pattern begins to narrow. The horn loading also contributes to the 96 dB\/W\/M sensitivity, directing more acoustic energy toward the listener per watt of input power. Integrated solid hardwood stands are included with each pair at the standard 35.5-inch total height.\u003c\/p\u003e\n\u003ch2\u003eOrangutan Series Philosophy: Designed for Low-Powered Tube Amplification\u003c\/h2\u003e\n\u003cp\u003eThe O\/96 was created specifically for low-powered tube amplification, a design brief that shapes every aspect of its specification. The 96 dB\/W\/M sensitivity allows a single-ended triode amplifier producing 1 to 2 watts to drive the O\/96 to realistic listening levels in a medium-sized room, with dynamic peaks handled by the headroom built into the speaker's motor and port systems rather than amplifier power reserves. The 10-ohm impedance is chosen for optimal compatibility with the output transformers of common tube amplifier designs, which present their most linear and lowest-distortion output into loads near their transformer's secondary impedance. DeVore Fidelity's published crossover design for the O\/96 is described as phase-friendly, minimising the reactive phase angle that many speakers introduce and which makes driving them more demanding for output-transformer-limited tube amplifiers. The O\/96 was the first Orangutan speaker to establish this design approach as a commercially available product in 2012, generating the critical recognition that led to the O\/93, O\/Bronze, and O\/Reference.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSilverback Reference-Derived 10-Inch Woofer:\u003c\/strong\u003e A paper cone woofer with a motor adapted from DeVore Fidelity's Silverback Reference driver, with phase plug and Orangutan-tuned port system extending bass response to 26 Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorn-Loaded 1-Inch Silk Dome Tweeter:\u003c\/strong\u003e Double-magnet motor tweeter with gentle horn loading for controlled directivity, improved sensitivity, and natural integration with the woofer through the critical lower treble region.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e96 dB\/W\/M Sensitivity:\u003c\/strong\u003e Sufficient for single-ended triode amplifiers from 1 watt upward, enabling the most resolving low-powered tube amplification to drive the O\/96 at full dynamic range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Ohm Impedance:\u003c\/strong\u003e Optimised for output transformer-coupled tube amplifiers, with a phase-friendly crossover that minimises reactive load demands across the audio band.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Solid Hardwood Stands:\u003c\/strong\u003e Solid hardwood stands included with each pair at 35.5 inches total height, with grilles included.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereophile Long-Term Reference:\u003c\/strong\u003e Purchased and used as a personal reference speaker by Stereophile's Art Dudley following his review.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHandmade in Brooklyn:\u003c\/strong\u003e Each pair is hand-built at DeVore Fidelity's Brooklyn workshop by John DeVore and his team.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eOrangutan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eTwo-way floorstanding with hardwood stands\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e1-inch silk dome, gently horn-loaded, double-magnet motor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWoofer\u003c\/td\u003e\n\u003ctd\u003e10-inch paper cone with phase plug, Silverback Reference-derived motor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e96 dB\/W\/M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e10 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e26 Hz to 31 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions incl. stands (D x W x H)\u003c\/td\u003e\n\u003ctd\u003e12 x 18 x 35.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStands\u003c\/td\u003e\n\u003ctd\u003eSolid hardwood, included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGrilles\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eBrooklyn, New York, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSold as\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eWhat is the DeVore Fidelity Orangutan O\/96?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity Orangutan O\/96 is a two-way floorstanding loudspeaker handmade in Brooklyn, New York, designed for low-powered tube amplification. It uses a 10-inch paper cone woofer with Silverback Reference-derived motor and phase plug, and a 1-inch gently horn-loaded silk dome tweeter with double-magnet motor. Sensitivity is 96 dB\/W\/M, impedance is 10 ohms, frequency response is 26 Hz to 31 kHz, and integrated solid hardwood stands are included. Sold as a pair.\u003c\/p\u003e\n\u003ch3\u003eHow does the O\/96 compare to the O\/Bronze?\u003c\/h3\u003e\n\u003cp\u003eThe O\/Bronze is the newer model positioned between the O\/96 and the flagship O\/Reference. Both use the same cabinet dimensions at 12 x 18 x 35.5 inches including stands. The O\/96 uses its original woofer motor and 1-inch silk dome tweeter with gentle horn loading. The O\/Bronze upgrades both drivers to cast and machined bronze chassis, uses the O\/Reference tweeter with bronze horn loading, and adds bronze port tubes isolated from the cabinet. The O\/Bronze achieves a higher level of driver linearity, dynamic coherence, and sonic refinement than the O\/96, reflected in its higher price. The O\/96 remains the reference value proposition in the Orangutan line for buyers entering the series.\u003c\/p\u003e\n\u003ch3\u003eCan the O\/96 be driven by solid-state amplification?\u003c\/h3\u003e\n\u003cp\u003eYes, the O\/96's 96 dB\/W\/M sensitivity and 10-ohm impedance are compatible with solid-state amplification across a wide power range. The speaker was designed primarily for low-powered tube amplifiers but performs well with solid-state designs including Class A amplifiers from Pass Labs, integrated amplifiers from Luxman, and others. The choice between tube and solid-state amplification significantly affects the O\/96's tonal presentation, with tube amplifiers generally producing more of the harmonic density and warmth the speaker is associated with.\u003c\/p\u003e\n\u003ch3\u003eWhere can I buy the DeVore Fidelity Orangutan O\/96 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity Orangutan O\/96 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized DeVore Fidelity dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss amplifier pairing for your system.\u003c\/p\u003e\n\u003cp\u003eLearn more about this product in our detailed video review:\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/z2MdeI4K-Rw\" height=\"450\" width=\"800\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/0yrDqgjFvjQ\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/h_0cMs5EeYs\" height=\"450\" width=\"800\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Devore Fidelity","offers":[{"title":"Hand Polished gloss Lace Walnut","offer_id":48574838341939,"sku":"O\/96G","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/DeVoreFidelityOrangutanO96Speakers_Pair.png?v=1775575044"},{"product_id":"devore-fidelity-orangutan-o-93-speakers-pair","title":"Devore Fidelity Orangutan O\/93 Speakers (Pair) (Sold In Store Only)","description":"\u003ch3 class=\"entry-title\"\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003eALL DEVORE FIDELITY SPEAKERS ARE SOLD IN STORE ONLY - CALL FOR PRICING AND TO SCHEDULE AN IN STORE DEMO\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDeVore Fidelity Orangutan O\/93 Floorstanding Speaker (Pair) at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\u003cp\u003eThe Orangutan O\/93 is a two-way floorstanding loudspeaker from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Buffalo, NY, USA. The more accessible model in DeVore Fidelity's Orangutan series, it uses a \u003cstrong\u003e10-inch paper cone woofer\u003c\/strong\u003e with phase plug and a \u003cstrong\u003e1-inch silk dome tweeter\u003c\/strong\u003e with gently horn-loaded motor, sharing the same tweeter as the O\/96. Sensitivity is \u003cstrong\u003e93 dB\/W\/M\u003c\/strong\u003e, impedance is \u003cstrong\u003e10 ohms\u003c\/strong\u003e, and frequency response extends from \u003cstrong\u003e30 Hz to 31 kHz\u003c\/strong\u003e. Dimensions are 10 inches deep, 15 inches wide, and 35.5 inches tall, with integrated solid hardwood stands. The O\/93 was selected as a Stereophile Editor's Choice in 2014. Handmade in Brooklyn, New York. Sold as a pair.\u003c\/p\u003e\n\u003ch2\u003e10-Inch Paper Cone Woofer, Phase Plug, and Shared O\/96 Tweeter\u003c\/h2\u003e\n\u003cp\u003eThe O\/93 retains the essential character of the Orangutan series in a speaker designed for slightly more amplifier flexibility than the 96 dB-sensitive O\/96. The 10-inch paper cone woofer uses a phase plug at the centre of the cone to control radiation pattern through the midrange transition and extend the driver's usable bandwidth. Paper cone construction provides the specific combination of low mass, controlled stiffness, and natural self-damping that John DeVore has refined across the full Orangutan series for the tonal character the speakers are recognised for. The 1-inch silk dome tweeter is the same unit used in the O\/96, with a powerful double-magnet motor system and gentle horn loading that increases sensitivity and shapes the tweeter's directivity pattern in the critical octave below the range where horn effects become audible. The O\/93's lower 93 dB\/W\/M sensitivity, relative to the O\/96's 96 dB, results from a different woofer motor optimisation rather than a different driver design philosophy, retaining much of the O\/96's clarity and tonal voice at a lower price point with somewhat broader amplifier compatibility.\u003c\/p\u003e\n\u003ch2\u003eOrangutan Series Design Philosophy and Solid Hardwood Stands\u003c\/h2\u003e\n\u003cp\u003eThe Orangutan series was developed by John DeVore specifically for the characteristics of low-powered tube amplification, particularly single-ended triode designs using 300B, 2A3, or EL34 output tubes. The high sensitivity, high impedance, and phase-friendly crossover design of the O\/93 make it capable of producing dynamic, engaging sound from amplifiers producing as little as 3 to 5 watts, while scaling effectively with higher-powered push-pull tube and solid-state designs. The 10-ohm impedance is particularly suited to output transformer-coupled tube amplifiers, which typically deliver their most linear performance into loads between 8 and 16 ohms. Integrated solid hardwood stands are included with each pair, completing the speaker as a finished unit at the 35.5-inch total height without requiring a separate stand purchase. The O\/93 shares the O\/96 cabinet width of 15 inches, making it slightly narrower and more room-friendly than the O\/96's 18-inch cabinet.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Inch Paper Cone Woofer with Phase Plug:\u003c\/strong\u003e A long-throw paper cone woofer with phase plug for controlled midrange radiation, extending bass response to 30 Hz in the Orangutan series cabinet.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShared O\/96 Silk Dome Tweeter:\u003c\/strong\u003e The same 1-inch silk dome tweeter as the O\/96, with double-magnet motor system and gentle horn loading, providing the tonal character and high-frequency resolution of the Orangutan flagship at the O\/93 price point.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e93 dB\/W\/M Sensitivity:\u003c\/strong\u003e High efficiency compatible with single-ended triode amplifiers from 3 to 5 watts and push-pull tube and solid-state designs, with broader amplifier pairing flexibility than the 96 dB O\/96.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Ohm Impedance:\u003c\/strong\u003e A high impedance load suited to output transformer-coupled tube amplifiers and compatible with most solid-state designs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereophile Editor's Choice 2014:\u003c\/strong\u003e Selected as a Stereophile Editor's Choice 2014 by Herb Reichert.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Solid Hardwood Stands:\u003c\/strong\u003e Solid hardwood stands included with each pair, completing the speaker at 35.5 inches total height.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact 15-Inch Wide Cabinet:\u003c\/strong\u003e Narrower than the O\/96 at 15 inches wide, providing slightly easier room placement for the Orangutan series design.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHandmade in Brooklyn:\u003c\/strong\u003e Each pair is hand-built at DeVore Fidelity's Brooklyn workshop.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eOrangutan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eTwo-way floorstanding with hardwood stands\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e1-inch silk dome, horn-loaded, double-magnet motor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWoofer\u003c\/td\u003e\n\u003ctd\u003e10-inch paper cone with phase plug\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e93 dB\/W\/M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e10 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e30 Hz to 31 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (D x W x H)\u003c\/td\u003e\n\u003ctd\u003e10 x 15 x 35.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStands\u003c\/td\u003e\n\u003ctd\u003eSolid hardwood, included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eBrooklyn, New York, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSold as\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStereophile Editor's Choice 2014 (Herb Reichert)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eWhat is the DeVore Fidelity Orangutan O\/93?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity Orangutan O\/93 is a two-way floorstanding loudspeaker handmade in Brooklyn, New York, using a 10-inch paper cone woofer with phase plug and the same 1-inch silk dome tweeter as the O\/96 with horn loading and double-magnet motor. Sensitivity is 93 dB\/W\/M, impedance is 10 ohms, frequency response is 30 Hz to 31 kHz, and integrated solid hardwood stands are included. It was selected as a Stereophile Editor's Choice in 2014. Sold as a pair.\u003c\/p\u003e\n\u003ch3\u003eWhat is the difference between the O\/93 and O\/96?\u003c\/h3\u003e\n\u003cp\u003eThe O\/96 and O\/93 share the same tweeter and Orangutan design philosophy but differ in woofer motor optimisation and sensitivity. The O\/96 uses a 10-inch woofer with a motor adapted from the Silverback Reference drivers, achieving 96 dB\/W\/M sensitivity and a slightly wider 18-inch cabinet. The O\/93 uses a different woofer motor optimisation reaching 93 dB\/W\/M sensitivity in a 15-inch wide cabinet, at a lower price. The O\/93 retains much of the O\/96's tonal character and benefits from the same tweeter and design approach, while offering slightly more amplifier flexibility for buyers whose amplifier output is between the O\/93's 3-watt floor and the O\/96's 1-watt capability.\u003c\/p\u003e\n\u003ch3\u003eWhat amplifiers pair well with the DeVore O\/93?\u003c\/h3\u003e\n\u003cp\u003eThe O\/93's 93 dB\/W\/M sensitivity and 10-ohm impedance pair well with single-ended triode amplifiers from 3 watts upward, push-pull tube amplifiers from 10 watts upward, and solid-state designs of any practical power level. The 10-ohm load is particularly well-suited to output transformer-coupled tube amplifiers. Amplifiers from Shindo Laboratory, Line Magnetic, Leben, Luxman, Primaluna, and Octave have all been paired with Orangutan speakers in published reviews and show demonstrations.\u003c\/p\u003e\n\u003ch3\u003eWhere can I buy the DeVore Fidelity Orangutan O\/93 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity Orangutan O\/93 is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized DeVore Fidelity dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss amplifier pairing for your system.\u003c\/p\u003e\n\u003cp\u003eLearn more about this product in our detailed video review:\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/ySyg78pswyQ\" height=\"450\" width=\"800\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/H_rDQq2ivYA\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/h_0cMs5EeYs\" height=\"450\" width=\"800\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Devore Fidelity","offers":[{"title":"Fiddleback Mahogany \/ With O\/93 Grills","offer_id":48574841028915,"sku":"O\/93G","price":0.0,"currency_code":"USD","in_stock":true},{"title":"Fiddleback Mahogany \/ Without O\/93 Grills","offer_id":48574841061683,"sku":"O\/93","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/DeVoreFidelityOrangutanO93Speakers_Pair.png?v=1775575021"},{"product_id":"devore-fidelity-gibbon-x-ten-speakers-pair","title":"Devore Fidelity Gibbon X “Ten” Speakers (Pair) (Sold In Store Only)","description":"\u003ch3 class=\"entry-title\"\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003eALL DEVORE FIDELITY SPEAKERS ARE SOLD IN STORE ONLY - CALL FOR PRICING AND TO SCHEDULE AN IN STORE DEMO\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDeVore Fidelity Gibbon X \"Ten\" Floorstanding Speaker (Pair) at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Gibbon X is a three-way reference floorstanding loudspeaker from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Buffalo, NY, USA. The flagship of DeVore Fidelity's Gibbon series, it uses a proprietary \u003cstrong\u003e0.75-inch ultra-low-mass textile dome tweeter\u003c\/strong\u003e in an inert chamber, a \u003cstrong\u003e7-inch midrange driver\u003c\/strong\u003e with phase plug and inverted natural rubber surround in its own sealed enclosure, and a pair of \u003cstrong\u003elong-throw 9-inch woofers\u003c\/strong\u003e in a tuned four-chamber reflex enclosure. Sensitivity is \u003cstrong\u003e91.5 dB\/W\/M\u003c\/strong\u003e, impedance is \u003cstrong\u003e8.5 ohms\u003c\/strong\u003e (7.3 ohms minimum), and frequency response extends from \u003cstrong\u003e23 Hz to 40 kHz\u003c\/strong\u003e. Dimensions are 44 inches tall by 9 inches wide by 17.5 inches deep, not including feet. Available in Cherry, Mahogany, and Mink bamboo finishes. Handmade in Brooklyn, New York. Sold as a pair.\u003c\/p\u003e\n\n\u003ch2\u003eThree-Way Architecture: Dedicated Sealed Midrange and Four-Chamber Woofer Enclosure\u003c\/h2\u003e\n\u003cp\u003eThe Gibbon X's fundamental design advantage over the Gibbon Super Nine and all other Gibbon models is its fully differentiated three-way driver array. The 0.75-inch ultra-low-mass textile dome tweeter operates in its own inert chamber, completely isolated from the cabinet structure and the air volumes managed by the midrange and woofer sections. Below it, a 7-inch midrange driver uses a phase plug to control the radiation pattern through the midrange band and an inverted natural rubber surround for extended linearity at higher excursion. This driver operates in its own sealed sub-enclosure within the cabinet, preventing any acoustic interaction between the midrange air volume and the tuned woofer enclosure. The two 9-inch long-throw woofers operate in a tuned four-chamber enclosure, a complex internal partitioning arrangement that controls the acoustic loading conditions for each woofer independently rather than placing both in a single undivided bass volume. Frequency response extending to 23 Hz is achieved through this multi-chamber tuning without equalization. Stereophile's Jim Austin, in his review, classified the Gibbon X as a Class A performer.\u003c\/p\u003e\n\n\u003ch2\u003eBamboo Cabinet and DeVore Fidelity's Brooklyn Workshop\u003c\/h2\u003e\n\u003cp\u003eLike all Gibbon series speakers, the X uses solid bamboo in a butcherblock-style construction, with plywood internal bracing and composite baffles, in this case scaled to a 9-inch wide, 44-inch tall cabinet that remains narrower than most three-way floorstanders at this performance level. John DeVore has noted that the Gibbon X's narrow baffle width, combined with the separated driver enclosure volumes, contributes directly to the speaker's imaging precision and its ability to project stable, three-dimensional images well outside the physical boundaries of the cabinet. Each pair is handmade in DeVore Fidelity's Brooklyn workshop.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.75-Inch Ultra-Low-Mass Textile Dome Tweeter:\u003c\/strong\u003e A proprietary DeVore Fidelity tweeter in an inert isolation chamber, extending response to 40 kHz and providing the coherent, high-resolution treble that defines the Gibbon series character.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDedicated 7-Inch Midrange in Sealed Sub-Enclosure:\u003c\/strong\u003e A purpose-built midrange driver with phase plug and inverted natural rubber surround, operating in its own sealed volume for complete acoustic isolation from the woofer section.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual 9-Inch Long-Throw Woofers in Four-Chamber Enclosure:\u003c\/strong\u003e Two large-format long-throw woofers in a multi-chamber tuned enclosure that controls acoustic loading independently per woofer, extending bass response to 23 Hz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e91.5 dB\/W\/M Sensitivity:\u003c\/strong\u003e Compatible with low-powered tube amplification and a broad range of solid-state designs, while scaling upward with higher-powered amplification.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStereophile Class A Recommended Component:\u003c\/strong\u003e Reviewed and classified as Class A by Stereophile, with Jim Austin describing the Gibbon X as a highly recommended reference-level performer.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParttime Audiophile Editor's Choice 2014:\u003c\/strong\u003e Named Editor's Choice and Product of the Year 2014 by Parttime Audiophile.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNarrow 9-Inch Wide Cabinet:\u003c\/strong\u003e Despite three-way architecture, the cabinet is just 9 inches wide, reducing early reflections from the baffle and enabling placement in smaller rooms than conventional three-way speakers at this bass extension level.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSolid Bamboo Construction:\u003c\/strong\u003e Butcherblock bamboo with plywood bracing and composite baffles, three finish options, handmade in Brooklyn.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eGibbon\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eThree-way reflex-loaded floorstanding\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e0.75-inch ultra-low-mass textile dome in inert chamber\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMidrange\u003c\/td\u003e\n\u003ctd\u003e7-inch paper cone with phase plug, sealed sub-enclosure\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofers\u003c\/td\u003e\n\u003ctd\u003e2 x 9-inch long-throw paper cone, four-chamber enclosure\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e91.5 dB\/W\/M\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8.5 ohms (16 ohms max, 7.3 ohms min at 26Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e23 Hz to 40 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCabinet\u003c\/td\u003e\n\u003ctd\u003eSolid bamboo, plywood bracing, composite baffles\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e44 x 9 x 17.5 in (not including feet)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish Options\u003c\/td\u003e\n\u003ctd\u003eCherry, Mahogany, Mink (bamboo)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eBrooklyn, New York, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold as\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eStereophile Recommended Component, Class A\u003c\/li\u003e\n  \u003cli\u003eParttime Audiophile Editor's Choice and Product of the Year 2014\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the DeVore Fidelity Gibbon X?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity Gibbon X is a three-way reflex-loaded floorstanding loudspeaker handmade in Brooklyn, New York, and the flagship of the Gibbon series. It uses a 0.75-inch textile dome tweeter in an inert chamber, a 7-inch midrange in a sealed sub-enclosure, and dual 9-inch long-throw woofers in a four-chamber tuned enclosure. Sensitivity is 91.5 dB\/W\/M, impedance is 8.5 ohms, and frequency response extends from 23 Hz to 40 kHz. It is a Stereophile Class A Recommended Component and Parttime Audiophile Product of the Year 2014. Sold as a pair.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Gibbon X compare to the Orangutan O\/96?\u003c\/h3\u003e\n\u003cp\u003eThe Gibbon X and O\/96 represent DeVore Fidelity's two flagship speaker families, each with a distinct design philosophy. The O\/96 is a two-way design with a 10-inch paper woofer and 1-inch silk dome tweeter in a wider cabinet, optimised for single-ended triode and low-powered tube amplification at 96 dB\/W\/M sensitivity with a 10-ohm impedance. The Gibbon X is a three-way design with a 0.75-inch tweeter, dedicated 7-inch midrange in a sealed sub-enclosure, and dual 9-inch woofers in a narrower cabinet reaching deeper bass at 23 Hz with 91.5 dB\/W\/M sensitivity and 8.5-ohm impedance. The O\/96 prioritises SET compatibility and tonal density; the Gibbon X prioritises absolute frequency extension, dynamic scale, and three-dimensional imaging precision.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifiers are recommended for the Gibbon X?\u003c\/h3\u003e\n\u003cp\u003eThe Gibbon X's 91.5 dB\/W\/M sensitivity is compatible with amplifiers from approximately 10 watts upward, including push-pull tube integrated amplifiers, single-ended triode designs with at least 8 watts, and solid-state designs across a wide power range. Its 8.5-ohm impedance is suitable for both tube and solid-state amplifiers. Stereophile's Jim Austin auditioned the Gibbon X with vacuum tube preamplification and power amplification and found it scaled well with high-quality upstream components. The speaker rewards amplifier investment and is transparent to differences between amplifier designs.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the DeVore Fidelity Gibbon X in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity Gibbon X is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized DeVore Fidelity dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss system matching and finish options.\u003c\/p\u003e","brand":"Devore Fidelity","offers":[{"title":"Cherry","offer_id":48574842339635,"sku":"GIBBON X C","price":0.0,"currency_code":"USD","in_stock":true},{"title":"Mahogany","offer_id":48574842372403,"sku":"GIBBON X MH","price":0.0,"currency_code":"USD","in_stock":true},{"title":"Mink","offer_id":48574842405171,"sku":"GIBBON X M","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/DeVoreFidelityGibbonX_Ten_Speakers_Pair.png?v=1775574991"},{"product_id":"devore-fidelity-gibbon-super-nine-speakers-pair","title":"Devore Fidelity Gibbon Super Nine Speakers (Pair) (Sold In Store Only)","description":"\u003ch3 class=\"entry-title\"\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003eALL DEVORE FIDELITY SPEAKERS ARE SOLD IN STORE ONLY - CALL FOR PRICING AND TO SCHEDULE AN IN STORE DEMO\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch1\u003eDeVore Fidelity Gibbon Super Nine Floorstanding Speaker (Pair) at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Gibbon Super Nine is a 2.5-way floorstanding loudspeaker from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Buffalo, NY, USA. The flagship of DeVore Fidelity's Gibbon series, it incorporates the \u003cstrong\u003e0.75-inch textile dome tweeter\u003c\/strong\u003e first debuted in the flagship Gibbon X alongside two \u003cstrong\u003elong-throw 7-inch paper cone woofers\u003c\/strong\u003e in a solid bamboo, plywood, and composite enclosure. Sensitivity is \u003cstrong\u003e91 dB\/W\/M\u003c\/strong\u003e, nominal impedance is \u003cstrong\u003e8 ohms\u003c\/strong\u003e (5.5 ohm minimum), and frequency response extends from \u003cstrong\u003e28 Hz to 38 kHz\u003c\/strong\u003e. At 37 inches tall and 8.5 inches wide, the Super Nine is designed for easy room placement and wide sweet-spot listening. Finished in dyed solid bamboo in Cherry, Mahogany, or Mink. Handmade in Brooklyn, New York. Sold as a pair.\u003c\/p\u003e\n\n\u003ch2\u003e0.75-Inch Textile Tweeter from the Gibbon X and 2.5-Way Architecture\u003c\/h2\u003e\n\u003cp\u003eThe Super Nine's defining technical feature is the proprietary 0.75-inch textile dome tweeter, developed initially for DeVore Fidelity's reference Gibbon X and subsequently brought into the Super Nine to deliver Gibbon X-level high-frequency performance in a more accessible cabinet. The tweeter is suspended in an inert chamber that isolates it from cabinet resonances, providing clean high-frequency reproduction unclouded by structural coloration. Its small dome size gives it a higher resonant frequency and lower moving mass than a conventional 1-inch dome, extending the speaker's usable frequency range to 38 kHz and improving coherence through the critical midrange-to-treble transition. The 2.5-way crossover architecture uses both 7-inch paper cone woofers for bass reproduction but transitions only the upper woofer into midrange operation, keeping the lower woofer dedicated to bass reinforcement below the internal crossover point. This arrangement provides the bass extension and output of a dual-woofer design while maintaining a single, coherent driver responsible for the midrange band where vocals and instruments reside.\u003c\/p\u003e\n\n\u003ch2\u003eSolid Bamboo Cabinet Construction and Room Placement Philosophy\u003c\/h2\u003e\n\u003cp\u003eGibbon series cabinets are built from solid butcherblock-style bamboo sheets with multiple internal plywood braces. The front and rear baffles use a composite material, with the front baffle machined to a full 1-inch thickness and the rear baffle to 0.75 inches. Cabinet walls vary from 0.75 to 1.5 inches in thickness. Drivers are attached using T-nuts and machine screws for a precise, repeatable, metal-on-metal connection that eliminates the loosening associated with wood-screw driver mounting. At 37 inches tall and 8.5 inches wide, the Super Nine has a narrow footprint suited to smaller rooms, and John DeVore specifically designed the speaker for wide sweet-spot imaging that does not require aggressive toe-in. The three bamboo finishes, Cherry, Mahogany, and Mink, use natural bamboo's inherent grain stained to different tones, making each pair visually distinctive.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGibbon X-Derived 0.75-Inch Textile Tweeter:\u003c\/strong\u003e The proprietary small-dome textile tweeter first developed for the flagship Gibbon X, suspended in an inert chamber for resonance isolation and extending frequency response to 38 kHz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual Long-Throw 7-Inch Paper Cone Woofers:\u003c\/strong\u003e Two paper cone woofers in a 2.5-way configuration providing bass extension to 28 Hz from a compact 8.5-inch-wide cabinet.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2.5-Way Reflex-Loaded Design:\u003c\/strong\u003e A crossover architecture that uses both woofers for bass while reserving the upper woofer for midrange duty, optimising tonal coherence through the midrange band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e91 dB\/W\/M Sensitivity:\u003c\/strong\u003e High efficiency compatible with lower-powered amplification including integrated tube amplifiers of 20 watts or more, as well as conventional solid-state designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e8-Ohm Nominal Impedance:\u003c\/strong\u003e A relatively benign impedance for a speaker of this sensitivity class, broadening amplifier compatibility compared to the Orangutan series' higher-impedance designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSolid Bamboo Cabinet:\u003c\/strong\u003e Butcherblock-style bamboo with multiple internal plywood braces, 1-inch composite front baffle, T-nut driver mounting, and narrow 8.5-inch width for easy room placement.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Bamboo Finishes:\u003c\/strong\u003e Cherry, Mahogany, and Mink dyed bamboo, handmade in DeVore Fidelity's Brooklyn workshop.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSold as a Pair:\u003c\/strong\u003e Supplied as a complete stereo pair. Weight is approximately 55 lbs per speaker.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSeries\u003c\/td\u003e\n\u003ctd\u003eGibbon\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2.5-way reflex-loaded floorstanding\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTweeter\u003c\/td\u003e\n\u003ctd\u003e0.75-inch (19mm) proprietary textile dome in inert chamber\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWoofers\u003c\/td\u003e\n\u003ctd\u003e2 x 7-inch (178mm) long-throw paper cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e91 dB\/W\/M\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e8 ohms nominal, 5.5 ohms minimum\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e28 Hz to 38 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCabinet\u003c\/td\u003e\n\u003ctd\u003eSolid bamboo, plywood braces, composite baffles\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e37 x 8.5 x 13.75 in (not including feet)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e55 lbs \/ 25 kg per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish Options\u003c\/td\u003e\n\u003ctd\u003eCherry, Mahogany, Mink (bamboo)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e5 years limited\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHandmade in\u003c\/td\u003e\n\u003ctd\u003eBrooklyn, New York, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSold as\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the DeVore Fidelity Gibbon Super Nine?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity Gibbon Super Nine is a 2.5-way reflex-loaded floorstanding loudspeaker handmade in Brooklyn, New York, using the 0.75-inch textile dome tweeter from the flagship Gibbon X and two long-throw 7-inch paper cone woofers in a solid bamboo cabinet. Sensitivity is 91 dB\/W\/M, impedance is 8 ohms nominal with a 5.5-ohm minimum, and frequency response extends from 28 Hz to 38 kHz. Available in Cherry, Mahogany, and Mink bamboo finishes. Sold as a pair.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Gibbon Super Nine differ from the Gibbon X?\u003c\/h3\u003e\n\u003cp\u003eThe Gibbon X is DeVore Fidelity's reference three-way Gibbon series speaker, using the same 0.75-inch tweeter, a dedicated 7-inch midrange driver in its own sealed enclosure, and a pair of 9-inch woofers in a tuned four-chamber enclosure, measuring 44 inches tall and 9 inches wide. The Super Nine is a 2.5-way design using two 7-inch woofers without a dedicated midrange driver, in a more compact 37-inch tall, 8.5-inch wide cabinet. The X reaches 23 Hz versus the Super Nine's 28 Hz, and offers higher ultimate resolution and dynamic headroom in a larger cabinet at a higher price point. The Super Nine delivers much of the Gibbon X character in a narrower, more room-friendly package.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifiers work well with the Gibbon Super Nine?\u003c\/h3\u003e\n\u003cp\u003eThe Super Nine's 91 dB\/W\/M sensitivity and 8-ohm nominal impedance make it compatible with a wide range of amplification. Its sensitivity supports clean performance from integrated tube amplifiers from 20 watts upward, as well as solid-state designs. Unlike the Orangutan series, which is specifically optimised for single-ended triode and low-impedance tube output stages, the Super Nine's 8-ohm load is well-suited to a broader set of amplifiers including push-pull tube designs and conventional solid-state integrated amplifiers from manufacturers such as Luxman, Octave, Line Magnetic, Pass Labs, or Naim.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Gibbon Super Nine difficult to place in a room?\u003c\/h3\u003e\n\u003cp\u003eNo, John DeVore specifically designed the Super Nine for practical room placement and wide sweet-spot imaging. Its narrow 8.5-inch width reduces early reflections from the cabinet edges, and the speaker is voiced to perform well without aggressive toe-in toward the listening position. The reflex port design and 2.5-way crossover provide bass extension to 28 Hz from a cabinet that fits comfortably in smaller and medium-sized rooms.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the DeVore Fidelity Gibbon Super Nine in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe DeVore Fidelity Gibbon Super Nine is available at Vinyl Sound in Buffalo, NY, USA. Vinyl Sound is an authorized DeVore Fidelity dealer serving customers in Buffalo, Western New York, and across the United States. Contact Vinyl Sound Buffalo to arrange a listening demonstration or to discuss amplifier pairing and finish options.\u003c\/p\u003e\n\u003cp\u003eLearn more about this product in our detailed video review:\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/h_0cMs5EeYs\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/5Um9HVPep0g\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Devore Fidelity","offers":[{"title":"Cherry","offer_id":48574842700083,"sku":"SUPERNINEC","price":0.0,"currency_code":"USD","in_stock":true},{"title":"Mahogany","offer_id":48574842732851,"sku":"SUPERNINEMH","price":0.0,"currency_code":"USD","in_stock":true},{"title":"Mink","offer_id":48574842765619,"sku":"SUPERNINEM","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/DeVoreFidelityGibbonSuperNineSpeakers_Pair.png?v=1775574955"},{"product_id":"mission-700-bookshelf-loudspeakers","title":"Mission 700 Bookshelf Loudspeakers (Pair)","description":"\u003ch1\u003eMission 700 Bookshelf Loudspeakers at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Mission 700 is a 2-way bass reflex standmount loudspeaker from Mission (Huntingdon, Cambridgeshire, United Kingdom), available at Vinyl Sound in Buffalo, NY, USA. Designed by IAG Director of Acoustic Design Peter Comeau, the 700 revives the original Mission 700 first introduced in 1980, one of the earliest loudspeakers to feature Mission's landmark Inverted Driver Geometry (IDG). Drawing on 45 years of Mission loudspeaker development, the new 700 pairs a \u003cstrong\u003e6.5\" mineral-loaded polypropylene mid\/bass driver\u003c\/strong\u003e with a \u003cstrong\u003e28mm coated microfibre soft dome tweeter\u003c\/strong\u003e, achieving bass extension to \u003cstrong\u003e38Hz (-6dB)\u003c\/strong\u003e from a 24.8-litre sandwich cabinet measuring 510mm tall. Winner of the StereoNET Applause Award 2023 and the AUDIO stereoplay Goldenes Ohr 2024 Bronze Award, the Mission 700 brings together British Hi-Fi heritage, time-alignment engineering, and modern acoustic refinement in one of the most visually distinctive standmount loudspeakers available today.\u003c\/p\u003e\n\n\u003ch2\u003eInverted Driver Geometry: Mission's Defining Engineering Contribution\u003c\/h2\u003e\n\u003cp\u003eThe Mission 700 is the loudspeaker that introduced Inverted Driver Geometry to Mission's lineup, and the modern re-engineering preserves this principle as its central acoustic philosophy. IDG positions the tweeter below the mid\/bass driver, rather than above it as in conventional loudspeaker arrangements. By placing the tweeter lower, the distance its output travels to reach the listener's ears at seated height is equalized with that of the larger mid\/bass driver, achieving improved time alignment between the two drivers. This time-aligned integration means the bass, midrange, and treble outputs arrive at the listening position with precise phase coherence, producing a more accurate and stable stereo image than a conventionally arrayed speaker of comparable specification can achieve. IDG is not a simple cabinet inversion: every aspect of the driver spacing, mechanical layout, and crossover design requires precise calculation to realize its time-alignment benefit, a process that Peter Comeau has refined over four decades of Mission loudspeaker engineering.\u003c\/p\u003e\n\n\u003ch2\u003ePolypropylene Driver and Tweeter Development\u003c\/h2\u003e\n\u003cp\u003eThe Mission 700's 6.5\" mid\/bass driver is a model-specific design using a mineral-loaded polypropylene cone built on a rigid cast chassis. The mineral loading increases cone stiffness over the original 700's driver, yielding tighter, faster bass reproduction that resolves instrumental detail rather than blurring it. A low-density surround is precisely matched to the cone's acoustic impedance to minimize edge reflections, and the profiled reflex port, flared at both inlet and outlet, extends bass cleanly to below 38Hz while eliminating the one-note bass coloration common in many bass reflex designs. The 28mm coated microfibre soft dome tweeter represents a significant upgrade over the original 700's 19mm unit, providing improved power handling, a wider operating bandwidth, and smoother high-frequency extension. A specially damped rear chamber controls the tweeter's fundamental resonance, lowering it well below the 3.0kHz crossover point for clean, natural treble reproduction across the full high-frequency band.\u003c\/p\u003e\n\n\u003ch2\u003eCrossover Engineering and Cabinet Construction\u003c\/h2\u003e\n\u003cp\u003eThe Mission 700 crossover is developed through a combination of advanced software-based simulation and thousands of hours of listening tests, reflecting Mission's commitment to ear-led refinement alongside measurement accuracy. The result is a musically coherent, phase-accurate handoff at 3.0kHz that preserves the tonal evenness and dynamic character across the driver boundary. The cabinet uses a sandwich construction of differing wood materials bonded by a layer of damping adhesive, mirroring the structural philosophy of the larger 770, with internal bracing adding further front-baffle rigidity and mechanical support for the drivers. A mixture of foam and long-hair fibre provides resonance absorption and reflection control inside the enclosure without overdamping the bass character. Externally, the cabinet carries hand-applied walnut or black real-wood veneer with the signature white laminated front baffle, maintaining the visual language of the original 1980 Mission 700.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInverted Driver Geometry (IDG):\u003c\/strong\u003e The tweeter is positioned below the mid\/bass driver to equalize path length to the listener's ears, achieving improved time alignment and phase coherence between the two drivers for a more accurate, stable stereo image.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6.5\" Mineral-Loaded Polypropylene Mid\/Bass Driver:\u003c\/strong\u003e A model-specific cast chassis driver with a stiffened mineral-loaded cone, low-density nitrile surround, and profiled reflex port delivering tight, fast, articulate bass extending to 38Hz (-6dB).\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e28mm Coated Microfibre Soft Dome Tweeter:\u003c\/strong\u003e An upgrade over the original 700's 19mm unit, offering improved power handling and a smoother high-frequency response, with a damped rear chamber controlling fundamental resonance below the crossover region.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eListening-Refined Crossover at 3.0kHz:\u003c\/strong\u003e Developed through thousands of hours of listening tests alongside software-based simulation, delivering phase-accurate, musically coherent driver integration across the full frequency range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSandwich Cabinet Construction:\u003c\/strong\u003e Differing wood materials bonded by a damping adhesive layer, with internal bracing and a foam and long-hair fibre combination suppressing resonances and internal reflections.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHand-Applied Real-Wood Veneer:\u003c\/strong\u003e Walnut or black real-wood veneer with a signature white laminated front baffle, maintaining the distinctive aesthetic of the original 1980 Mission 700.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOptional Precision-Engineered Stands:\u003c\/strong\u003e The Mission 700 Stand uses high-carbon steel columns with internal damping, hardened stainless steel base spikes, and a top plate dimensioned precisely to the 700's cabinet footprint, available at Vinyl Sound Buffalo.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAward-Winning Performance:\u003c\/strong\u003e StereoNET Applause Award 2023 and AUDIO stereoplay Goldenes Ohr 2024 Bronze Award.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eMission 700\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-Way Vented-Box Standmount\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure\u003c\/td\u003e\n\u003ctd\u003eBass Reflex\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e6.5\" (165mm) Mineral-Loaded Polypropylene Cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTreble Driver\u003c\/td\u003e\n\u003ctd\u003e1.25\" (28mm) Coated Microfibre Soft Dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDriver Geometry\u003c\/td\u003e\n\u003ctd\u003eInverted Driver Geometry (IDG)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e86dB (2.83V @ 1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMinimum Impedance\u003c\/td\u003e\n\u003ctd\u003e5.2 Ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e45Hz - 20kHz (+\/-3dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass Extension\u003c\/td\u003e\n\u003ctd\u003e38Hz (-6dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e3.0kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRecommended Amplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 - 150W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePeak SPL\u003c\/td\u003e\n\u003ctd\u003e106dB\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCabinet Volume\u003c\/td\u003e\n\u003ctd\u003e24.8 Litres\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHeight (on plinth)\u003c\/td\u003e\n\u003ctd\u003e510mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWidth\u003c\/td\u003e\n\u003ctd\u003e260mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDepth (with terminals)\u003c\/td\u003e\n\u003ctd\u003e292mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003e12.8kg per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eReal Wood Veneer - Walnut or Black\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eMission 700 Stand Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eColumns\u003c\/td\u003e\n\u003ctd\u003eHigh-Carbon Steel with Internal Damping\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTop Plate\u003c\/td\u003e\n\u003ctd\u003eHigh-Carbon Steel\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBase Frame\u003c\/td\u003e\n\u003ctd\u003eInterlocked High-Carbon Steel Tube\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBase Spikes\u003c\/td\u003e\n\u003ctd\u003eHardened Stainless Steel\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHeight (on spikes)\u003c\/td\u003e\n\u003ctd\u003e485mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWidth\u003c\/td\u003e\n\u003ctd\u003e320mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDepth\u003c\/td\u003e\n\u003ctd\u003e330mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTop Plate (W x D)\u003c\/td\u003e\n\u003ctd\u003e260 x 270mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003e6.5kg per stand\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eStereoNET Applause Award - 2023\u003c\/li\u003e\n  \u003cli\u003eAUDIO stereoplay Goldenes Ohr - Bronze Award, 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mission 700?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 700 is a 2-way bass reflex standmount loudspeaker designed by Peter Comeau of IAG and engineered in Huntingdon, Cambridgeshire, United Kingdom. It features a 6.5\" mineral-loaded polypropylene mid\/bass driver, a 28mm coated microfibre soft dome tweeter, Inverted Driver Geometry for improved time alignment, 86dB sensitivity, a nominal impedance of 8 ohms, and bass extension to 38Hz (-6dB) from a 24.8-litre sandwich cabinet. A modern re-engineering of the original Mission 700 introduced in 1980, the 700 won the StereoNET Applause Award 2023 and AUDIO stereoplay Goldenes Ohr 2024 Bronze Award.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is Inverted Driver Geometry and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eInverted Driver Geometry (IDG) is a loudspeaker driver arrangement developed by Mission in which the tweeter is positioned below the mid\/bass driver rather than above it. In a conventional speaker array, the tweeter sits at the top of the baffle, meaning its output travels a shorter distance to the listener's ears than the mid\/bass driver below it. This difference in path length creates a phase offset between the two drivers at the crossover frequency. By inverting the arrangement so the tweeter is lower, Mission equalizes the acoustic path length from both drivers to the listener's seated ear height, achieving improved time alignment. The benefit is more accurate phase coherence at the crossover region, a more natural tonal transition between bass and treble, and a more stable stereo image. The original Mission 700, introduced in 1980, was one of the first loudspeakers to use this arrangement.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Mission 700 compare to the Mission 770?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 700 and Mission 770 share the same Inverted Driver Geometry principle, polypropylene cone driver philosophy, and sandwich cabinet construction, but differ in scale and driver specification. The 770 uses a larger 8\" (200mm) mineral-loaded polypropylene mid\/bass driver versus the 700's 6.5\" (165mm) unit, and extends lower at 30Hz in room versus the 700's 38Hz (-6dB). The 770's higher 88dB sensitivity versus the 700's 86dB means it reaches higher output levels with the same amplifier power, and the 770's 38.5-litre cabinet versus the 700's 24.8 litres allows for greater low-frequency authority. The Mission 700 is the more compact and accessible model, suited to smaller rooms, while the 770 is intended for larger spaces and higher-output systems. Both share the same walnut or black veneer finish with signature white front baffle.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier should I pair with the Mission 700?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 700 is rated for amplifiers from 25W to 150W and presents a nominal 8-ohm impedance with a 5.2-ohm minimum. Its 86dB sensitivity is well-suited to integrated amplifiers from 40W upward for comfortable listening levels in small to medium rooms. It pairs naturally with integrated amplifiers from NAD, Audiolab, Cambridge Audio, and Rega at a matched British Hi-Fi level. For a fully Mission-centric system, the Mission AX5 integrated amplifier is a purpose-matched partner designed by the same IAG acoustic team.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the Mission 700 require dedicated stands?\u003c\/h3\u003e\n\u003cp\u003eYes. The Mission 700 performs best on its dedicated stands, which are precision-engineered to position the drivers at the correct listening axis height and provide critical vibration damping from the floor. The Mission 700 Stand uses high-carbon steel columns with internal damping material, hardened stainless steel base spikes, and a top plate dimensioned precisely to the 700's 260 x 270mm cabinet footprint. At 485mm tall on spikes, the stands bring the tweeter to the correct seated ear-height position. The stands are available in walnut or black to match the speaker cabinet finish and can be ordered at Vinyl Sound Buffalo alongside the speakers.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Mission 700 compare to the Wharfedale Denton 85th Anniversary?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 700 and the Wharfedale Denton 85th Anniversary are both British-made heritage-styled standmount loudspeakers but represent contrasting engineering philosophies. The Denton 85th uses a woven Kevlar mid\/bass driver and a soft dome tweeter in a conventional arrangement, voiced for a warm, relaxed character. The Mission 700's mineral-loaded polypropylene cone and Inverted Driver Geometry produce a more time-aligned, dynamically forward presentation with tighter bass articulation. The 700 extends slightly deeper at 38Hz (-6dB) versus the Denton's approximately 50Hz and offers a more precise stereo image due to its IDG time-alignment design. The Denton's warmer tonality suits listeners who prefer a more laid-back presentation, while the 700 suits those who value imaging accuracy and rhythmic drive.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mission 700 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 700 is available at Vinyl Sound USA Inc., located in Buffalo, NY. Vinyl Sound is an authorized Mission dealer serving customers across the United States. Visit the Buffalo store to audition the Mission 700 alongside the optional Mission 700 Stand in walnut or black, or contact the team directly to confirm current stock, finish availability, and delivery options.\u003c\/p\u003e","brand":"Mission","offers":[{"title":"Walnut Pearl","offer_id":48575075418419,"sku":"M700WP","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"Black Oak","offer_id":48575075451187,"sku":"M700BO","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/mission-700StandardWalnut-speakers-vinylsound.jpg?v=1712441011"},{"product_id":"mission-770-bookshelf-loudspeakers","title":"Mission 770 Bookshelf Loudspeakers (Pair)","description":"\u003ch1\u003eMission 770 Bookshelf Loudspeakers at Vinyl Sound Buffalo, NY USA\u003c\/h1\u003e\n\n\u003cp\u003eThe Mission 770 is a 2-way bass reflex standmount loudspeaker from Mission (Huntingdon, Cambridgeshire, United Kingdom), available at Vinyl Sound in Buffalo, NY, USA. Designed by IAG Director of Acoustic Design Peter Comeau and manufactured at Mission's purpose-built 25,000 sq ft facility in Huntingdon, the 770 revives one of the most celebrated loudspeaker designs in British Hi-Fi history, originally introduced in 1978. This reimagined classic pairs a \u003cstrong\u003e20cm mineral-loaded polypropylene mid\/bass driver\u003c\/strong\u003e with a \u003cstrong\u003e28mm microfibre soft dome tweeter\u003c\/strong\u003e, delivering bass extension to \u003cstrong\u003e30Hz (-6dB)\u003c\/strong\u003e in a real-wood veneered twin-wall cabinet with a frequency response of 42Hz to 20kHz (+\/-3dB). Winner of the What Hi-Fi? Best Standmount Speaker over £2,500 award in 2022, 2023, and 2024, the SoundStage! Network Product of the Year 2023, the Audio Golden Ear Award 2023, and Stereophile Recommended Component status for 2025, the Mission 770 stands as one of the most critically recognized standmount loudspeakers available today.\u003c\/p\u003e\n\n\u003ch2\u003ePolypropylene Driver Engineering: The Heart of the 770\u003c\/h2\u003e\n\u003cp\u003eThe Mission 770's 20cm mid\/bass driver is the product of extensive development by Peter Comeau, whose work on the original 770 in the late 1970s established the polypropylene cone as a benchmark for natural, low-coloration sound reproduction. The new driver uses a mineral-loaded polypropylene cone that is stiffer than the original, delivering fast, tight bass that resolves the fine detail of bass instrument technique rather than obscuring it in a homogenized low-frequency wash. The cone is built on a die-cast chassis with enlarged rear windows to minimize early reflections back through the diaphragm, and a low-density nitrile surround is carefully matched to the cone's acoustic impedance to reduce edge reflections. A strongly flared reflex port at both inlet and outlet smooths airflow and eliminates the one-note bass coloration common to many bass reflex systems, allowing the 770 to reach 30Hz in room with accuracy and control that is exceptional for a standmount loudspeaker of this scale.\u003c\/p\u003e\n\n\u003ch2\u003eTweeter Design and Crossover Development\u003c\/h2\u003e\n\u003cp\u003eThe 770's 28mm microfibre soft dome tweeter is engineered for an ultra-smooth frequency response across the high-frequency range. A damped rear chamber pushes the tweeter's fundamental resonance well below the 2.9kHz crossover point, ensuring it operates in full control throughout its working bandwidth. This marries seamlessly with the mid\/bass driver's natural upper-range character for an evenness of tonal balance across the speaker's full output. The crossover network itself is the result of over 170 circuit iterations and hundreds of hours of critical listening sessions conducted by Peter Comeau, ultimately mapped onto separate bass and treble PCBs using short signal paths, super-transparent polypropylene capacitors, and air-core inductors. Today's advanced acoustic measurement software confirmed the final design's crossover slope accuracy, but the decisions were driven by listening rather than simulation alone.\u003c\/p\u003e\n\n\u003ch2\u003eCabinet Construction: Twin-Wall Sandwich Technology\u003c\/h2\u003e\n\u003cp\u003eThe Mission 770 cabinet departs from the original's BBC-influenced thin-wall bitumen-damped construction in favor of a modern twin-wall sandwich of high-density MDF and particle board bonded by a high-damping adhesive layer. This construction suppresses panel resonances to below the threshold of audibility, allowing the drive units to operate without cabinet coloration at any frequency. Internal bracing stiffens the front baffle and mechanically couples the drive units to the cabinet structure, improving both dynamic performance and the retrieval of low-level musical detail. Strategic acoustic foam and damping fibre placement absorbs internal reflections without overdamping the bass quality. The external finish uses a real-wood veneer in walnut or black over the cabinet sides, with the signature white laminated front baffle referencing the iconic styling of the original 1970s and 1980s Mission 770.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e20cm Mineral-Loaded Polypropylene Mid\/Bass Driver:\u003c\/strong\u003e A newly developed 8-inch die-cast chassis driver with a stiffer mineral-loaded cone, low-density nitrile surround, and enlarged rear chassis windows for reduced early reflections, delivering fast, articulate bass and natural midrange reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e28mm Microfibre Soft Dome Tweeter:\u003c\/strong\u003e A lightweight, highly damped microfibre dome with a rear-damped chamber that pushes fundamental resonance below the crossover region, providing smooth, extended high-frequency performance matched precisely to the mid\/bass driver's character.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e30Hz Bass Extension In Room:\u003c\/strong\u003e A strongly flared bass reflex port at inlet and outlet eliminates airflow distortion and one-note bass, extending clean, controlled low-frequency output to below 30Hz in room, exceptional for a standmount loudspeaker.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin-Wall Sandwich Cabinet:\u003c\/strong\u003e High-density MDF and particle board bonded by a high-damping adhesive layer suppresses panel resonances to below audibility, combined with internal bracing and strategically placed acoustic foam and damping fibre.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e170-Iteration Crossover Design:\u003c\/strong\u003e A crossover developed through over 170 circuit iterations and hundreds of listening hours, using separate bass and treble PCBs with polypropylene capacitors and air-core inductors for phase accuracy and musical coherence at 2.9kHz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUK-Designed and Manufactured:\u003c\/strong\u003e Designed and built at Mission's purpose-built 25,000 sq ft production facility in Huntingdon, Cambridgeshire, including a dedicated anechoic chamber for acoustic development.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIconic Retro-Modern Aesthetic:\u003c\/strong\u003e Real-wood walnut or black veneer cabinet sides with the signature white laminated front baffle referencing the original Mission 770's landmark design from 1978.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMultiple Award Winner:\u003c\/strong\u003e What Hi-Fi? Best Standmount Speaker over £2,500 in 2022, 2023, and 2024; SoundStage! Network Product of the Year 2023; Audio Golden Ear Award 2023; Stereophile Recommended Component 2025.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eMission 770\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e2-Way Vented-Box Standmount\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEnclosure\u003c\/td\u003e\n\u003ctd\u003eBass Reflex\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMid\/Bass Driver\u003c\/td\u003e\n\u003ctd\u003e8\" (200mm) Mineral-Loaded Polypropylene Cone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTreble Driver\u003c\/td\u003e\n\u003ctd\u003e1.25\" (28mm) Microfibre Soft Dome\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSensitivity\u003c\/td\u003e\n\u003ctd\u003e88dB (2.83V @ 1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNominal Impedance\u003c\/td\u003e\n\u003ctd\u003e8 Ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMinimum Impedance\u003c\/td\u003e\n\u003ctd\u003e6 Ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e42Hz - 20kHz (+\/-3dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBass Extension\u003c\/td\u003e\n\u003ctd\u003e30Hz (-6dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n\u003ctd\u003e2.9kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRecommended Amplifier Power\u003c\/td\u003e\n\u003ctd\u003e25 - 200W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePeak SPL\u003c\/td\u003e\n\u003ctd\u003e117dB\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCabinet Volume\u003c\/td\u003e\n\u003ctd\u003e38.5 Litres\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHeight (on plinth)\u003c\/td\u003e\n\u003ctd\u003e590mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWidth\u003c\/td\u003e\n\u003ctd\u003e300mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDepth (with terminals)\u003c\/td\u003e\n\u003ctd\u003e322mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003e19.2kg per speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eReal Wood Veneer - Walnut or Black\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eWhat Hi-Fi? Best Standmount Speaker over £2,500 - Awards 2022\u003c\/li\u003e\n  \u003cli\u003eWhat Hi-Fi? Best Standmount Speaker over £2,500 - Awards 2023\u003c\/li\u003e\n  \u003cli\u003eWhat Hi-Fi? Best Standmount Speaker over £2,500 - Awards 2024\u003c\/li\u003e\n  \u003cli\u003eSoundStage! Network Product of the Year - 2023\u003c\/li\u003e\n  \u003cli\u003eAudio Golden Ear Award - 2023\u003c\/li\u003e\n  \u003cli\u003eStereophile Recommended Component - 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mission 770?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 770 is a 2-way bass reflex standmount loudspeaker designed and manufactured in Huntingdon, Cambridgeshire, United Kingdom. It features a 20cm mineral-loaded polypropylene mid\/bass driver, a 28mm microfibre soft dome tweeter, 88dB sensitivity, a nominal impedance of 8 ohms, and bass extension to 30Hz in room. A modern re-engineering of Mission's landmark 1978 design, the 770 has won the What Hi-Fi? Best Standmount Speaker over £2,500 award three consecutive years running in 2022, 2023, and 2024, alongside the SoundStage! Network Product of the Year 2023 and Stereophile Recommended Component status for 2025.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Mission 770 compare to the KEF LS50 Meta?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 770 and the KEF LS50 Meta are two of the most acclaimed standmount loudspeakers in their respective price classes, but they take fundamentally different engineering approaches. The LS50 Meta uses KEF's Uni-Q coincident point source driver with Metamaterial Absorption Technology for its rear-loaded tweeter, optimized for a precise, focused stereo image in a compact enclosure. The Mission 770 uses separate 8-inch polypropylene mid\/bass driver and 28mm soft dome tweeter with a twin-wall sandwich cabinet, delivering significantly deeper bass extension at 30Hz versus the LS50 Meta's approximately 47Hz. The 770's 88dB sensitivity also makes it easier to drive than the LS50 Meta's 85dB rating. Listeners who prioritize bass extension, dynamics, and large-scale musical authority generally favor the 770, while those seeking extreme compactness and pinpoint imaging may prefer the LS50 Meta.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier should I pair with the Mission 770?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 770 is rated for amplifiers from 25W to 200W and presents a nominal 8-ohm impedance with a 6-ohm minimum, making it compatible with a very wide range of integrated amplifiers. Its 88dB sensitivity allows it to perform well with lower-powered amplifiers while also scaling effectively with more powerful designs. It partners naturally with amplifiers from NAD, Audiolab, Cambridge Audio, and Rega at a matched British Hi-Fi system level. For listeners wanting a fully UK-built system, the LEAK Stereo 230 (75W per channel) and Mission 770 form a well-matched pairing available at Vinyl Sound Buffalo.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does the Mission 770 use a polypropylene cone instead of a metal or ceramic driver?\u003c\/h3\u003e\n\u003cp\u003eMission's choice of a mineral-loaded polypropylene cone is a deliberate acoustic decision rooted in the original 770's design philosophy. Polypropylene offers a combination of low mass, moderate self-damping, and controlled breakup behavior that metal and ceramic cones do not replicate. Metal cones are stiffer but ring at their breakup frequency, introducing harshness that must be managed by the crossover. Polypropylene's natural damping suppresses this ringing without the need for aggressive filter correction, resulting in a midrange and bass character that is warm, tonally accurate, and free from metallic coloration. The mineral loading in the new 770 cone increases stiffness over the original while preserving this fundamental character, giving the speaker faster transient response without sacrificing its natural tonal balance.\u003c\/p\u003e\n\n\u003ch3\u003eCan the Mission 770 be used without dedicated stands?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 770 performs best on dedicated stands that place the tweeter at approximately ear height for a seated listener. At 590mm tall on its plinth, the 770 is designed for stand mounting rather than bookshelf placement, and its bass reflex port requires adequate clearance from rear walls to function without boundary reinforcement. Mission's optional dedicated 770 stands are engineered to match the speaker's acoustic and aesthetic requirements, and are available at Vinyl Sound Buffalo. Using inadequate or mismatched stands will compromise the 770's imaging precision and bass articulation.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Mission 770 compare to the Wharfedale Linton Heritage?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 770 and the Wharfedale Linton Heritage are both large-format British standmount loudspeakers with strong heritage credentials, but they differ in driver philosophy and sonic presentation. The Linton Heritage uses a woven Kevlar woofer and a soft dome midrange driver for a warm, relaxed character, while the Mission 770's mineral-loaded polypropylene cone produces a tighter, more articulate bass and a more analytically detailed midrange. The 770 extends deeper at 30Hz in room versus the Linton's approximately 40Hz, and its 88dB sensitivity is comparable to the Linton's 90dB. The 770 also carries three consecutive What Hi-Fi? Awards versus the Linton's single award history. Listeners who prioritize bass precision and tonal neutrality typically favor the 770, while those seeking a warmer, more vintage British character may prefer the Linton.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mission 770 in Buffalo, NY or the USA?\u003c\/h3\u003e\n\u003cp\u003eThe Mission 770 is available at Vinyl Sound USA Inc., located in Buffalo, NY. Vinyl Sound is an authorized Mission dealer serving customers across the United States. Visit the Buffalo store to audition the Mission 770 in person alongside optional dedicated stands, or contact the team directly to confirm current stock, finish availability, and delivery options.\u003c\/p\u003e","brand":"Mission","offers":[{"title":"Walnut Pearl","offer_id":48575076368691,"sku":"M770WP","price":5000.0,"currency_code":"USD","in_stock":true},{"title":"Black Oak","offer_id":48575076401459,"sku":"M770BO","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/770WalnutStandard_8_044a3026-b1fe-4699-86b3-f69b72711cd0.jpg?v=1712441031"},{"product_id":"mobile-fidelity-sourcepoint-10-bookshelf-speakers","title":"Mobile Fidelity SourcePoint 10 Master Edition Bookshelf Speakers (Pair)","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for all Mobile Fidelity\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eProducts, Please call or email us to place your orders.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch2\u003eMobile Fidelity SourcePoint 10 Master Edition Bookshelf Speakers (Pair)\u003c\/h2\u003e\n\u003ch3\u003eTHE FINEST-SOUNDING DESIGN OF ENGINEER ANDREW JONES' STORIED CAREER\u003c\/h3\u003e\n\u003cp\u003eOf the many reasons to invest in a pair of Mobile Fidelity SourcePoint 10 Master Edition Bookshelf Speakers , one stands above all the others: They are the creation of revered engineer Andrew Jones. Responsible for designing many commercially and critically successful loudspeakers of the past several decades, and touting more than 40 years of industry experience — including stints with KEF, Infinity, Pioneer, TAD, and ELAC — MoFi's Chief Loudspeaker Designer crafted the two-way SourcePoint 10 by starting with a blank sheet of paper. Roughly two years later, he arrived at a beautiful standmount that is the best-performing model of his decorated career.\u003c\/p\u003e\n\u003cp\u003eJones devised SourcePoint 10 to appeal to music lovers of every stripe — and to play every kind of music with an aptitude foreign to most audiophile speakers that traditionally deliver one or two kinds of music with exceptional results but fall flat in other areas. Whether you prefer relaxing or aggressive fare, acoustic or electric material, or listen to a broad scope of eras and artists depending on your mood, SourcePoint 10 conveys it all without prejudice. This is a speaker that conveys recordings in ways that will touch your heart and stir your soul. And because it involved Jones, it comes loaded with technical acumen.\u003c\/p\u003e\n\u003cp\u003eThe result of frequent research, testing, and experimentation conducted in Jones' private studio, SourcePoint 10 is configured around a custom-tooled 10-inch concentric driver and a 1.25-inch soft-dome tweeter centered within the woofer cone. As part of this speaker's point-source system, the cone acts as a waveguide for the tweeter to both match directivities and maximize the tweeter efficiency. It also plays with exceptional control, tonal balance, and accurate imaging. Working in absolute synchrony with the tweeter, the 10-inch paper-cone concentric driver keeps displacement to a minimum and helps deliver accurate midranges, taut low-end responsiveness, and powerful dynamics. By using that large of a woofer, Jones kept cone displacement to a minimum — even for challenging low-end information. Not to be overlooked: a corrugated surround that allows for improved linear excursion and minimizes diffraction corruption of the tweeter wave expansion.\u003c\/p\u003e\n\u003cp\u003eIndeed, Jones took every detail into consideration. The \"Twin Drive\" magnet system for both the tweeter and woofer are designed around high-energy neodymium magnets that, when combined, produce an extremely linear low-distortion drive force and employ copper sleeves to further reduce nonlinear inductance. Jones also chose a two-way crossover with laminated-steel core inductors for its smooth on- and off-axis responsiveness. His crossover frequency and slopes seamlessly blend the woofer to the tweeter to further minimize the audibility of out of band anomalies.\u003c\/p\u003e\n\u003cp\u003eOn the exterior surrounds of SourcePoint 10, a gorgeous cabinet comprised of one-inch-thick real-wood veneer panels, extensive internal bracing, and a sculpted two-inch-thick front baffle carry on several defining themes of the 46.2-pound SourcePoint 10: extremely low distortion, consistent linearity, and high bass output that help convey music in a manner that blends the detail, specificity, and cleanliness of a traditional bookshelf model with the punch, liveliness, and range of a tower. Also doing heavy lifting: Two large rear-firing vents that permit high bass output with low turbulence. Moreover, the sculpted swept-back facets of the front baffle reduce the diffraction response errors typically encountered in conventional flat-baffle speakers.\u003c\/p\u003e\n\u003cp\u003eJust as importantly, SourcePoint 10 builds on the confidence and trust Mobile Fidelity first began to establish with its renowned Original Master Recordings more than four decades ago. With SourcePoint 10, Jones — who enjoyed the benefits of working without fixed deadlines and budgetary constraints — carries on the company's mission to create first-rate components that honor Mobile Fidelity's studio heritage and help form a complete source-to-output chain wedded to the prized concepts of signal purity, faithfulness, and precision.\u003c\/p\u003e\n\u003cp\u003eSourcePoint 10 also makes hearing quality high-end audio easier by removing fussiness from the equation. Rated at 91dB sensitivity, the speaker mates with a wide array of amplification sources and boasts a 42Hz-30kHz frequency range. Jones ensured that no matter where it's employed, SourcePoint 10 can be dialed-in with ease to deliver maximum performance in any environment. Complete with removable grilles, the 14.5 x 22.5 x 16.6-inch (HWD) SourcePoint 10 is available without stands or with dedicated stands custom-designed to optimize the speakers' placement and stability.\u003c\/p\u003e\n\u003ch3\u003eMade for Each Other: Custom-Tooled Driver and Tweeter\u003c\/h3\u003e\n\u003cp\u003eJones chose the 10-inch diameter as the ideal size for the two-way concentric driver to minimize cone movement and produce deep bass. He and MoFi worked from a paper pulp mix and developed a cone shape that both optimizes resonant behavior and meets the requirements of the tweeter waveguide. Jones opted for paper after evaluating a variety of exotic materials. Paper also has the quintessential combination of properties for the size of the cone he needed. The tweeter is a 1.25-inch soft dome capable of working at the 1.6Khz crossover point due to its wide-roll surround and large-diameter voice coil. The wide surround extends the low- and high-frequency response of the tweeter, while the loading of the waveguide increases the low-end efficiency by a significant margin.\u003c\/p\u003e\n\u003ch3\u003eThe Choice Is Clear: \"Twin Drive\" Magnet System\u003c\/h3\u003e\n\u003cp\u003eSourcePoint 10 is driven by a magnet system that MoFi calls \"Twin-Drive.\" This important technical achievement helps the speaker play with exceptional clarity. After months of running magnetic field simulations, Jones selected high-flux neodymium magnets for the woofer and tweeter that are precisely coupled to create a compound effect: each aids the other in driving the flux across the woofer and tweeter gaps. The Twin-Drive magnet structure was also built to create a fully symmetrical magnetic field, which eliminates flux modulation for extremely low intermodulation distortion (IMD) and accurate reproduction.\u003c\/p\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003eFrequency Response\u003c\/b\u003e\u003cbr\u003e42Hz-30kHz\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003eNominal Impedance\u003c\/b\u003e\u003cbr\u003e8 Ohms, 6.2 Ohms minimum\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003eSensitivity\u003c\/b\u003e\u003cbr\u003e91dB\/2.83V\/1m\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003eCrossover Frequency\u003c\/b\u003e\u003cbr\u003e1.6kHz\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003eMinimum Recommended Power\u003c\/b\u003e\u003cbr\u003e30W\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003eMax Power Input\u003c\/b\u003e\u003cbr\u003e200W\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003eDimensions (WxHxD)\u003c\/b\u003e\u003cbr\u003e14.5\" x 22.5\" x 16.6\" with grille\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e(368 x 572 x 422)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e14.5\" x 22.5\" x 16\" without grille\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e(368 x 572 x 406)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003cbr\u003e46.2 lb \/ 21kg each\u003c\/p\u003e\n\u003cp\u003eLearn more about this product in our detailed video review:\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_GLjQS11fnU\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Black \/ With Stand","offer_id":48575132500275,"sku":"MFSP10B-S","price":3994.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ Without Stand","offer_id":48575132533043,"sku":"MFSP10B","price":3495.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ With LS Stands","offer_id":51668989182259,"sku":null,"price":3795.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ With Grill","offer_id":51668989215027,"sku":null,"price":3595.0,"currency_code":"USD","in_stock":true},{"title":"Walnut \/ With Stand","offer_id":48575132565811,"sku":"MFSP10W-S","price":3994.0,"currency_code":"USD","in_stock":true},{"title":"Walnut \/ Without Stand","offer_id":48575132598579,"sku":"MFSP10W","price":3495.0,"currency_code":"USD","in_stock":true},{"title":"Walnut \/ With LS Stands","offer_id":51668989247795,"sku":null,"price":3795.0,"currency_code":"USD","in_stock":true},{"title":"Walnut \/ With Grill","offer_id":51668989280563,"sku":null,"price":3595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/MoFi_SourcePoint_10_Loudspeakers_Walnut_01_Pair_VINYLSOUND.jpg?v=1712441400"},{"product_id":"wharfedale-dovedale-speaker-with-stand","title":"Wharfedale Dovedale Heritage Speakers With Matching Stands","description":"\u003ch1\u003eWharfedale Dovedale Heritage Speaker with Stands at Vinyl Sound Buffalo, NY\u003c\/h1\u003e\n\n\u003cp\u003eThe Dovedale is a three-way standmount loudspeaker from Wharfedale (Huntingdon, Cambridgeshire, England), available at Vinyl Sound in Buffalo, NY as a complete package including Wharfedale's custom-designed British steel and glass stands. Released in 2023 as the centerpiece of Wharfedale's Heritage Series 90th Anniversary celebration, the Dovedale is the first speaker manufactured in Wharfedale's new 9,000-square-foot UK production facility in Huntingdon, designed by IAG Acoustic Director Peter Comeau, and inspired by the three-way Dovedale 3 of 1971. It combines a \u003cstrong\u003e10-inch (250 mm) black woven Kevlar woofer\u003c\/strong\u003e, a 5-inch (135 mm) black woven Kevlar midrange, and a \u003cstrong\u003e1-inch (25 mm) fabric dome tweeter with rear-damped chamber\u003c\/strong\u003e in a hand-veneered wide-baffle cabinet with dual rear ports. With a \u003cstrong\u003efrequency response of 36 Hz to 20 kHz (+\/-3 dB)\u003c\/strong\u003e and bass extension to 25 Hz at -6 dB, the Dovedale is one of the deepest-reaching standmount designs available at any price. Stereophile reviewed and recommended it in April 2024. It received a Goldenes Ohr 2024 Bronze Award in the compact speaker category.\u003c\/p\u003e\n\n\u003ch2\u003e10-Inch Kevlar Woofer, 5-Inch Kevlar Midrange, and the Wide-Baffle Architecture\u003c\/h2\u003e\n\u003cp\u003eThe Dovedale's acoustic philosophy begins with its unusually wide baffle — a proportional decision that unlocks the use of driver sizes unattainable in modern narrow-cabinet standmounts. The 10-inch woofer is mounted on a rigid die-cast aluminum chassis with a black woven Kevlar cone — the same aramid fiber that Wharfedale has refined across multiple product generations, valued for its high stiffness-to-mass ratio and controlled self-damping character. Two flared 2-inch rear ports load the woofer at the base of the rear panel, extending bass to a measured 25 Hz at -6 dB — a figure that surpasses most conventional floorstanders. The 5-inch Kevlar midrange driver is the same unit used in the acclaimed Wharfedale Linton Heritage, crossing from the woofer at 560 Hz — a lower handoff point than the Linton's, chosen specifically to exploit the larger woofer's greater low-frequency authority before the midrange takes over. Both drivers share the same woven Kevlar cone material, a deliberate tonal continuity choice that contributes to the Dovedale's uniformly natural character across its lower two octaves. Midrange and tweeter units are deliberately offset on the front baffle — not centered — to scatter baffle-edge reflections and reduce the diffraction coloration that compromises imaging focus on speakers with symmetrically placed drivers. The result is stereo imaging that Wharfedale's listening tests specifically targeted for precision across all types of music program.\u003c\/p\u003e\n\n\u003ch2\u003eTweeter with Rear Chamber, Twin-PCB Crossover, and the Matching British Steel Stands\u003c\/h2\u003e\n\u003cp\u003eThe Dovedale's 1-inch fabric dome tweeter is derived from the unit used in the Linton Heritage, sharing the same ceramic magnet, but adds a rear chamber damped with acoustic foam and long-hair fiber to absorb the output from the back of the dome. This damped rear chamber achieves two engineering benefits simultaneously: it eliminates the reflections that an undamped cavity would return through the dome, and it lowers the tweeter's resonant frequency to well below the 2.9 kHz crossover point, allowing the tweeter to operate within a comfortable portion of its bandwidth from the first moment it receives signal. The crossover itself was developed through hundreds of hours of listening tests with varied music program material, with components selected for transparency and precision, laid out on twin printed circuit boards spaced to minimize electromagnetic interference between the high and low-frequency signal paths — a refinement Wharfedale describes as critical to the Dovedale's \"lively and transparent\" character. Precision cabinet bracing controls resonances, while acoustic foam and long-hair fiber damping material is applied internally to both drivers and the enclosure to manage standing waves. The included stands are custom-designed in collaboration with Peter Comeau and hand-made in England from carbon steel with furniture-grade glass inserts at the top and bottom platform. Three of the four vertical uprights are filled with damping material; the fourth is hollow to serve as a cable management channel. Four large stainless-steel spikes at the base provide floor coupling, with spike seat protectors and handling gloves completing the package.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10-Inch Black Woven Kevlar Woofer:\u003c\/strong\u003e Mounted on a rigid die-cast aluminum chassis, this large-by-modern-standards bass driver delivers controlled, dynamically powerful bass to 25 Hz (-6 dB) through dual flared rear ports — a depth figure surpassing most floorstanders.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e5-Inch Black Woven Kevlar Midrange:\u003c\/strong\u003e The same driver used in Wharfedale's acclaimed Linton Heritage, crossing from the woofer at a low 560 Hz for a generous, natural midrange bandwidth with exceptional vocal and instrumental reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1-Inch Fabric Dome Tweeter with Rear-Damped Chamber:\u003c\/strong\u003e A ceramic magnet tweeter derived from the Linton Heritage unit, with an acoustically treated rear chamber that eliminates back-of-dome reflections and lowers the resonant frequency well below the 2.9 kHz crossover point for cleaner, more extended treble.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAsymmetric Driver Layout:\u003c\/strong\u003e Midrange and tweeter units are deliberately offset on the wide baffle to scatter edge reflections and improve stereo imaging focus and stability across the soundfield.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual Rear Bass Ports:\u003c\/strong\u003e Two flared 2-inch rear ports load the 10-inch woofer for extended, controlled bass output with low port turbulence and the deep 25 Hz (-6 dB) extension that characterizes the Dovedale's low-frequency authority.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin-PCB Crossover with Precision Components:\u003c\/strong\u003e The crossover network is laid out on two separate PCB boards, spaced to avoid electromagnetic interference, with component selection tuned through extensive listening tests for transparency and accurate driver integration at 560 Hz and 2.9 kHz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHand-Veneered Real Wood Cabinet:\u003c\/strong\u003e The wide-baffle cabinet is hand-veneered with real walnut wood, fitted with an inset front baffle and a traditional cloth grille — evoking the Dovedale's 1960s and 1970s heritage while meeting modern acoustic standards.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMade in the UK:\u003c\/strong\u003e The Dovedale is manufactured at Wharfedale's 9,000-square-foot production facility in Huntingdon, Cambridgeshire — the first Wharfedale speaker to be built in IAG's new UK factory, designed by IAG Acoustic Director Peter Comeau.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCustom British Steel and Glass Stands Included:\u003c\/strong\u003e Hand-made in England from carbon steel with furniture-grade glass inserts, the stands use four vertical columns (three damping-filled, one hollow for cable routing), four stainless-steel floor spikes, spike seats, and handling gloves — positioned to place the Dovedale at the acoustically correct listening height.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePrecision-Matched Pairs:\u003c\/strong\u003e Each pair of Dovedale speakers is precision-matched, ensuring accurate stereo placement and consistent tonal character between left and right channels across all program material.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSpeaker Type\u003c\/td\u003e\n      \u003ctd\u003e3-way vented-box standmount\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eEnclosure Type\u003c\/td\u003e\n      \u003ctd\u003eBass reflex (dual flared 2-inch rear ports)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBass Driver\u003c\/td\u003e\n      \u003ctd\u003e10\" (250 mm) black woven Kevlar cone, die-cast aluminum chassis\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMidrange Driver\u003c\/td\u003e\n      \u003ctd\u003e5\" (135 mm) black woven Kevlar cone\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTweeter\u003c\/td\u003e\n      \u003ctd\u003e1\" (25 mm) fabric dome with ceramic magnet and rear-damped chamber\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSensitivity (2.0 V \/ 1 m)\u003c\/td\u003e\n      \u003ctd\u003e89 dB\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eNominal Impedance\u003c\/td\u003e\n      \u003ctd\u003e6.5 ohm\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMinimum Impedance\u003c\/td\u003e\n      \u003ctd\u003e3.6 ohm\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Response (+\/- 3 dB)\u003c\/td\u003e\n      \u003ctd\u003e36 Hz - 20 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBass Extension (-6 dB)\u003c\/td\u003e\n      \u003ctd\u003e25 Hz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n      \u003ctd\u003e560 Hz and 2.9 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eRecommended Amplifier Power\u003c\/td\u003e\n      \u003ctd\u003e25 - 250 W\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePeak SPL\u003c\/td\u003e\n      \u003ctd\u003e112 dB\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions (H x W x D) — Speaker only\u003c\/td\u003e\n      \u003ctd\u003e25.98\" x 14.57\" x 17.60\" (660 x 370 x 447 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eHeight on Stands\u003c\/td\u003e\n      \u003ctd\u003eApprox. 39\" (990 mm) — stands add 13\" (330 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eNet Weight\u003c\/td\u003e\n      \u003ctd\u003e57.75 lbs (26.2 kg) per speaker\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFinish\u003c\/td\u003e\n      \u003ctd\u003eReal walnut wood veneer with traditional cloth grille\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n      \u003ctd\u003eMade in the UK (Huntingdon, Cambridgeshire, England)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eAV Shielding\u003c\/td\u003e\n      \u003ctd\u003eNo\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStands\u003c\/td\u003e\n      \u003ctd\u003eCustom Wharfedale British steel and glass stands included (carbon steel frame, glass inserts, stainless-steel floor spikes, spike seats, handling gloves)\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eConnections at a Glance\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eOne pair of high-quality speaker binding posts (rear panel)\u003c\/li\u003e\n  \u003cli\u003eHollow stand upright for internal cable routing management\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eStereophile — Reviewed and Recommended by John Atkinson, April 2024: praised for powerful extended low frequencies, natural-sounding midrange, and generally clean high frequencies\u003c\/li\u003e\n  \u003cli\u003eGoldenes Ohr 2024 — Bronze Award, Compact Speakers over 5,000 euros\u003c\/li\u003e\n  \u003cli\u003eWhat Hi-Fi? — Reviewed 2023: described as \"capable and charming performers\" and \"easy speakers to recommend\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Wharfedale Dovedale?\u003c\/h3\u003e\n\u003cp\u003eThe Wharfedale Dovedale is a three-way bass-reflex standmount loudspeaker, part of Wharfedale's Heritage Series, released in 2023 to celebrate the brand's 90th anniversary. It is the first speaker manufactured in Wharfedale's new UK production facility in Huntingdon, Cambridgeshire, designed by IAG Acoustic Director Peter Comeau. It uses a 10-inch woven Kevlar woofer, a 5-inch Kevlar midrange, and a 1-inch fabric dome tweeter with a rear-damped chamber, in a hand-veneered real walnut wide-baffle cabinet with dual rear ports. Sensitivity is 89 dB into a 6.5-ohm nominal impedance, frequency response is 36 Hz to 20 kHz (+\/-3 dB), and bass extends to 25 Hz at -6 dB. The package includes Wharfedale's custom-designed British steel and glass stands. Stereophile reviewed and recommended it in April 2024, and it received a Goldenes Ohr 2024 Bronze Award.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Dovedale compare to the Harbeth M30.2 XD, the Spendor Classic 100, and the Graham Audio LS5\/9f?\u003c\/h3\u003e\n\u003cp\u003eThe Dovedale is a distinctively large-format standmount by current standards, using a 10-inch woofer and wide baffle in a design philosophy more closely related to the classic British monitors of the 1960s and 1970s than to modern narrow-cabinet standmounts. The Harbeth M30.2 XD uses a 6.5-inch Radial2 proprietary polymer cone mid\/bass driver and a 25 mm tweeter in a two-way sealed cabinet, prioritizing midrange coherence and low coloration through Harbeth's thin-wall cabinet resonance approach — a fundamentally different engineering philosophy from the Dovedale's port-loaded, braced enclosure. The Spendor Classic 100 is a two-and-a-half-way design using Spendor's EP77 polymer cone and a 22 mm tweeter, closer in size to the Dovedale but pursuing a different tonal balance — Spendor's house sound is generally warmer and less dynamically forward than the Dovedale's more wide-baffle presentation. The Graham Audio LS5\/9f is a faithful reconstruction of the BBC LS5\/9 studio monitor in a sealed thin-wall birch-ply cabinet, a two-way design using a 200 mm drive unit and dome tweeter optimized for midrange studio accuracy at the cost of bass extension below 50 Hz — a very different proposition from the Dovedale's 25 Hz (-6 dB) reach.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does the wide baffle design contribute to the Dovedale's sound?\u003c\/h3\u003e\n\u003cp\u003eThe Dovedale's wide baffle allows Wharfedale to mount a 10-inch bass driver — a size rarely seen in standmount speakers today — which in turn enables the speaker to move large volumes of air without the high cone excursion and associated distortion that a smaller driver would require to achieve the same bass output. A wide baffle also reduces the acoustic output cancellation that occurs at the baffle edge at low frequencies, improving bass efficiency without relying entirely on port tuning. The offset positioning of the midrange and tweeter on the wide baffle is a deliberate diffraction-scattering measure — by placing these drivers asymmetrically rather than centered, Wharfedale reduces the coherent edge reflections that impose a characteristic coloration on the forward response of symmetrically baffled designs, improving imaging focus and upper-midrange clarity.\u003c\/p\u003e\n\n\u003ch3\u003eWhat amplifier pairs well with the Dovedale?\u003c\/h3\u003e\n\u003cp\u003eThe Dovedale's 89 dB sensitivity and 6.5-ohm nominal impedance (minimum 3.6 ohms) make it compatible with a wide range of amplifiers from 25 to 250 watts. Stereophile's John Atkinson reviewed the Dovedale with reference-quality electronics and noted its compatibility across the power spectrum. The Twittering Machines review used the Leben CS600 integrated amplifier, the Audio Research I\/50, and the Thöress EHT — all high-quality lower-powered designs — to satisfying effect. Higher-current amplifiers will give the Dovedale more headroom for its 112 dB peak SPL capability, making integrated amplifiers like the Hegel H390, Naim Supernait 3, or Luxman L-509Z strong candidates for listeners wanting to exploit the speaker's full dynamic range.\u003c\/p\u003e\n\n\u003ch3\u003eHow large a room does the Dovedale need?\u003c\/h3\u003e\n\u003cp\u003eThe Dovedale is a substantial speaker — 26 inches tall on its own, 39 inches on its matching stands, and nearly 15 inches wide — and performs best in rooms of approximately 200 square feet or larger where its 25 Hz bass extension and 112 dB peak SPL capacity can fully develop without overloading the room. What Hi-Fi?'s review notes that these are \"huge standmounters by modern standards, standing 66cm high and taking up as much space as a small fridge.\" In appropriately sized rooms, the Dovedale's wide-baffle architecture and 10-inch woofer deliver the kind of physical bass presence and low-frequency authority that most standmounts — even large ones — cannot approach.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the significance of the Dovedale being Made in the UK?\u003c\/h3\u003e\n\u003cp\u003eThe Dovedale is the first loudspeaker to be manufactured in IAG's new 9,000-square-foot production facility in Huntingdon, Cambridgeshire — Wharfedale's UK headquarters and the location of its R\u0026amp;D department. Building the speaker entirely in the UK, with hand veneering, precision matching, and final assembly conducted at this facility, reflects a deliberate decision to restore British manufacturing to the Wharfedale brand portfolio for select Heritage Series products. The included stands are also hand-made in England from British carbon steel. For collectors and enthusiasts who value country-of-origin provenance in their audio equipment, the Dovedale carries the \"Made in the UK\" designation on both the speaker and its stands.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I hear and buy the Wharfedale Dovedale in Buffalo, NY?\u003c\/h3\u003e\n\u003cp\u003eThe Wharfedale Dovedale with custom British steel stands is available at Vinyl Sound in Buffalo, NY, an authorized Wharfedale dealer serving Western New York and the greater Buffalo region. Vinyl Sound can arrange an in-store audition of the Dovedale with appropriate amplification, allowing you to experience the speaker's distinctive wide-baffle character, 10-inch Kevlar bass performance, and heritage aesthetic in a proper listening environment before purchasing.\u003c\/p\u003e","brand":"Wharfedale","offers":[{"title":"Default Title","offer_id":48575278776627,"sku":"","price":7495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/WHARFEDALE_DOVEDALE_HERITAGE_SPEAKERS_WITH_MATCHING_STANDS-Vinyl_Sound_USA_Buffalo_Hifi_Store.webp?v=1741739478"},{"product_id":"mobile-fidelity-source-point-8-bookshelf-speakers","title":"Mobile Fidelity Source Point 8 Bookshelf Speakers","description":"\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1681320664393_19424\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAdd to shopping cart is not available for all Mobile Fidelity\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eProducts, Please call or email us to place your orders.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch2\u003eMobile Fidelity Source Point 8 Bookshelf Speakers\u003c\/h2\u003e\n\u003cp class=\"\"\u003eMobile Fidelity Source Point 8 Bookshelf Speakers is the latest creation by renowned designer Andrew Jones, who carefully crafted the speaker to embody the same acoustic DNA as the widely acclaimed SourcePoint 10. The new SourcePoint 8 packs the same sonic excellence of its larger sibling into a more compact and manageable form factor.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAndrew Jones and the team at MoFi Electronics scaled down the SourcePoint 10 to create a new speaker that can fit into a wider range of spaces, all while still delivering that big, satisfying sound that we know and love. Don't let the size fool you, it's still got all the power you need to rock out to your favorite tunes. So, if you're looking for a high-quality speaker that won't take up all your living room space, this little guy might just be the perfect fit for you.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e“Everyone who hears and loves the sound of the 10-inch, but can’t fit them in their room, now has that sonic quality available in a much smaller package.”\u003c\/h3\u003e\n\u003cp class=\"\"\u003e- Andrew Jones, Chief Loudspeaker Designer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block horizontalrule-block sqs-block-horizontalrule\" data-block-type=\"47\" id=\"block-fc830daee281229199de\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003chr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-ec55d8e8f408318bf1cc\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003ch3\u003eDiscover more about the all-new MoFi SourcePoint 8\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block image-block sqs-block-image sqs-text-ready\" data-aspect-ratio=\"32.33870967741935\" data-block-type=\"5\" id=\"block-10267f5b7c2a6815d299\"\u003e\n\u003cdiv class=\"sqs-block-content\" id=\"yui_3_17_2_1_1686687576242_72\"\u003e\n\u003cdiv class=\"image-block-outer-wrapper\n          layout-caption-overlay-hover\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\" data-test=\"image-block-inline-outer-wrapper\" id=\"yui_3_17_2_1_1686687576242_71\"\u003e\n\u003cfigure class=\"sqs-block-image-figure\n              intrinsic\" id=\"yui_3_17_2_1_1686687576242_70\"\u003e\n\u003cdiv class=\"image-block-wrapper\" data-animation-role=\"image\" id=\"yui_3_17_2_1_1686687576242_69\"\u003e\n\u003cdiv class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\" id=\"yui_3_17_2_1_1686687576242_68\"\u003e\u003cimg class=\"thumb-image loaded\" data-src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/593ed9b6d2b857c8eaf78246\/616c87b3-76f5-4227-b109-7665ec4ac012\/10IN+COAX+SPEAKER+WOS.139.png\" data-image=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/593ed9b6d2b857c8eaf78246\/616c87b3-76f5-4227-b109-7665ec4ac012\/10IN+COAX+SPEAKER+WOS.139.png\" data-image-dimensions=\"9000x3466\" data-image-focal-point=\"0.5,0.5\" data-load=\"false\" data-image-id=\"64347eec9b6214633a6450cd\" data-type=\"image\" alt=\"SourcePoint 10 exploded view\" data-image-resolution=\"1500w\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/593ed9b6d2b857c8eaf78246\/616c87b3-76f5-4227-b109-7665ec4ac012\/10IN+COAX+SPEAKER+WOS.139.png?format=1500w\" style=\"display: block; margin-left: auto; margin-right: auto;\" width=\"301\" height=\"116\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-b98439f361c5959bffa5\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eThe 8-inch Concentric Driver\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eBoasting a custom-tooled eight-inch concentric driver and 1.25-inch soft-dome tweeter, this speaker offers a point-source system that delivers impeccable control, tonal balance, and precise imaging. The woofer cone acts as a waveguide for the tweeter, maximizing the tweeter efficiency and matching directivities.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWhether you prefer relaxing, acoustic tunes, or more aggressive and electric music, the SourcePoint 8 delivers outstanding performance that will touch your soul and inspire your emotions. It conveys recordings with exceptional detail, specificity, and cleanliness while also delivering the meatiness, liveliness, and range of a much larger speaker.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTwin-Drive High-Flux Magnet System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe SourcePoint 8 delivers exceptional performance thanks to its innovative Twin-Drive high-flux neodymium magnet system. We didn't just optimize the woofer and tweeter's frequency response, we also prioritized reducing distortion in the motor structure of the drive unit. By designing the motor to minimize distortions, we've ensured that the system generates minimal additional frequencies beyond the original signal.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Twin-Drive system creates a fully symmetrical magnetic field, resulting in extremely low intermodulation distortion (IMD) and a pure, accurate sound.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe SourcePoint series represents a tour-de-force in design and engineering. Offering the same level of sonic excellence as its larger sibling, the SourcePoint 8 is a versatile and manageable package that is sure to delight audiophiles of all stripes. Its outstanding performance, elegant design, and exceptional engineering make it a worthy addition to any music lover's listening room.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block horizontalrule-block sqs-block-horizontalrule\" data-block-type=\"47\" id=\"block-899cb44ba6bbced6612a\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003chr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-4 span-4\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-4ec2d64e3f722e5c0538\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eELECTRICAL SPECS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e47Hz-30kHz\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eNominal Impedance\u003c\/strong\u003e\u003cbr\u003e8 Ohms, 6.4 Ohms minimum\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cbr\u003e87dB\/2.83V\/1m\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eCrossover Frequency\u003c\/strong\u003e\u003cbr\u003e1.6kHz\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMinimum Recommended Power\u003c\/strong\u003e\u003cbr\u003e30W\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMax Power Input\u003c\/strong\u003e\u003cbr\u003e150W\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-4 span-4\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-10439881620181013108\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePHYSICAL SPECS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions (WxHxD)\u003c\/strong\u003e\u003cbr\u003e11.4\" x 18\" x 13.2\" with grille\u003c\/p\u003e\n\u003cp class=\"\"\u003e(290 x 456 x 335)\u003c\/p\u003e\n\u003cp class=\"\"\u003e11.4\" x 18\" x 12.6\" without grille\u003c\/p\u003e\n\u003cp class=\"\"\u003e(290 x 456 x 320)\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e27.9 lb \/ 12.7kg each\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003cbr\u003eFive years parts \u0026amp; labor\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-4 span-4\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-2f5f5793e27aabb7b1f2\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e• 8-inch concentric driver\u003c\/p\u003e\n\u003cp class=\"\"\u003e• 1.25-inch wide roll soft dome tweeter\u003c\/p\u003e\n\u003cp class=\"\"\u003e• 2-way vented box\u003c\/p\u003e\n\u003cp class=\"\"\u003e• Satin Walnut real wood veneer, Satin Black Ash real wood veneer, or painted Satin White\u003c\/p\u003e\n\u003cp class=\"\"\u003e• 5-way binding posts\u003c\/p\u003e\n\u003cp class=\"\"\u003e• Magnetic grilles\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity","offers":[{"title":"Black \/ With Stand","offer_id":48575290605875,"sku":"MFSP8B-S","price":2594.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ Without Stand","offer_id":48575290638643,"sku":"MFSP8B","price":2195.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ With Grill","offer_id":51669007302963,"sku":null,"price":2285.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ With Grill \u0026 Stand","offer_id":51669007335731,"sku":null,"price":2684.0,"currency_code":"USD","in_stock":true},{"title":"Satin White \/ With Stand","offer_id":48575290671411,"sku":"MFSP8SW-S","price":2594.0,"currency_code":"USD","in_stock":true},{"title":"Satin White \/ Without Stand","offer_id":48575290704179,"sku":"MFSP8SW","price":2195.0,"currency_code":"USD","in_stock":true},{"title":"Satin White \/ With Grill","offer_id":51669007368499,"sku":null,"price":2285.0,"currency_code":"USD","in_stock":true},{"title":"Satin White \/ With Grill \u0026 Stand","offer_id":51669007401267,"sku":null,"price":2684.0,"currency_code":"USD","in_stock":true},{"title":"Walnut \/ With Stand","offer_id":48575290736947,"sku":"MFSP8W-S","price":2594.0,"currency_code":"USD","in_stock":true},{"title":"Walnut \/ Without Stand","offer_id":48575290769715,"sku":"MFSP8W","price":2195.0,"currency_code":"USD","in_stock":true},{"title":"Walnut \/ With Grill","offer_id":51669007434035,"sku":null,"price":2285.0,"currency_code":"USD","in_stock":true},{"title":"Walnut \/ With Grill \u0026 Stand","offer_id":51669007466803,"sku":null,"price":2684.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/0293\/0739\/files\/MOBILEFIDELITYSOURCEPOINT8BOOKSHELFSPEAKERSVINYLSOUND0.webp?v=1712443073"}],"url":"https:\/\/vinylsound.com\/collections\/speakers.oembed?page=6","provider":"Vinyl Sound USA","version":"1.0","type":"link"}